(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt ...(+)
(Fantasia for Violin and
Piano). Composed by
Edward Mollenhauer.
Edited by Kurt
Sassmannshaus. For violin
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Level 2. Piano
reduction, part(s).
Published by Baerenreiter
Verlag
(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt ...(+)
(Fantasia for Violin and
Piano). Composed by
Edward Mollenhauer.
Edited by Kurt
Sassmannshaus. For violin
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Level 2. Piano
reduction, part(s).
Published by Baerenreiter
Verlag
Violin and Piano (Violin) SKU: HL.14004213 Composed by Lennox Berkeley. M...(+)
Violin and Piano (Violin)
SKU: HL.14004213
Composed by Lennox
Berkeley. Music Sales
America. Classical. Book
[Softcover]. Composed
2002. 56 pages. Chester
Music #CH55778. Published
by Chester Music
(HL.14004213).
9.0x12.0x0.175
inches.
Five Pieces
for Violin and Orchestra
was commissioned by
Frederick Grinke and
completed on 20 December
1961. The BBC Symphony
Orchestra with Frederick
Grinke (violin) and
conducted by the
composer, gave the first
performance on 31 July
1962 at the Royal Albert
Hall, London during the
BBC Proms season. This
work is so constructed
that each piece is
complete in itself and
can be played separately,
while at the same time
the whole set of five
constitutes a structural
unit. A basic motif
consisting of a rising
semitone followed by a
falling tone, and its
inversion plays an
important part in every
piece. Thus the first
piece, which is of a slow
and meditative character,
begins with this theme in
the bass. It is also
heard in the first entry
of the solo part, and
thereafter every episode
is in some way derived
from it. The next piece,
a vigorous and strongly
marked 'allegro', uses
the semitone of the
original figure as its
starting point. A second
theme appears, first on
the horns and is later
taken up by the solo
violin, while a third
section has the initial
idea as its
accompaniment. Next comes
an extended scherzo in
free form very closely
based on initial motif.
The fourth is a purely
melodic piece containing
allusions in its middle
section to the basic
figure. Here the strings
only are used for
accompaniment. In the
first section, violas and
cellos are divided in the
middle section, and all
the strings are used in
the last, which is
otherwise an almost exact
repetition of the
opening. The Finale is a
lighter movement than the
others, concerned mainly
with giving the soloist
material for display, but
not unconnected with what
has gone before.
Chamber Music Cello, Piano, Violin SKU: PR.114423360 Composed by Stacy Ga...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114423360
Composed
by Stacy Garrop. Set of
Score and Parts. 24+12+12
pages. Duration 8:30.
Theodore Presser Company
#114-42336. Published by
Theodore Presser Company
(PR.114423360).
UPC:
680160686285.
When
the Newport Music
Festival commissioned me
for a piano trio in honor
of their 2021 season, I
looked for a topic that
would celebrate an aspect
of the Newport community.
While researching the
area, I was struck by the
nine lighthouses situated
around the island. The
dual nature of
lighthouses was
particularly appealing to
me: not only do they
serve a vital role in the
navigation of ships
around rocks and land,
but they are also a
beautiful sight,
particularly at night
when their blinking
beacons are clearly
visible to the eye. It
occurred to me that
lighthouses link the past
with the present, and
will endure long into the
future, with their
beacons serving the same
purpose for every
generation.I became
fascinated with the
lighthouse on the
property of Castle Hill
Inn, located at the
opening of the East
Passage of the
Narragansett Bay. This
squat thirty-four foot
granite structure was
erected in 1890 on a very
picturesque spot, right
at the water’s
edge. Its
“characteristic,â
the nautical term
for each
lighthouse’s
unique light sequence
that allows ships to
identify the lighthouse,
is to alternate on for
three seconds, then off
for three seconds. The
lighthouse has also
served as the starting
and finish line for
numerous high profile
yacht races, as well as
survived a massive
hurricane in 1938, though
the lighthouse
keeper’s nearby
residence wasn’t
so lucky. American
novelist Thornton Wilder
wrote much of his 1973
novel Theophilus North
while staying at the
Castle Hill Inn; a
passage from the book
perfectly captures the
dual nature of
lighthouses:“At a
later visit I was able to
engage the pentagonal
room in a turret above
the house; from that
magical room I could see
at night the beacons of
six lighthouses and hear
the booming and chiming
of as many sea
buoys.â€In Beacon of
the Bay, we first hear
the lighthouse’s
characteristic as its
ruby light blinks on and
off. This is followed by
a simple theme that
represents the lighthouse
performing its solitary
duty. As the piece
progresses, we hear waves
playfully lapping around
its base, then yachts
gracefully floating by;
this is followed by a
violent storm that churns
the waves with so much
force that they crash
against the
lighthouse’s
granite body. But the
steadfast lighthouse
holds firm to the rocks,
grandly blinking its ruby
light. The music quiets
back down to its simple
theme, with yachts
sailing by once more as
the piece concludes.
Chamber Music Cello, Piano, Violin SKU: PR.414411630 Composed by Shulamit...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.414411630
Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation.
28+28+20+24+20+24 pages.
Duration 20 minutes.
Theodore Presser Company
#414-41163. Published by
Theodore Presser Company
(PR.414411630).
ISBN
9781491114551. UPC:
680160089956. 9.5 x 13
inches.
EXCURSIONS
is a one-movement work
exploring two
“characters.â€
A rhapsodic, descending
passage is introduced by
the cello, followed by
a static,
chorale-like phrase for
the violin and cello.
Their individual
developments are
separated by a slow,
contrasting middle
section. The composer has
written: “This is
analogous to situations
in life: we stand by a
crossroad, choosing one
option and forfeiting the
other. But in art, the
realm of the imagination,
we can perhaps afford to
pursue more than one
route to its ultimate
destination… or can
we? It is symbolic that
in this work both roads
eventually lead to the
same
place.â€. Excursi
ons for violin, cello and
piano, is a one-movement
work of tripartite
structure in which
materials explored in the
first of three large
sections are brought back
in the last section.Â
The traditional
statement-contrast-restat
ement form, which is
readily suggested by such
a description, is,
however, not at all in
the mold in which the
work is cast. Rather,
my aim was to subject the
essential materials of
the piece (two
“charactersâ€
–the rhapsodic,
descending passage played
by the cello in the very
opening and, later, a
static, slow moving,
chorale-like phrase for
the violin and cello) to
two entirely different
developments separated by
a slow, contrasting
middle section. This
is analogous to an
exploration of the
ramifications that two
divergent choices made by
the same person might
lead to. In life, as
we stand by a crossroad,
choosing one option
usually means having to
forfeit the other.Â
But in art, the realm of
the imagination, we can
perhaps afford to pursue
more than one route to
its ultimate
destination…or can
we? It is, I believe,
symbolic that in this
work both roads
eventually lead to the
same place: in composing
Excursions, it seemed
absolutely inescapable
that at the end the slow,
contrasting middle
sections – both
more resigned and
peaceful than the
battling spirits of the
outer parts –
should return briefly to
end the work. The
piano trio combination
(once highly favored, but
to this composer still as
challenging today) is
approached here as a
collaborative effort of
three equal soloists
– partners. Of
the available pairings,
the two strings find
themselves occasionally
approached as a team
pitted against the
piano. The
cello-piano combination
is also not uncommon
here, and there is an
extended violin cadenza
toward the end of the
piece. The writing
for the three instruments
is closely and at times
interlinked, but the
players are all
instructed to play from
scores. Excursions was
first performed at
Brandeis University in
1982.
Chamber Music Cello, Piano, Violin SKU: PR.114422690 Composed by Stacy Ga...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114422690
Composed
by Stacy Garrop. Sws. Set
of Score and Parts. 8+2+2
pages. Duration 5
minutes. Theodore Presser
Company #114-42269.
Published by Theodore
Presser Company
(PR.114422690).
UPC:
680160684809. 9 x 12
inches.
In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont, Wyoming.
Ucross is an artist
colony that gives
writers, composers, and
visual artists
the gift of time,
space, and support to
follow their artistic
pursuits; we are provided
with studio space,
housing, and meals so
that we can work
continuously on our
projects. I have been
in residence at numerous
artist colonies; however,
nothing in my
previous experiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on
a 20,000-acre cattle
ranch at nearly 4,000
feet in elevation with
fewer than 150
people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming
to offer three glimpses
of what I found to be the
most striking aspects
of my residence. The
Solitude of Stars, the
third and final movement
of the original
sextet, was inspired
by the stunning nightly
display of the heavens
above. Without city
lights dimming the
night sky, countless
stars shone brightly over
the vast expanse of the
prairie. This edition
is part of The Solitude
of Stars Project that I
undertook during the
2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
continuously on our
projects. I have been in
residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming to
offer three glimpses of
what I found to be the
most striking aspects of
my residence. The
Solitude of Stars, the
third and final movement
of the original sextet,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the prairie.
This edition is part of
The Solitude of Stars
Project that I undertook
during the 2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont,Wyoming. Ucross
is an artist colony that
gives writers, composers,
and visual artists
thegift of time, space,
and support to follow
their artistic pursuits;
we are provided
withstudio space,
housing, and meals so
that we can work
continuously on our
projects. I havebeen in
residence at numerous
artist colonies; however,
nothing in my
previousexperiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on a20,000-acre
cattle ranch at nearly
4,000 feet in elevation
with fewer than 150
peopleliving within the
town. But what Clearmont
lacks in population, it
makes up forabundantly
and spectacularly in
wilderness and wildlife.
I composed the sextet
Postcardsfrom Wyoming to
offer three glimpses of
what I found to be the
most striking aspects
ofmy residence. The
Solitude of Stars, the
third and final movement
of the original
sextet,was inspired by
the stunning nightly
display of the heavens
above. Without city
lightsdimming the night
sky, countless stars
shone brightly over the
vast expanse of the
prairie.This edition is
part of The Solitude of
Stars Project that I
undertook during the
2020COVID-19 pandemic,
which consists of a
series of arrangements
that I made forcolleagues
and friends.
Violin & Orchestra Reduction (Piano). Composed by Claude Debussy (1862-1...(+)
Violin & Orchestra
Reduction
(Piano). Composed by
Claude
Debussy (1862-1918) and
Robert Orledge. Arranged
by
Robert Orledge. String.
Softcover. 34 pages.
Schott
Music #VLB214. Published
by
Schott Music
Violin and Piano - intermediate-advanced SKU: HL.14009546 Composed by Edw...(+)
Violin and Piano -
intermediate-advanced
SKU: HL.14009546
Composed by Edward Elgar.
Music Sales America.
Classical. Book and CD.
Music Sales #NOV263032.
Published by Music Sales
(HL.14009546).
8.25x11.75x0.058
inches.
Composed in
1884 for Violin or Cello
and small Orchestra, this
is one of Elgar's most
popular works for
accompanied soloist and
has been transcribed for
a variety of instruments
This arangement is for
the original solo
instrument - the Violin,
with a Piano reduction of
the Orcherstral
accompaniment.
Resignation Violon et Piano - Intermédiaire MorningStar Music Publishers
Composed by David Nowakowsky. Arranged by Gregory Cherninsky. For violin solo wi...(+)
Composed by David
Nowakowsky. Arranged by
Gregory Cherninsky. For
violin solo with piano
accompaniment. David
Nowakowsky Foundation
Series. Medium. Published
by MorningStar Music
Publishers
O Shenandoah! Violon et Piano - Facile Faber Music Limited
(And Other Songs from the New World). By Polly Waterfield. For Violin and Piano....(+)
(And Other Songs from the
New World). By Polly
Waterfield. For Violin
and Piano. Book; Solo;
String - Violin Studies
or Collection. Faber
Edition. Folk.
Elementary. 24 pages.
Published by Faber Music
Violin and Piano (VC) SKU: HL.49005467 Grosse Erfolge. Arranged by...(+)
Violin and Piano (VC)
SKU: HL.49005467
Grosse Erfolge.
Arranged by Wilhelm Lutz.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Individual
part. 24 pages. Schott
Music #ED 5152-03.
Published by Schott Music
(HL.49005467).
Cello or violin and piano (VC(V)/KL) SKU: HL.49030409 For cello or vio...(+)
Cello or violin and piano
(VC(V)/KL)
SKU:
HL.49030409
For
cello or violin and
piano. Composed by
Percy Aldridge Grainger.
This edition: Saddle
stitching. Sheet music.
Edition Schott. Score and
part. Composed 1905. 10
pages. Schott Music
#ED12565. Published by
Schott Music
(HL.49030409).
ISBN
9790220122521. UPC:
884088071417.
9.0x12.0x0.054
inches.
Piano; Violin - intermediate SKU: HL.49019514 Violin and Piano. Co...(+)
Piano; Violin -
intermediate
SKU:
HL.49019514
Violin
and Piano. Composed
by Joe Duddell. This
edition: Saddle
stitching. Sheet music.
String. Classical,
Contemporary. Softcover.
Composed 2010. 24 pages.
Duration 9'. Schott Music
#ED13358. Published by
Schott Music
(HL.49019514).
ISBN
9790220132575.
9.0x12.0x0.111
inches.
“All
Stars Aligned was
originally to be a set of
variations on a theme
that is almost hidden in
the opening bars.
However, the piece took
on much more of a
fantasia feel and shape
as I wrote it and it
could be argued that a
second theme first heard
in the violin of the
ground (derived from
material in bar 5)
becomes more dominant
than the first as the
piece progresses. The
piece is in one
continuous movement but
is in three distinct
sections and tempi:
medium, slow and fast.
The material shares some
similarities with my
piano trio,
Nightswimming, and in
some ways can be seen as
a companion piece (minus
the cello of course). The
title comes from a track
on an album by the artist
St. Vincent called Marry
Me which I hope is
appropriate for a piece
commissioned to celebrate
a wedding
anniversary.†Joe
Duddell 2010.
Composed by Giuseppe Tartini (1692-1770). Arranged by Per Hartmann. Keyboard red...(+)
Composed by Giuseppe
Tartini (1692-1770).
Arranged by Per Hartmann.
Keyboard reduction.
Duration 20 minutes.
Published by Edition HH
Music Publishers
(HH.HH010-KBD).
Violin and Piano - Grade 2.5 SKU: AP.36-52710599 Composed by Lynne Latham...(+)
Violin and Piano - Grade
2.5
SKU:
AP.36-52710599
Composed by Lynne Latham.
Arranged by Thom Sharp.
This edition: Latham
Music. String - Violin
and Piano. LudwigMasters
- Latham Music. Book.
Latham Music Enterprises
#36-52710599. Published
by Latham Music
Enterprises
(AP.36-52710599).
ISBN
9781633610040. UPC:
679360611654.
English.
This
volume continues the
development of playing
skills found in Book 1
and progresses to more
complex rhythms,
left-hand finger patterns
and techniques, bowing
techniques, and
preparation for shifting.
Book 2 introduces
students to: long and
controlled bow strokes,
slurred legato and
staccato bow strokes,
string-crossing slurs,
and producing dynamic
contrasts; new rhythmic
patterns including dotted
notes, triplets,
sixteenth notes, swinging
eighth notes, and
syncopated rhythms; new
time signatures including
6/8 and 3/8, along with
cut time for cello/bass;
and major and minor
left-hand string
patterns, extended
fingerings, and beginning
octave harmonics and
shifting. Online audio
available.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concertstuck Violon et Piano Music Distribution Services
Violin and piano SKU: M7.BRP-179 Composed by Henriette Bosmans. Sheet mus...(+)
Violin and piano
SKU:
M7.BRP-179
Composed
by Henriette Bosmans.
Sheet music. Score and
parts. MDS (Music
Distribution Services)
#BRP 179. Published by
MDS (Music Distribution
Services) (M7.BRP-179).
As a woman
composer she found less
recognition in the
Netherlands, except from
colleagues and friends.
Cellist Marix Loevensohn
frequently performed her
Poème for cello and
orchestra, while Louis
Zimmermann, concertmaster
of the Concertgebouw
Orchestra, premiered the
Concert Piece for Violin
and Orchestra in 1935,
conducted by Willem
Mengelberg. Her
international
breakthrough began in
1938, when violinist
Willem Noske played this
work, full of 'Oriental
moods,' in Prague and
Paris. In October 1941 it
was also performed
several times in the
United States with Ruth
Posselt as violinist.
However, the prospect of
further international
engagements became
blocked by the war.
Nostalgia Violon et Piano [Conducteur] Theodore Presser Co.
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440517S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440517S
Composed
by Robert Martin. Full
score. With Standard
notation. 20 pages.
Theodore Presser Company
#144-40517S. Published by
Theodore Presser Company
(PR.14440517S).
UPC:
680160667888. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
There are passages in
Nostalgia that build
using two layers, a
louder foreground and a
quieter background. Both
of these layers are
independent of specific
instruments, in other
words, the various
instruments jump in to
play a role in either
layer, then jump to the
other layer. It is as if
the ensemble has doubled.
The technical musical
term for multiple
instruments interweaving
to produce a single
thread or idea is called
Klangfarbenmelodie
(tone-color-melody).
Because there are two
layers (louder and
softer), both using this
technique, Nostalgia is a
unique example of 'double
Klangfarbenmelodie.' The
piece ends with a series
of intense rhythmic
pulsations and several
apocalyptic fanfares.
(From the performance
notes.).
Chamber Music Cello, Piano, Violin SKU: PR.114419270 Composed by Andrii D...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114419270
Composed
by Andrii Didorenko. Set
of Score and Parts.
24+8+8 pages. Duration 14
minutes. Theodore Presser
Company #114-41927.
Published by Theodore
Presser Company
(PR.114419270).
ISBN
9781491134535. UPC:
680160685011.
Throu
ghout its three
movements, this 14-minute
trio is a multi-colored
gem of visceral lyricism,
full of dark beauty and
mystical impressionism,
which gradually grows
into fire. The melodic
influence and passion of
Didorenko’s
Ukrainian heritage are
among the ingredients of
this enticing concert
work. A live performance
of UKRAINIAN TRIO
featuring the composer on
violin may be heard via
YouTube.
Enigma Violon et Piano [Conducteur] Theodore Presser Co.
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440516S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440516S
Composed
by Robert Martin. Full
score. With Standard
notation. 44 pages.
Duration 9 minutes, 15
seconds. Theodore Presser
Company #144-40516S.
Published by Theodore
Presser Company
(PR.14440516S).
UPC:
680160667864. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
As the title suggests,
the music is in a state
of perpetual questioning
using a variety of
approaches. For example,
Enigma opens using
ostinati (plural of
ostinato) that do not
match in length, like a
staircase with each step
a different height.
Additionally, the music
has sudden starts and
stops, again unexplained.
There are dramatic and
powerful explosive
passages that are
interrupted. The
technique, used to create
this feeling of a
perplexed music world
where things seem often
not to make sense and to
be left unresolved, is
called in poetry and
literature, anticlimax.
In Enigma, the music
suggests one direction;
then refuses to continue,
striking out in another
direction. Artists use
approaches such as this
to force themselves into
creative circumstances
that they otherwise might
not have discovered.
(From the performance
notes.).