(for Violin and Piano). By Scott Joplin (1868-1917). Arranged by Wolfgang Birtel. For Violin, Piano Accompaniment. String. Softcover. 18 pages. Schott Music #ED20458. Published by Schott Music

Composed by Scott Joplin (1868-1917). Instrumental solo book and accompaniment CD for violin. With standard notation. Series: Fentone Play Along Books. 34 pages. Published by Fentone Music/De Haske.

Violin and Piano. Performed by Scott Joplin. By Scott Joplin. Arranged by Itzhak Perlman. (Violin). String Solo. Size 9x12 inches. 44 pages. Published by Schirmer.

Violin and piano

SKU: LM.26851

Composed by Jean Marc Allerme. Pop, jazz. Score and CD. Editions Henry Lemoine #26851. Published by Editions Henry Lemoine (LM.26851).

ISBN 9790230968515.

Two Days - Travel in winter - Here comes the jazz show - My friend Gabriel - Maria's memories - Never in September - When Charley meets Dan - For a moment of stillness - Time to rag - Somewhere in my heart - White and Blue song - Call me - Fleeting moment - She is gone - Like in a dream.

Violin and piano - Level 1

SKU: LM.26026

Classical. Score. Editions Henry Lemoine #26026. Published by Editions Henry Lemoine (LM.26026).

ISBN 9790230960267.

ANON YME : By an by - BACH : Choral (Passion selon St Jean) - BARTOK : Danse du gardien de cochons - BEETHOVEN : Marmotte (Lied) - BRAHMS : Serenade inutile (Lied) - BRITTEN : Air irlandais - DVORAK : Melodie tzigane - ELGAR : Marche (Pomp and Circumstance, n. 1) - HAYDN : Une histoire tres courante! (Lied) - JOPLIN : The Entertainer (Ragtime, extrait) - MAHLER : Lied (extrait du Cor merveilleux de l'enfant) - MOZART : La petite fileuse (Lied) - SCHOENBERG : Salutations (Lied) - SCHUBERT : Les fleurs du meunier (Lied) - SCHUMANN : Le Paradis et la Peri (choeur des Houris).

Book/Audio Online Guitar; Piano Accompaniment; Violin (Violin/Piano)

SKU: HL.48025055

Violin and Piano Book/Audio Online. Composed by Various. Edited by Edward Huws Jones. Boosey and Hawkes Chamber Music. Blues, Jazz, Ragtime. Softcover Audio Online. 68 pages. Boosey and Hawkes #M060138935. Published by Boosey and Hawkes (HL.48025055).

ISBN 9781784547042. UPC: 196288024316. 9.0x12.0x0.235 inches.

The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club or Sarajevo street-café. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. Each title in the series is available in two formats: the violin edition (with an optional easy violin part and guitar chords); or the complete edition, which also includes both keyboard and violin accompaniments. Either format is hugely flexible, which means themusic can be played as solos, duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance.

With a CD of Performance and Backing Tracks Complete Edition (Violin, Guitar, Piano). Composed by Various. Edited by Edward Huws Jones. Arranged by Edward Huws Jones. Boosey & Hawkes Chamber Music. Bluegrass, Blues, Jazz, Ragtime. Softcover with CD. 28 pages. Boosey & Hawkes #M060124228. Published by Boosey & Hawkes

For violin And Piano. Composed by Dan Welcher. Premiered by Paul Kantor, violin, and William Bolcom, piano, at University of Michigan, Ann Arbor, MI. Contemporary. Solo part with piano reduction. With Standard notation. Composed 2000. 8 pages. Duration 4 minutes, 30 seconds. Theodore Presser Company #164-00289. Published by Theodore Presser Company (PR.164002890).

Violin and Piano. By Howard Harrison. (Violin). Boosey and Hawkes Chamber Music. Size 8.5x11 inches. 68 pages. Published by Boosey and Hawkes.

(Violin and Piano). By Scott Joplin (1868-1917). Arranged by Donald Fraser. Fentone Instrumental Books. 28 pages. Fentone Music #F639. Published by Fentone Music .

By David Pearl (Arranger). For Violin, Piano Accompaniment. Pop, Classical, Folk. Sheet Music and Audio CD. 36 pages. Published by Music Sales.

Piano Accompaniment; Violin (Score and Solo Part) - difficult

SKU: HL.49044450

Violin and Piano. Composed by Thierry Pé and cou. This edition: Saddle stitching. Sheet music. String. Soleil-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl) as described in the cosmogony of Ancient Mexican civilisation. The element of fire is reflected in the musical soundscape of this work; rampant, rhythmic moti. Classical, Contemporary. Softcover. Composed 2013. 32 pages. Duration 6'. Schott Music #ED21888. Published by Schott Music (HL.49044450).

ISBN 9790001198639. 9.0x12.0x0.124 inches.

This work is part of a cycle of five short pieces for a single instrument and piano, focused on the five ages in the cosmogony of Ancient Mexican civilisation. The peoples of the Mexican highlands believe that time follows specific cycles and that the world was created following the pattern of 'trial and error'. The creation of the world is divided into several periods which are termed 'suns' (we are currently living in the fifth phase named 'Ollin'). Each period will be brought to an end through a natural catastrophe.Solei-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl).The element of fire is reflected in the musical soundscape of this work, constructed from rampant, rhythmic motifs, fragmented splinters, spinning upswings and impacts reverberating through space. An intimate dialogue develops between violin and piano on the basis of extremely simple figures. Interconnecting lines and dense musical material are thrown against each other in a play of contrasting registers and blended tonal colouring, creating a mysterious and disturbing mythological universe coloured by its ontological pessimism. Thierry Pecou

Soleil-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl) as described in the cosmogony of Ancient Mexican civilisation. The element of fire is reflected in the musical soundscape of this work; rampant, rhythmic motifs, fragmented splinters, spinning upswings and impacts reverberating through space create a mysterious and disturbing mythological universe coloured by its ontological pessimism. Thierry Pecou.

Violin, piano

SKU: BR.EB-9250

Composed by Nicolaus A. Huber. Solo instruments; stapled. Edition Breitkopf.

World premiere: Toronto, November 17, 2016Written for the Duo Wapiti (Genevieve Liboiron, Daniel Anez)

New music (post-2000); Music post-1945. Performance score. Composed 2016. 12 pages. Duration 12'. Breitkopf and Haertel #EB 9250. Published by Breitkopf and Haertel (BR.EB-9250).

ISBN 9790004185506. 10 x 12.5 inches.

Whereas Nono considered the world to be only fragmentarily analyzable, so-called consumer capitalism increasingly intrudes upon ego structures, by fragmenting them to the point of: assumed insufficiency, i.e., was consumption a form of infiltration?, or: in television you can see models licking face cream because it's so rich etc. (retranslated), as Meredith Haaf cited in her book review (SZ / 23.05.2016 Alexandra Kleeman: You Too Can Have A Body Like Mine) , and to the point of similar perfection-senselessness. Music doesn't do things by halves. Even when events or notes are puffed up, they can retain elegance and significance. Other ego amplitudes are of violinistic nature or are favourite memories - Paganini's Capricci, Stockhausen's Studie I, Steve Reich, the tone C and similar things. The craziest egos are quantums, because at no time are they identical with themselves. They can entangle and superpose, are nonlocal, etc. Although the sound character in this Duo is fairly open, I believe I succeeded in making probability waves of harmonic stopovers perceptible. This means hearing without analyzing and without constantly measuring. Nonlocality - without messenger particles - means no harmonic steps, but with the capacity to interact. (Nicolaus A. Huber, May 2016)

World premiere: Toronto, November 17, 2016 Written for the Duo Wapiti (Genevieve Liboiron, Daniel Anez).

SKU: HL.49046626

For Violin and Piano. Composed by Samuel Coleridge-Taylor. String. Softcover. 14 pages. Schott Music #ED14074. Published by Schott Music (HL.49046626).

UPC: 842819114628. 9.0x12.0x0.07 inches.

Samuel Coleridge-Taylor was paid three guineas for the publishing rights to his Suite de Pièces by Schott & Co. London on 24 December 1892 when the composer was just 17 years old. In the following year the work was published by Schott Music's German office in versions for both violin with piano and violin with organ. Coleridge-Taylor was born in London and brought up in Croydon. He learnt to play the violin, was recognized as a child prodigy and at 15 was awarded a scholarship to study at the Royal College of Music with Charles Villiers Stanford, where he was a contemporary of Holst and Vaughan Williams. Coleridge-Taylor described himself Anglo-African and, despite support from his colleagues, faced racism throughout his whole career. In spite of this prejudice and his tragically early death in 1912 aged just 37, he enjoyed great success during his lifetime and his music was performed at the Proms no less than 116 times between 1898 and 1939. In contrast, since 1940 his music has only been heard there on eleven occasions. Like many works, at some point in the past Suite de Pièces became out of print. Schott Music is very proud to present this new modern performing edition of the version for violin and piano. Errors and inconsistencies from the first edition have now been corrected.

Edited by Florence Titmus. Arranged by Daniel Kelley. For Violin and Piano. Solos. Recital. Level: Intermediate/Advanced. Piano Score and Solo Part. Published by Last Resort Music Publishing.

Violin and piano

SKU: M7.APUE-516186

Edited by Karen North. Sheet music. Score and part. MDS (Music Distribution Services) #APUE 516186. Published by MDS (Music Distribution Services) (M7.APUE-516186).

ISBN 9781875516186.

Lyri cal Violin Legends is an exciting collection of 20 works for violin and piano, featuring exclusively commissioned works by contemporary composers and inspiring new arrangements of 19th and 20th century compositions. Listen to the legends, discover beautiful scenes and enjoy lively dances through the alluring lyricism of this music. These exclusive commissioned works and new arrangements are suitable for intermediate level players. The violin part includes biographies of all composers and notes/ performance suggestions for each work. All pieces in Lyrical Violin Legends have free violin & piano recordings to listen to, as well as free piano backing tracks to play along with. Composers: Johannes Brahms, Antonin Dvorak, Hans Engelmann, Sally Greenaway, Greg Harradine, Jolin Jiang, Scott Joplin, Elena Kats-Chernin, Toivo Kuula, Rachel Laurin, Edward MacDowell, Felix Mendelssohn, Merryl Neille, Heather Percy, Gary Schocker.

Violin and Piano. Performed by William Bolcom. By William Bolcom. (Violin). Piano. Size 9x12 inches. 12 pages. Published by Marks.

Violin and piano

SKU: BO.B.3632

Composed by Jordi Cervello. Published by Editorial de Musica Boileau (BO.B.3632).

Duo-Sonata for violin and piano was written between September and October of 2010. It is made up of three movements, each of which has unique characteristics. The first, Allegro appassionato, is monothematic, although the theme itself is presented in several ways. Following a vigorous start featuring violin cadenza, the movement is developed with a lively feel, alternating lyrical fragments with other energetic ones. Its conclusion is resounding.

Meanwh ile, the second movement, Quasi un lamento, is introspective and fragile. A long melody is sustained by a delicate and transparent piano accompaniment, evoking once again the theme of the first movement and concluding with a Lento of descending piano harmonies while the violin follows, in octaves, with heartfelt glissando.

The third movement, Scherzando-Allegro, is a light-hearted game between the piano and the violin. The main theme is repeated once again, this time with a binary time signature. The violin uses ricochet (the rebounding of notes in a bow stroke), as well as natural and artificial harmonies in quick time. The piano part unfolds completely naturally, excluding any gratuitous artifice.

Violin and piano

SKU: BO.B.3673

Composed by Jordi Cervello. Published by Editorial de Musica Boileau (BO.B.3673).

It is a work for violin and piano inspired directly by Paganini's Capriccio No. 13, known as La risata del diavolo and one of the most renowned capriccios from the series of twenty-four composed by the celebrated Genovese violinist and composer. In my version for violin and piano, I have singled out the two essential features of the work: the third notes on a double string that emulate the devil's laughter, and the quick eighth notes that follow, all of it within a light and humorous chromaticism.

Il diavolo begins with a slow and fragmented but suggestive violin cadenza. It then follows the Allegro deciso, built on the two features mentioned above. In the central part, yet another violin cadenza of a similar character but which recalls the devil's laughter more evidently. The Allegro deciso goes on up to a carefree and virtuosic finale.

The work is dedicated to violinist Jesus Reina.

By Eta Cohen. For Violin, Piano Accompaniment. Classical. Sheet Music. 42 pages. Published by Novello and Co Ltd.