Violin and piano - easy to intermediate SKU: HL.49003966 Edited by Gustav...(+)
Violin and piano - easy
to intermediate
SKU:
HL.49003966
Edited by
Gustav Lenzewski. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. 80 pages.
Schott Music #ED 2789.
Published by Schott Music
(HL.49003966).
Violon et Piano [Partie séparée] - Intermédiaire Carl Fischer
Arranged by Fritz Kreisler (1875-1962). Piano/violin book (includes separate vio...(+)
Arranged by Fritz
Kreisler (1875-1962).
Piano/violin book
(includes separate violin
performance part) for
violin and piano. With
introductory text and
black and white photos.
164 pages. Published by
Carl Fischer.
Edited by Elizabeth Turnbull. Set of performance parts (includes separate pull-o...(+)
Edited by Elizabeth
Turnbull. Set of
performance parts
(includes separate
pull-out violin part) for
violin and piano. With
solo part and piano
accompaniment. 55 pages.
Published by Music Sales.
Violin and Piano - easy SKU: BT.DOW-04527-400 Composed by Ferdinand Kuchl...(+)
Violin and Piano - easy
SKU:
BT.DOW-04527-400
Composed by Ferdinand
Kuchler. Dowani 3 Tempi
Play Along. Book with CD.
Composed 2010. 16 pages.
Dowani #DOW 04527-400.
Published by Dowani
(BT.DOW-04527-400).
Score and Part Piano Accompaniment; Violin (Score and Solo Part) - easy SKU: ...(+)
Score and Part Piano
Accompaniment; Violin
(Score and Solo Part) -
easy
SKU:
HL.49045444
For
Violin and Piano Schott
Student Edition
Repertoire. Composed
by Oskar Rieding. Edited
by Benjamin Ramirez and
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Repertoire. Softcover.
Op. 22/3. 16 pages.
Schott Music #SE1009.
Published by Schott Music
(HL.49045444).
ISBN
9790001162005. UPC:
841886028746.
9.25x12.0x0.058 inches.
German - English -
French. (ed. Wolfgang
Birtel, Benjamin Ramirez)
Schott Student Edition
Repertoire.
This
Rondo, which originally
was the third of four
easy performance pieces
in a cycle for violin and
piano (Op. 22), is one of
Rieding's most popular
and frequently performed
pieces in violin lessons
for beginners. This
edition is part of the
new Schott Student
Edition series which
offers varied literature
at five different levels
of difficulty, from 1
(easy) to 5 (difficult),
for instrumental
lessons.
About Schott
Student
Edition
Th
e Schott Student Edition
gathers instrumental
works for music lessons
providing a unique and
varied repertoire
resource including
standard teaching works,
lesser known pieces which
are perfectly suited to
lessons as well as to
student concerts and
competitions.
Th
e repertoire is divided
into levels 1-5, from
very easy to difficult,
and includes works from
the Renaissance up to
modern performance
pieces. Each title is
graded, from very easy
works for beginners up to
demanding pieces for more
advanced students who are
preparing for further
study or
examinations.
Ev
ery work in the series
has been carefully
selected and edited by
experienced music
teachers. The editions
also contain a wealth of
information on the pieces
as well as useful advice
on studying, rehearsing
and interpreting the
works. The first titles
to be published in the
Schott Student Edition
series contain works for
violin, violoncello,
flute, clarinet and
recorder. Further
editions are in
preparation.
Composed by Edouard Lalo (1823-1892), edited by Yehudi Menuhin. Set of performan...(+)
Composed by Edouard Lalo
(1823-1892), edited by
Yehudi Menuhin. Set of
performance parts
(includes separate
pull-out violin part) for
violin and piano. Opus
21. With solo part and
piano reduction. 44
pages. Published by C.F.
Peters.
Violin, Piano SKU: BA.BA11086 Composed by Thomas Daniel Schlee. Stapled. ...(+)
Violin, Piano
SKU:
BA.BA11086
Composed
by Thomas Daniel Schlee.
Stapled. Urauffuhrung
24.10.2017, Wien.
Performance score, Part
(1). Opus 82. 20/9 pages.
Baerenreiter Verlag
#BA11086_00. Published by
Baerenreiter Verlag
(BA.BA11086).
ISBN
9790006564446. 32.5 x
25.5 cm inches.
A
suite whose movements
always deliver something
other than what they seem
to promise. But
throughout, the two
instruments and
respectively their
players act like two
people in very specific
situations:
I.:
The opening movement is
reserved for the piano;
the initially earnest,
solitary cantilena
intensifies creating
expectation.
Suddenly II.: the
violin sounds. Its moving
figures replace the now
silent piano, also
soloistically. III.
„Passacaglia“
: The title is taken
literally – the
two instruments/persons
encounter each other in
the street. Two musical
characters who meet at a
specific point, recognize
each other, but move on
again, each one by
itself. IV.
„Rondo“: The
two of them dance
together. Before me, I
saw people dancing the
Sardana – a round
dance – in front
of the cathedral of
Barcelona. Four themes in
different time signatures
circle ceaselessly
between the two
instruments. V.
„Fuga“: At
last, regardless, panic
flight – again the
title is taken literally
... Human, only too human
…
