(Violin/Piano)

SKU: HL.48186456

Composed by Eugene Bozza. Leduc. Post-1900. Softcover. Alphonse Leduc #AL30698. Published by Alphonse Leduc (HL.48186456).

UPC: 888680828677. 0.022 inches.

Composer and conductor Eugene Bozza (1905-1991) was a pupil of Henri Busser and Henri Rabaud at the Conservatoire de Paris, and received the first Prix de Rome in 1934. It was during his stay the Villa Medici that he wrote his Aria Pour Saxophone Alto Et Piano ? an adaptation of the third movement of Johan Sebastian Bach?s Organ Pastorale in F Major BWV 590, which was to tour the world. This nostalgia-imbued melody, which expands over a regular meter, has, in turn, been the subject of numerous transcriptions, first for clarinet, then for Violin (or Flute) and Piano. Editions Leduc have chosen to republish this last version, with the added bonus of an audio version that should be of valuable assistance to all musicians!.

Chamber Music violin, piano

SKU: PR.144407050

Composed by James Primosch. Set of Score and Parts. With Standard notation. 28+12 pages. Duration 20 minutes. Theodore Presser Company #144-40705. Published by Theodore Presser Company (PR.144407050).

UPC: 680160655519. 9 x 12 inches.

Celebrating 30 years, the Philadelphia Chamber Music Society commissioned a work of 20-25 minutes for violin and piano from James Primosch, University of Pennsylvania professor of music. Primosch had originally thought to create a new sonata, but what developed is more appropriately a set of five character pieces, two of which were directly inspired by poems. Five Poems was premiered in May, 2016, and Primosch's thoughts are recorded at his website: https://jamesprimosch.com /2016/05/10/five-poems-pr emiere/.
Upon receiving a commission from the Philadelphia Chamber MusicSociety for a violin and piano piece in honor of its 30th anniversary, myplan was to write a sonata, a term suggesting a relatively abstractdiscourse. But as the piece developed, the movements struck me ascharacter pieces rather than music employing a more “symphonic”ap proach. When specific poems started to attach themselves in my mindwith two of the movements, the overall title Five Poems became clear.The title of the second movement is a line from Susan Stewart’s“De scent”, which deals with Aeneas’s visit to the underworld. The musicis alternately fiercely driving and quite still, though tense. RobertFrost’s Nothing Gold Can Stay summons fleet scale passages framinglyrical counterpoint. The remaining movements do not refer to specificpoems, but have titles reflecting their expressive tone. Dreamscape ismusing with an improvisatory violin line over shifting pairs of pianochords. Nightsong is a bluesy lullaby that turns highly dramatic.Vision begins with a closely argued struggle but breaks through tosomething spacious and clear.

Violin and Piano - Book/Audio. Composed by George Gershwin (1898-1937). For Classical Players. Softcover Audio Online. 56 pages. Published by Hal Leonard

Adelaide. By Wolfgang Amadeus Mozart. Arranged by Marius Casadesus. Schott. Size 9x12 inches. 46 pages. Published by Schott.

Composed by Camille Saint- Saens (1835-1921). Edited by Fabien Guilloux and François de Médicis. This edition: urtext edition. Stapled. Performance score, Part. Opus 102. Baerenreiter Verlag #BA10958. Published by Baerenreiter Verlag

Choral Piano, Violin

SKU: HP.C6304

Composed by Andrae Crouch. Arranged by Paul Langford. Piano with optional Violin (Included). Spirituals & Gospel, Thanksgiving, General Worship, Blood, Devotion, Discipleship, Gratefulness, Jesus Christ - Love, Jesus Christ - Redeemer, Adoration & Praise. Octavo. 12 pages. Hope Publishing Company #C6304. Published by Hope Publishing Company (HP.C6304).

UPC: 763628163044.

Popul ar song by Andrae Crouch Staying true to the original, this fresh setting gives the choir an opportunity to sing a heartfelt anthem of praise and personal thanks for the things God has done. The optional violin part underscores the earnestness of the message.

Chamber Music Cello, Piano, Violin

SKU: PR.114423360

Composed by Stacy Garrop. Set of Score and Parts. 24+12+12 pages. Duration 8:30. Theodore Presser Company #114-42336. Published by Theodore Presser Company (PR.114423360).

UPC: 680160686285.

When the Newport Music Festival commissioned me for a piano trio in honor of their 2021 season, I looked for a topic that would celebrate an aspect of the Newport community. While researching the area, I was struck by the nine lighthouses situated around the island. The dual nature of lighthouses was particularly appealing to me: not only do they serve a vital role in the navigation of ships around rocks and land, but they are also a beautiful sight, particularly at night when their blinking beacons are clearly visible to the eye. It occurred to me that lighthouses link the past with the present, and will endure long into the future, with their beacons serving the same purpose for every generation.I became fascinated with the lighthouse on the property of Castle Hill Inn, located at the opening of the East Passage of the Narragansett Bay. This squat thirty-four foot granite structure was erected in 1890 on a very picturesque spot, right at the water’s edge. Its “characteristic,â� �� the nautical term for each lighthouse’s unique light sequence that allows ships to identify the lighthouse, is to alternate on for three seconds, then off for three seconds. The lighthouse has also served as the starting and finish line for numerous high profile yacht races, as well as survived a massive hurricane in 1938, though the lighthouse keeper’s nearby residence wasn’t so lucky. American novelist Thornton Wilder wrote much of his 1973 novel Theophilus North while staying at the Castle Hill Inn; a passage from the book perfectly captures the dual nature of lighthouses:“At a later visit I was able to engage the pentagonal room in a turret above the house; from that magical room I could see at night the beacons of six lighthouses and hear the booming and chiming of as many sea buoys.”In Beacon of the Bay, we first hear the lighthouse’s characteristic as its ruby light blinks on and off. This is followed by a simple theme that represents the lighthouse performing its solitary duty. As the piece progresses, we hear waves playfully lapping around its base, then yachts gracefully floating by; this is followed by a violent storm that churns the waves with so much force that they crash against the lighthouse’s granite body. But the steadfast lighthouse holds firm to the rocks, grandly blinking its ruby light. The music quiets back down to its simple theme, with yachts sailing by once more as the piece concludes.