Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Je...(+)
Urtext based on the
Complete
Edition Jean Sibelius
Works
(JSW). Composed by Jean
Sibelius (1865-1957).
Edited
by Anna Pulkkis.
The violin was Sibelius's
instrument, and the
virtuoso
aspect is eminent in Drei
Stucke Op. 116 as well as
in
his entire oeuvre for
violin
and piano. Apart from
that,
Op. 116 provides a
glimpse
into the last active
phase of
Sibelius's care.
Breitkopf
and Haertel #EB-9341.
Published by Breitkopf
and
Haertel
Violin and piano SKU: LM.26850 Composed by Jean Marc Allerme. Pop, jazz. ...(+)
Violin and piano
SKU:
LM.26850
Composed by
Jean Marc Allerme. Pop,
jazz. Score and CD.
Editions Henry Lemoine
#26850. Published by
Editions Henry Lemoine
(LM.26850).
ISBN
9790230968508.
In
the Emilie's Eyes - For a
blue note - You miss her
- Ballad for Jodie - I
prefer the Blue - To sing
for heaven - He would
like that - Michel lives
in USA - Romantic tune -
The End for Eddy - I'll
be in the show -
Ongobongo's star - Ernie
is coming back -
Modernesk - Just for
Babe.
Trans
figured Life - Still
Life, Op. 165 (violin and
piano) - David
Braid
I am keen on
concise musical forms
such as Prelude and
Fugue, where there is one
clear straightforward
idea, followed by another
that is more involved and
developed.
In
keeping with that idea,
this work consists of two
distinct pieces, the
first - Transfigured Life
- aims to draw in the
listener with its quick,
dancing rhythm and
simple, melodic violin
part. It 'transfigures'
via a few short solo
piano interludes into
just two alternating
notes to end - which are
the core of the original
idea, now made clear by
clearing everything else
out of the
way.
The second
piece - Still Life -
retains its sense of
stillness through an
uncomplicated piano line
that gives lots of space
for the violin's
contrasting (but again
simple) part. As an
absolute, not
programmatic, piece the
title refers to the
atmospheric colour and
pacing only; it's up to
the listener to see
'Still life' of their
choosing in their own
mind.
A note on
performance: Despite
my reference to 'simple'
lines, and the work's
determined avoidance of
mainstream modernist
squeak - the work has
certain performance
challenges of phrasing
and ensemble that
requires considerable
skill and musicianship.
The work has had the
privilege of being
recently recorded by
violinist Ezgi
Sarıkcıoğlu and
pianist Rossitza
Stoycheva, and is
available on all major
platforms:
Skilful Solos Violon et Piano [Partition + CD] - Intermédiaire Anglo Music
Violin and Piano - intermediate SKU: BT.AMP-348-400 20 Progressive Pie...(+)
Violin and Piano -
intermediate
SKU:
BT.AMP-348-400
20
Progressive Pieces with
Piano Accompaniment.
Composed by Philip
Sparke. Tuition. Book
with CD. Composed 2013.
44 pages. Anglo Music
Press #AMP 348-400.
Published by Anglo Music
Press (BT.AMP-348-400).
ISBN 9789043138666.
9x12 inches.
English-German-French-Dut
ch.
Philip
Sparke’s
Skilful Solos is
the second volume of a
progressive series of
solo books that takes the
young wind player from
beginner to accomplished
musician. Following on
from the first book in
the series Starter
Solos this collection
generally contains longer
pieces suitable for the
developing young
musician. Specifically
tailored for each
instrument, Skilful
Solos introduces the
concept of phrasing by
suggesting suitable
breathing points and
takes the player into new
keys with extended
instrumental ranges, new
notes being introduced in
a gradual and logical
manner.Skilful
Solos comes with a
play-along CD. The
advantages of playing
eitherwith piano or CD
accompaniment are that
the beginning player can
now experience the
important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always achieved when
playing alone.
Skilful
Solos past in het
rijtje Starter
Studies, Skilful
Studies, Super
Studies en Starter
Solos, een succesvolle
reeks van Philip Sparke.
Net als de eerdergenoemde
uitgaven bevat Skilful
Solos
waardevol,motiverend
speelmateriaal dat de
keuze voor een methode
aanvult. Nieuwe muzikale
elementen komen in een
logische volgorde aan de
orde - om de ontwikkeling
van de complete muzikant
te bevorderen. Uitgave
met cd: De voordelen van
het spelen metbegeleiding
- hetzij op de piano,
hetzij op de cd - zijn
dat de beginnende speler
de belangrijke aspecten
van het ensemblespel kan
ervaren vanaf de eerste
lessen en essentiële
vaardigheden kan
aanleren: het luisteren
tijdens het spelen en
hethandhaven van een
strak tempo. Bij het
alleen spelen komen deze
factoren minder aan de
orde.
Das frühe
Lernstadium ist, neben
einem guten Lehrer im
Unterricht, für jedes
Instrument zweifellos das
Wichtigste. Von großer
Bedeutung ist aber auch
motivierendes
Lehrmaterial. Für
diese zwei Solobücher
beriet sich Philip Sparke
mit vielen Lehrern, wie
man am besten neue Noten
einführt und zugleich
einen Rahmen schafft, in
den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesenSoli und Etüden
in drei verschiedenen
Schwierigkeitsstufen
können
Instrumentalschüler
schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse und
Anforderungen des
einzelnen Instrumentes
zugeschnitten. STARTER
SOLOS und SKILFUL SOLOS
können dank der im
Buch und auf der CD
enthaltenen Begleitungen
auch gut alleine oder mit
einem Pianisten
einstudiert und
aufgeführt werden. Der
Vorteil dabei ist, dass
Anfänger so nicht nur
die wichtigsten Aspekte
desEnsemblespiels
erfahren sondern auch von
Anfang an die
Fähigkeit entwickeln,
zu hören während
sie spielen und das Tempo
zu halten.
Inhalt:
Nice to See You Again
•Pony and Trap
•Summer Siesta
•Spring (Vivaldi)
•A Victorian Ballad
•Trumpet Tune
•Promenade
•Greensleeves
•Could You Repeat
That? •Alladale
Aria •Scales of
Justice •Largo from
Winter (Vivaldi)
•Waltz with
Variations •Atthe
Circus - Adagio (Mozart)
- Marche Militaire
(Schubert) - Thinking of
You - Fives and Threes -
Daydream - Rhode Island
Rag
Skilfu
l Solos può essere
considerato il seguito di
Starter Solos.
Suonare con
l’accompagnamento
è un lavoro di squadra
che sviluppa la capacit
di ascolto e di reazione.
Skilful Solos è
indispensabile per
progredire nel mondodella
musica.
Violin and Piano - early intermediate SKU: BT.DHP-1043625-404 Composed by...(+)
Violin and Piano - early
intermediate
SKU:
BT.DHP-1043625-404
Composed by Alexei
Janschinow. De Haske
Study and Play.
Educational Tool. Book
with Part and
Audio-Online. Composed
2021. 16 pages. De Haske
Publications #DHP
1043625-404. Published by
De Haske Publications
(BT.DHP-1043625-404).
ISBN 9789043161763.
9x12 inches.
English-German-French-Dut
ch.
Study and
Play is ideal for
developing your playing
in an enjoyable and
musically sound way. Each
edition within this
concept features audio
recordings to add
something extra to your
study routine.When you
play
thisConcertino you
will be able to practise
at a slower study tempo,
as well as the normal
tempo, so that you can
work on your violin
playing in a more
concentrated way whilst
improving your insight
into the music. You
cancontinue to study in
this goal-orientated way
until you have achieved
the desired result.
The title of this piece
suggests a concert
situation: playing a solo
partwith accompaniment.
There are thousands of
such works for theviolin
but many of these cannot
be tackled until you have
been playing for a
considerable time.
Concertino in Russian
Style Opus 35 enables
you to gain necessary
experience for this type
of playing: namely having
sufficientmusical and
technical control over
your instrument whilst
having the support of an
accompanist during
performance. This
carefully chosen
concertino will enrich
your repertoire.
St
udy and Play ist das
ideale Konzept, um auf
vergnügliche und
sinnvolle Weise ein gutes
Spiel zu entwickeln.
Jedem Buch mit diesem
Konzept sind
Begleitaufnahmen
beigefügt, welche
die tägliche
ÃÅbungsroutine
individuellergänze
n. Mit Hilfe dieser
Aufnahmen kann das
Concertino im
langsameren
ÃÅbetempo sowie
auch im normalen Tempo
gespielt werden, sodass
man sich zunächst
ganz auf das Violinspiel
konzentrieren kann und
dabei die Musik
kennenlernt. So kann
zielgerichtet
geübt werden, bis
das gewünschte
Ergebnis erreicht
wird.
Der Titel dieses
Stückes beschreibt
die Situation in einem
Konzert: Es wird ein Solo
mit Begleitung gespielt.
Solche Werke gibt es
zutausenden für
Violine, viele
können jedoch erst
nach vielen Jahren
Spielerfahrung gemeistert
werden. Mit Concertino
in Russian Style Opus
35 kann man wichtige
Erfahrungen mit genau
dieser Art des Spiels
sammeln,
nämlichausreichend
musikalische und
technische Beherrschung
über das
Instrument zu erlangen
und gleichzeitig mit der
Unterstützung
eines Pianisten spielen
zu können. Dieses
sorgfältig
ausgewählte
Concertino ist auf
jeden Fall
eineBereicherung Ihres
Repertoires.
Study and
Play è il
concetto ideale per
sviluppare il vostro modo
di suonare in un contesto
piacevole e solidamente
strutturato. Le
registrazione di
accompagnamento vi
permettono di suonare sia
a tempo normale che
più lento,al fine
di migliorare la
concentrazione sullo
studio della tecnica e
avere un migliore
approccio con le varie
parti del brano. Le parti
dellââ¬â¢accom
pagnamento al pianoforte
incluse nelle
pubblicazioni (versione
cartacea) vipermettono di
suonare con un pianista
accompagnatore.
Violin and Piano - intermediate SKU: BT.DHP-1115209-400 Composed by Leo P...(+)
Violin and Piano -
intermediate
SKU:
BT.DHP-1115209-400
Composed by Leo Portnoff.
Arranged by Nico Dezaire.
De Haske Study and Play.
Book with CD. Composed
2011. 32 pages. De Haske
Publications #DHP
1115209-400. Published by
De Haske Publications
(BT.DHP-1115209-400).
ISBN 9789043142304.
9x12 inches.
English-German-French-Dut
ch.
Study and
Play is ideal for
developing your playing
in an enjoyable and
musically sound way. Each
edition within this
concept features a CD to
add something extra to
your study routine. When
you play this
Concertino Op. 96
the CD allows you to
practise at a slower
study tempo, as well as
the normal tempo, so that
you can improve your
insight into the music.
The carefully edited
volume also contains a
violin part and a piano
part. Of course, the
superb CD is also great
to play along with if
thereâ??s no pianist
available. You will find
this is a fun and
instructive enrichment of
your
repertoire.
Stu
dy and Play is het
ideale concept om je spel
op een plezierige en
verantwoorde manier te
ontwikkelen. Bij elke
uitgave onder deze noemer
wordt een cd meegeleverd
die iets extraâ??s
toevoegt aan je
studiemethode. In het
geval van dit
Concertino op.96
biedt de cd je de
mogelijkheid om te
studeren in zowel het
gewone tempo als een
rustig oefentempo,
waardoor je je inzicht in
de muziek kunt
verbeteren. De verzorgde
set bestaat verder uit
een vioolpartij en
pianopartij. Natuurlijk
is de sublieme cd ook
geschikt om mee samen te
spelen als er geen
pianist beschikbaar is.
Dit is beslist een leuke
en leerzame verrijking
van je
repertoire.
Stu
dy and Play ist das
ideale Konzept, um auf
vergnügliche und
sinnvolle Weise ein gutes
Spiel zu entwickeln.
Jedem Buch mit diesem
Konzept ist eine CD
beigefügt, welche die
tägliche
Ã?bungsroutine
individuell
ergänzt.Mit Hilfe der
CD kann dieses
Concertino Op. 96
im langsameren
Ã?bungstempo sowie auch
im normalen Tempo
gespielt werden, so dass
man sich zunächst ganz
auf das Violinspiel
konzentrieren kann und
dabei die Musik kennen
lernt. Diese
sorgfältig
ausgearbeitete Ausgabe
enthält au�erdem
eine Violin- und eine
Klavierstimme. Die
exzellente CD eignet sich
selbstverständlich
auch bestens zum
Mitspielen, wenn kein
Pianist zur Verfügung
steht.
DiesesConcertino Op.
96 ist eine ebenso
reizvolle wie lehrreiche
Erweiterung des
Repertoires.
Study and
Play è il concetto
ideale per sviluppare il
vostro modo di suonare in
un contesto piacevole e
solidamente strutturato.
Il CD vi permette di
suonare sia a tempo
normale che più lento,
al fine di migliorare la
concentrazione sullo
studio della tecnica e
avere un migliore
approccio con le varie
parti del brano. Le parti
dellâ??accompagnamento
al pianoforte incluse
nelle pubblicazioni
(versione cartacea) vi
permettono di suonare con
un pianista
accompagnatore.
Violin and Piano SKU: AY.VLP3174PM Composed by Carles M. Eroles. Strings ...(+)
Violin and Piano
SKU:
AY.VLP3174PM
Composed
by Carles M. Eroles.
Strings - Violin. Score &
Parts. Duration 9'.
Periferia Publishing
#VLP3174PM. Published by
Periferia Publishing
(AY.VLP3174PM).
ISBN
9790543572980.
The
material introduced by
the piano of the
beginning a solo is the
one that serves of
vertebral axis of the
work, that has nearly the
form of a rondo. This
introduction is based on
isolated, naked notes,
with a constant rythm of
the eighths that create a
big intervalic space
between them. Later on,
that will be used as a
support to an espressive
melody of the violin,
that will take this
material and will expose
it in pizzicato. In this
way will be used as
accompaniment to a very
suggestive and lyric
fragment of the piano
that covers nearly all
the registers of the
instrument. This will
lead to a second section
of the work, of a very
rythmic and intense
character of both
instruments. The third
section, the most
expressive of the work,
it's iniciated with some
chords of the piano that
little by litlle
dissapear and remembers
the introduction. Here,
the violin develops a
melody of big lirism,
supported by the piano
witht he material of the
introduction, but this
time there are non
isolated notes but full
chords that disintegrate
again at the end, taking
up again the idea of a
fragment of the first
section of the piece by
means of the piano. Far
from free instrumental
effects, the work looks
mainly for a direct
communication with the
listener.
Violin-solo, piano (Violin solo, Piano) SKU: BA.BA09099-92 First Versi...(+)
Violin-solo, piano
(Violin solo, Piano)
SKU: BA.BA09099-92
First Version
1844. Composed by
Felix Bartholdy
Mendelssohn. Edited by R.
Larry Todd. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Early
version 1844. Piano
reduction, Part. Opus 64.
Duration 12 hours.
Baerenreiter Verlag
#BA09099_92. Published by
Baerenreiter Verlag
(BA.BA09099-92).
ISBN
9790006565733. 31 x 24.3
cm inches. Key: E minor.
Preface: Larry R.
Todd.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Starter Solos Violon et Piano [Partition + CD] - Facile Anglo Music
Violin and Piano - easy SKU: BT.AMP-345-400 20 Progressive Pieces with...(+)
Violin and Piano - easy
SKU:
BT.AMP-345-400
20
Progressive Pieces with
Piano Accompaniment.
Composed by Philip
Sparke. Starter Solos.
Tuition. Book with CD.
Composed 2013. 32 pages.
Anglo Music Press #AMP
345-400. Published by
Anglo Music Press
(BT.AMP-345-400).
ISBN
9789043138635. 9x12
inches.
English-German-French-Dut
ch.
Philip
Sparke’s
Starter Solos is
the first volume of a
progressive series of
books that takes the
young wind player from
beginner to accomplished
musician. Specifically
tailored for each
instrument, this
collection of 20 solos
starts with pieces based
on only a handful of
notes and carefully
introduces new musical
elements, such as
articulation, dynamics
and key signatures, in a
structured progression to
speed the learning
process. The books
provide invaluable
additional material to
complement any teaching
method.Starter
Solos comes with a
play-along CD. The
advantages of playing
either with piano or CD
accompaniment are that
the beginning player can
nowexperience the
important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always a factor when
playing alone.
Philip
Sparke’s
Starter Solos is
het eerste deel van een
serie boeken met muziek
voor jonge blazers. Deze
bundel van twintig
solo’s begint met
stukken die op een
handvol noten zijn
gebaseerd. Nieuwe
muzikale elementen
(articulatie,
dynamiek,enz.) worden op
een doordachte,
gestructureerde manier
toegevoegd. Dit
studiemateriaal vult elke
leermethode aan en is
steeds toegesneden op het
betreffende
instrument.Uitgave met
cd: De voordelen van het
spelen met begeleiding -
hetzij op de piano,hetzij
op de cd - zijn dat de
beginnende speler de
belangrijke aspecten van
het ensemblespel kan
ervaren vanaf de eerste
lessen en essentiële
vaardigheden kan
aanleren: het luisteren
tijdens het spelen en het
handhaven van een strak
tempo. Bij hetalleen
spelen komen deze
factoren minder aan de
orde.
Das frühe
Lernstadium ist, neben
einem guten Lehrer im
Unterricht, für jedes
Instrument zweifellos das
Wichtigste. Von großer
Bedeutung ist aber auch
motivierendes
Lehrmaterial. Für
diese zwei Solobücher
beriet sich Philip Sparke
mit vielen Lehrern, wie
man am besten neue Noten
einführt und zugleich
einen Rahmen schafft, in
den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesenSoli und Etüden
in drei verschiedenen
Schwierigkeitsstufen
können
Instrumentalschüler
schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse und
Anforderungen des
einzelnen Instrumentes
zugeschnitten.
STARTER SOLOS und
SKILFUL SOLOS können
dank der im Buch und auf
der CD enthaltenen
Begleitungen auch gut
alleine oder mit einem
Pianisten einstudiert und
aufgeführt werden. Der
Vorteil dabei ist, dass
Anfänger so nicht nur
die wichtigsten Aspekte
desEnsemblespiels
erfahren sondern auch von
Anfang an die
Fähigkeit entwickeln,
zu hören während
sie spielen und das Tempo
zu halten.
Inhalt:
Follow me •Best
Foot Forward •Folk
Song •My Homeland
•Missing You
•Russian Winter
•On a Carousel
•Rush Hou •A
Dynamic Start
•Short but Sweet
•Ballad
•London Bridge
•Summer Breezes
•Modal Melody
•Toon Tune
•In a Balloon
•Yankee Doodle
•SadSong
•Count Me In
•Ragtime
March
Accanto
ad un buon insegnante, il
materiale da studio
valido è senza dubbio
la cosa più importante
al fine di un buon
apprendimento. E’
quindi importante mettere
a disposizione
dell’allievo
materiale motivante.
Nello scrivere questi
soli, PhilipSparke si
è consultato a più
riprese con insegnanti ed
allievi per mettere a
punto brani che
consentono anche ai
più inesperti di
suonare in modo
soddisfacente. Gli
accompagnamenti al piano
sono inclusi nel CD.
Chamber Music Cello, Piano, Violin SKU: PR.114422690 Composed by Stacy Ga...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114422690
Composed
by Stacy Garrop. Sws. Set
of Score and Parts. 8+2+2
pages. Duration 5
minutes. Theodore Presser
Company #114-42269.
Published by Theodore
Presser Company
(PR.114422690).
UPC:
680160684809. 9 x 12
inches.
In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont, Wyoming.
Ucross is an artist
colony that gives
writers, composers, and
visual artists
the gift of time,
space, and support to
follow their artistic
pursuits; we are provided
with studio space,
housing, and meals so
that we can work
continuously on our
projects. I have been
in residence at numerous
artist colonies; however,
nothing in my
previous experiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on
a 20,000-acre cattle
ranch at nearly 4,000
feet in elevation with
fewer than 150
people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming
to offer three glimpses
of what I found to be the
most striking aspects
of my residence. The
Solitude of Stars, the
third and final movement
of the original
sextet, was inspired
by the stunning nightly
display of the heavens
above. Without city
lights dimming the
night sky, countless
stars shone brightly over
the vast expanse of the
prairie. This edition
is part of The Solitude
of Stars Project that I
undertook during the
2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
continuously on our
projects. I have been in
residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming to
offer three glimpses of
what I found to be the
most striking aspects of
my residence. The
Solitude of Stars, the
third and final movement
of the original sextet,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the prairie.
This edition is part of
The Solitude of Stars
Project that I undertook
during the 2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont,Wyoming. Ucross
is an artist colony that
gives writers, composers,
and visual artists
thegift of time, space,
and support to follow
their artistic pursuits;
we are provided
withstudio space,
housing, and meals so
that we can work
continuously on our
projects. I havebeen in
residence at numerous
artist colonies; however,
nothing in my
previousexperiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on a20,000-acre
cattle ranch at nearly
4,000 feet in elevation
with fewer than 150
peopleliving within the
town. But what Clearmont
lacks in population, it
makes up forabundantly
and spectacularly in
wilderness and wildlife.
I composed the sextet
Postcardsfrom Wyoming to
offer three glimpses of
what I found to be the
most striking aspects
ofmy residence. The
Solitude of Stars, the
third and final movement
of the original
sextet,was inspired by
the stunning nightly
display of the heavens
above. Without city
lightsdimming the night
sky, countless stars
shone brightly over the
vast expanse of the
prairie.This edition is
part of The Solitude of
Stars Project that I
undertook during the
2020COVID-19 pandemic,
which consists of a
series of arrangements
that I made forcolleagues
and friends.
Piano Accompaniment; Violin (Score and Solo Part) SKU: HL.50600469 For...(+)
Piano Accompaniment;
Violin (Score and Solo
Part)
SKU:
HL.50600469
For
Violin and Piano.
Composed by Krzysztof
Meyer. String. Classical,
Contemporary. Softcover.
48 pages. Sikorski
#SIK1496. Published by
Sikorski (HL.50600469).
8.25x11.75x0.14
inches.
“I
belong to that group of
people who appropriate
Debussy's wonderfully
formulated philosophy
according to which music
begins where words end.
Contrary to a view that
has become widespread
during the past 100
years, I am convinced
that the task of the
composer is to write
music, not to talk about
it. Even if my technical
and aesthetic
commentaries on one of my
compositions were to have
a certain value for
listeners, such a
commentary would have the
effect that I were more
or less forcing my own
vision of the work onto
the listener. The power
of music is, however, a
gift that makes it
capable of calling forth
different reactions in
listeners. I shall
therefore limit myself to
saying that the
'Imaginary Variations'
were inspired by the
wonderful recordings of
Janet Packer that I
listened to with the
greatest pleasure prior
to the beginning of my
work. The title is
derived from the fact
that this composition is
structured similarly to
the classical variation
form and that the
audience can listen to
the constant changes of
the musical ideas. In
truth, however, the
twelve short sections of
the work are not true
variations even though
they reveal some
connections and
similarities.â€
(Krzysztof Meyer).
Chamber Music Cello, Piano, Violin SKU: PR.114423360 Composed by Stacy Ga...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114423360
Composed
by Stacy Garrop. Set of
Score and Parts. 24+12+12
pages. Duration 8:30.
Theodore Presser Company
#114-42336. Published by
Theodore Presser Company
(PR.114423360).
UPC:
680160686285.
When
the Newport Music
Festival commissioned me
for a piano trio in honor
of their 2021 season, I
looked for a topic that
would celebrate an aspect
of the Newport community.
While researching the
area, I was struck by the
nine lighthouses situated
around the island. The
dual nature of
lighthouses was
particularly appealing to
me: not only do they
serve a vital role in the
navigation of ships
around rocks and land,
but they are also a
beautiful sight,
particularly at night
when their blinking
beacons are clearly
visible to the eye. It
occurred to me that
lighthouses link the past
with the present, and
will endure long into the
future, with their
beacons serving the same
purpose for every
generation.I became
fascinated with the
lighthouse on the
property of Castle Hill
Inn, located at the
opening of the East
Passage of the
Narragansett Bay. This
squat thirty-four foot
granite structure was
erected in 1890 on a very
picturesque spot, right
at the water’s
edge. Its
“characteristic,â
the nautical term
for each
lighthouse’s
unique light sequence
that allows ships to
identify the lighthouse,
is to alternate on for
three seconds, then off
for three seconds. The
lighthouse has also
served as the starting
and finish line for
numerous high profile
yacht races, as well as
survived a massive
hurricane in 1938, though
the lighthouse
keeper’s nearby
residence wasn’t
so lucky. American
novelist Thornton Wilder
wrote much of his 1973
novel Theophilus North
while staying at the
Castle Hill Inn; a
passage from the book
perfectly captures the
dual nature of
lighthouses:“At a
later visit I was able to
engage the pentagonal
room in a turret above
the house; from that
magical room I could see
at night the beacons of
six lighthouses and hear
the booming and chiming
of as many sea
buoys.â€In Beacon of
the Bay, we first hear
the lighthouse’s
characteristic as its
ruby light blinks on and
off. This is followed by
a simple theme that
represents the lighthouse
performing its solitary
duty. As the piece
progresses, we hear waves
playfully lapping around
its base, then yachts
gracefully floating by;
this is followed by a
violent storm that churns
the waves with so much
force that they crash
against the
lighthouse’s
granite body. But the
steadfast lighthouse
holds firm to the rocks,
grandly blinking its ruby
light. The music quiets
back down to its simple
theme, with yachts
sailing by once more as
the piece concludes.
Violin and piano - advanced SKU: HL.49045998 For Violin and Piano....(+)
Violin and piano -
advanced
SKU:
HL.49045998
For
Violin and Piano.
Composed by Vijay Iyer.
This edition: Saddle
stitching. Sheet music.
String. Softcover.
Composed 2018. 44 pages.
Duration 13'. Schott
Music #ED 30262.
Published by Schott Music
(HL.49045998).
ISBN
9781540034960. UPC:
888680790998.
9.0x12.0x0.142
inches.
In The
Diamond Sutra, an early
Buddhist text also known
as The Diamond that Cuts
Through Illusion, the
Buddha leads his
interlocutor, the Elder
Subhuti, through a series
of questions and
provocations. The Buddha
then concludes the
session by offering this
teaching to those
assembled:All composed
things are like a dream,a
phantom, a drop of dew, a
flash of lightning.That
is how to meditate on
them;that is how to
observe them.This duo
piece is in four
sections, corresponding
roughly to these four
disparate visions of
impermanence: four
distinct moments of
interplay between form
and emptiness, four
corners of a diamond.
This series of images is
itself a 'composed
thing,' gathering
dissimilar elements into
a unified system. It
suggests that the things
we make are similar to
things that exist beyond
intention. The Buddha's
utterance helps us hear
so-called 'composition'
and 'improvisation' - or
the encompassing
category, 'music' - as
part of an even larger
aggregate: that which
forms and recedes.- Vijay
Iyer.
Violin and Piano - early intermediate SKU: BT.DHP-1115233-400 By Nico Dez...(+)
Violin and Piano - early
intermediate
SKU:
BT.DHP-1115233-400
By
Nico Dezaire. By
Ferdinand Kuchler. De
Haske Study and Play.
Book with CD. Composed
2011. 24 pages. De Haske
Publications #DHP
1115233-400. Published by
De Haske Publications
(BT.DHP-1115233-400).
ISBN 9789043136204.
9x12 inches.
English-German-French-Dut
ch.
The
Concertino op. 12
by the German violinist,
composer and violin
educator Ferdinand
Küchler (1867-1937) is
a three-movement work
that is ideal for the
development of playing in
first and third position.
The first movement is
both powerful and playful
in character, and its
themes that follow on
from each other rapidly,
producing a concise
sonata form. The second
movement has been written
in a three-part song form
(A-B-A). The A section
has a cantabile
atmosphere, whereas
section B is more
dramatic. The third
movement is a rondo (with
a refrain and episodes).
The refrain is joyful in
spirit, and the episodes
present
variation.
Het
Concertino op. 12
van Ferdinand Küchler
(1867-1937) is een
driedelig werk. Voor de
leerling is dit het
ideale werk om aan de
eerste en derde positie
te werken. Het eerste
deel is krachtig en
speels tegelijk. Het
tweededeel is in de vorm
van een driedelige lied
geschreven (A-B-A). Het
derde deel is een
rondo.
Das
Concertino op. 12
von Ferdinand Küchler
(1867-1937) ist ein
dreisätziges Werk, mit
dem Schüler
ausgezeichnet an ihrem
Spiel in der ersten und
dritten Lage arbeiten
können. Der erste Satz
ist kraftvoll und
verspielt zugleich; der
zweite Satz wurde in der
Form eines dreistimmigen
Liedes geschrieben
(A-B-A). Der dritte Satz
ist ein Rondo.
Il
Concertino op. 12
di Ferdinand Küchler
(1867-1937) è un brano
in tre movimenti, ideale
per praticare la prima e
terza posizione. Il primo
movimento è al
contempo potente e
gioioso, il secondo in
forma di un canto a voci
(A-B-A), mentre il terzo
movimento è un
rondò.
Violin, piano SKU: BR.EB-9413 Composed by Nicola Campogrande. Solo instru...(+)
Violin, piano
SKU:
BR.EB-9413
Composed
by Nicola Campogrande.
Solo instruments;
stapled. Edition
Breitkopf. New music
(post-2000). Score.
Composed 2020. 28 pages.
Duration 9'. Breitkopf
and Haertel #EB 9413.
Published by Breitkopf
and Haertel (BR.EB-9413).
ISBN 9790004188873. 9
x 12 inches.
For a
long time after
Romanticism had come to
the fore, it was
generally agreed that
Brahms somehow did not
get it: History and
Progress - it was thought
- were proceeding along
one clear path and Brahms
- who was composing
sonatas and symphonies
instead of nocturnes and
symphonic poems - had
taken the wrong way.
Almost one century later,
Schonberg wrote an essay,
Brahms, der
Fortschrittliche (Brahms,
the progressive), in
which he explained that
it wasn't like that at
all.Fully assuming the
risk to appear somehow
irreverent, I have to
confess: Over the years,
I came to the conclusion
that the present - and
the future - can be
created only by loving
the past. As Brahms had
shown us, it is only by
accepting the challenge
of taking our heritage
into our own hands, that
we can create something
new. We cannot avoid
engaging with the past.
Therefore, starting with
my Sinfonia n. 1, I began
to flirt with such a
strong and effective
musical structure like
the sonata form. I
re-read and freely
transformed it, because
it is a sturdy and
resilient structure, but
also a theatrical and
colorful one. For me, it
is a happy structure. And
I think that today more
than ever we need
something like this: We
need to find places -
even imaginary ones -
where we can give
happiness a form of its
own.Nicola Campogrande,
December
2020
World
premiere: Bologna/Italy,
Streaming, April 11,
2021Commissioned by the
Fondazione Musica
Insieme.
Chamber Music Cello, Piano, Violin SKU: PR.414411630 Composed by Shulamit...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.414411630
Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation.
28+28+20+24+20+24 pages.
Duration 20 minutes.
Theodore Presser Company
#414-41163. Published by
Theodore Presser Company
(PR.414411630).
ISBN
9781491114551. UPC:
680160089956. 9.5 x 13
inches.
EXCURSIONS
is a one-movement work
exploring two
“characters.â€
A rhapsodic, descending
passage is introduced by
the cello, followed by
a static,
chorale-like phrase for
the violin and cello.
Their individual
developments are
separated by a slow,
contrasting middle
section. The composer has
written: “This is
analogous to situations
in life: we stand by a
crossroad, choosing one
option and forfeiting the
other. But in art, the
realm of the imagination,
we can perhaps afford to
pursue more than one
route to its ultimate
destination… or can
we? It is symbolic that
in this work both roads
eventually lead to the
same
place.â€. Excursi
ons for violin, cello and
piano, is a one-movement
work of tripartite
structure in which
materials explored in the
first of three large
sections are brought back
in the last section.Â
The traditional
statement-contrast-restat
ement form, which is
readily suggested by such
a description, is,
however, not at all in
the mold in which the
work is cast. Rather,
my aim was to subject the
essential materials of
the piece (two
“charactersâ€
–the rhapsodic,
descending passage played
by the cello in the very
opening and, later, a
static, slow moving,
chorale-like phrase for
the violin and cello) to
two entirely different
developments separated by
a slow, contrasting
middle section. This
is analogous to an
exploration of the
ramifications that two
divergent choices made by
the same person might
lead to. In life, as
we stand by a crossroad,
choosing one option
usually means having to
forfeit the other.Â
But in art, the realm of
the imagination, we can
perhaps afford to pursue
more than one route to
its ultimate
destination…or can
we? It is, I believe,
symbolic that in this
work both roads
eventually lead to the
same place: in composing
Excursions, it seemed
absolutely inescapable
that at the end the slow,
contrasting middle
sections – both
more resigned and
peaceful than the
battling spirits of the
outer parts –
should return briefly to
end the work. The
piano trio combination
(once highly favored, but
to this composer still as
challenging today) is
approached here as a
collaborative effort of
three equal soloists
– partners. Of
the available pairings,
the two strings find
themselves occasionally
approached as a team
pitted against the
piano. The
cello-piano combination
is also not uncommon
here, and there is an
extended violin cadenza
toward the end of the
piece. The writing
for the three instruments
is closely and at times
interlinked, but the
players are all
instructed to play from
scores. Excursions was
first performed at
Brandeis University in
1982.
6 Sonatas Op. 4a Violon et Piano [Conducteur] Breitkopf & Härtel
Violin, piano SKU: BR.EB-8327 Urtext. Composed by Tommaso Giordani...(+)
Violin, piano
SKU:
BR.EB-8327
Urtext. Composed
by Tommaso Giordani.
Edited by Martin Lutz.
Solo instruments;
Softcover. Edition
Breitkopf. Tommaso
Giordani wrote sonatas -
here for violin or flute
- that are typical
examples of early
Classical chamber music:
their scoring is
flexible, they are fun to
play, and their technical
demands are moderate.
Sonata; Classical. Score.
48 pages. Breitkopf and
Haertel #EB 8327.
Published by Breitkopf
and Haertel (BR.EB-8327).
ISBN 9790004176351. 9
x 12
inches.
Tommaso
Giordani wrote sonatas -
here for violin or flute
- that are typical
examples of early
Classical chamber music:
their scoring is
flexible, they are fun to
play, and their technical
demands are moderate. The
Sonatas Op. IVa show that
Giordani is a Haydn
contemporary who can
really hold his own.
Giordani's chamber-music
works with obbligato
piano were actually very
important for the
development of chamber
music. Too bad Giordani
did not contend himself
with writing more of
these enchanting ensemble
sonatas rather than
investing in dubious
opera projects and going
bankrupt. That was no way
to become a serious
Classical
composer!
Tommaso
Giordani wrote sonatas -
here for violin or flute
- that are typical
examples of early
Classical chamber music:
their scoring is
flexible, they are fun to
play, and their technical
demands are moderate.
(Violin/Piano) SKU: HL.48186456 Composed by Eugene Bozza. Leduc. Post-190...(+)
(Violin/Piano)
SKU:
HL.48186456
Composed
by Eugene Bozza. Leduc.
Post-1900. Softcover.
Alphonse Leduc #AL30698.
Published by Alphonse
Leduc (HL.48186456).
UPC: 888680828677.
0.022
inches.
Composer
and conductor Eugene
Bozza (1905-1991) was a
pupil of Henri Busser and
Henri Rabaud at the
Conservatoire de Paris,
and received the first
Prix de Rome in 1934. It
was during his stay the
Villa Medici that he
wrote his Aria Pour
Saxophone Alto Et Piano ?
an adaptation of the
third movement of Johan
Sebastian Bach?s Organ
Pastorale in F Major BWV
590, which was to tour
the world. This
nostalgia-imbued melody,
which expands over a
regular meter, has, in
turn, been the subject of
numerous transcriptions,
first for clarinet, then
for Violin (or Flute) and
Piano. Editions Leduc
have chosen to republish
this last version, with
the added bonus of an
audio version that should
be of valuable assistance
to all musicians!.
Violin & Orchestra Reduction (Piano). Composed by Claude Debussy (1862-1...(+)
Violin & Orchestra
Reduction
(Piano). Composed by
Claude
Debussy (1862-1918) and
Robert Orledge. Arranged
by
Robert Orledge. String.
Softcover. 34 pages.
Schott
Music #VLB214. Published
by
Schott Music
Violin and Piano SKU: AP.36-60710011 In the Style of Antonio Vivaldi(+)
Violin and Piano
SKU:
AP.36-60710011
In
the Style of Antonio
Vivaldi. Composed by
Fritz Kreisler. Violin.
Master String Series.
Score. LudwigMasters
Publications
#36-60710011. Published
by LudwigMasters
Publications
(AP.36-60710011).
ISBN
9798888521892. UPC:
676737626686.
English.
Austrian-b
orn American violinist
and composer Fritz
Kreisler (1875-1962) is
considered among the best
virtuosic violinists in
history. While he did
write some operettas,
vocal works, and a
smattering of pieces for
other instruments, it is
unsurprising that most of
his output was for the
violin. In the earlier
part of his career, he
wrote a number of
pastiches in the style of
other well-known
composers, going so far
as to ascribe the work to
them rather than to
himself. In 1935,
Kreisler revealed that he
had composed these select
works, answering his
critics by pointing out
that they had deemed to
music worthy under the
other composers' names,
and that the name
changes, the value
remains. Among these such
works is his Concerto in
C, IFK 42, which Kreisler
falsely attributed to
Baroque composer Antonio
Vivaldi. In three
movements, the work
exists with both string
orchestra accompaniment
and this Master reprint
edition for violin and
piano.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Violin and Piano. Composed by Jakob Dont. Edited by Dominik Rahmer. Henle Musi...(+)
Violin and Piano.
Composed by
Jakob Dont. Edited by
Dominik
Rahmer. Henle Music
Folios.
Classical. Softcover. 50
pages. G. Henle #HN1175.
Published by G. Henle
Violin Abc Violon et Piano EMB (Editio Musica Budapest)
Violin and Piano (VIOLIN AND P) SKU: HL.50487758 Violin Tutor for begi...(+)
Violin and Piano (VIOLIN
AND P)
SKU:
HL.50487758
Violin
Tutor for beginners using
children's and folksongs
from all over the
world. Composed by
Judit Reger Jozsefne
Szasz, Laszlo Denes, and
Rudolf Nemeth. EMB.
Method, Tutor. Book Only.
122 pages. Editio Musica
Budapest #Z14098.
Published by Editio
Musica Budapest
(HL.50487758).
ISBN
9790080140987.
9.0x12.0x0.31 inches.
Hungarian, English,
German.
Violin ABC
is the perfect volume for
pupils to familiarize
themselves with the
instrument, basic musical
elements, and the
sensation of moving
naturally while playing.
Its editors comprise
renowned Hungarian
experts in the field of
violin pedagogy, and
their aim was to create a
publication that allows
children to have a joyous
first encounter with the
violin. Violin ABC helps
students learn to have
calm, relaxed posture and
movements through playful
illustrations. That way,
those who want to play
the violin can get a
worthwhile introduction
to the basics of the
violin repertoire through
various folk songs and
beautiful music
examples.The legendary
violinist, Yehudi Menuhin
(1916 - 1999), had this
to say about the
publication: ''I am
delighted to see a work
on the teaching of the
violin stress the
importance of the
preparation of our body
and limbs, of our minds
and our soul,
independently of the
instrument itself. I have
always said that,
ideally, I would like the
preparation to be so
complete and thorough and
enjoyable, that when a
child first picks up a
violin and a bow, it will
draw a clean sound.')' -
Yehudi Menuhin (1916 -
1999).
Violon et Piano [Set de Parties séparées] Carl Fischer
(Three Pictures of Chassidic Life) Composed by Ernest Bloch (1880-1959). Set of ...(+)
(Three Pictures of
Chassidic Life) Composed
by Ernest Bloch
(1880-1959). Set of
performance parts for
violin and piano. With
bowings and fingerings.
14 pages. Published by
Carl Fischer.
Violin, piano SKU: BR.EB-9407 Urtext. Composed by Joachim Raff. Ed...(+)
Violin, piano
SKU:
BR.EB-9407
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Kagi. Solo
instruments; stapled.
Edition Breitkopf.
Sonata; Romantic. Score.
68 pages. Breitkopf and
Haertel #EB 9407.
Published by Breitkopf
and Haertel (BR.EB-9407).
ISBN 9790004188811. 9
x 12 inches.
With
his Six Morceaux , Raff
created a collection of
six short pieces with the
aim of pleasantly
entertaining many a
listener and
demonstrating that he was
also capable of writing
something easy. After
all, he had made a name
for himself in the years
before with extremely
demanding chamber music
for renowned dedicatees.
The Six Morceaux ,
dedicated to the
violinist Ludwig Straus,
on the other hand, are
probably related to
Raff's teaching
activities at a private
piano school in Wiesbaden
at that time. Therefore,
with the individual
pieces varying in
difficulty they are well
suited for violin lessons
without losing any of
their musical ambition.
The most famous piece is
probably the Cavatina.
Arranged for various
scorings during Raff's
lifetime, it continues to
be one of the most
popular Encore pieces
altogether - Fritz
Kreisler, Yehudi Menuhin
and Itzhak Perlman have
made recordings of the
piece. They say that a
piano quintet version was
even heard on the Titanic
. This modern Urtext
edition is based on the
first printing,
supervised and initiated
by Raff himself. In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH).
Violin and piano SKU: M7.SAE-37-07 Requiem. Composed by Giuseppe V...(+)
Violin and piano
SKU:
M7.SAE-37-07
Requiem. Composed
by Giuseppe Verdi.
Arranged by Lucian
Moraru. Sheet music.
Piano reduction with solo
part. SonArt Edition #SAE
37-07. Published by
SonArt Edition
(M7.SAE-37-07).
ISBN
9790707665916.
This
is a unique arrangement
for violin and piano, a
work that preserves the
beauty of the original
work, an master piece for
sacred music, but at the
same time different in
essence due to the
creative and innovative
flavour that was
introduced in
orchestration on this
occasion. The piece has
been carefully adapted to
suit the technical needs
of each instrument, being
a smart choice for
players that want to
achieve the acclaim from
the audience. This piece
of music is suitable both
for concerts given by
professionals and for
auditions in schools,
colleges, conservatories
or can be used in various
other private events.
Violin and piano SKU: M7.SAE-3-08 Composed by Charles Francois Gounod and...(+)
Violin and piano
SKU:
M7.SAE-3-08
Composed
by Charles Francois
Gounod and Johann
Sebastian Bach. Arranged
by Lucian Moraru. Sheet
music. Piano reduction
with solo part. SonArt
Edition #SAE 3-08.
Published by SonArt
Edition (M7.SAE-3-08).
ISBN
9790707665046.
This
is a unique arrangement
for violin and piano, a
work that preserves the
beauty of the original
work, an master piece for
sacred music, but at the
same time different in
essence due to the
creative and innovative
flavour that was
introduced in
orchestration on this
occasion. The piece has
been carefully adapted to
suit the technical needs
of each instrument, being
a smart choice for
players that want to
achieve the acclaim from
the audience. This piece
of music is suitable both
for concerts given by
professionals and for
auditions in schools,
colleges, conservatories
or can be used in various
other private events.