Violin and Piano. Composed by Camille Saint-Saens (1835- 1921). Edited by Peter...(+)
Violin and Piano.
Composed by
Camille Saint-Saens
(1835-
1921). Edited by Peter
Jost.
Sheet music. Henle Music
Folios. Classical.
Softcover.
G. Henle #HN1238.
Published
by G. Henle
Edited by Florence Titmus. Arranged by Daniel Kelley. For Violin and Piano. Solo...(+)
Edited by Florence
Titmus. Arranged by
Daniel Kelley. For Violin
and Piano. Solos.
Recital. Level:
Intermediate/Advanced.
Piano Score and Solo
Part. Published by Last
Resort Music Publishing.
Violin & Orchestra Reduction (Piano). Composed by Claude Debussy (1862-1...(+)
Violin & Orchestra
Reduction
(Piano). Composed by
Claude
Debussy (1862-1918) and
Robert Orledge. Arranged
by
Robert Orledge. String.
Softcover. 34 pages.
Schott
Music #VLB214. Published
by
Schott Music
Violin, Piano SKU: BA.BA11086 Composed by Thomas Daniel Schlee. Stapled. ...(+)
Violin, Piano
SKU:
BA.BA11086
Composed
by Thomas Daniel Schlee.
Stapled. Urauffuhrung
24.10.2017, Wien.
Performance score, Part
(1). Opus 82. 20/9 pages.
Baerenreiter Verlag
#BA11086_00. Published by
Baerenreiter Verlag
(BA.BA11086).
ISBN
9790006564446. 32.5 x
25.5 cm inches.
A
suite whose movements
always deliver something
other than what they seem
to promise. But
throughout, the two
instruments and
respectively their
players act like two
people in very specific
situations:
I.:
The opening movement is
reserved for the piano;
the initially earnest,
solitary cantilena
intensifies creating
expectation.
Suddenly II.: the
violin sounds. Its moving
figures replace the now
silent piano, also
soloistically. III.
„Passacaglia“
: The title is taken
literally – the
two instruments/persons
encounter each other in
the street. Two musical
characters who meet at a
specific point, recognize
each other, but move on
again, each one by
itself. IV.
„Rondo“: The
two of them dance
together. Before me, I
saw people dancing the
Sardana – a round
dance – in front
of the cathedral of
Barcelona. Four themes in
different time signatures
circle ceaselessly
between the two
instruments. V.
„Fuga“: At
last, regardless, panic
flight – again the
title is taken literally
... Human, only too human
…
(with Piano Accompaniment) Edited by Josef Gingold. For violin solo and piano ac...(+)
(with Piano
Accompaniment) Edited by
Josef Gingold. For violin
solo and piano
accompaniment. Format:
violin solo book. With
solo part, standard
notation, fingerings,
bowings and piano
accompaniment. Classical.
60 pages. 9x12 inches.
Published by G. Schirmer,
Inc.
Score and Part Piano Accompaniment; Violin (Score and Solo Part) - easy SKU: ...(+)
Score and Part Piano
Accompaniment; Violin
(Score and Solo Part) -
easy
SKU:
HL.49045444
For
Violin and Piano Schott
Student Edition
Repertoire. Composed
by Oskar Rieding. Edited
by Benjamin Ramirez and
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Repertoire. Softcover.
Op. 22/3. 16 pages.
Schott Music #SE1009.
Published by Schott Music
(HL.49045444).
ISBN
9790001162005. UPC:
841886028746.
9.25x12.0x0.058 inches.
German - English -
French. (ed. Wolfgang
Birtel, Benjamin Ramirez)
Schott Student Edition
Repertoire.
This
Rondo, which originally
was the third of four
easy performance pieces
in a cycle for violin and
piano (Op. 22), is one of
Rieding's most popular
and frequently performed
pieces in violin lessons
for beginners. This
edition is part of the
new Schott Student
Edition series which
offers varied literature
at five different levels
of difficulty, from 1
(easy) to 5 (difficult),
for instrumental
lessons.
About Schott
Student
Edition
Th
e Schott Student Edition
gathers instrumental
works for music lessons
providing a unique and
varied repertoire
resource including
standard teaching works,
lesser known pieces which
are perfectly suited to
lessons as well as to
student concerts and
competitions.
Th
e repertoire is divided
into levels 1-5, from
very easy to difficult,
and includes works from
the Renaissance up to
modern performance
pieces. Each title is
graded, from very easy
works for beginners up to
demanding pieces for more
advanced students who are
preparing for further
study or
examinations.
Ev
ery work in the series
has been carefully
selected and edited by
experienced music
teachers. The editions
also contain a wealth of
information on the pieces
as well as useful advice
on studying, rehearsing
and interpreting the
works. The first titles
to be published in the
Schott Student Edition
series contain works for
violin, violoncello,
flute, clarinet and
recorder. Further
editions are in
preparation.
Composed by Jascha Heifetz, edited by Eric Wen. Collection and set of performanc...(+)
Composed by Jascha
Heifetz, edited by Eric
Wen. Collection and set
of performance parts for
violin solo and piano
accompaniment. With
bowings, fingerings,
introductory text and
discography. 128 pages.
Published by Carl
Fischer.
Violin (Violin) SKU: HL.48181197 For Violin and Piano. Composed by...(+)
Violin (Violin)
SKU:
HL.48181197
For
Violin and Piano.
Composed by Raymond
Gallois Montbrun. Leduc.
Classical. Softcover.
Alphonse Leduc #AL20480.
Published by Alphonse
Leduc (HL.48181197).
Written by
Raymond Gallois-Montbrun,
Confidence from an Old
Clock is the third piece
of a set of twelve called
Janceline's Dreams for
Violin and Piano. Easy to
play, these twelve pieces
were composed for
beginner violinists, to
practise the use of the
first position playing
music. This piece will be
really enjoyable to play
for young players. The
full set features: I.
Quadrille des soldats de
plomb / Lead soldiers?
quadrille II. Complainte
du petit bossu / Lament
of the hunchback III.
Confidence d?une vieille
horloge / Confidence from
an old clock IV. Sourire
a Morphee / Smile to
Morpheus V. Le manege des
sept nains / Carousel of
the seven dwarves VI.
Chagrin pres d?une
fontaine / Sorrow on a
fountain VII. Polka du
Rossignol / Bird?s polka
VIII. Siciliette Reine
des siciles / Siciliette,
Queen of Sicilia IX.
Minuetti Prince de la
danse / Minuetti, Prince
of the dance X. Le jardin
des ombres / The shadow
garden XI. Remords de
Carabosse / Guilt of the
wicked witch XII. La
ronde des Grillons / The
crickets? rondo. Raymond
Gallois-Montbrun
(1918-1994) was born in
Indochine and studied
music at the Paris
Conservatoire. He
received many first
Prizes including the
Grand Prix de Rome in
1944 and became the
Director of the Paris
Conservatoire for
twenty-one years. He
composed numerous pieces
including many symphonic
works.
(16 concert pieces for violin and piano). Composed by Kathy and David Blackwell....(+)
(16 concert pieces for
violin and piano).
Composed by Kathy and
David Blackwell. Edited
by Kathy Blackwell and
David Blackwell. For
violin and piano. All
String Time. Level B-C
(easy - moderately
difficult). Book and CD.
64 pages. Published by
Oxford University Press
Violon et Piano [Set de Parties séparées] - Intermédiaire Schirmer
Composed by Camille Saint-Saens (1835-1921), arranged by Henry Schradieck. For v...(+)
Composed by Camille
Saint-Saens (1835-1921),
arranged by Henry
Schradieck. For violin
and piano. Schirmer
Library Vol..224. Format:
set of performance parts
(includes separate pull
out violin part). With
solo part and piano
accompaniment. Romantic
period. 20 pages. 9x12
inches. Published by G.
Schirmer, Inc..
For Violin and Piano. By Camille Saint-Saens. Edited by Gustave Saenger. Arrange...(+)
For Violin and Piano. By
Camille Saint-Saens.
Edited by Gustave
Saenger. Arranged by
Gustave Saenger. For
Piano, Violin. Solo part
with piano reduction.
Opus 28. 16 pages.
Published by Carl
Fischer.
Violin and Piano SKU: AY.VLP3174PM Composed by Carles M. Eroles. Strings ...(+)
Violin and Piano
SKU:
AY.VLP3174PM
Composed
by Carles M. Eroles.
Strings - Violin. Score &
Parts. Duration 9'.
Periferia Publishing
#VLP3174PM. Published by
Periferia Publishing
(AY.VLP3174PM).
ISBN
9790543572980.
The
material introduced by
the piano of the
beginning a solo is the
one that serves of
vertebral axis of the
work, that has nearly the
form of a rondo. This
introduction is based on
isolated, naked notes,
with a constant rythm of
the eighths that create a
big intervalic space
between them. Later on,
that will be used as a
support to an espressive
melody of the violin,
that will take this
material and will expose
it in pizzicato. In this
way will be used as
accompaniment to a very
suggestive and lyric
fragment of the piano
that covers nearly all
the registers of the
instrument. This will
lead to a second section
of the work, of a very
rythmic and intense
character of both
instruments. The third
section, the most
expressive of the work,
it's iniciated with some
chords of the piano that
little by litlle
dissapear and remembers
the introduction. Here,
the violin develops a
melody of big lirism,
supported by the piano
witht he material of the
introduction, but this
time there are non
isolated notes but full
chords that disintegrate
again at the end, taking
up again the idea of a
fragment of the first
section of the piece by
means of the piano. Far
from free instrumental
effects, the work looks
mainly for a direct
communication with the
listener.
Composed by Edouard Lalo (1823-1892), edited by Yehudi Menuhin. Set of performan...(+)
Composed by Edouard Lalo
(1823-1892), edited by
Yehudi Menuhin. Set of
performance parts
(includes separate
pull-out violin part) for
violin and piano. Opus
21. With solo part and
piano reduction. 44
pages. Published by C.F.
Peters.