Score and Part Piano Accompaniment; Violin (Score and Solo Part) - easy SKU: ...(+)
Score and Part Piano
Accompaniment; Violin
(Score and Solo Part) -
easy
SKU:
HL.49045444
For
Violin and Piano Schott
Student Edition
Repertoire. Composed
by Oskar Rieding. Edited
by Benjamin Ramirez and
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Repertoire. Softcover.
Op. 22/3. 16 pages.
Schott Music #SE1009.
Published by Schott Music
(HL.49045444).
ISBN
9790001162005. UPC:
841886028746.
9.25x12.0x0.058 inches.
German - English -
French. (ed. Wolfgang
Birtel, Benjamin Ramirez)
Schott Student Edition
Repertoire.
This
Rondo, which originally
was the third of four
easy performance pieces
in a cycle for violin and
piano (Op. 22), is one of
Rieding's most popular
and frequently performed
pieces in violin lessons
for beginners. This
edition is part of the
new Schott Student
Edition series which
offers varied literature
at five different levels
of difficulty, from 1
(easy) to 5 (difficult),
for instrumental
lessons.
About Schott
Student
Edition
Th
e Schott Student Edition
gathers instrumental
works for music lessons
providing a unique and
varied repertoire
resource including
standard teaching works,
lesser known pieces which
are perfectly suited to
lessons as well as to
student concerts and
competitions.
Th
e repertoire is divided
into levels 1-5, from
very easy to difficult,
and includes works from
the Renaissance up to
modern performance
pieces. Each title is
graded, from very easy
works for beginners up to
demanding pieces for more
advanced students who are
preparing for further
study or
examinations.
Ev
ery work in the series
has been carefully
selected and edited by
experienced music
teachers. The editions
also contain a wealth of
information on the pieces
as well as useful advice
on studying, rehearsing
and interpreting the
works. The first titles
to be published in the
Schott Student Edition
series contain works for
violin, violoncello,
flute, clarinet and
recorder. Further
editions are in
preparation.
Chamber Music Cello, Piano, Violin SKU: PR.414411630 Composed by Shulamit...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.414411630
Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation.
28+28+20+24+20+24 pages.
Duration 20 minutes.
Theodore Presser Company
#414-41163. Published by
Theodore Presser Company
(PR.414411630).
ISBN
9781491114551. UPC:
680160089956. 9.5 x 13
inches.
EXCURSIONS
is a one-movement work
exploring two
“characters.â€
A rhapsodic, descending
passage is introduced by
the cello, followed by
a static,
chorale-like phrase for
the violin and cello.
Their individual
developments are
separated by a slow,
contrasting middle
section. The composer has
written: “This is
analogous to situations
in life: we stand by a
crossroad, choosing one
option and forfeiting the
other. But in art, the
realm of the imagination,
we can perhaps afford to
pursue more than one
route to its ultimate
destination… or can
we? It is symbolic that
in this work both roads
eventually lead to the
same
place.â€. Excursi
ons for violin, cello and
piano, is a one-movement
work of tripartite
structure in which
materials explored in the
first of three large
sections are brought back
in the last section.Â
The traditional
statement-contrast-restat
ement form, which is
readily suggested by such
a description, is,
however, not at all in
the mold in which the
work is cast. Rather,
my aim was to subject the
essential materials of
the piece (two
“charactersâ€
–the rhapsodic,
descending passage played
by the cello in the very
opening and, later, a
static, slow moving,
chorale-like phrase for
the violin and cello) to
two entirely different
developments separated by
a slow, contrasting
middle section. This
is analogous to an
exploration of the
ramifications that two
divergent choices made by
the same person might
lead to. In life, as
we stand by a crossroad,
choosing one option
usually means having to
forfeit the other.Â
But in art, the realm of
the imagination, we can
perhaps afford to pursue
more than one route to
its ultimate
destination…or can
we? It is, I believe,
symbolic that in this
work both roads
eventually lead to the
same place: in composing
Excursions, it seemed
absolutely inescapable
that at the end the slow,
contrasting middle
sections – both
more resigned and
peaceful than the
battling spirits of the
outer parts –
should return briefly to
end the work. The
piano trio combination
(once highly favored, but
to this composer still as
challenging today) is
approached here as a
collaborative effort of
three equal soloists
– partners. Of
the available pairings,
the two strings find
themselves occasionally
approached as a team
pitted against the
piano. The
cello-piano combination
is also not uncommon
here, and there is an
extended violin cadenza
toward the end of the
piece. The writing
for the three instruments
is closely and at times
interlinked, but the
players are all
instructed to play from
scores. Excursions was
first performed at
Brandeis University in
1982.
Chamber Music violin, piano SKU: PR.144407050 Composed by James Primosch....(+)
Chamber Music violin,
piano
SKU:
PR.144407050
Composed
by James Primosch. Set of
Score and Parts. With
Standard notation. 28+12
pages. Duration 20
minutes. Theodore Presser
Company #144-40705.
Published by Theodore
Presser Company
(PR.144407050).
UPC:
680160655519. 9 x 12
inches.
Celebrating
30 years, the
Philadelphia Chamber
Music Society
commissioned a work of
20-25 minutes for violin
and piano from James
Primosch, University of
Pennsylvania professor of
music. Primosch had
originally thought to
create a new sonata, but
what developed is more
appropriately a set of
five character pieces,
two of which were
directly inspired by
poems. Five Poems was
premiered in May, 2016,
and Primosch's thoughts
are recorded at his
website:
https://jamesprimosch.com
/2016/05/10/five-poems-pr
emiere/. Upon
receiving a commission
from the Philadelphia
Chamber MusicSociety for
a violin and piano piece
in honor of its 30th
anniversary, myplan was
to write a sonata, a term
suggesting a relatively
abstractdiscourse. But as
the piece developed, the
movements struck me
ascharacter pieces rather
than music employing a
more
“symphonicâ€ap
proach. When specific
poems started to attach
themselves in my mindwith
two of the movements, the
overall title Five Poems
became clear.The title of
the second movement is a
line from Susan
Stewart’s“De
scentâ€, which deals
with Aeneas’s
visit to the underworld.
The musicis alternately
fiercely driving and
quite still, though
tense.
RobertFrost’s
Nothing Gold Can Stay
summons fleet scale
passages framinglyrical
counterpoint. The
remaining movements do
not refer to
specificpoems, but have
titles reflecting their
expressive tone.
Dreamscape ismusing with
an improvisatory violin
line over shifting pairs
of pianochords. Nightsong
is a bluesy lullaby that
turns highly
dramatic.Vision begins
with a closely argued
struggle but breaks
through tosomething
spacious and clear.
Piano Accompaniment; Violin (Score and Solo Part) SKU: HL.48024685 Red...(+)
Piano Accompaniment;
Violin (Score and Solo
Part)
SKU:
HL.48024685
Reduction for Violin
and Piano. Composed
by Magnus Lindberg.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 76 pages.
Duration 1500 seconds.
Boosey & Hawkes
#M060136313. Published by
Boosey & Hawkes
(HL.48024685).
ISBN
9781784545406. UPC:
888680952594.
9.0x12.0x0.323
inches.
Dating from
2015, this work was a
commission from the
London Philharmonic
Orchestra, Stiftung
Berliner Philharmoniker,
Swedish Radio Symphony
Orchestra, Radio France
and New York
Philharmonic. Its
dedicatee is Frank Peter
Zimmermann, whose
performance suggestions
have been incorporated
into the score. Cast in a
single 25-minute span,
the concerto falls into
three movements, plus
cadenza. London's
Financial Times
commented,...there is no
lack of technical
discipline. The
atmosphere, though, is
brooding...a panoramic
vista opens up of dark
clouds over forests and
lakes, of repressed
passions and baleful
desires..
By George Frideric Handel. Edited by Davisson/Ramin. For violin, piano. Nos. 3(A...(+)
By George Frideric
Handel. Edited by
Davisson/Ramin. For
violin, piano. Nos. 3(A),
10(g), 12(F); HWV361,
368, 370 Includes music,
plus CD recording of
piano part. Published by
C.F. Peters.
By George Frideric Handel. Edited by Davisson, Ramin(Urtext). For violin (record...(+)
By George Frideric
Handel. Edited by
Davisson, Ramin(Urtext).
For violin (recorder),
piano (violoncello ad
lib). Nos.1-3(A,g,F).
Published by C.F. Peters.
For Violin and Piano Schott Student Edition. Composed by Oskar Rieding. E...(+)
For Violin and Piano
Schott Student
Edition. Composed by
Oskar Rieding. Edited by
Wolfgang Birtel, Benjamin
Ramirez. This edition:
Saddle stitching. Sheet
music. Schott Student
Edition. Classical.
Softcover. 1004. 16
pages. Schott Music
#SE1004. Published by
Schott Music
(HL.49045678).
By George Frideric Handel. Edited by Davisson, Ramin(Urtext). For violin (record...(+)
By George Frideric
Handel. Edited by
Davisson, Ramin(Urtext).
For violin (recorder),
piano (violoncello ad
lib). Nos.3-6(D,A,E).
Published by C.F. Peters.