For Violin and Piano Piano Accompaniment; Violin (Violin/Piano)

SKU: HL.978474

Arranged by Endre Granat. LKM Music. Classical, General Worship, Sacred. Softcover. Lauren Keiser Music Publishing #S511046. Published by Lauren Keiser Music Publishing (HL.978474).

ISBN 9781638871361. UPC: 196288090922. 9.0x12.0x0.102 inches.

This one of a kind album pairs two of the most performed Ave Maria's for violin and piano, meticulously edited by Jascha Heifetz' protege, Endre Granat. The first of these is Schubert's melody, which was originally composed as a setting of a song from Walter Scott's popular narrative poem The Lady of the Lake, titled, “Ellen's Third Song” (Ellens dritter Gesang). The opening words and refrain of Ellen's song, namely “Ave Maria” (Latin for “Hail Mary”), may have led to the idea of adapting Schubert's melody as a setting for the full text of the traditional Roman Catholic prayer. The Latin version of the song is now so frequently used with Schubert's melody that it has led to the misconception that he originally wrote the melody as a setting for the “Ave Maria.” The second Ave Maria in this collection was created when Gounod famously improvised the melody over the background of J.S. Bach's Prelude No. 1 in C major, BWV 846, from The Well-Tempered Clavier. Gounod's beatiful improvisation was transcribed by his future father-in-law Pierre-Joseph-Guillaume Zimmermann, which was published with the Bach keyboard accompaniment in 1835 under the title “Méditation sur le Premier Prélude de Piano de S. Bach.” Alongside Schubert's version, the Bach/Gounod Ave Maria has become a fixture at funerals, wedding masses, and quinceañeras. Both works have been recorded hundreds of times during the twentieth century.

Violin, Piano SKU: HU.F0571537316 For Violin and Piano. Composed by Nigel Hess. Strings, Repertoire, Solos. Ladies in Lavender: Fantasy. Softcover Book. 12 pages. Faber Music #F0571537316. Published by Faber Music

By William Alwyn (1905-1985). For violin and piano. String music. Published by Stainer and Bell Ltd.

By Nigel Hess (1953-). For Violin. Part(s); Score; Solo; String - Violin and Piano. Faber Edition. 20th Century; Masterwork; Movie. Advanced; Intermediate. Published by Faber Music

By Wolfgang Rihm (1952-). For Violin, Piano. This edition: paperback. Edition Breitkopf. 14 pages. Published by Breitkopf and Haertel

Violin (violin/piano)

SKU: HL.48180989

For Violin and Piano. Composed by Henri Vieuxtemps. Leduc. Classical. CD. Alphonse Leduc #AL19945. Published by Alphonse Leduc (HL.48180989).

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. The first solo from Vieuxtemp's Concerto No. 5 is clearly printed with a helpful key of unusual techniques. Vieuxtemp (1820-1881) was an Belgian composer and violinist. He composed a significant amount of string music, particularly for the violin, which remain popular in the advanced violinist's repertoire. The violin solo line of Concerto No. 5 makes use of extended techniques, including harmonics, bow techniques, aritculations and hand positions. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.

Violin & piano

SKU: HH.HH423-FSP

Composed by Anton Eberl. Edited by Martin Harlow. Violin & Piano. Full score and parts. Duration 20 Minutes. Edition HH Music Publishers #HH423-FSP. Published by Edition HH Music Publishers (HH.HH423-FSP).

ISBN 9790708146247.

Eber l's Sonata in D major, Op. 20, the sixth of seven sonatas with violin, was composed around 1803 and dedicated to Dorothea Ertmann, the highly regarded pianist who many have suggested as Beethoven's 'Immortal Beloved', and to whom that composer dedicated his Piano Sonata in A major, Op. 101. Unlike many of Eberl's lesser contemporaries, in its duration, formal and harmonic novelty, and in the lively relationship between the violin and keyboard, his Op. 20 shares much of the musical ambition and quality of Beethoven's works in this genre. 1803 saw the publication of Eberl's Op. 20, and Beethoven's set of three sonatas with violin, Op. 30, all produced by the Bureau des Arts et d'Industrie firm in Vienna. Beethoven's set were advertised for sale in the Wiener Zeitung in May 1803, days after the premiere of his Op. 47 sonata with violin (given by George Bridgetower and Beethoven, but later dedicated to Rudolphe Kreutzer). Eberl's Op. 20 was advertised in the Wiener Zeitung six weeks later, in July 1803.

(for Violin and Piano). By Rodion Shchedrin (1932-). Violin-Bibliothek (Violin Library). 30 pages. Schott Music #VLB102. Published by Schott Music

Chamber Music & Piano Accompaniment 1 Violin 1 Piano - Grade 2

SKU: FL.FX073553

Composed by Pascal Saint-Leger. Original Composition. Classical, Educational. Score and Set of Parts. Duration 2 minutes, 15 seconds. FLEX Editions #FX073553. Published by FLEX Editions (FL.FX073553).

The young musicians will love playing this piece that will find its place in an exam or a concert. - Pascal SAINT-LEGER ;

A piece that can be played from 2 years of instrument practice ; Instruments: 1 Violin 1 Piano; Difficuly Level: Grade 2.

Violin and Piano

SKU: HL.50510754

Composed by Ernst von Dohná and nyi. 20th Century. EMB. Book Only. Op. 32/c. 32 pages. Editio Musica Budapest #Z2654. Published by Editio Musica Budapest (HL.50510754).

ISBN 9790080026540. UPC: 073999783636. 8.0x11.25x0.118 inches. Hungarian, English, German.

Ruralia Hungarica was originally a five movements cycle of piano pieces (Op. 32/a) composed in 1923 on Hungarian folk songs, dedicated to Dohnanyi's mother. In 1924, five movements of the piano cycle was orchestrated (Op. 32/b), the orchestral version was premiered under the baton of the composer on 14 September 1924, in Pecs (South Hungary). Ruralia Hungarica was one of Dohnanyi's favorite works. He often performed both the version for piano and the one for orchestra, and he composed other versions, too: three movements for violin and piano (Op. 32/c) and one movement for violoncello and piano (Op. 32/d).

(For Violin And Piano). By Doris Magaly Ruiz Lastres. For violin and piano. Score and part. 18+8 pages. Published by Hildegard Publishing Company

Violin and Piano. By Alfred Schnittke. Arranged by Daniel Hope, Ivan Sokolov. (Violin). String. Book only. Published by Sikorski.

Composed by Franz Clement. Edited by Clive Brown. Special Publications. Piano reduction and part. Published by A-R Editions (A2.S003).

Violin and Piano

SKU: BT.MUSM570366552

Composed by Sadie Harrison. Classical. Score Only. University of York Music Press #MUSM570366552. Published by University of York Music Press (BT.MUSM570366552).

English.

Aurea Luce was written at the request of Madeleine Mitchell and Geoff Poole by way ofcelebrating my 50th birthday at a concert in my home town of Shaftesbury, Dorset. The work is based on a plainsong melody sung as a hymn for the Feast of St. Peter s Chair in Rome, reflecting the dedication of the church in which the premiere took place. I started writing the work on International Women s Day 2015 and it was serendipitous that thehymn s text is ascribed very unusually to a 5th century female author, Elpis (reputedly the first wife of the philosopher Boethius). The title translates as ..with golden light.. and in context within the verse it reads as: Aurea luce et decore roseo,lux lucis, omne perfudisti seculum, decoran caelos inclito martyrio hac sacra die, quae dat reis veniam (The Poissy Antiphonal, fol. 412v) (The beauteous light of Eternity hath ooded with blissful res this golden day which crowns the Prince of the Apostles, and gives unto the guilty a free way to heaven). Duration: c. 9 minutes.

(Movements I and II Arranged for Violin and Piano). By Igor Fyodorovich Stravinsky. Arranged by David Dutkanicz. For violin piano. 8 2 pages. Duration 7 minutes. Published by Carl Fischer

Flute, Oboe, Violin and Piano

SKU: HL.14028266

Composed by Cyril Scott. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV263018. Published by Music Sales (HL.14028266).

Cyril Scott was an English composer, writer, and poet. He was essentially a late romantic composer, whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works,which include two mature symphonies, three operas, three Piano concertos,concertos for Violin, Cello, Oboe and Harpsichord, several overtures, four oratorios, as well as a mass of chamber music.

While less appreciated during his lifetime, it is Scott's late works(written between 1950 and his death) that are the most individual, with their ever-shifting harmoniccolours and wayward inflections of phrase and mood,capturing perfectly the way the mind shifts, backwards and forwards, between reminiscence, regrets, and self-assertion.

Composed in 1961 for Flute and Piano and premiered by William Bennett and Margaret Norman on November 9 of that year, Sonata For Flute is perfect  example of the genius of Scott's late works.

Composed by Arvo Part (1935-). Solo part with piano reduction. With Standard notation. Universal Edition #UE17274. Published by Universal Edition

Violin and Piano

SKU: BT.MUSM570200832

Composed by David Blake. Classical. Set (Score & Parts). University of York Music Press #MUSM570200832. Published by University of York Music Press (BT.MUSM570200832).

David Blake's Four Intermezzi arranged for Violin and Piano. Composed in 1995 and premiered in 1998 Adrian Varda and Daniel Vaiman, Royal Academy of Music, London.

Violin and piano

SKU: M7.BRP-179

Composed by Henriette Bosmans. Sheet music. Score and parts. MDS (Music Distribution Services) #BRP 179. Published by MDS (Music Distribution Services) (M7.BRP-179).

As a woman composer she found less recognition in the Netherlands, except from colleagues and friends. Cellist Marix Loevensohn frequently performed her Poème for cello and orchestra, while Louis Zimmermann, concertmaster of the Concertgebouw Orchestra, premiered the Concert Piece for Violin and Orchestra in 1935, conducted by Willem Mengelberg. Her international breakthrough began in 1938, when violinist Willem Noske played this work, full of 'Oriental moods,' in Prague and Paris. In October 1941 it was also performed several times in the United States with Ruth Posselt as violinist. However, the prospect of further international engagements became blocked by the war.

Violin and Piano

SKU: ST.H181

Composed by Adam Carse. String music. Score and part. Stainer & Bell Ltd. #H181. Published by Stainer & Bell Ltd. (ST.H181).

ISBN 9790220203688.

Violin and piano - Advanced

SKU: DY.DO-1525

Composed by David Braid. Score and part. Les Editions Doberman-Yppan #DO 1525. Published by Les Editions Doberman-Yppan (DY.DO-1525).

ISBN 9782897963057.

J'ai me les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.

Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.

Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.

Une note sur les performances :
Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :

https://open.spo tify.com/album/6p5YIe17ci 0UMuo2RqZgjR
https://m usic.apple.com/gb/album/t ransfigured-life-still-li fe-world-premiere-recordi ng/1738035953
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Trans figured Life - Still Life, Op. 165 (violin and piano) - David Braid

I am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved and developed.

In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.

The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.

A note on performance:
Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:

https:/ /open.spotify.com/album/6 p5YIe17ci0UMuo2RqZgjR
https://music.apple.com/g b/album/transfigured-life -still-life-world-premier e-recording/1738035953.

Composed by James Niblock. Chamber music. Set of parts. Duration 4:15. Published by Brotons and Mercadal (BK.100-331).