Violin, piano SKU: BR.EB-9413 Composed by Nicola Campogrande. Solo instru...(+)
Violin, piano
SKU:
BR.EB-9413
Composed
by Nicola Campogrande.
Solo instruments;
stapled. Edition
Breitkopf. New music
(post-2000). Score.
Composed 2020. 28 pages.
Duration 9'. Breitkopf
and Haertel #EB 9413.
Published by Breitkopf
and Haertel (BR.EB-9413).
ISBN 9790004188873. 9
x 12 inches.
For a
long time after
Romanticism had come to
the fore, it was
generally agreed that
Brahms somehow did not
get it: History and
Progress - it was thought
- were proceeding along
one clear path and Brahms
- who was composing
sonatas and symphonies
instead of nocturnes and
symphonic poems - had
taken the wrong way.
Almost one century later,
Schonberg wrote an essay,
Brahms, der
Fortschrittliche (Brahms,
the progressive), in
which he explained that
it wasn't like that at
all.Fully assuming the
risk to appear somehow
irreverent, I have to
confess: Over the years,
I came to the conclusion
that the present - and
the future - can be
created only by loving
the past. As Brahms had
shown us, it is only by
accepting the challenge
of taking our heritage
into our own hands, that
we can create something
new. We cannot avoid
engaging with the past.
Therefore, starting with
my Sinfonia n. 1, I began
to flirt with such a
strong and effective
musical structure like
the sonata form. I
re-read and freely
transformed it, because
it is a sturdy and
resilient structure, but
also a theatrical and
colorful one. For me, it
is a happy structure. And
I think that today more
than ever we need
something like this: We
need to find places -
even imaginary ones -
where we can give
happiness a form of its
own.Nicola Campogrande,
December
2020
World
premiere: Bologna/Italy,
Streaming, April 11,
2021Commissioned by the
Fondazione Musica
Insieme.
Violin, Piano SKU: HU.F0571537316 For Violin and Piano. Composed by Nigel Hess....(+)
Violin, Piano
SKU: HU.F0571537316
For Violin and Piano.
Composed by Nigel Hess.
Strings, Repertoire,
Solos. Ladies in
Lavender: Fantasy.
Softcover Book. 12 pages.
Faber Music #F0571537316.
Published by Faber Music
By Nigel Hess (1953-). For Violin. Part(s); Score; Solo; String - Violin and Pia...(+)
By Nigel Hess (1953-).
For Violin. Part(s);
Score; Solo; String -
Violin and Piano. Faber
Edition. 20th Century;
Masterwork; Movie.
Advanced; Intermediate.
Published by Faber Music
Piano Accompaniment, Violin (Score and Solo Part) SKU: HL.262663 Composed...(+)
Piano Accompaniment,
Violin (Score and Solo
Part)
SKU:
HL.262663
Composed by
Kenneth Fuchs. E.B.
Marks. Classical.
Softcover. 20 pages.
Edward B. Marks Music
#EBM262663. Published by
Edward B. Marks Music
(HL.262663).
ISBN
9781540020826. UPC:
888680728106. 9x12
inches.
Duo for
Violin and Piano is
cast in the form of a
single, continuously
evolving movement, whose
musical ideas move from
an urgent, hushed blur of
whirring sound to a
buoyant and optimistic
lyrical theme, stated by
the violin over
syncopated chordal
figures in the piano. The
melodic shapes of these
episodes are transformed
in various moods and
tempi throughout the
composition.
Violin and piano SKU: FG.55011-280-3 Kuusi viulukappaletta Alisa Ojase...(+)
Violin and piano
SKU:
FG.55011-280-3
Kuusi viulukappaletta
Alisa Ojaselle.
Composed by Harri
Wessman. Paperback. 28
pages. Published by
Fennica Gehrman
(FG.55011-280-3).
ISBN
9790550112803.
Old
etudes and exercises for
promoting dexterity are
here transformed into
inspiring music with
piano accompaniment,
possibly to be played by
groups of young pupils,
in unison.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025296 Violin and...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025296
Violin and Piano.
Composed by Elena
Kats-Chernin. Boosey &
Hawkes Chamber Music.
Classical. Softcover.
Duration 1800 seconds.
Bote & Bock #M202533635.
Published by Bote & Bock
(HL.48025296).
UPC:
196288174325.
â€
œBeing Russian born I
have a strong connection
to the ballet scores of
Tchaikovsky, Prokofiev
and Stravinsky, and as a
result in theWild Swans,
more than in any other
work of mine, I allowed
myself the freedom to
roam through 200 years of
musical genres, ranging
from Hungarian Operetta
through folk music and
even including the
influences of jazz and
popular music,â€
says Elena Kats-Chernin.
The full-length work,
which premiered in Sydney
in 2003, was written for
choreographer Meryl
Tankard after the two
artists had already
worked together for the
opening ceremony of the
2000 Olympic Games, and
became one of the
composer's greatest
successes. Many excerpts
in various arrangements
have a concert life of
their own today -
including the
world-renowned Eliza
Aria. Arranged by the
composer in 2004 for
violin and piano after
the original orchestral
version, the half-hour
suite comprises ten
characteristic movements:
Green Leaf Prelude, Eliza
Aria, Brothers, Wicked
Witch (piano solo), Magic
Spell Tango, Glow Worms,
Darkness of the Forest,
Eliza and the Prince,
Mute Princess,
Transformation.