Chamber Music Clarinet, Horn, Narrator, Percussion, Piano, Violin SKU: PR.111...(+)
Chamber Music Clarinet,
Horn, Narrator,
Percussion, Piano, Violin
SKU: PR.11140253S
For Narrator, Bb
Clarinet, Horn, Violin,
Percussion, And
Piano. Composed by
Daniel Dorff. Sws.
Contemporary. Full score.
With Standard notation.
Composed 2015. 20 pages.
Duration 7:30. Theodore
Presser Company
#111-40253S. Published by
Theodore Presser Company
(PR.11140253S).
UPC:
680160631377. 9.5x13
inches. Based on a
traditional African folk
tale.
As a
standalone performance
piece, Dorff's A Treeful
of Monkeys is a
delightful telling of an
African folk tale,
complete with narration.
The instrumental ensemble
describes a hat seller, a
good number of hats, and
a good number of monkeys
up in the trees with
those hats. Commissioned
by the Philadelphia
Orchestra Association,
however, A Treeful of
Monkeys is also an
opportunity to introduce
musical elements to young
students, with Dorff's
suggested educational
objectives and
performance tips suitable
for classroom use.
Chamber Music violin, piano SKU: PR.114418330 For violin And Piano...(+)
Chamber Music violin,
piano
SKU:
PR.114418330
For
violin And Piano.
Composed by Eric Ewazen.
Sws. Set of Score and
Parts. 12+2 pages.
Duration 7 minutes.
Theodore Presser Company
#114-41833. Published by
Theodore Presser Company
(PR.114418330).
ISBN
9781491132173. UPC:
680160641819. 9 x 12
inches.
A beautiful
cantabile song without
words, A SONG FROM THE
HEART has all of
Ewazen’s
expressive elegance, and
is a perfect recital
piece both for students
and professionals.
Originally composed for
Trumpet and Piano, this
lyrical work has been
transcribed for Violin by
the composer.
Chamber Music violin, piano SKU: PR.114410250 For violin And Piano...(+)
Chamber Music violin,
piano
SKU:
PR.114410250
For
violin And Piano.
Composed by Richard
Wernick. Set of Score and
Parts. With Standard
notation. Composed 1997.
Duration 21 minutes.
Theodore Presser Company
#114-41025. Published by
Theodore Presser Company
(PR.114410250).
Chamber Music Percussion, Piano, Violin SKU: PR.114412970 Encounters X...(+)
Chamber Music Percussion,
Piano, Violin
SKU:
PR.114412970
Encounters XIV.
Composed by William
Kraft. Saddle. Premiered
August 8, 2005, The Old
Whaling Church, Martha's
Vineyard - Cheryl
Staples, Violin - Delores
Stevens, Piano - Barry
Centann, Percussion. Set
of Score and Parts. With
Standard notation.
20+8+8+12 pages. Duration
10 minutes. Theodore
Presser Company
#114-41297. Published by
Theodore Presser Company
(PR.114412970).
Composed by Samuel Adler. For violin and piano. Contemporary. Score and Part. St...(+)
Composed by Samuel Adler.
For violin and piano.
Contemporary. Score and
Part. Standard Notation.
10 pages. Duration 4
minutes. Published by
Theodore Presser Company
By Adolphus Hailstork. For violin, piano. Folk. Solo part with piano reduction. ...(+)
By Adolphus Hailstork.
For violin, piano. Folk.
Solo part with piano
reduction. Standard
Notation. Duration 5
minutes, 30 seconds.
Published by Theodore
Presser Company
Chamber Music Cello, Piano, Violin SKU: PR.414411630 Composed by Shulamit...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.414411630
Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation.
28+28+20+24+20+24 pages.
Duration 20 minutes.
Theodore Presser Company
#414-41163. Published by
Theodore Presser Company
(PR.414411630).
ISBN
9781491114551. UPC:
680160089956. 9.5 x 13
inches.
EXCURSIONS
is a one-movement work
exploring two
“characters.â€
A rhapsodic, descending
passage is introduced by
the cello, followed by
a static,
chorale-like phrase for
the violin and cello.
Their individual
developments are
separated by a slow,
contrasting middle
section. The composer has
written: “This is
analogous to situations
in life: we stand by a
crossroad, choosing one
option and forfeiting the
other. But in art, the
realm of the imagination,
we can perhaps afford to
pursue more than one
route to its ultimate
destination… or can
we? It is symbolic that
in this work both roads
eventually lead to the
same
place.â€. Excursi
ons for violin, cello and
piano, is a one-movement
work of tripartite
structure in which
materials explored in the
first of three large
sections are brought back
in the last section.Â
The traditional
statement-contrast-restat
ement form, which is
readily suggested by such
a description, is,
however, not at all in
the mold in which the
work is cast. Rather,
my aim was to subject the
essential materials of
the piece (two
“charactersâ€
–the rhapsodic,
descending passage played
by the cello in the very
opening and, later, a
static, slow moving,
chorale-like phrase for
the violin and cello) to
two entirely different
developments separated by
a slow, contrasting
middle section. This
is analogous to an
exploration of the
ramifications that two
divergent choices made by
the same person might
lead to. In life, as
we stand by a crossroad,
choosing one option
usually means having to
forfeit the other.Â
But in art, the realm of
the imagination, we can
perhaps afford to pursue
more than one route to
its ultimate
destination…or can
we? It is, I believe,
symbolic that in this
work both roads
eventually lead to the
same place: in composing
Excursions, it seemed
absolutely inescapable
that at the end the slow,
contrasting middle
sections – both
more resigned and
peaceful than the
battling spirits of the
outer parts –
should return briefly to
end the work. The
piano trio combination
(once highly favored, but
to this composer still as
challenging today) is
approached here as a
collaborative effort of
three equal soloists
– partners. Of
the available pairings,
the two strings find
themselves occasionally
approached as a team
pitted against the
piano. The
cello-piano combination
is also not uncommon
here, and there is an
extended violin cadenza
toward the end of the
piece. The writing
for the three instruments
is closely and at times
interlinked, but the
players are all
instructed to play from
scores. Excursions was
first performed at
Brandeis University in
1982.
Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan W...(+)
Chamber Music Clarinet,
Piano, Violin
SKU:
PR.164002390
Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
Composed 1995. 26+14+14
pages. Duration 14
minutes. Theodore Presser
Company #164-00239.
Published by Theodore
Presser Company
(PR.164002390).
UPC:
680160038091.
I
became interested in the
work of Plato through my
friend and collaborator,
the writer and
philosopher Paul
Woodruff. Paul's new
translation, with
Alexander Nehamas, of the
Symposium gave me
insights into ancient
Greek ways of thinking
about Love, Beauty, and
Wisdom -- and managed to
keep the earthy, and
often bawdy side of it
all in full view. But
their new translation of
Plato's later dialogue
Phaedrus went even
further: the beauty of
the speeches is
breathtaking, and the
discourse itself is
enough to keep one awake
at night. Basically the
Great Speech of Socrates
in the Phaedrus dialogue
has to do with the place
of Eros in the world, and
with the conflict in the
soul between fleshly
pleasure and philosophic
discovery. I will not
attempt to encapsulate
this brilliant discourse
in a program note:
suffice it to say that
reading it gave rise to
my two-sided work for
clarinet, violin, and
piano, Phaedrus. The
first movement represents
the Philosophic life, and
is thus subtitled
Apollo's Lyre (Invocation
and Hymn). It begins with
an unaccompanied melody
for the clarinet, which
(after a pair of
harp-like flourishes for
the piano, expands into
an accompanied canon. The
voices in the dialogue
(clarinet and violin)
follow each other by a
prescribed number of
beats, but the music is
totally devoid of any
meter at all. The piano,
representing the lyre,
accompanies this lyric
love-feast with repeated
strummed chords. The
canon has three large
sections, and ends with
violin echoing the
unaccompanied clarinet
invocation as the sound
of the lyre fades. The
second movement, called
Dionysus' Dream-Orgy
(Ritual Dance) presents,
after a brief
introduction, another
kind of unmetered music.
Rather than long lyric
flights of philosophic
song, however, this time
we hear a unison dance of
unbridled energy and
sensual transport. The
piece soon forms itself
into a loose arch form,
with contrasting metered
dance sections divided by
the unison unmetered orgy
tune. Midway through the
movement, Apollo's melody
returns from the first
movement, but it is a
temporary reminiscence.
The orgiastic dance
returns, reaches a
climax, and ends with a
stomping of feet. While
Plato asserts that a
proper balance between
lust and reason is
necessary in all men, he
(naturally) gives the nod
to Philosophy as the
better choice in which to
live. Not so in my music:
the two sides are meant
to coexist and to
complement each other. No
sides are taken. Phaedrus
was commissioned of the
Verdehr Trio by Michigan
State University. It is
dedicated to the Vedehr
Trio with great affection
and admiration.
Chamber Music violin, piano SKU: PR.144407050 Composed by James Primosch....(+)
Chamber Music violin,
piano
SKU:
PR.144407050
Composed
by James Primosch. Set of
Score and Parts. With
Standard notation. 28+12
pages. Duration 20
minutes. Theodore Presser
Company #144-40705.
Published by Theodore
Presser Company
(PR.144407050).
UPC:
680160655519. 9 x 12
inches.
Celebrating
30 years, the
Philadelphia Chamber
Music Society
commissioned a work of
20-25 minutes for violin
and piano from James
Primosch, University of
Pennsylvania professor of
music. Primosch had
originally thought to
create a new sonata, but
what developed is more
appropriately a set of
five character pieces,
two of which were
directly inspired by
poems. Five Poems was
premiered in May, 2016,
and Primosch's thoughts
are recorded at his
website:
https://jamesprimosch.com
/2016/05/10/five-poems-pr
emiere/. Upon
receiving a commission
from the Philadelphia
Chamber MusicSociety for
a violin and piano piece
in honor of its 30th
anniversary, myplan was
to write a sonata, a term
suggesting a relatively
abstractdiscourse. But as
the piece developed, the
movements struck me
ascharacter pieces rather
than music employing a
more
“symphonicâ€ap
proach. When specific
poems started to attach
themselves in my mindwith
two of the movements, the
overall title Five Poems
became clear.The title of
the second movement is a
line from Susan
Stewart’s“De
scentâ€, which deals
with Aeneas’s
visit to the underworld.
The musicis alternately
fiercely driving and
quite still, though
tense.
RobertFrost’s
Nothing Gold Can Stay
summons fleet scale
passages framinglyrical
counterpoint. The
remaining movements do
not refer to
specificpoems, but have
titles reflecting their
expressive tone.
Dreamscape ismusing with
an improvisatory violin
line over shifting pairs
of pianochords. Nightsong
is a bluesy lullaby that
turns highly
dramatic.Vision begins
with a closely argued
struggle but breaks
through tosomething
spacious and clear.
Chamber Music Cello, Piano, Violin SKU: PR.114423360 Composed by Stacy Ga...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114423360
Composed
by Stacy Garrop. Set of
Score and Parts. 24+12+12
pages. Duration 8:30.
Theodore Presser Company
#114-42336. Published by
Theodore Presser Company
(PR.114423360).
UPC:
680160686285.
When
the Newport Music
Festival commissioned me
for a piano trio in honor
of their 2021 season, I
looked for a topic that
would celebrate an aspect
of the Newport community.
While researching the
area, I was struck by the
nine lighthouses situated
around the island. The
dual nature of
lighthouses was
particularly appealing to
me: not only do they
serve a vital role in the
navigation of ships
around rocks and land,
but they are also a
beautiful sight,
particularly at night
when their blinking
beacons are clearly
visible to the eye. It
occurred to me that
lighthouses link the past
with the present, and
will endure long into the
future, with their
beacons serving the same
purpose for every
generation.I became
fascinated with the
lighthouse on the
property of Castle Hill
Inn, located at the
opening of the East
Passage of the
Narragansett Bay. This
squat thirty-four foot
granite structure was
erected in 1890 on a very
picturesque spot, right
at the water’s
edge. Its
“characteristic,â
the nautical term
for each
lighthouse’s
unique light sequence
that allows ships to
identify the lighthouse,
is to alternate on for
three seconds, then off
for three seconds. The
lighthouse has also
served as the starting
and finish line for
numerous high profile
yacht races, as well as
survived a massive
hurricane in 1938, though
the lighthouse
keeper’s nearby
residence wasn’t
so lucky. American
novelist Thornton Wilder
wrote much of his 1973
novel Theophilus North
while staying at the
Castle Hill Inn; a
passage from the book
perfectly captures the
dual nature of
lighthouses:“At a
later visit I was able to
engage the pentagonal
room in a turret above
the house; from that
magical room I could see
at night the beacons of
six lighthouses and hear
the booming and chiming
of as many sea
buoys.â€In Beacon of
the Bay, we first hear
the lighthouse’s
characteristic as its
ruby light blinks on and
off. This is followed by
a simple theme that
represents the lighthouse
performing its solitary
duty. As the piece
progresses, we hear waves
playfully lapping around
its base, then yachts
gracefully floating by;
this is followed by a
violent storm that churns
the waves with so much
force that they crash
against the
lighthouse’s
granite body. But the
steadfast lighthouse
holds firm to the rocks,
grandly blinking its ruby
light. The music quiets
back down to its simple
theme, with yachts
sailing by once more as
the piece concludes.
Chamber Music violin, piano SKU: PR.114419280 Composed by Chen Yi. Arrang...(+)
Chamber Music violin,
piano
SKU:
PR.114419280
Composed
by Chen Yi. Arranged by
Wong Tak Chiu.
Performance Score. 32+12
pages. Duration 20
minutes. Theodore Presser
Company #114-41928.
Published by Theodore
Presser Company
(PR.114419280).
ISBN
9781491132357. UPC:
680160676125.
Inspi
red by Chinese tradition,
this concerto-like dance
suite includes: 1. Lion
Dance, 2. YangKo, and 3.
Muqam. Each movement
draws from melodies and
rhythms characteristic of
various regions of China
many centuries ago.
CHINESE FOLK DANCE SUITE
is available for violin
with full orchestra, or
as a recital work with
piano. Supported by a
major commissioning award
from the Serge
Koussevitzky Music
Foundation in the Library
of Congress, Chinese Folk
Dance Suite is written
for solo violin and
orchestra; it was
premiered by The
Women’s
Philharmonic with violin
soloist Terrie Baune,
conducted by Apo Hsu, on
March 10, 2001, at Yerba
Buena Center For the Arts
Theater in San
Francisco.Inspired by
various Chinese
traditional folk dances,
the suite has three
movements:I. Lion Dance.
Traditionally, people
dance with richly
decorated hand-made
lions, accompanied by
percussion ensemble, to
celebrate happy occasions
and major festivals
throughout the country.
In this composition, I
use Chinese drum and
other percussion
instruments in the
background, to form a
dynamic and rhythmic
texture responding to the
solo part, which imitates
the tunes played on the
suona (traditional
Chinese trumpet). The
pitch materials came from
the traditional Guangdong
tune “Dragon Boat
Racing,†and the
Chaozhou tune “Lion
Playing Ball.â€II.
YangKo. Originating in
northern China, this is a
major folk dance form in
mass performance
popularized in the
country. In YangKo
performance, people play
rhythmic patterns on the
drums hung around their
waists while singing and
dancing. In the second
movement, I imagined a
warm scene of YangKo
dancing in distance. The
solo violin plays a sweet
and gracious melodic line
while all members of the
orchestra sing
non-pitched syllables in
different layers as the
soft background, to
imitate the percussion
sound which produces the
ever-going pulse.III.
Muqam. This large-scale
music and dance form,
from the Uygur
nationality in Xinjiang
province, originated in
the 15th century. My
third movement use a 7/8
meter and the melodic
style of Muqam music. The
fiery dancing gesture
culminates in the
sustained climax section
at the end of the work,
after a colorful violin
cadenza in both
improvisational singing
style and polyphonic
writing with woven
lines.
Nostalgia Violon et Piano [Conducteur] Theodore Presser Co.
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440517S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440517S
Composed
by Robert Martin. Full
score. With Standard
notation. 20 pages.
Theodore Presser Company
#144-40517S. Published by
Theodore Presser Company
(PR.14440517S).
UPC:
680160667888. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
There are passages in
Nostalgia that build
using two layers, a
louder foreground and a
quieter background. Both
of these layers are
independent of specific
instruments, in other
words, the various
instruments jump in to
play a role in either
layer, then jump to the
other layer. It is as if
the ensemble has doubled.
The technical musical
term for multiple
instruments interweaving
to produce a single
thread or idea is called
Klangfarbenmelodie
(tone-color-melody).
Because there are two
layers (louder and
softer), both using this
technique, Nostalgia is a
unique example of 'double
Klangfarbenmelodie.' The
piece ends with a series
of intense rhythmic
pulsations and several
apocalyptic fanfares.
(From the performance
notes.).
Nighttime Violon et Piano [Conducteur] Theodore Presser Co.
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440515S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440515S
Composed
by Robert Martin. Full
score. With Standard
notation. 48 pages.
Theodore Presser Company
#144-40515S. Published by
Theodore Presser Company
(PR.14440515S).
UPC:
680160667819. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
One role of music is to
evoke. Therefore,
Nighttime is a nocturne,
a night piece suggestive
of flickering shadows,
perhaps created by
firelight. It is a
recurrent setting in
human existence. The
music opens with the
scene of twilight calm,
gently disturbed with the
slight uncertainty about
what is around us, what
we cannot see. Later, the
clarinet takes on a solo
role, and the notes bleed
like careless paint into
the other instruments
that quietly sustain
them. Next, the flute
takes over the role of
solo. The piece ends with
a repeated cadence of
morning light. (From the
performance notes.).
Enigma Violon et Piano [Conducteur] Theodore Presser Co.
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440516S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440516S
Composed
by Robert Martin. Full
score. With Standard
notation. 44 pages.
Duration 9 minutes, 15
seconds. Theodore Presser
Company #144-40516S.
Published by Theodore
Presser Company
(PR.14440516S).
UPC:
680160667864. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
As the title suggests,
the music is in a state
of perpetual questioning
using a variety of
approaches. For example,
Enigma opens using
ostinati (plural of
ostinato) that do not
match in length, like a
staircase with each step
a different height.
Additionally, the music
has sudden starts and
stops, again unexplained.
There are dramatic and
powerful explosive
passages that are
interrupted. The
technique, used to create
this feeling of a
perplexed music world
where things seem often
not to make sense and to
be left unresolved, is
called in poetry and
literature, anticlimax.
In Enigma, the music
suggests one direction;
then refuses to continue,
striking out in another
direction. Artists use
approaches such as this
to force themselves into
creative circumstances
that they otherwise might
not have discovered.
(From the performance
notes.).
Chamber Music Cello, Piano, Violin SKU: PR.114422690 Composed by Stacy Ga...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114422690
Composed
by Stacy Garrop. Sws. Set
of Score and Parts. 8+2+2
pages. Duration 5
minutes. Theodore Presser
Company #114-42269.
Published by Theodore
Presser Company
(PR.114422690).
UPC:
680160684809. 9 x 12
inches.
In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont, Wyoming.
Ucross is an artist
colony that gives
writers, composers, and
visual artists
the gift of time,
space, and support to
follow their artistic
pursuits; we are provided
with studio space,
housing, and meals so
that we can work
continuously on our
projects. I have been
in residence at numerous
artist colonies; however,
nothing in my
previous experiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on
a 20,000-acre cattle
ranch at nearly 4,000
feet in elevation with
fewer than 150
people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming
to offer three glimpses
of what I found to be the
most striking aspects
of my residence. The
Solitude of Stars, the
third and final movement
of the original
sextet, was inspired
by the stunning nightly
display of the heavens
above. Without city
lights dimming the
night sky, countless
stars shone brightly over
the vast expanse of the
prairie. This edition
is part of The Solitude
of Stars Project that I
undertook during the
2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
continuously on our
projects. I have been in
residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming to
offer three glimpses of
what I found to be the
most striking aspects of
my residence. The
Solitude of Stars, the
third and final movement
of the original sextet,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the prairie.
This edition is part of
The Solitude of Stars
Project that I undertook
during the 2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont,Wyoming. Ucross
is an artist colony that
gives writers, composers,
and visual artists
thegift of time, space,
and support to follow
their artistic pursuits;
we are provided
withstudio space,
housing, and meals so
that we can work
continuously on our
projects. I havebeen in
residence at numerous
artist colonies; however,
nothing in my
previousexperiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on a20,000-acre
cattle ranch at nearly
4,000 feet in elevation
with fewer than 150
peopleliving within the
town. But what Clearmont
lacks in population, it
makes up forabundantly
and spectacularly in
wilderness and wildlife.
I composed the sextet
Postcardsfrom Wyoming to
offer three glimpses of
what I found to be the
most striking aspects
ofmy residence. The
Solitude of Stars, the
third and final movement
of the original
sextet,was inspired by
the stunning nightly
display of the heavens
above. Without city
lightsdimming the night
sky, countless stars
shone brightly over the
vast expanse of the
prairie.This edition is
part of The Solitude of
Stars Project that I
undertook during the
2020COVID-19 pandemic,
which consists of a
series of arrangements
that I made forcolleagues
and friends.
Chamber Music violin, piano SKU: PR.114418650 A Klezmer Concerto. ...(+)
Chamber Music violin,
piano
SKU:
PR.114418650
A
Klezmer Concerto.
Composed by Noah
Bendix-Balgley. Arranged
by Samuel Adler. Set of
Score and Parts. With
Standard notation. 48+28
pages. Theodore Presser
Company #114-41865.
Published by Theodore
Presser Company
(PR.114418650).
UPC:
680160642977. 9.5 x 13
inches.
Bendix-Balg
ley is a major young
talent, currently serving
as first concertmaster in
the Berlin Philharmonic.
Klezmer music was a
background for his
childhood and has been an
influence in his life
ever since. Upon writing
his very own Klezmer
Concerto, Bendix-Balgley
was delighted to have the
master of orchestration,
Samuel Adler, produce
performance versions for
both full orchestra and a
fully-realized piano
reduction. Formerly
concertmaster with the
Pittsburgh Symphony
Orchestra, Bendix-Balgley
performed the premiere of
this PSO-commissioned
work in June, 2016 with
the PSO, Maestro Manfred
Honeck conducting.
Adler's piano reduction
of the work is now
available.
Chamber Music violin, piano SKU: PR.114422600 Composed by Adolphus Hailst...(+)
Chamber Music violin,
piano
SKU:
PR.114422600
Composed
by Adolphus Hailstork.
Set of Score and Parts.
12+8 pages. Duration
12:30. Theodore Presser
Company #114-42260.
Published by Theodore
Presser Company
(PR.114422600).
ISBN
9781491135099. UPC:
680160686315.
Both
deep and charming, LITTLE
SUITE IN F combines
Hailstork’s dry
wit with heart, and
modernism with nostalgic
beauty. The
suite’s four
movements include a
prelude of atypical
texture and colors, a
dance movement evoking
waltz or menuet, a solemn
solo movement for the
violin alone, and finally
a lullaby with a melody
inspired by
spirituals.
Chamber Music violin, piano SKU: PR.114417660 An Encore for Violin And...(+)
Chamber Music violin,
piano
SKU:
PR.114417660
An
Encore for Violin And
Piano. Composed by
Carter Pann. Sws each.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed August 4 2012.
12+8 pages. Duration
4:30. Theodore Presser
Company #114-41766.
Published by Theodore
Presser Company
(PR.114417660).
ISBN
9781491107966. UPC:
680160636211. 9x12
inches.
A
microcosmic masterpiece
in its own right and
defined by the composer
as an encore piece,
Bitten at the Opera is
all that and more. Carter
Pann may leave us
guessing about some of
the references in his
music and title - yet we
do feel the bite, the
melodramatic thrill, the
references to Carmen, and
the drama of the great
Italian tragic operas.
Parody aside, Bitten at
the Opera is a brilliant
4 1/2 minute showpiece
full of lyricism and
fire, ideal for
punctuating a recital.
For advanced
performers.
Discourse Violon et Piano [Conducteur] Theodore Presser Co.
Chamber Music Clarinet, Flute, Piano, Violin SKU: PR.11440561S Composed b...(+)
Chamber Music Clarinet,
Flute, Piano, Violin
SKU: PR.11440561S
Composed by Ralph Shapey.
Score. With Standard
notation. 36 pages.
Duration 12:30. Theodore
Presser Company
#114-40561S. Published by
Theodore Presser Company
(PR.11440561S).
UPC:
680160009039.
The
three movements examine
the same materials from
different points of view;
in the first, the ideas
are chronologically
separated, but they
alternate and develop
through the instruments
in an intensifying way
that generates a rather
imposing and grandiose
rhetoric. The second,
with its hypnoti,
incessant reiterations at
maximum volume of a
simultaneous combination
of motives of different l
lengths and shapes, ends
just short of becoming
unbearable... In the last
movement the flute,
clarinet and violin
slowly unfold a
continuous texture that
combines several of the
earlier elements, while
the piano softly
interjects the echo of
its first movement
triplets.
Chamber Music violin, piano SKU: PR.114417650 For violin And Piano...(+)
Chamber Music violin,
piano
SKU:
PR.114417650
For
violin And Piano.
Composed by Carter Pann.
Sws. Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 1996. 8+2 pages.
Duration 9 minutes.
Theodore Presser Company
#114-41765. Published by
Theodore Presser Company
(PR.114417650).
ISBN
9781491107959. UPC:
680160636204. 9x12
inches.
Composed in
the mold of Satie's
Gymnopedies, Carter
Pann's TWO ROMANCES for
Violin and Piano
transport us exquisitely
into a dream world of
gentle impressionism and
lilting dance. The two
movements may be
performed individually or
as a pair. Pann's
orchestral version of
these romances is
recorded on Naxos under
the title Deux Sejours.
For advanced
performers.
Chamber Music Cello, Piano, Violin SKU: PR.114419270 Composed by Andrii D...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114419270
Composed
by Andrii Didorenko. Set
of Score and Parts.
24+8+8 pages. Duration 14
minutes. Theodore Presser
Company #114-41927.
Published by Theodore
Presser Company
(PR.114419270).
ISBN
9781491134535. UPC:
680160685011.
Throu
ghout its three
movements, this 14-minute
trio is a multi-colored
gem of visceral lyricism,
full of dark beauty and
mystical impressionism,
which gradually grows
into fire. The melodic
influence and passion of
Didorenko’s
Ukrainian heritage are
among the ingredients of
this enticing concert
work. A live performance
of UKRAINIAN TRIO
featuring the composer on
violin may be heard via
YouTube.
Opera Cello, Mezzo-soprano voice, Piano, Violin SKU: PR.11140306S A Mo...(+)
Opera Cello,
Mezzo-soprano voice,
Piano, Violin
SKU:
PR.11140306S
A
Monodrama for
Mezzo-soprano, Violin,
Cello, and Piano.
Composed by Stacy Garrop.
Sws. Full score. 40
pages. Duration 15
minutes. Theodore Presser
Company #111-40306S.
Published by Theodore
Presser Company
(PR.11140306S).
UPC:
680160683871. 9 x 12
inches. English. Text:
Jerre Dye. Original story
by Jerry Dye.
Opera Cello, Mezzo-soprano voice, Piano, Violin SKU: PR.111403060 A Mo...(+)
Opera Cello,
Mezzo-soprano voice,
Piano, Violin
SKU:
PR.111403060
A
Monodrama for
Mezzo-soprano, Violin,
Cello, and Piano.
Composed by Stacy Garrop.
Sws. Set of Score and
Parts. 40+12+12 pages.
Duration 15 minutes.
Theodore Presser Company
#111-40306. Published by
Theodore Presser Company
(PR.111403060).
UPC:
680160683864. 9 x 12
inches. English. Text:
Jerre Dye. Original story
by Jerry Dye.
Chamber Music violin, piano SKU: PR.144400560 A Dialogue. Composed...(+)
Chamber Music violin,
piano
SKU:
PR.144400560
A
Dialogue. Composed by
Peter Scott Lewis.
Performance Score. With
Standard notation. 12
pages. Theodore Presser
Company #144-40056.
Published by Theodore
Presser Company
(PR.144400560).
By Antonio Vivaldi; Arcangelo Corelli; E. Dall'abaco; Francesco Maria Veracini; ...(+)
By Antonio Vivaldi;
Arcangelo Corelli; E.
Dall'abaco; Francesco
Maria Veracini; Frederick
F. Polnauer; G. B. Somis;
Georg Philipp Telemann;
George Frideric Handel;
Giovan Battista
Pergolesi; J.A.
Birckenstock; T.Albinoni.
For Violin I, Piano II.
Soft Cover. 44 pages.
Published by Theodore
Presser Company.
Violin and piano SKU: LM.P03073 Composed by Henri Classens. Classical. Sc...(+)
Violin and piano
SKU:
LM.P03073
Composed by
Henri Classens.
Classical. Score.
Editions Combre #P03073.
Published by Editions
Combre (LM.P03073).
ISBN
9790230330732.
DIAB
ELLI Anton : Petite piece
en Do maj. - LATOUR Jean
Theodore : Theme en Sol
maj. - GLUCK Christoph
Willibald :
Divertissement en Sol
maj. - GRETRY
Andre-Modeste : Ariette
en Sol maj. - ARNE Thomas
: Menuet en Sol maj. -
GURLITT Cornlius :
Berceuse en Do maj. -
CZERNY Carl : Amusement
en Re maj. - PURCELL
Henry : Menuet en Sol
maj. - BRAHMS Johannes :
L'homme au sable en Sol
maj. - SCHUMANN Robert :
Petite romance en La min.
- KUHNAU Johann : Menuet
en Sol maj. - GOUNOD
Charles : Chanson du soir
en Do maj. - SCHUMANN
Robert : L'Etranger en
Sol maj. - HAENDEL Georg
Friedrich : Menuet en Fa
maj. - HEROLD Ferdinand :
Romance en Sol maj. -
DIABELLI Anton : Andante
en Fa maj. - DUVAL
Francois : Sarabande en
Re maj. - PINOLET de
MONTECLAIR Michel :
Menuet en Re maj. - DUVAL
Francois : Sarabande en
Sol maj. - SCHUMANN
Robert : Marche militaire
en Sol maj. - MION
Charles-Louis : Air en Si
min. - PINOLET de
MONTECLAIR Michel :
Entree des masques en La
maj. - PINOLET de
MONTECLAIR Michel :
Musette en Do maj. -
CZERNY Carl : Sur I'Onde
en Do maj. - PINOLET de
MONTECLAIR Michel : Les
chasseurs en Re maj.