Violin and Piano SKU: AP.36-60710009 From Preludes, Book 2. Arrang...(+)
Violin and Piano
SKU:
AP.36-60710009
From Preludes, Book
2. Arranged by Claude
Debussy and ed./arr.
Lucien Garban. Violin.
Master String Series.
Book. LudwigMasters
Publications
#36-60710009. Published
by LudwigMasters
Publications
(AP.36-60710009).
ISBN
9798888521786. UPC:
676737764432.
English.
Unlike
Bach and Chopin, Claude
Debussy (1862-1918) wrote
his twenty-four Préludes
for solo piano without a
clearly organized pattern
of key relationships.
They were written from
December 1909 to April
1913, in two sets, with
twelve preludes to each
volume. Jane Mortier
delivered the premiere of
the first volume on May
3, 1911, at the Salle
Pleyel in Paris. Walter
Morse Rummel gave the
first complete
performance of the second
volume on June 12, 1913,
at the Aeolian Hall in
London. Prelude No. 5
from Book 2, subtitled
Bruyéres, bears
similarity to another of
his works for piano, La
Fille aux cheveux de lin
(The Girl with the Flaxen
Hair). The pianist
Marguerite Long, a friend
of the composer,
suggested that it sounded
reminiscent of the
mingling scent of sea
mist and pines. French
composer and arranger
Lucien Garban completed
this transcription of No.
5 from Book 2 (Bruyères)
for violin and piano in
1926. Reprint
edition.
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are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan W...(+)
Chamber Music Clarinet,
Piano, Violin
SKU:
PR.164002390
Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
Composed 1995. 26+14+14
pages. Duration 14
minutes. Theodore Presser
Company #164-00239.
Published by Theodore
Presser Company
(PR.164002390).
UPC:
680160038091.
I
became interested in the
work of Plato through my
friend and collaborator,
the writer and
philosopher Paul
Woodruff. Paul's new
translation, with
Alexander Nehamas, of the
Symposium gave me
insights into ancient
Greek ways of thinking
about Love, Beauty, and
Wisdom -- and managed to
keep the earthy, and
often bawdy side of it
all in full view. But
their new translation of
Plato's later dialogue
Phaedrus went even
further: the beauty of
the speeches is
breathtaking, and the
discourse itself is
enough to keep one awake
at night. Basically the
Great Speech of Socrates
in the Phaedrus dialogue
has to do with the place
of Eros in the world, and
with the conflict in the
soul between fleshly
pleasure and philosophic
discovery. I will not
attempt to encapsulate
this brilliant discourse
in a program note:
suffice it to say that
reading it gave rise to
my two-sided work for
clarinet, violin, and
piano, Phaedrus. The
first movement represents
the Philosophic life, and
is thus subtitled
Apollo's Lyre (Invocation
and Hymn). It begins with
an unaccompanied melody
for the clarinet, which
(after a pair of
harp-like flourishes for
the piano, expands into
an accompanied canon. The
voices in the dialogue
(clarinet and violin)
follow each other by a
prescribed number of
beats, but the music is
totally devoid of any
meter at all. The piano,
representing the lyre,
accompanies this lyric
love-feast with repeated
strummed chords. The
canon has three large
sections, and ends with
violin echoing the
unaccompanied clarinet
invocation as the sound
of the lyre fades. The
second movement, called
Dionysus' Dream-Orgy
(Ritual Dance) presents,
after a brief
introduction, another
kind of unmetered music.
Rather than long lyric
flights of philosophic
song, however, this time
we hear a unison dance of
unbridled energy and
sensual transport. The
piece soon forms itself
into a loose arch form,
with contrasting metered
dance sections divided by
the unison unmetered orgy
tune. Midway through the
movement, Apollo's melody
returns from the first
movement, but it is a
temporary reminiscence.
The orgiastic dance
returns, reaches a
climax, and ends with a
stomping of feet. While
Plato asserts that a
proper balance between
lust and reason is
necessary in all men, he
(naturally) gives the nod
to Philosophy as the
better choice in which to
live. Not so in my music:
the two sides are meant
to coexist and to
complement each other. No
sides are taken. Phaedrus
was commissioned of the
Verdehr Trio by Michigan
State University. It is
dedicated to the Vedehr
Trio with great affection
and admiration.
By Walter Damrosch. Chamber ensemble. For Violin, piano. Chamber Music. Sonata f...(+)
By Walter Damrosch.
Chamber ensemble. For
Violin, piano. Chamber
Music. Sonata for violin
and piano that bridges
the gap between late
Romantic and early
contemporary styles. Late
Romantic. Score and part.
43 pages. Duration 27:00.
Published by Wolfhead
Music. (WM510)
Level: Advanced.
Two Romances Violon et Piano - Intermédiaire Latham Music Enterprises
Violin, Piano - Grade 3 SKU: AP.36-52710008 For Violin and Piano. ...(+)
Violin, Piano - Grade 3
SKU:
AP.36-52710008
For
Violin and Piano.
Composed by Elfrida
Andree. Arranged by Lynne
Latham. Solo; Solo Small
Ensembles; String -
Violin Solo and Piano.
Ludwig Masters. Book.
Latham Music Enterprises
#36-52710008. Published
by Latham Music
Enterprises
(AP.36-52710008).
ISBN
9781682967195. UPC:
660355061141.
English.
Reminiscen
t of Mendelssohn's Song
Without Words, but with
an expanded harmonic
language. Piano part for
No. 2 is advanced.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Flute, Oboe, Violin and Piano SKU: HL.14028266 Composed by Cyril Scott. M...(+)
Flute, Oboe, Violin and
Piano
SKU:
HL.14028266
Composed
by Cyril Scott. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV263018.
Published by Music Sales
(HL.14028266).
Cyril
Scott was an
English composer, writer,
and poet. He was
essentially a late
romantic composer, whose
style was at the same
time strongly influenced
by impressionism. His
harmony was notably
exotic.
Scott wrote
around four hundred
works,which include two
mature symphonies, three
operas, three Piano
concertos,concertos for
Violin, Cello, Oboe and
Harpsichord, several
overtures, four
oratorios, as well as a
mass of chamber
music.
While
less appreciated during
his lifetime, it is
Scott's late
works(written between
1950 and his death) that
are the most individual,
with their ever-shifting
harmoniccolours and
wayward inflections of
phrase and mood,capturing
perfectly the way the
mind shifts, backwards
and forwards, between
reminiscence, regrets,
and self-assertion.
Composed
in 1961 for Flute and
Piano and premiered by
William Bennett and
Margaret Norman on
November 9 of that year,
Sonata For
Flute is
perfect example of
the genius of
Scott's late
works.
Violin, piano SKU: BR.EB-9386 Urtext. Composed by Joachim Raff. So...(+)
Violin, piano
SKU:
BR.EB-9386
Urtext. Composed
by Joachim Raff. Solo
instruments. Edition
Breitkopf. Sonata;
Romantic. Sheet Music.
Duration 27'. Breitkopf
and Haertel #EB 9386.
Published by Breitkopf
and Haertel (BR.EB-9386).
ISBN 9790004188569. 0
x 0 inches.
The
Violin Sonata No. 1 in E
minor, op. 73, a Grand
Sonata for Violin and
Piano, occupies an
important position in
Joachim Raff's oeuvre: it
reflects numerous
artistic, aesthetic,
biographical, and
reception-historical
aspects characteristic of
Raff. The work was
composed in Weimar in
1854, when Raff was going
through a process of
artistic self-discovery.
He increasingly distanced
himself from his mentor
Franz Liszt and
intensively explored
Wagner as well as the
ideal of absolute music -
this is also reflected in
the music of the sonata.
While Raff described the
first two movements as
objectified, he perceived
the last two movements as
a piece of him, that is,
not free of extra-musical
influences.The 1st
movement, with its
expansive main theme, is
reminiscent of
Mendelssohn; the 2nd
movement reveals the
refinement of
classical-romantic work
with musical material.
The 3rd movement, with
its partly rhythmic,
virtuoso accompanying
figures and harmonically
advanced passages, allows
a deeply romantic, almost
tormented insight into a
soul life a la Sturm und
Drang. The partly
irascible last movement
revisits already familiar
themes and thus creates a
musical framework.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
First
Urtext Edition of the
Grand Sonata for Violin
and Piano.