Composed by Scott Joplin (1868-1917). Instrumental solo book and accompaniment CD for violin. With standard notation. Series: Fentone Play Along Books. 34 pages. Published by Fentone Music/De Haske.

Violin and Piano. By Camille Saint-Saens. Fentone Play Along Books. Play Along. Size 8x11.75 inches. 28 pages. Published by Fentone Music.

Violin and Piano. By Edward Elgar. Arranged by Donald Fraser. Fentone Play Along Books. Play Along. Size 9x12 inches. 20 pages. Published by Fentone Music.

Violin with Piano Accompaniment (no CD). Arranged by Colin Cowles. Fentone Play Along Books. Play Along. Size 9x12 inches. 24 pages. Published by Fentone Music.

(for Violin and Piano). By Scott Joplin (1868-1917). Arranged by Wolfgang Birtel. For Violin, Piano Accompaniment. String. Softcover. 18 pages. Schott Music #ED20458. Published by Schott Music

(Very First Pieces with Piano Accompaniment). Arranged by Paul de Keyser. For Violin. Book; Method/Instruction; String - Violin Studies or Collection. Faber Edition. Beginner; Elementary. Published by Faber Music

Composed by David Sterrett. Edited by Howard J. Buss. 21st Century. Score and part. Composed 2017. Duration 11'40". Published by Brixton Publications

Violin and piano (reduction)

SKU: BO.B.3414

Composed by Jordi Cervello. Instrumental Sets. Duration 12:00. Published by Editorial de Musica Boileau (BO.B.3414).

English comments:
Concertino for violin and string orchestra was composed in 1993. It is a pleasant score with a slightly virtuosic touch written with the idea of creating a relaxed atmosphere in which the soloist and the orchestra can display their technique and expressive capabilities. It is a work, similar in lenght to baroque concertos, and is divided into three movements, folowing the conventional form.: two fast movements around a slow one. Te first two movements -Allegro burlesco and Adagio cantabile- follow the ABA pattern. The third starts with a -cadenza- by the soloist which includes thematic material from the previous slow movement linking straight up to the -Presto- which uses as its main idea a more forceful version of the opening melodic sketch of the -Allegro burlesco- converted into three time. The work was specially creatied for the violinist Gerard Claret and the Orquestra de Cambra Nacional d'Andorra. Recordings: Hermitage Orchestra-Camerata St. Petersburg, violin: Sergey Malov, conductor: Alexis Soriano. Ensayo (ENY-2003). Jordi Cervello

Comenta rios del Espanol:
Concertino para violin y orquesta de cuerda es una obra compuesta en 1993. Se trata de una partitura amable y de cierto toque virtuosistico cuya principal preocupacion ha sido crear una atmosfera distendida en la que el solista y la orquesta puedan desplegar con espontaneidad sus capacidades tecnicas y expresivas. Es una obra de duracion similar a la de los conciertos del barroco y dividida en sus tres tipicos movimientos. Dos rapidos enmarcando uno lento. Los dos primeros -Allegro burlesco y Adagio cantabile- se desarrollan bajo el esquema ABA. El tercero inicia con una -cadenza- del solista que recoge material tematico del movimiento lento precedente para enlazar sin interrupcion con el -Presto- que utiliza como idea principal el dibujo melodico que abre el -Allegro burlesco-, pero mas decidido y a compas ternario. La obra fue compuesta expresamente para el violinista Gerard Claret y la Orquestra Nacional de Cambra d'Andorra. Grabaciones: Hermitage Orchestra-Camerata St. Petersburg, violin solista: Sergey Malov, direccion: Alexis Soriano. Ensayo (ENY-2003) Jordi Cervello.

By George Frideric Handel (1685-1759). Dowani Book/CD. Play Along. Book and CD. 16 pages. Dowani International #DOW4519. Published by Dowani International

By Oscar Rieding. (Violin). This edition: DOW4512. Dowani Book/CD. Play Along. BOOK W/CD. 23 pages. Published by Dowani Editions.

By Oscar Rieding. (Violin). This edition: DOW4026. Dowani Book/CD. Play Along. BOOK W/CD. 19 pages. Published by Dowani Editions.

Violin and Piano - early intermediate

SKU: BT.DHP-1043625-404

Composed by Alexei Janschinow. De Haske Study and Play. Educational Tool. Book with Part and Audio-Online. Composed 2021. 16 pages. De Haske Publications #DHP 1043625-404. Published by De Haske Publications (BT.DHP-1043625-404).

ISBN 9789043161763. 9x12 inches. English-German-French-Dut ch.

Study and Play is ideal for developing your playing in an enjoyable and musically sound way. Each edition within this concept features audio recordings to add something extra to your study routine.When you play thisConcertino you will be able to practise at a slower study tempo, as well as the normal tempo, so that you can work on your violin playing in a more concentrated way whilst improving your insight into the music. You cancontinue to study in this goal-orientated way until you have achieved the desired result.

The title of this piece suggests a concert situation: playing a solo partwith accompaniment. There are thousands of such works for theviolin but many of these cannot be tackled until you have been playing for a considerable time. Concertino in Russian Style Opus 35 enables you to gain necessary experience for this type of playing: namely having sufficientmusical and technical control over your instrument whilst having the support of an accompanist during performance. This carefully chosen concertino will enrich your repertoire.

Dit fraaie concertino in Russische stijl van Alexei Janschinow is leerzaam én prachtig om te spelen. Kortom, een fraaie aanvulling op uw repertoire. Deze boeken zijn gemaakt binnen het Study and Play-concept, dat de leerlinghelpt om zijn/haar spel op een plezierige en verantwoorde manier te ontwikkelen. Bij elke uitgave onder deze noemer worden begeleidingsopnames meegeleverd die iets extra’s toevoegen aan de studie-methode. Deze opnames bieden demogelijkheid om te studeren in zowel het gewone tempo als een rustig oefentempo. De verzorgde set bestaat verder steeds uit een vioolpartij en pianopartij.

St udy and Play ist das ideale Konzept, um auf vergnügliche und sinnvolle Weise ein gutes Spiel zu entwickeln. Jedem Buch mit diesem Konzept sind Begleitaufnahmen beigefügt, welche die tägliche Übungsroutine individuellergänze n. Mit Hilfe dieser Aufnahmen kann das Concertino im langsameren Übetempo sowie auch im normalen Tempo gespielt werden, sodass man sich zunächst ganz auf das Violinspiel konzentrieren kann und dabei die Musik kennenlernt. So kann zielgerichtet geübt werden, bis das gewünschte Ergebnis erreicht wird.

Der Titel dieses Stückes beschreibt die Situation in einem Konzert: Es wird ein Solo mit Begleitung gespielt. Solche Werke gibt es zutausenden für Violine, viele können jedoch erst nach vielen Jahren Spielerfahrung gemeistert werden. Mit Concertino in Russian Style Opus 35 kann man wichtige Erfahrungen mit genau dieser Art des Spiels sammeln, nämlichausreichend musikalische und technische Beherrschung über das Instrument zu erlangen und gleichzeitig mit der Unterstützung eines Pianisten spielen zu können. Dieses sorgfältig ausgewählte Concertino ist auf jeden Fall eineBereicherung Ihres Repertoires.

Study and Play est le concept idéal pour développer votre jeu dans un environnement plaisant et solidement structuré. Chaque recueil basé sur ce concept est accompagné des enregistrements audio qui apportent un plus votreroutine de travail. Ces enregistrements vous permettent de jouer ce Concertino tant dans le tempo normal que dans un tempo d’é tude plus lent afin que vous puissiez vous concentrer plus amplement sur votre technique de jeutout en ayant un meilleur aperçu de la structure de la pièce. Vous pouvez continuer travailler dans cette optique jusqu’ ce que vous ayez atteint le résultat souhaité.

Le titre de la pièce évoque le contexte d’unconcer t : l’interpr� �ƒÂ©tation d’une partie soliste avec accompagnement. On compte des milliers d’oeuvres similaires pour violon mais un grand nombre d’entre elles ne peuvent être abordées sans expérience et pratique musicalesconsidéra bles. Concertino in Russian Style Opus 35 vous permet d’acquà ©rir l’expÃ� �©rience nécessaire l’interpr� �ƒÂ©tation de ce genre de pièces, c’est- -dire être capable de dominer les aspects techniques et musicaux propres votre instrument tout en ayant le soutien d’un accompagnateur lors de l’interpr� �ƒÂ©tation. Choisi avec soin, ce Concertino enrichira votre répertoire.

Study and Play è il concetto ideale per sviluppare il vostro modo di suonare in un contesto piacevole e solidamente strutturato. Le registrazione di accompagnamento vi permettono di suonare sia a tempo normale che più lento,al fine di migliorare la concentrazione sullo studio della tecnica e avere un migliore approccio con le varie parti del brano. Le parti dell’accom pagnamento al pianoforte incluse nelle pubblicazioni (versione cartacea) vipermettono di suonare con un pianista accompagnatore.

18 Coffee Time Pieces in Popular Style. Composed by Joachim Johow. This edition: Saddle stitching. Sheet music with CD. String. Concert. Edition with CD. 96 pages. Schott Music #ED22670. Published by Schott Music (

Chamber Music Cello, Piano, Violin

SKU: PR.414411630

Composed by Shulamit Ran. Set of Score and Parts. With Standard notation. 28+28+20+24+20+24 pages. Duration 20 minutes. Theodore Presser Company #414-41163. Published by Theodore Presser Company (PR.414411630).

ISBN 9781491114551. UPC: 680160089956. 9.5 x 13 inches.

EXCURSIONS is a one-movement work exploring two “characters.” A rhapsodic, descending passage is introduced by the cello, followed by a  static, chorale-like phrase for the violin and cello. Their individual developments are separated by a slow, contrasting middle section. The composer has written: “This is analogous to situations in life: we stand by a crossroad, choosing one option and forfeiting the other. But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination… or can we? It is symbolic that in this work both roads eventually lead to the same place.”.
Excursi ons for violin, cello and piano, is a one-movement work of tripartite structure in which materials explored in the first of three large sections are brought back in the last section.  The traditional statement-contrast-restat ement form, which is readily suggested by such a description, is, however, not at all in the mold in which the work is cast.  Rather, my aim was to subject the essential materials of the piece (two “characters” –the rhapsodic, descending passage played by the cello in the very opening and, later, a static, slow moving, chorale-like phrase for the violin and cello) to two entirely different developments separated by a slow, contrasting middle section.  This is analogous to an exploration of the ramifications that two divergent choices made by the same person might lead to.  In life, as we stand by a crossroad, choosing one option usually means having to forfeit the other.  But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination…or can we?  It is, I believe, symbolic that in this work both roads eventually lead to the same place: in composing Excursions, it seemed absolutely inescapable that at the end the slow, contrasting middle sections – both more resigned and peaceful than the battling spirits of the outer parts – should return briefly to end the work. The piano trio combination (once highly favored, but to this composer still as challenging today) is approached here as a collaborative effort of three equal soloists – partners.  Of the available pairings, the two strings find themselves occasionally approached as a team pitted against the piano.  The cello-piano combination is also not uncommon here, and there is an extended violin cadenza toward the end of the piece.  The writing for the three instruments is closely and at times interlinked, but the players are all instructed to play from scores. Excursions was first performed at Brandeis University in 1982.

(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt Sassmannshaus. For violin solo and piano. Stapled. Barenreiter's Concert Pieces. Level 2. Piano reduction, part(s). Published by Baerenreiter Verlag

(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt Sassmannshaus. For violin solo and piano. Stapled. Barenreiter's Concert Pieces. Level 2. Piano reduction, part(s). Published by Baerenreiter Verlag

By Hector Berlioz (1803-1869). Edited by Neil Heyde. For Violin and Piano. Masterworks; Part(s); Solo; String - Violin and Piano. Faber Edition. Masterwork; Romantic. Published by Faber Music

For Violin and Piano. Composed by Antonin Dvorak (1841-1904). Edited by Wolfgang Birtel. Arranged by Friedemann Eichhorn. This edition: Saddle stitching. Sheet music. String Solo. Dvoraks Romantic Pieces are a welcome addition to the violin repertoire and a very effective alternative to Dvorak's large-scale violin works, the Concerto in A minor and Romance in F minor.For this edition reference has been made to a copy of the origina. Classical. Score and part. Op. 75. 28 pages. Schott Music #ED 22395. Published by Schott Music

Chamber Music Cello, Clarinet, Flute, Piano, Violin

SKU: PR.14440517S

Composed by Robert Martin. Full score. With Standard notation. 20 pages. Theodore Presser Company #144-40517S. Published by Theodore Presser Company (PR.14440517S).

UPC: 680160667888. 9 x 12 inches.

In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. There are passages in Nostalgia that build using two layers, a louder foreground and a quieter background. Both of these layers are independent of specific instruments, in other words, the various instruments jump in to play a role in either layer, then jump to the other layer. It is as if the ensemble has doubled. The technical musical term for multiple instruments interweaving to produce a single thread or idea is called Klangfarbenmelodie (tone-color-melody). Because there are two layers (louder and softer), both using this technique, Nostalgia is a unique example of 'double Klangfarbenmelodie.' The piece ends with a series of intense rhythmic pulsations and several apocalyptic fanfares. (From the performance notes.).

Violin and Piano. Composed by César Franck. Edited by Monica Steegmann. Henle Music Folios. Softcover. 66 pages. G. Henle #HN1351. Published by G. Henle (HL.51481351).

Violin and Piano

SKU: BT.EMBZ1868

Composed by Ferenc Farkas. Book Only. Composed 1955. 48 pages. Editio Musica Budapest #EMBZ1868. Published by Editio Musica Budapest (BT.EMBZ1868).

Ferenc Farkas (1905-2000) wrote his two sonatinas in 1930-31 for two outstanding violinists of his generation: György Hannover, who died young, and Ede Zathureczky, who was to have a bright career. The composer, who was studying in Rome at the master class of Ottorino Respighi at that time, fills the easy-to-understand works with neoclassical themes, sometimes showing the characteristics of Hungarian folk music. At the same time, he provides performers with the opportunity to display their expressiveness and virtuosity.

Violin & Piano or CD Play Back / Play Along - Grade 3

SKU: MA.EMR-56133

Composed by Jean-Francois Michel. Score and parts. Duration 20'39. Editions Marc Reift #EMR 56133. Published by Editions Marc Reift (MA.EMR-56133).

1. Venezia / 2. Oriental Pictures / 3. Showtime / 4. Discover / 5. Espana.

Violin & Piano or CD Play Back / Play Along - Grade 3

SKU: MA.EMR-56035

Composed by John G. Mortimer. Score and parts. Duration 21'14. Editions Marc Reift #EMR 56035. Published by Editions Marc Reift (MA.EMR-56035).

1. A Day In Edinburgh / 2. Cinderella / 3. Creatures Of Legend / 4. Dances From Olden Times.

Violin and piano

SKU: M7.SAE-1-09

Tamerlano. Composed by George Frideric Handel. Arranged by Lucian Moraru. Sheet music. Piano reduction with solo part. SonArt Edition #SAE 1-09. Published by SonArt Edition (M7.SAE-1-09).

ISBN 9790707665541.

This is a unique arrangement for violin and piano, a work that preserves the beauty of the original work, an icon for classical music repertoire, but at the same time different in essence due to the creative and innovative flavour that was introduced in orchestration on this occasion. The piece has been carefully adapted to suit the technical needs of each instrument, being a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.

Violin and Piano

SKU: IS.VLP4178EM

Composed by Martin Tytgat. Strings - Violin. Metropolis Music Publishers #VLP4178EM. Published by Metropolis Music Publishers (IS.VLP4178EM).

ISBN 9790365041787.

The Berceuse (Wiegelied) of Martin Tytgat was composed during his time as a concentration camp prisoner near the Lithuanian border. While in the camp, he was provided with a bad violin and though at first he was obliged to perform for the German officers, eventually he was allowed to play for the other prisoners. This lullaby was dedicated to his infant son Roger.

SKU: HL.49046626

For Violin and Piano. Composed by Samuel Coleridge-Taylor. String. Softcover. 14 pages. Schott Music #ED14074. Published by Schott Music (HL.49046626).

UPC: 842819114628. 9.0x12.0x0.07 inches.

Samuel Coleridge-Taylor was paid three guineas for the publishing rights to his Suite de Pièces by Schott & Co. London on 24 December 1892 when the composer was just 17 years old. In the following year the work was published by Schott Music's German office in versions for both violin with piano and violin with organ. Coleridge-Taylor was born in London and brought up in Croydon. He learnt to play the violin, was recognized as a child prodigy and at 15 was awarded a scholarship to study at the Royal College of Music with Charles Villiers Stanford, where he was a contemporary of Holst and Vaughan Williams. Coleridge-Taylor described himself Anglo-African and, despite support from his colleagues, faced racism throughout his whole career. In spite of this prejudice and his tragically early death in 1912 aged just 37, he enjoyed great success during his lifetime and his music was performed at the Proms no less than 116 times between 1898 and 1939. In contrast, since 1940 his music has only been heard there on eleven occasions. Like many works, at some point in the past Suite de Pièces became out of print. Schott Music is very proud to present this new modern performing edition of the version for violin and piano. Errors and inconsistencies from the first edition have now been corrected.