Piano Accompaniment; Violin (Score and Solo Part) SKU: HL.49045340 For...(+)
Piano Accompaniment;
Violin (Score and Solo
Part)
SKU:
HL.49045340
For
Violin and Piano.
Composed by Fazil Say.
This edition: Saddle
stitching. Sheet music.
String. Classical.
Softcover. Composed 1987.
32 pages. Duration 16'.
Schott Music #VLB192.
Published by Schott Music
(HL.49045340).
ISBN
9790001202558. UPC:
841886030787.
9.0x12.0x0.094
inches.
This work
by 17-year-old Fazil Say
is from the early
creative period of the
Turkish composer.
Supported by Aribert
Reimann and David Levine,
he composed the four
pieces for the 750th
anniversary of the
founding of Berlin, and
they were premiered
during the celebrations
in 1987. The first
monodic piece already
shows the oriental melody
that became more
pronounced later, whereas
the other pieces surprise
with novel tone colours,
inside-piano effects and
specific rhythmic
features.
Poeme Violon et Piano Lauren Keiser Music Publishing
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.978471 For Violin a...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.978471
For Violin and
Piano. Composed by
Ernest Chausson. Arranged
by Endre Granat. LKM
Music. Classical.
Softcover. 23 pages.
Lauren Keiser Music
Publishing #S511047.
Published by Lauren
Keiser Music Publishing
(HL.978471).
ISBN
9781638875994. UPC:
196288090915.
9.0x12.0x0.194
inches.
When the
great Belgian violin
virtuoso Eugene Ysaye
tried to commission a
violin concerto, Chausson
declined and suggested a
one movement work, Poeme,
Op 25. (1896). The
premiere took place at
the Conservatoire of
Nancy in 1896 with Ysaye
as soloist. The first
Paris performance (1897)
was a huge success for
the composer who was yet
relatively unknown.
Chausson wrote three
versions of the Poeme:
with orchestra, with
piano accompaniment, and
a version with piano and
string quartet, the same
setting as his Concerto
in D for piano, violin,
and string quartet, Op.
21 (1892). The violin
parts are identical in
all three versions.
Ysaye's helping hand in
writing a most
violinistic solo part is
noticeable throughout the
composition.
Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan W...(+)
Chamber Music Clarinet,
Piano, Violin
SKU:
PR.164002390
Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
Composed 1995. 26+14+14
pages. Duration 14
minutes. Theodore Presser
Company #164-00239.
Published by Theodore
Presser Company
(PR.164002390).
UPC:
680160038091.
I
became interested in the
work of Plato through my
friend and collaborator,
the writer and
philosopher Paul
Woodruff. Paul's new
translation, with
Alexander Nehamas, of the
Symposium gave me
insights into ancient
Greek ways of thinking
about Love, Beauty, and
Wisdom -- and managed to
keep the earthy, and
often bawdy side of it
all in full view. But
their new translation of
Plato's later dialogue
Phaedrus went even
further: the beauty of
the speeches is
breathtaking, and the
discourse itself is
enough to keep one awake
at night. Basically the
Great Speech of Socrates
in the Phaedrus dialogue
has to do with the place
of Eros in the world, and
with the conflict in the
soul between fleshly
pleasure and philosophic
discovery. I will not
attempt to encapsulate
this brilliant discourse
in a program note:
suffice it to say that
reading it gave rise to
my two-sided work for
clarinet, violin, and
piano, Phaedrus. The
first movement represents
the Philosophic life, and
is thus subtitled
Apollo's Lyre (Invocation
and Hymn). It begins with
an unaccompanied melody
for the clarinet, which
(after a pair of
harp-like flourishes for
the piano, expands into
an accompanied canon. The
voices in the dialogue
(clarinet and violin)
follow each other by a
prescribed number of
beats, but the music is
totally devoid of any
meter at all. The piano,
representing the lyre,
accompanies this lyric
love-feast with repeated
strummed chords. The
canon has three large
sections, and ends with
violin echoing the
unaccompanied clarinet
invocation as the sound
of the lyre fades. The
second movement, called
Dionysus' Dream-Orgy
(Ritual Dance) presents,
after a brief
introduction, another
kind of unmetered music.
Rather than long lyric
flights of philosophic
song, however, this time
we hear a unison dance of
unbridled energy and
sensual transport. The
piece soon forms itself
into a loose arch form,
with contrasting metered
dance sections divided by
the unison unmetered orgy
tune. Midway through the
movement, Apollo's melody
returns from the first
movement, but it is a
temporary reminiscence.
The orgiastic dance
returns, reaches a
climax, and ends with a
stomping of feet. While
Plato asserts that a
proper balance between
lust and reason is
necessary in all men, he
(naturally) gives the nod
to Philosophy as the
better choice in which to
live. Not so in my music:
the two sides are meant
to coexist and to
complement each other. No
sides are taken. Phaedrus
was commissioned of the
Verdehr Trio by Michigan
State University. It is
dedicated to the Vedehr
Trio with great affection
and admiration.
Valse Caprice Violon et Piano Lauren Keiser Music Publishing
Piano Accompaniment; Violin SKU: HL.370322 For Violin and Piano Master...(+)
Piano Accompaniment;
Violin
SKU:
HL.370322
For
Violin and Piano
Masterworks for Violin
Series. Composed by
Camille Saint-Saens.
Edited by Endre Granat.
Arranged by Eugene Ysaye.
LKM Music. Classical.
Softcover. 20 pages.
Lauren Keiser Music
Publishing #S511043.
Published by Lauren
Keiser Music Publishing
(HL.370322).
ISBN
9781638870401. UPC:
840126993653.
9.0x12.0x0.112
inches.
Originally,
Camille Saint-Saens
created this work for
piano in 1877 under the
title 'Etude en form de
Valse,' Op.52/6. In 1901,
Ysaye reworked this piece
for violin and piano and
published it as 'Caprice
d'apres l'Etude en forme
de Valse de Saint-Saens.'
Ysaye created a veritable
masterpiece for violin,
far more popular now than
the original piano
version. It has taken its
rightful place in the
virtuoso violin
literature. This work is
on the concert and
recorded repertory of
virtually every major
violinist and a
compulsory work at most
major competitions.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.49047324 Prelude an...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.49047324
Prelude and Isoldens
Liebestod Violin and
Piano. Composed by
Richard Wagner. Edited by
Fazil Say. String Solo.
Classical. Softcover.
Duration 840 seconds.
Schott Music #ED23644.
Published by Schott Music
(HL.49047324).
Violin, piano SKU: BR.EB-9407 Urtext. Composed by Joachim Raff. Ed...(+)
Violin, piano
SKU:
BR.EB-9407
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Kagi. Solo
instruments; stapled.
Edition Breitkopf.
Sonata; Romantic. Score.
68 pages. Breitkopf and
Haertel #EB 9407.
Published by Breitkopf
and Haertel (BR.EB-9407).
ISBN 9790004188811. 9
x 12 inches.
With
his Six Morceaux , Raff
created a collection of
six short pieces with the
aim of pleasantly
entertaining many a
listener and
demonstrating that he was
also capable of writing
something easy. After
all, he had made a name
for himself in the years
before with extremely
demanding chamber music
for renowned dedicatees.
The Six Morceaux ,
dedicated to the
violinist Ludwig Straus,
on the other hand, are
probably related to
Raff's teaching
activities at a private
piano school in Wiesbaden
at that time. Therefore,
with the individual
pieces varying in
difficulty they are well
suited for violin lessons
without losing any of
their musical ambition.
The most famous piece is
probably the Cavatina.
Arranged for various
scorings during Raff's
lifetime, it continues to
be one of the most
popular Encore pieces
altogether - Fritz
Kreisler, Yehudi Menuhin
and Itzhak Perlman have
made recordings of the
piece. They say that a
piano quintet version was
even heard on the Titanic
. This modern Urtext
edition is based on the
first printing,
supervised and initiated
by Raff himself. In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH).
(1001 Nights in the Harem Violin and Piano Reduction). By Fazil Say. Arranged by...(+)
(1001 Nights in the Harem
Violin and Piano
Reduction). By Fazil Say.
Arranged by Mahir Cetiz.
For Violin, Piano
Accompaniment. String.
Softcover. 76 pages.
Schott Music #ED20539.
Published by Schott Music
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edit...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited
by Clive Brown. This
edition:
urtext edition. Stapled.
Barenreiter Urtext.
Performance score,
Part(s)
(2). Opus 24.
Baerenreiter
Verlag #BA10937.
Published by
Baerenreiter Verlag
Violin Abc Violon et Piano EMB (Editio Musica Budapest)
Violin and Piano (VIOLIN AND P) SKU: HL.50487758 Violin Tutor for begi...(+)
Violin and Piano (VIOLIN
AND P)
SKU:
HL.50487758
Violin
Tutor for beginners using
children's and folksongs
from all over the
world. Composed by
Judit Reger Jozsefne
Szasz, Laszlo Denes, and
Rudolf Nemeth. EMB.
Method, Tutor. Book Only.
122 pages. Editio Musica
Budapest #Z14098.
Published by Editio
Musica Budapest
(HL.50487758).
ISBN
9790080140987.
9.0x12.0x0.31 inches.
Hungarian, English,
German.
Violin ABC
is the perfect volume for
pupils to familiarize
themselves with the
instrument, basic musical
elements, and the
sensation of moving
naturally while playing.
Its editors comprise
renowned Hungarian
experts in the field of
violin pedagogy, and
their aim was to create a
publication that allows
children to have a joyous
first encounter with the
violin. Violin ABC helps
students learn to have
calm, relaxed posture and
movements through playful
illustrations. That way,
those who want to play
the violin can get a
worthwhile introduction
to the basics of the
violin repertoire through
various folk songs and
beautiful music
examples.The legendary
violinist, Yehudi Menuhin
(1916 - 1999), had this
to say about the
publication: ''I am
delighted to see a work
on the teaching of the
violin stress the
importance of the
preparation of our body
and limbs, of our minds
and our soul,
independently of the
instrument itself. I have
always said that,
ideally, I would like the
preparation to be so
complete and thorough and
enjoyable, that when a
child first picks up a
violin and a bow, it will
draw a clean sound.')' -
Yehudi Menuhin (1916 -
1999).
Songbook, accompaniment/performance CD and set of performance parts for violin a...(+)
Songbook,
accompaniment/performance
CD and set of performance
parts for violin and
piano accompaniment. With
bowings and chord names.
Series: Pop Hits for the
Instrumental Soloist. 72
pages. Published by
Alfred Publishing.
Violin and Piano SKU: HL.14036014 Composed by Henri Wieniawski. Arranged ...(+)
Violin and Piano
SKU:
HL.14036014
Composed
by Henri Wieniawski.
Arranged by Issay Barmas.
Music Sales America.
Classical. Book
[Softcover]. Composed
2002. 44 pages. Edition
Wilhelm Hansen #WH15199.
Published by Edition
Wilhelm Hansen
(HL.14036014).
ISBN
9788759859667. UPC:
884088573003.
8.25x11.75x0.146 inches.
French.
This
version for Violin with
Piano reduction by
Professor Issay
Barmas.
Violin and piano (reduction) SKU: BO.B.3414 Composed by Jordi Cervello. I...(+)
Violin and piano
(reduction)
SKU:
BO.B.3414
Composed by
Jordi Cervello.
Instrumental Sets.
Duration 12:00. Published
by Editorial de Musica
Boileau (BO.B.3414).
English
comments: Concertino
for violin and string
orchestra was composed in
1993. It is a pleasant
score with a slightly
virtuosic touch written
with the idea of creating
a relaxed atmosphere in
which the soloist and the
orchestra can display
their technique and
expressive capabilities.
It is a work, similar in
lenght to baroque
concertos, and is divided
into three movements,
folowing the conventional
form.: two fast movements
around a slow one. Te
first two movements
-Allegro burlesco and
Adagio cantabile- follow
the ABA pattern. The
third starts with a
-cadenza- by the soloist
which includes thematic
material from the
previous slow movement
linking straight up to
the -Presto- which uses
as its main idea a more
forceful version of the
opening melodic sketch of
the -Allegro burlesco-
converted into three
time. The work was
specially creatied for
the violinist Gerard
Claret and the Orquestra
de Cambra Nacional
d'Andorra. Recordings:
Hermitage
Orchestra-Camerata St.
Petersburg, violin:
Sergey Malov, conductor:
Alexis Soriano. Ensayo
(ENY-2003). Jordi
Cervello
Comenta
rios del
Espanol: Concertino
para violin y orquesta de
cuerda es una obra
compuesta en 1993. Se
trata de una partitura
amable y de cierto toque
virtuosistico cuya
principal preocupacion ha
sido crear una atmosfera
distendida en la que el
solista y la orquesta
puedan desplegar con
espontaneidad sus
capacidades tecnicas y
expresivas. Es una obra
de duracion similar a la
de los conciertos del
barroco y dividida en sus
tres tipicos movimientos.
Dos rapidos enmarcando
uno lento. Los dos
primeros -Allegro
burlesco y Adagio
cantabile- se desarrollan
bajo el esquema ABA. El
tercero inicia con una
-cadenza- del solista que
recoge material tematico
del movimiento lento
precedente para enlazar
sin interrupcion con el
-Presto- que utiliza como
idea principal el dibujo
melodico que abre el
-Allegro burlesco-, pero
mas decidido y a compas
ternario. La obra fue
compuesta expresamente
para el violinista Gerard
Claret y la Orquestra
Nacional de Cambra
d'Andorra. Grabaciones:
Hermitage
Orchestra-Camerata St.
Petersburg, violin
solista: Sergey Malov,
direccion: Alexis
Soriano. Ensayo
(ENY-2003) Jordi
Cervello.
For
Clarinet, Violin and
Piano - Score And
Parts. Composed by
Joerg Widmann. This
edition: Saddle
stitching. Sheet music.
Ensemble. Classical.
Softcover. Composed
1993/1996. 28 pages.
Duration 12'. Schott
Music #ED22320. Published
by Schott Music
(HL.49045109).
ISBN
9790001203937.
9.0x12.0x0.083
inches.
'Should
muses be silent while the
guns speak?' asks Jorg
Widmann, who was only 20
years old when composing
this piece, with his Trio
for Clarinet in B flat,
violin and piano, a
musical essay on three
tones.
Piano Accompaniment; Violin (Score and Solo Part) SKU: HL.50600469 For...(+)
Piano Accompaniment;
Violin (Score and Solo
Part)
SKU:
HL.50600469
For
Violin and Piano.
Composed by Krzysztof
Meyer. String. Classical,
Contemporary. Softcover.
48 pages. Sikorski
#SIK1496. Published by
Sikorski (HL.50600469).
8.25x11.75x0.14
inches.
“I
belong to that group of
people who appropriate
Debussy's wonderfully
formulated philosophy
according to which music
begins where words end.
Contrary to a view that
has become widespread
during the past 100
years, I am convinced
that the task of the
composer is to write
music, not to talk about
it. Even if my technical
and aesthetic
commentaries on one of my
compositions were to have
a certain value for
listeners, such a
commentary would have the
effect that I were more
or less forcing my own
vision of the work onto
the listener. The power
of music is, however, a
gift that makes it
capable of calling forth
different reactions in
listeners. I shall
therefore limit myself to
saying that the
'Imaginary Variations'
were inspired by the
wonderful recordings of
Janet Packer that I
listened to with the
greatest pleasure prior
to the beginning of my
work. The title is
derived from the fact
that this composition is
structured similarly to
the classical variation
form and that the
audience can listen to
the constant changes of
the musical ideas. In
truth, however, the
twelve short sections of
the work are not true
variations even though
they reveal some
connections and
similarities.â€
(Krzysztof Meyer).
Violin, piano SKU: BR.EB-9413 Composed by Nicola Campogrande. Solo instru...(+)
Violin, piano
SKU:
BR.EB-9413
Composed
by Nicola Campogrande.
Solo instruments;
stapled. Edition
Breitkopf. New music
(post-2000). Score.
Composed 2020. 28 pages.
Duration 9'. Breitkopf
and Haertel #EB 9413.
Published by Breitkopf
and Haertel (BR.EB-9413).
ISBN 9790004188873. 9
x 12 inches.
For a
long time after
Romanticism had come to
the fore, it was
generally agreed that
Brahms somehow did not
get it: History and
Progress - it was thought
- were proceeding along
one clear path and Brahms
- who was composing
sonatas and symphonies
instead of nocturnes and
symphonic poems - had
taken the wrong way.
Almost one century later,
Schonberg wrote an essay,
Brahms, der
Fortschrittliche (Brahms,
the progressive), in
which he explained that
it wasn't like that at
all.Fully assuming the
risk to appear somehow
irreverent, I have to
confess: Over the years,
I came to the conclusion
that the present - and
the future - can be
created only by loving
the past. As Brahms had
shown us, it is only by
accepting the challenge
of taking our heritage
into our own hands, that
we can create something
new. We cannot avoid
engaging with the past.
Therefore, starting with
my Sinfonia n. 1, I began
to flirt with such a
strong and effective
musical structure like
the sonata form. I
re-read and freely
transformed it, because
it is a sturdy and
resilient structure, but
also a theatrical and
colorful one. For me, it
is a happy structure. And
I think that today more
than ever we need
something like this: We
need to find places -
even imaginary ones -
where we can give
happiness a form of its
own.Nicola Campogrande,
December
2020
World
premiere: Bologna/Italy,
Streaming, April 11,
2021Commissioned by the
Fondazione Musica
Insieme.
8 Great Pieces Violon et Piano - Intermédiaire Digital Music Print
By Various. Edited by John Bowden. For Violin and Piano. Educational. Instrument...(+)
By Various. Edited by
John Bowden. For Violin
and Piano. Educational.
Instrumental Collection.
Classical. Level:
Intermediate. Book and
Solo Part. 40+16 pages.
Duration 28 minutes.
Published by Digital
Music Print (Belgian
import).
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025296 Violin and...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025296
Violin and Piano.
Composed by Elena
Kats-Chernin. Boosey &
Hawkes Chamber Music.
Classical. Softcover.
Duration 1800 seconds.
Bote & Bock #M202533635.
Published by Bote & Bock
(HL.48025296).
UPC:
196288174325.
â€
œBeing Russian born I
have a strong connection
to the ballet scores of
Tchaikovsky, Prokofiev
and Stravinsky, and as a
result in theWild Swans,
more than in any other
work of mine, I allowed
myself the freedom to
roam through 200 years of
musical genres, ranging
from Hungarian Operetta
through folk music and
even including the
influences of jazz and
popular music,â€
says Elena Kats-Chernin.
The full-length work,
which premiered in Sydney
in 2003, was written for
choreographer Meryl
Tankard after the two
artists had already
worked together for the
opening ceremony of the
2000 Olympic Games, and
became one of the
composer's greatest
successes. Many excerpts
in various arrangements
have a concert life of
their own today -
including the
world-renowned Eliza
Aria. Arranged by the
composer in 2004 for
violin and piano after
the original orchestral
version, the half-hour
suite comprises ten
characteristic movements:
Green Leaf Prelude, Eliza
Aria, Brothers, Wicked
Witch (piano solo), Magic
Spell Tango, Glow Worms,
Darkness of the Forest,
Eliza and the Prince,
Mute Princess,
Transformation.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025078 For Violin...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025078
For Violin and
Piano. Composed by
Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 6 pages.
Duration 180 seconds.
Bote & Bock #M202536254.
Published by Bote & Bock
(HL.48025078).
ISBN
9783793143222. UPC:
196288059769.
9.0x12.0x0.045
inches.
Elena
Kats-Chernin has
collaborated with writer
Joanna Murray-Smith
several times, most
recently on the TV soap
opera The Divorce.
ANostalgic Piece was
originally composed as
incidental music for the
Australian author's play
Honor and has had many
lives and titles since
then, says Kats-Chernin.
It's a melancholy, catchy
tune that would go well
with the sad tramp of an
old silent film. The
version for violin and
piano appeared in 2005 on
her portrait CD Ragtime
& Blue on the Signum
Classics label.
Elegy Violon et Piano [Conducteur et Parties séparées] Subito Music
Violin & Piano SKU: SU.27020060 For Violin & Piano. Composed by Gr...(+)
Violin & Piano
SKU:
SU.27020060
For
Violin & Piano.
Composed by Graham Gordon
Ramsay. Strings, Violin.
Accompanied by piano.
Score & Parts. Subito
Music Corporation
#27020060. Published by
Subito Music Corporation
(SU.27020060).
Single movement
work. Violin, Piano
Duration: ca. 9'
Composed: 2008 Published
by: Distributed
Composer.
Violon et Piano [Set de Parties séparées] Barenreiter
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Christoph Hellmut Mah...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791), edited by
Christoph Hellmut
Mahling. K. 219. Set of
performance parts
(includes separate
pull-out violin part) for
violin and piano. Urtext
of the New Mozart
Edition. With solo part,
piano reduction and
introductory text. A
Major. 69 pages.
Published by
Baerenreiter-Ausgaben
(German import).
Violin and orchestra (Violin/Piano) SKU: HL.49019152 Poeme No. 4. ...(+)
Violin and orchestra
(Violin/Piano)
SKU:
HL.49019152
Poeme
No. 4. Composed by
Eugene Ysaye. This
edition: Saddle
stitching. Sheet music.
String. Softcover. Op.
21. 15 pages. Schott
Music #SF5596. Published
by Schott Music
(HL.49019152).
Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris....(+)
Composed by Cesar Auguste
Franck (1822-1890).
Edited by Douglas
Woodfull-Harris. This
edition: urtext edition.
Paperback. With an
introduction by Gudula
Schutz. Score and part.
Published by Baerenreiter
Verlag (BA.BA9425).
Violin and orchestra (Violin/Piano) SKU: HL.49019151 Composed by Eugene Y...(+)
Violin and orchestra
(Violin/Piano)
SKU:
HL.49019151
Composed
by Eugene Ysaye. This
edition: Saddle
stitching. Sheet music.
String. Softcover. Op.
32. 36 pages. Schott
Music #SF3457. Published
by Schott Music
(HL.49019151).