Violin, piano SKU: FG.55011-719-8 Works for violin and piano by Finnis...(+)
Violin, piano
SKU:
FG.55011-719-8
Works for violin and
piano by Finnish women
composers 1886-1936.
Composed by Various.
Edited by Mirka Malmi and
Tiina Karakorpi.
Daughters of Music.
Classical. Score & part.
Fennica Gehrman
#55011-719-8. Published
by Fennica Gehrman
(FG.55011-719-8).
ISBN
9790550117198.
Othe
r Finnish works for
violin contains twelve
pieces for violin and
piano. Though brief in
duration, most of them
were written for concert
use, being rich and
expressive and, in some
cases, technically quite
demanding. Others are
delightful salon pieces.
This volume was compiled
by violinist Mirka Malmi
and edited by her with
pianist Tiina Karakorpi.
Many of the women of
Finnish origin who wrote
music in the 19th and
early 20th century were
cosmopolitan by nature.
They studied and found
employment in the
cultural metropolises of
central Europe. Because
of their gender, they
generally had no
opportunities for
employment in national
cultural institutions in
Finland. Their music was
mainly published outside
Finland, and in most
cases they enjoyed a
broad network of
connections, an expansive
cultural sphere and a
successful career.
6 Sonatas Op. 4a Violon et Piano [Conducteur] Breitkopf & Härtel
Violin, piano SKU: BR.EB-8327 Urtext. Composed by Tommaso Giordani...(+)
Violin, piano
SKU:
BR.EB-8327
Urtext. Composed
by Tommaso Giordani.
Edited by Martin Lutz.
Solo instruments;
Softcover. Edition
Breitkopf. Tommaso
Giordani wrote sonatas -
here for violin or flute
- that are typical
examples of early
Classical chamber music:
their scoring is
flexible, they are fun to
play, and their technical
demands are moderate.
Sonata; Classical. Score.
48 pages. Breitkopf and
Haertel #EB 8327.
Published by Breitkopf
and Haertel (BR.EB-8327).
ISBN 9790004176351. 9
x 12
inches.
Tommaso
Giordani wrote sonatas -
here for violin or flute
- that are typical
examples of early
Classical chamber music:
their scoring is
flexible, they are fun to
play, and their technical
demands are moderate. The
Sonatas Op. IVa show that
Giordani is a Haydn
contemporary who can
really hold his own.
Giordani's chamber-music
works with obbligato
piano were actually very
important for the
development of chamber
music. Too bad Giordani
did not contend himself
with writing more of
these enchanting ensemble
sonatas rather than
investing in dubious
opera projects and going
bankrupt. That was no way
to become a serious
Classical
composer!
Tommaso
Giordani wrote sonatas -
here for violin or flute
- that are typical
examples of early
Classical chamber music:
their scoring is
flexible, they are fun to
play, and their technical
demands are moderate.
Chamber Music Cello, Piano, Violin SKU: PR.114423360 Composed by Stacy Ga...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114423360
Composed
by Stacy Garrop. Set of
Score and Parts. 24+12+12
pages. Duration 8:30.
Theodore Presser Company
#114-42336. Published by
Theodore Presser Company
(PR.114423360).
UPC:
680160686285.
When
the Newport Music
Festival commissioned me
for a piano trio in honor
of their 2021 season, I
looked for a topic that
would celebrate an aspect
of the Newport community.
While researching the
area, I was struck by the
nine lighthouses situated
around the island. The
dual nature of
lighthouses was
particularly appealing to
me: not only do they
serve a vital role in the
navigation of ships
around rocks and land,
but they are also a
beautiful sight,
particularly at night
when their blinking
beacons are clearly
visible to the eye. It
occurred to me that
lighthouses link the past
with the present, and
will endure long into the
future, with their
beacons serving the same
purpose for every
generation.I became
fascinated with the
lighthouse on the
property of Castle Hill
Inn, located at the
opening of the East
Passage of the
Narragansett Bay. This
squat thirty-four foot
granite structure was
erected in 1890 on a very
picturesque spot, right
at the water’s
edge. Its
“characteristic,â
the nautical term
for each
lighthouse’s
unique light sequence
that allows ships to
identify the lighthouse,
is to alternate on for
three seconds, then off
for three seconds. The
lighthouse has also
served as the starting
and finish line for
numerous high profile
yacht races, as well as
survived a massive
hurricane in 1938, though
the lighthouse
keeper’s nearby
residence wasn’t
so lucky. American
novelist Thornton Wilder
wrote much of his 1973
novel Theophilus North
while staying at the
Castle Hill Inn; a
passage from the book
perfectly captures the
dual nature of
lighthouses:“At a
later visit I was able to
engage the pentagonal
room in a turret above
the house; from that
magical room I could see
at night the beacons of
six lighthouses and hear
the booming and chiming
of as many sea
buoys.â€In Beacon of
the Bay, we first hear
the lighthouse’s
characteristic as its
ruby light blinks on and
off. This is followed by
a simple theme that
represents the lighthouse
performing its solitary
duty. As the piece
progresses, we hear waves
playfully lapping around
its base, then yachts
gracefully floating by;
this is followed by a
violent storm that churns
the waves with so much
force that they crash
against the
lighthouse’s
granite body. But the
steadfast lighthouse
holds firm to the rocks,
grandly blinking its ruby
light. The music quiets
back down to its simple
theme, with yachts
sailing by once more as
the piece concludes.
Violin, piano SKU: BR.EB-9250 Composed by Nicolaus A. Huber. Solo instrum...(+)
Violin, piano
SKU:
BR.EB-9250
Composed
by Nicolaus A. Huber.
Solo instruments;
stapled. Edition
Breitkopf.
World
premiere: Toronto,
November 17, 2016Written
for the Duo Wapiti
(Genevieve Liboiron,
Daniel Anez)
New
music (post-2000); Music
post-1945. Performance
score. Composed 2016. 12
pages. Duration 12'.
Breitkopf and Haertel #EB
9250. Published by
Breitkopf and Haertel
(BR.EB-9250).
ISBN
9790004185506. 10 x 12.5
inches.
Whereas
Nono considered the world
to be only fragmentarily
analyzable, so-called
consumer capitalism
increasingly intrudes
upon ego structures, by
fragmenting them to the
point of: assumed
insufficiency, i.e., was
consumption a form of
infiltration?, or: in
television you can see
models licking face cream
because it's so rich etc.
(retranslated), as
Meredith Haaf cited in
her book review (SZ /
23.05.2016 Alexandra
Kleeman: You Too Can Have
A Body Like Mine) , and
to the point of similar
perfection-senselessness.
Music doesn't do things
by halves. Even when
events or notes are
puffed up, they can
retain elegance and
significance. Other ego
amplitudes are of
violinistic nature or are
favourite memories -
Paganini's Capricci,
Stockhausen's Studie I,
Steve Reich, the tone C
and similar things. The
craziest egos are
quantums, because at no
time are they identical
with themselves. They can
entangle and superpose,
are nonlocal, etc.
Although the sound
character in this Duo is
fairly open, I believe I
succeeded in making
probability waves of
harmonic stopovers
perceptible. This means
hearing without analyzing
and without constantly
measuring. Nonlocality -
without messenger
particles - means no
harmonic steps, but with
the capacity to interact.
(Nicolaus A. Huber, May
2016)
World
premiere: Toronto,
November 17, 2016 Written
for the Duo Wapiti
(Genevieve Liboiron,
Daniel Anez).
For Violin and Piano Piano Accompaniment; Violin SKU: HL.370329 For Vi...(+)
For Violin and Piano
Piano Accompaniment;
Violin
SKU:
HL.370329
For
Violin and Piano
Masterworks for Violin
Series. Composed by
Pablo de Sarasate. Edited
by Endre Granat. LKM
Music. Classical.
Softcover. 110 pages.
Lauren Keiser Music
Publishing #S511042.
Published by Lauren
Keiser Music Publishing
(HL.370329).
ISBN
9781638870418. UPC:
840126993660.
9.25x12.0x0.435
inches.
Sarasate's
concert career began at
age seventeen after he
was awarded the coveted
Premier Prix from the
Paris Conservatoire for
both violin and
composition. After his
London debut, the
playwright and music
critique George Bernard
Shaw wrote in his review
that Sarasate 'left
criticism gasping miles
behind him.' Shaw also
declared that there were
many composers of music
for the violin; there
were but few composers
like Sarasate for violin
music. His vast concert
repertory included many
works written for and
dedicated to him by
Bruch, Saint-Saens,
Wieniawski, Dvorak and
many others. He performed
his own works in an
inimitable, brilliant and
charming manner. His
contemporaries marveled
at his perfect intonation
and stunning rhythmic
acuity. His bowing
technique was the pride
of the French School of
violin playing. The works
presented in this volume
are among his finest. All
are based on Spanish
popular music and are a
virtuosic set for violin
and piano. They are and
have been in virtually
every great violinist's
repertory. They are also
exceptionally popular as
encore pieces, as well as
favorites of budding
virtuosos.
Violin, piano SKU: BR.EB-9407 Urtext. Composed by Joachim Raff. Ed...(+)
Violin, piano
SKU:
BR.EB-9407
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Kagi. Solo
instruments; stapled.
Edition Breitkopf.
Sonata; Romantic. Score.
68 pages. Breitkopf and
Haertel #EB 9407.
Published by Breitkopf
and Haertel (BR.EB-9407).
ISBN 9790004188811. 9
x 12 inches.
With
his Six Morceaux , Raff
created a collection of
six short pieces with the
aim of pleasantly
entertaining many a
listener and
demonstrating that he was
also capable of writing
something easy. After
all, he had made a name
for himself in the years
before with extremely
demanding chamber music
for renowned dedicatees.
The Six Morceaux ,
dedicated to the
violinist Ludwig Straus,
on the other hand, are
probably related to
Raff's teaching
activities at a private
piano school in Wiesbaden
at that time. Therefore,
with the individual
pieces varying in
difficulty they are well
suited for violin lessons
without losing any of
their musical ambition.
The most famous piece is
probably the Cavatina.
Arranged for various
scorings during Raff's
lifetime, it continues to
be one of the most
popular Encore pieces
altogether - Fritz
Kreisler, Yehudi Menuhin
and Itzhak Perlman have
made recordings of the
piece. They say that a
piano quintet version was
even heard on the Titanic
. This modern Urtext
edition is based on the
first printing,
supervised and initiated
by Raff himself. In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH).
Violin-solo, piano (Violin solo, Piano) SKU: BA.BA09099-92 First Versi...(+)
Violin-solo, piano
(Violin solo, Piano)
SKU: BA.BA09099-92
First Version
1844. Composed by
Felix Bartholdy
Mendelssohn. Edited by R.
Larry Todd. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Early
version 1844. Piano
reduction, Part. Opus 64.
Duration 12 hours.
Baerenreiter Verlag
#BA09099_92. Published by
Baerenreiter Verlag
(BA.BA09099-92).
ISBN
9790006565733. 31 x 24.3
cm inches. Key: E minor.
Preface: Larry R.
Todd.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Starter Solos Violon et Piano [Partition + CD] - Facile Anglo Music
Violin and Piano - easy SKU: BT.AMP-345-400 20 Progressive Pieces with...(+)
Violin and Piano - easy
SKU:
BT.AMP-345-400
20
Progressive Pieces with
Piano Accompaniment.
Composed by Philip
Sparke. Starter Solos.
Tuition. Book with CD.
Composed 2013. 32 pages.
Anglo Music Press #AMP
345-400. Published by
Anglo Music Press
(BT.AMP-345-400).
ISBN
9789043138635. 9x12
inches.
English-German-French-Dut
ch.
Philip
Sparke’s
Starter Solos is
the first volume of a
progressive series of
books that takes the
young wind player from
beginner to accomplished
musician. Specifically
tailored for each
instrument, this
collection of 20 solos
starts with pieces based
on only a handful of
notes and carefully
introduces new musical
elements, such as
articulation, dynamics
and key signatures, in a
structured progression to
speed the learning
process. The books
provide invaluable
additional material to
complement any teaching
method.Starter
Solos comes with a
play-along CD. The
advantages of playing
either with piano or CD
accompaniment are that
the beginning player can
nowexperience the
important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always a factor when
playing alone.
Philip
Sparke’s
Starter Solos is
het eerste deel van een
serie boeken met muziek
voor jonge blazers. Deze
bundel van twintig
solo’s begint met
stukken die op een
handvol noten zijn
gebaseerd. Nieuwe
muzikale elementen
(articulatie,
dynamiek,enz.) worden op
een doordachte,
gestructureerde manier
toegevoegd. Dit
studiemateriaal vult elke
leermethode aan en is
steeds toegesneden op het
betreffende
instrument.Uitgave met
cd: De voordelen van het
spelen met begeleiding -
hetzij op de piano,hetzij
op de cd - zijn dat de
beginnende speler de
belangrijke aspecten van
het ensemblespel kan
ervaren vanaf de eerste
lessen en essentiële
vaardigheden kan
aanleren: het luisteren
tijdens het spelen en het
handhaven van een strak
tempo. Bij hetalleen
spelen komen deze
factoren minder aan de
orde.
Das frühe
Lernstadium ist, neben
einem guten Lehrer im
Unterricht, für jedes
Instrument zweifellos das
Wichtigste. Von großer
Bedeutung ist aber auch
motivierendes
Lehrmaterial. Für
diese zwei Solobücher
beriet sich Philip Sparke
mit vielen Lehrern, wie
man am besten neue Noten
einführt und zugleich
einen Rahmen schafft, in
den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesenSoli und Etüden
in drei verschiedenen
Schwierigkeitsstufen
können
Instrumentalschüler
schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse und
Anforderungen des
einzelnen Instrumentes
zugeschnitten.
STARTER SOLOS und
SKILFUL SOLOS können
dank der im Buch und auf
der CD enthaltenen
Begleitungen auch gut
alleine oder mit einem
Pianisten einstudiert und
aufgeführt werden. Der
Vorteil dabei ist, dass
Anfänger so nicht nur
die wichtigsten Aspekte
desEnsemblespiels
erfahren sondern auch von
Anfang an die
Fähigkeit entwickeln,
zu hören während
sie spielen und das Tempo
zu halten.
Inhalt:
Follow me •Best
Foot Forward •Folk
Song •My Homeland
•Missing You
•Russian Winter
•On a Carousel
•Rush Hou •A
Dynamic Start
•Short but Sweet
•Ballad
•London Bridge
•Summer Breezes
•Modal Melody
•Toon Tune
•In a Balloon
•Yankee Doodle
•SadSong
•Count Me In
•Ragtime
March
Accanto
ad un buon insegnante, il
materiale da studio
valido è senza dubbio
la cosa più importante
al fine di un buon
apprendimento. E’
quindi importante mettere
a disposizione
dell’allievo
materiale motivante.
Nello scrivere questi
soli, PhilipSparke si
è consultato a più
riprese con insegnanti ed
allievi per mettere a
punto brani che
consentono anche ai
più inesperti di
suonare in modo
soddisfacente. Gli
accompagnamenti al piano
sono inclusi nel CD.
Skilful Solos Violon et Piano [Partition + CD] - Intermédiaire Anglo Music
Violin and Piano - intermediate SKU: BT.AMP-348-400 20 Progressive Pie...(+)
Violin and Piano -
intermediate
SKU:
BT.AMP-348-400
20
Progressive Pieces with
Piano Accompaniment.
Composed by Philip
Sparke. Tuition. Book
with CD. Composed 2013.
44 pages. Anglo Music
Press #AMP 348-400.
Published by Anglo Music
Press (BT.AMP-348-400).
ISBN 9789043138666.
9x12 inches.
English-German-French-Dut
ch.
Philip
Sparke’s
Skilful Solos is
the second volume of a
progressive series of
solo books that takes the
young wind player from
beginner to accomplished
musician. Following on
from the first book in
the series Starter
Solos this collection
generally contains longer
pieces suitable for the
developing young
musician. Specifically
tailored for each
instrument, Skilful
Solos introduces the
concept of phrasing by
suggesting suitable
breathing points and
takes the player into new
keys with extended
instrumental ranges, new
notes being introduced in
a gradual and logical
manner.Skilful
Solos comes with a
play-along CD. The
advantages of playing
eitherwith piano or CD
accompaniment are that
the beginning player can
now experience the
important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always achieved when
playing alone.
Skilful
Solos past in het
rijtje Starter
Studies, Skilful
Studies, Super
Studies en Starter
Solos, een succesvolle
reeks van Philip Sparke.
Net als de eerdergenoemde
uitgaven bevat Skilful
Solos
waardevol,motiverend
speelmateriaal dat de
keuze voor een methode
aanvult. Nieuwe muzikale
elementen komen in een
logische volgorde aan de
orde - om de ontwikkeling
van de complete muzikant
te bevorderen. Uitgave
met cd: De voordelen van
het spelen metbegeleiding
- hetzij op de piano,
hetzij op de cd - zijn
dat de beginnende speler
de belangrijke aspecten
van het ensemblespel kan
ervaren vanaf de eerste
lessen en essentiële
vaardigheden kan
aanleren: het luisteren
tijdens het spelen en
hethandhaven van een
strak tempo. Bij het
alleen spelen komen deze
factoren minder aan de
orde.
Das frühe
Lernstadium ist, neben
einem guten Lehrer im
Unterricht, für jedes
Instrument zweifellos das
Wichtigste. Von großer
Bedeutung ist aber auch
motivierendes
Lehrmaterial. Für
diese zwei Solobücher
beriet sich Philip Sparke
mit vielen Lehrern, wie
man am besten neue Noten
einführt und zugleich
einen Rahmen schafft, in
den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesenSoli und Etüden
in drei verschiedenen
Schwierigkeitsstufen
können
Instrumentalschüler
schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse und
Anforderungen des
einzelnen Instrumentes
zugeschnitten. STARTER
SOLOS und SKILFUL SOLOS
können dank der im
Buch und auf der CD
enthaltenen Begleitungen
auch gut alleine oder mit
einem Pianisten
einstudiert und
aufgeführt werden. Der
Vorteil dabei ist, dass
Anfänger so nicht nur
die wichtigsten Aspekte
desEnsemblespiels
erfahren sondern auch von
Anfang an die
Fähigkeit entwickeln,
zu hören während
sie spielen und das Tempo
zu halten.
Inhalt:
Nice to See You Again
•Pony and Trap
•Summer Siesta
•Spring (Vivaldi)
•A Victorian Ballad
•Trumpet Tune
•Promenade
•Greensleeves
•Could You Repeat
That? •Alladale
Aria •Scales of
Justice •Largo from
Winter (Vivaldi)
•Waltz with
Variations •Atthe
Circus - Adagio (Mozart)
- Marche Militaire
(Schubert) - Thinking of
You - Fives and Threes -
Daydream - Rhode Island
Rag
Skilfu
l Solos può essere
considerato il seguito di
Starter Solos.
Suonare con
l’accompagnamento
è un lavoro di squadra
che sviluppa la capacit
di ascolto e di reazione.
Skilful Solos è
indispensabile per
progredire nel mondodella
musica.
(First Edition Violin and Piano). By Nikolaj A. Roslawez. Edited by Maria Lobano...(+)
(First Edition Violin and
Piano). By Nikolaj A.
Roslawez. Edited by Maria
Lobanova. For Violin,
Piano Accompaniment.
String. Softcover. 44
pages. Schott Music
#VLB143. Published by
Schott Music
Piano Accompaniment; Violin (Score and Solo Part) - advanced to difficult SKU...(+)
Piano Accompaniment;
Violin (Score and Solo
Part) - advanced to
difficult
SKU:
HL.49019599
Three
Poems for Violin and
Piano. Composed by
Karol Szymanowski. Edited
by Ida Bieler and
Wolfgang Birtel. Arranged
by Ida Bieler. This
edition: Saddle
stitching. Sheet music.
String. 20Th Century,
Classical. Softcover. Op.
30. 72 pages. Schott
Music #VLB174. Published
by Schott Music
(HL.49019599).
ISBN
9790001191043. UPC:
841886019546.
9.0x12.0x0.187 inches.
Eds. Wolfgang Birtel and
Ida Bieler.
Karol
Szymanowski (1882-1932)
is regarded as one of the
most important Polish
composers since Chopin.
He received his formative
musical training in
Warsaw where he lived for
many years and was also
director of the
Conservatoire and Music
Academy. His
compositional oeuvre
comprises a large variety
of styles: Szymanowski
first leaned towards
Chopin and Scriabin, then
studied Richard Strauss
and Igor Stravinsky,
finally finding a style
in which he combined
impressionism and
expressionism. His
'Mythes' for violin and
piano from 1915 fell in a
transitional period,
turning away from late
German Romanticism. They
are expressive miniatures
full of tonal refinement
and impressionist charm
and, thanks to their
accessible virtuosity,
perfect performance
pieces. Contents: I. La
Fontaine d'Arethuse
• II. Narcisse
• III. Dryades et
Pan.
For Violin and Piano Schott Student Edition Repertoire. Composed by Edward E...(+)
For Violin and Piano
Schott
Student Edition
Repertoire.
Composed by Edward Elgar
(1857-1934). Schott
Student
Edition. Repertoire.
Softcover. 20 pages.
Schott
Music #SE1003. Published
by
Schott Music
Violin and Piano SKU: HL.50510909 Composed by L. Papp. EMB. Pedagogical p...(+)
Violin and Piano
SKU:
HL.50510909
Composed
by L. Papp. EMB.
Pedagogical performance
pieces. Book Only. Editio
Musica Budapest #Z14171.
Published by Editio
Musica Budapest
(HL.50510909).
ISBN
9790080141717. UPC:
073999680881. Bach (23 x
30,2 cm) inches. Lajos
Papp.
The five
pieces that make up this
publication each convey a
different character. They
can all be played in
first position, and they
help to improve both
performance skills and
bowing technique. As the
title suggests, the basis
of these variations is
fundamentally rooted in
the style of Hungarian
folk music. Owing to the
creativity of the
composer, these wonderful
little pieces embody all
of the essential
qualities from the world
of Hungarian folk
music.
Violin & Orchestra Reduction (Piano). Composed by Claude Debussy (1862-1...(+)
Violin & Orchestra
Reduction
(Piano). Composed by
Claude
Debussy (1862-1918) and
Robert Orledge. Arranged
by
Robert Orledge. String.
Softcover. 34 pages.
Schott
Music #VLB214. Published
by
Schott Music
Violin and Piano SKU: BT.EMBZ14323 Per violino e basso continuo o viol...(+)
Violin and Piano
SKU:
BT.EMBZ14323
Per
violino e basso continuo
o violino e
violoncello. By Lajos
Vigh. By Arpad Pejtsik.
Educational Tool. Book
Only. Composed 2002. 40
pages. Editio Musica
Budapest #EMBZ14323.
Published by Editio
Musica Budapest
(BT.EMBZ14323).
This volume of
nine small sonatas by
nine composers first
appeared in print around
1695 in Bologna. While
some of these composers
(Torelli, Perti,
Jacchini) are well-known
figures in music history,
there are others which
are lesser-known and have
been preserved in this
collection for posterity.
These sonatas are
primarily recommended for
students, because they
allow learners to
experience this musical
style at an early stage,
and they also lay a
strong foundation for the
study of major sonatas by
Baroque masters such as
Corelli and Vivaldi.
25
Easy Pieces for Violin
and Piano Book with Audio
Online. Composed by
Various. Edited by Peter
Mohrs. Edition Schott.
Baroque, Classical,
Romantic. Softcover Audio
Online. 40 pages. Schott
Music #ED20684D.
Published by Schott Music
(HL.49047090).
ISBN
9783795726966. UPC:
196288120612.
9.0x12.0x0.195
inches.
25 easy
pieces from the Baroque,
Classical and Romantic
eras, playable in the
first three finger
patterns in the first
position, forviolin
pupils from the second
year of learning. Apart
from lesser known works,
this edition also
contains many popular
pieces, such as themes
from Vivaldi's Four
Seasons, Handel's
Fireworks Music and Water
Music, Mozart's Magic
Flute or Beethoven's
Symphony No. 9.This
volume's intention is to
grant access to classical
masterpieces of concert
literature with the help
of such easy arrangements
and spread the joy of
classical music. The
approach to the pieces is
made easier by the
accompanying audio tracks
which, on the one hand,
offers the opportunity to
listen to and get to know
the pieces beforehand,
and, on the other hand,
thanks to the separate
piano accompaniments,
provides first experience
in ensemble playing and
conveys the vivid joy of
music-making. When the
tracks were recorded by
Prof. Benjamin Bergmann,
violin, and Leonid
Dorfman, piano, they
deliberately decided in
favour of moderate tempos
to make it easier for the
young violinists to play
along with the piano
part. A treasure trove
for auditions at schools
and music schools.
Violin and Piano SKU: AP.36-60710009 From Preludes, Book 2. Arrang...(+)
Violin and Piano
SKU:
AP.36-60710009
From Preludes, Book
2. Arranged by Claude
Debussy and ed./arr.
Lucien Garban. Violin.
Master String Series.
Book. LudwigMasters
Publications
#36-60710009. Published
by LudwigMasters
Publications
(AP.36-60710009).
ISBN
9798888521786. UPC:
676737764432.
English.
Unlike
Bach and Chopin, Claude
Debussy (1862-1918) wrote
his twenty-four Préludes
for solo piano without a
clearly organized pattern
of key relationships.
They were written from
December 1909 to April
1913, in two sets, with
twelve preludes to each
volume. Jane Mortier
delivered the premiere of
the first volume on May
3, 1911, at the Salle
Pleyel in Paris. Walter
Morse Rummel gave the
first complete
performance of the second
volume on June 12, 1913,
at the Aeolian Hall in
London. Prelude No. 5
from Book 2, subtitled
Bruyéres, bears
similarity to another of
his works for piano, La
Fille aux cheveux de lin
(The Girl with the Flaxen
Hair). The pianist
Marguerite Long, a friend
of the composer,
suggested that it sounded
reminiscent of the
mingling scent of sea
mist and pines. French
composer and arranger
Lucien Garban completed
this transcription of No.
5 from Book 2 (Bruyères)
for violin and piano in
1926. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Piano; Violin SKU: HL.49045102 For Violin and Piano - German - English...(+)
Piano; Violin
SKU:
HL.49045102
For
Violin and Piano - German
- English. Composed
by Carl Maria von Weber.
Edited by Claudia Theis.
Arranged by Volker
Worlitzsch. This edition:
Saddle stitching. Sheet
music. String. This
edition of sonatas for
violin and piano includes
practical arrangements
based on the text of the
Weber Complete Edition.
Classical. Softcover.
Composed 1810. 44 pages.
Schott Music #VLB196.
Published by Schott Music
(HL.49045102).
ISBN
9790001202022. UPC:
841886024021.
9.0x12.0x0.135 inches.
German -
English.
When Weber
offered the sonatas for
violin and piano to the
publisher Andre von
Offenbach in 1810, the
latter refused to print
them because they were
'too good and demanding'.
In order to reach as
large a target group of
music-making amateurs as
possible, editors at that
time increasingly
selected only easily
playable works.
Fortunately, these
sonatas nevertheless
found their way into the
repertoire.This is a
practical edition in two
volumes based on the text
of the Weber Complete
Edition.
Peter's Pictures Violon et Piano - Débutant Forsyth Publications
Violin and Piano - Beginner SKU: FP.FDC24 Composed by Cyril Dalmaine. She...(+)
Violin and Piano -
Beginner
SKU:
FP.FDC24
Composed by
Cyril Dalmaine. Sheet
Music and Books. Music
sketches for beginner
violinists with piano
accompaniment, by Cyril
Dalmaine. Classical.
Collection. Forsyths
Publications #FDC24.
Published by Forsyths
Publications (FP.FDC24).
ISBN
9790570504336.
An
imaginative first violin
book, featuring 12 music
sketches with fingering
and tips on technique and
reading music, inspired
by the composer's
experience teaching a
young boy named Peter,
and the musical pictures
they painted
together.
Comp
oser and critic Cyril
Carr Dalmaine graduated
from the Royal College of
Music and was Music
master at Uppington
School before going on to
become chorus master to
the BBC. He is most
famous for coining the
term 'Lord Haw-Haw' in
his work as radio critic
of the Daily Express
under the pseudonym Jonah
Barrington, in reference
to the Nazi propaganda
broadcasts of William
Joyce during the Second
World
War.
Dalmaine was
also a record presenter
in the pre-1955 days and
responsible for the
'discovery' of the then
deceased Italian tenor,
Alessandro Valente,
giving Valente enjoyed a
considerable posthumous
vogue. As a composer
Dalmaine wrote chamber
music, and transcribed
the cantatas of J.S. Bach
to piano as well as a
wide range of piano and
string works published by
Forsyth. His works such
as Variation from
Versailles and Pathway to
the Proms remain in print
and are well worth
re-discovering, while his
arrangements of popular
classics in our
Silhouette Series remain
best sellers.
Piano; Violin SKU: HL.49045155 For Violin and Piano (German, English)<...(+)
Piano; Violin
SKU:
HL.49045155
For
Violin and Piano (German,
English). Composed by
Carl Maria von Weber.
Edited by Claudia Theis.
Arranged by Volker
Worlitzsch. This edition:
Saddle stitching. Sheet
music. String. This
edition of sonatas for
violin and piano includes
practical arrangements
based on the text of the
Weber Complete Edition.
Classical. Softcover.
Composed 1810. 56 pages.
Schott Music #VLB197.
Published by Schott Music
(HL.49045155).
ISBN
9790001202039. UPC:
841886024038.
9.0x12.0x0.185 inches.
German -
English.
When Weber
offered the sonatas for
violin and piano to the
publisher Andre from
Offenbach in 1810, the
latter refused to print
them because they were
'too good and demanding'.
In order to reach as
large a target group of
music-making amateurs as
possible, the editors at
that time increasingly
saw to the works' easy
playability. Fortunately,
the sonatas nevertheless
found their way into the
repertoire of the
violinists.This is a
practical edition in two
volumes based on the text
of the Weber Complete
Edition.
For Violin and Piano. Composed by Antonin Dvorak (1841-1904). Edited by Wo...(+)
For Violin and Piano.
Composed by Antonin
Dvorak
(1841-1904). Edited by
Wolfgang Birtel. Arranged
by
Friedemann Eichhorn. This
edition: Saddle
stitching.
Sheet music. String Solo.
Dvoraks Romantic Pieces
are
a welcome addition to the
violin repertoire and a
very
effective alternative to
Dvorak's large-scale
violin
works, the Concerto in A
minor and Romance in F
minor.For this edition
reference has been made
to a
copy of the origina.
Classical. Score and
part.
Op. 75. 28 pages. Schott
Music #ED 22395.
Published
by Schott Music
Violin, Piano, Play-Along CD SKU: HU.F0571523560 For Violin and Piano/CD. Compo...(+)
Violin, Piano, Play-Along
CD
SKU: HU.F0571523560
For Violin and Piano/CD.
Composed by Pam Wedgwood.
Strings, Repertoire,
Collections. After Hours.
Softcover Book and CD. 32
pages. Faber Music
#F0571523560. Published
by Faber Music
Violin, Piano SKU: BA.BA11086 Composed by Thomas Daniel Schlee. Stapled. ...(+)
Violin, Piano
SKU:
BA.BA11086
Composed
by Thomas Daniel Schlee.
Stapled. Urauffuhrung
24.10.2017, Wien.
Performance score, Part
(1). Opus 82. 20/9 pages.
Baerenreiter Verlag
#BA11086_00. Published by
Baerenreiter Verlag
(BA.BA11086).
ISBN
9790006564446. 32.5 x
25.5 cm inches.
A
suite whose movements
always deliver something
other than what they seem
to promise. But
throughout, the two
instruments and
respectively their
players act like two
people in very specific
situations:
I.:
The opening movement is
reserved for the piano;
the initially earnest,
solitary cantilena
intensifies creating
expectation.
Suddenly II.: the
violin sounds. Its moving
figures replace the now
silent piano, also
soloistically. III.
„Passacaglia“
: The title is taken
literally – the
two instruments/persons
encounter each other in
the street. Two musical
characters who meet at a
specific point, recognize
each other, but move on
again, each one by
itself. IV.
„Rondo“: The
two of them dance
together. Before me, I
saw people dancing the
Sardana – a round
dance – in front
of the cathedral of
Barcelona. Four themes in
different time signatures
circle ceaselessly
between the two
instruments. V.
„Fuga“: At
last, regardless, panic
flight – again the
title is taken literally
... Human, only too human
…
Piano Accompaniment; Violin (violin/piano) SKU: HL.51481275 Violin and...(+)
Piano Accompaniment;
Violin (violin/piano)
SKU: HL.51481275
Violin and Piano.
Composed by Peter Ilyich
Tchaikovsky. Edited by
Alexander Komarov. Henle
Music Folios. Classical.
Softcover. 50 pages. G.
Henle #HN1275. Published
by G. Henle
(HL.51481275).
UPC:
888680991661.
9.25x12.25x0.157
inches.
“Memo
ry of a dear placeâ€
is the title given to
this collection of three
enchanting pieces for
violin and piano. The
“place†in
question was the country
estate of Brailov that
belonged to Tchaikovsky's
patron and friend
Nadezhda von Meck. He
stayed there in idyllic
seclusion in May 1878 and
completed this work.
These pieces were
composed very close in
time to his Violin
Concerto, and they too
demonstrate Tchaikovsky's
matchless gifts as a
Romantic master of
melody. For this edition,
the Russian Tchaikovsky
specialist Alexander
Komarov offers the
highest degree of
editorial precision,
having drawn on all the
relevant sources from
both Russian and
international archives.
In the course of his work
he has also been able to
disprove beyond a doubt
the view held up to now
that the title Souvenir
d'un lieu cher was only
added after Tchaikovsky's
death.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Violin - very easy to easy SKU: HL.49018957 Book/CD. Composed by V...(+)
Violin - very easy to
easy
SKU:
HL.49018957
Book/CD. Composed
by Various. Edited by
Peter Mohrs. This
edition: Saddle
stitching. Sheet music
with CD. Edition Schott.
25 leichte Stucke aus
Barock, Klassik und
Romantik in den ersten
drei Griffarten der 1.
Lage spielbar, fur
Violinschuler ab dem 2.
Unterrichtsjahr. Eine
Fundgrube fur Vorspiele
in Schule und
Musikschule. Classical.
Softcover with CD. 60
pages. Schott Music
#ED20684. Published by
Schott Music
(HL.49018957).
ISBN
9783795759568. UPC:
196288125617.
9.0x12.0x0.194 inches.
Andreas
Schuermann.
25 easy
pieces from the Baroque,
Classical and Romantic
eras, playable in the
first three finger
patterns in the first
position, for violin
pupils from the second
year of learning. Apart
from lesser known works,
this edition also
contains many popular
pieces, such as themes
from Vivaldi's Four
Seasons, Handel's
Fireworks Music and Water
Music, Mozart's Magic
Flute or Beethoven's
Symphony No. 9. This
volume's intention is to
grant access to classical
masterpieces of concert
literature with the help
of such easy arrangements
and spread the joy of
classical music.The
approach to the pieces is
made easier by the
accompanying CD which, on
the one hand, offers the
opportunity to listen to
and get to know the
pieces beforehand, and,
on the other hand, thanks
to the separate piano
accompaniments, provides
first experience in
ensemble playing and
conveys the vivid joy of
music-making.When the CD
was recorded by Prof.
Benjamin Bergmann,
violin, and Leonid
Dorfman, piano, they
deliberately decided in
favour of moderate tempos
to make it easier for the
young violinists to play
along with the piano
part. A treasure trove
for auditions at schools
and music schools.
Violin and piano SKU: M7.SAE-18-08 Composed by Alfred Eric Leslie Satie. ...(+)
Violin and piano
SKU:
M7.SAE-18-08
Composed
by Alfred Eric Leslie
Satie. Arranged by Lucian
Moraru. Sheet music.
Piano reduction with solo
part. SonArt Edition #SAE
18-08. Published by
SonArt Edition
(M7.SAE-18-08).
ISBN
9790707651681.
This
is a unique arrangement
for violin and Piano
based on a theme by Erik
Satie and to which other
original themes have been
added. The work will
certainly be a delight
for the public because
the sound material is
treated in both classical
and jazzy style.
Certainly this is a piece
to be enjoyed by the
players, but audiences
have shown that they too
share the same pleasure,
for sure it is a smart
choice for the players
that want to achieve the
acclaim from the
audience. This piece of
music is suitable both
for concerts given by
professionals and for
auditions in schools,
colleges, conservatories
or can be used in various
other private events.
Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Je...(+)
Urtext based on the
Complete
Edition Jean Sibelius
Works
(JSW). Composed by Jean
Sibelius (1865-1957).
Edited
by Anna Pulkkis.
The violin was Sibelius's
instrument, and the
virtuoso
aspect is eminent in Drei
Stucke Op. 116 as well as
in
his entire oeuvre for
violin
and piano. Apart from
that,
Op. 116 provides a
glimpse
into the last active
phase of
Sibelius's care.
Breitkopf
and Haertel #EB-9341.
Published by Breitkopf
and
Haertel
Concerto in F Major L'autunno (Autumn) from The Four Seasons RV293, Op.8 No.3 (C...(+)
Concerto in F Major
L'autunno (Autumn) from
The Four Seasons RV293,
Op.8 No.3 (Critical
Edition Violin and Piano
Reduction). By Antonio
Vivaldi (1678-1741).
Edited by Maurizio
Carnelli. Violin. String
Solo. 20 pages. Ricordi
#R138526. Published by
Ricordi
Violin, Piano SKU: HU.F0571506577 For Violin and Piano. Composed by Paul de Key...(+)
Violin, Piano
SKU: HU.F0571506577
For Violin and Piano.
Composed by Paul de
Keyser. Strings,
Repertoire, Collections.
The Young Violinist's
Repertoire Book 2.
Softcover Book. 36 pages.
Faber Music #F0571506577.
Published by Faber Music
(