Violin, Piano

SKU: CA.4057920

Composed by Antonin Dvorak. This edition: Paperbound. German title: Nokturno. Full score. Composed circa 1875-83. Op. 40. 12 pages. Duration 5 minutes. Carus Verlag #CV 40.579/20. Published by Carus Verlag (CA.4057920).

ISBN 9790007072629. Key: B major. Language: all languages.

(Violin/Piano)

SKU: HL.48186456

Composed by Eugene Bozza. Leduc. Post-1900. Softcover. Alphonse Leduc #AL30698. Published by Alphonse Leduc (HL.48186456).

UPC: 888680828677. 0.022 inches.

Composer and conductor Eugene Bozza (1905-1991) was a pupil of Henri Busser and Henri Rabaud at the Conservatoire de Paris, and received the first Prix de Rome in 1934. It was during his stay the Villa Medici that he wrote his Aria Pour Saxophone Alto Et Piano ? an adaptation of the third movement of Johan Sebastian Bach?s Organ Pastorale in F Major BWV 590, which was to tour the world. This nostalgia-imbued melody, which expands over a regular meter, has, in turn, been the subject of numerous transcriptions, first for clarinet, then for Violin (or Flute) and Piano. Editions Leduc have chosen to republish this last version, with the added bonus of an audio version that should be of valuable assistance to all musicians!.

Piano Accompaniment; Violin

SKU: HL.14041762

Violin and Piano. Composed by Helen Grime. Music Sales America. Classical. Softcover. Composed 2011. 12 pages. Chester Music #CH79508. Published by Chester Music (HL.14041762).

9.0x12.0x0.071 inches.

'Romanc e for violin and piano is a short, reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist, Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing, numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece, the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.'
< em>   &nbs p;     ;     - Helen Grime



Born in 1981, Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07, Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto, and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison, Michael Gandolfi, Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO, London Symphony Orchestra, BCMG, Britten Sinfonia, BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding, Oliver Knussen, Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Halle from the.

Concerto in F Major L'autunno (Autumn) from The Four Seasons RV293, Op.8 No.3 (Critical Edition Violin and Piano Reduction). By Antonio Vivaldi (1678-1741). Edited by Maurizio Carnelli. Violin. String Solo. 20 pages. Ricordi #R138526. Published by Ricordi

Violin and Piano. By Antonio Vivaldi. Arranged by Maurizio Carnelli. (Violin). String Solo. 20 pages. Published by Ricordi.

Violin and Piano. By Antonio Vivaldi. Arranged by Maurizio Carnelli. (Violin). String Solo. 20 pages. Published by Ricordi.

Violin and Piano. By Antonio Vivaldi. Arranged by Maurizio Carnelli. (Violin). String Solo. 20 pages. Published by Ricordi.

Violin and Piano. Composed by Pier Adolfo Tirindelli. String Solo. Classical. Softcover. 28 pages. Ricordi #NR14201600. Published by Ricordi

Composed by Andrii Didorenko. Set of Score and Parts. Duration 11 minutes. Theodore Presser Company #114-42371. Published by Theodore Presser Company

Violin, Piano

SKU: FG.042-08244-7

Composed by Paavo Heininen. Published by Fennica Gehrman (FG.042-08244-7).

ISBN 979-0-042-08244-7.

One of the most joyful of all my compositions is how Heininen sums up his Violin Sonata. The work was written at the turn of the 1970's when Heininen was much engaged in writing chamber music for strings. Heininen cunningly combines opposites - intensity and playfulness, passion and lyricism - in a work not tinged by dry argument.

Piano Accompaniment; Violin (Score and Solo Part) - advanced to difficult

SKU: HL.49019599

Three Poems for Violin and Piano. Composed by Karol Szymanowski. Edited by Ida Bieler and Wolfgang Birtel. Arranged by Ida Bieler. This edition: Saddle stitching. Sheet music. String. 20Th Century, Classical. Softcover. Op. 30. 72 pages. Schott Music #VLB174. Published by Schott Music (HL.49019599).

ISBN 9790001191043. UPC: 841886019546. 9.0x12.0x0.187 inches. Eds. Wolfgang Birtel and Ida Bieler.

Karol Szymanowski (1882-1932) is regarded as one of the most important Polish composers since Chopin. He received his formative musical training in Warsaw where he lived for many years and was also director of the Conservatoire and Music Academy. His compositional oeuvre comprises a large variety of styles: Szymanowski first leaned towards Chopin and Scriabin, then studied Richard Strauss and Igor Stravinsky, finally finding a style in which he combined impressionism and expressionism. His 'Mythes' for violin and piano from 1915 fell in a transitional period, turning away from late German Romanticism. They are expressive miniatures full of tonal refinement and impressionist charm and, thanks to their accessible virtuosity, perfect performance pieces. Contents: I. La Fontaine d'Arethuse • II. Narcisse • III. Dryades et Pan.

50 Popular Classics in Easy Arrangements. Composed by Barrie Carson Turner. Arranged by Barrie Carson Turner. This edition: Saddle stitching. Sheet music. String. 50 beliebteste klassische Stucke in leichten Bearbeitungen fur Violine und Klavier. Basierend auf dem Konzept der Playlist aus der Welt des digitalen Musikstreamings prasentiert dieses Buch eine sorgfaltig ausgewahlte Sammlung der weltweit beliebtesten Kl. Classical. Edition with Online audio file, Softcover Audio Online. 13861. 56 pages. Schott Music #ED13861. Published by Schott Music (HL.49045385).

Chamber Music Clarinet, Piano, Violin

SKU: PR.164002390

Composed by Dan Welcher. Set of Score and Parts. With Standard notation. Composed 1995. 26+14+14 pages. Duration 14 minutes. Theodore Presser Company #164-00239. Published by Theodore Presser Company (PR.164002390).

UPC: 680160038091.

I became interested in the work of Plato through my friend and collaborator, the writer and philosopher Paul Woodruff. Paul's new translation, with Alexander Nehamas, of the Symposium gave me insights into ancient Greek ways of thinking about Love, Beauty, and Wisdom -- and managed to keep the earthy, and often bawdy side of it all in full view. But their new translation of Plato's later dialogue Phaedrus went even further: the beauty of the speeches is breathtaking, and the discourse itself is enough to keep one awake at night. Basically the Great Speech of Socrates in the Phaedrus dialogue has to do with the place of Eros in the world, and with the conflict in the soul between fleshly pleasure and philosophic discovery. I will not attempt to encapsulate this brilliant discourse in a program note: suffice it to say that reading it gave rise to my two-sided work for clarinet, violin, and piano, Phaedrus. The first movement represents the Philosophic life, and is thus subtitled Apollo's Lyre (Invocation and Hymn). It begins with an unaccompanied melody for the clarinet, which (after a pair of harp-like flourishes for the piano, expands into an accompanied canon. The voices in the dialogue (clarinet and violin) follow each other by a prescribed number of beats, but the music is totally devoid of any meter at all. The piano, representing the lyre, accompanies this lyric love-feast with repeated strummed chords. The canon has three large sections, and ends with violin echoing the unaccompanied clarinet invocation as the sound of the lyre fades. The second movement, called Dionysus' Dream-Orgy (Ritual Dance) presents, after a brief introduction, another kind of unmetered music. Rather than long lyric flights of philosophic song, however, this time we hear a unison dance of unbridled energy and sensual transport. The piece soon forms itself into a loose arch form, with contrasting metered dance sections divided by the unison unmetered orgy tune. Midway through the movement, Apollo's melody returns from the first movement, but it is a temporary reminiscence. The orgiastic dance returns, reaches a climax, and ends with a stomping of feet. While Plato asserts that a proper balance between lust and reason is necessary in all men, he (naturally) gives the nod to Philosophy as the better choice in which to live. Not so in my music: the two sides are meant to coexist and to complement each other. No sides are taken. Phaedrus was commissioned of the Verdehr Trio by Michigan State University. It is dedicated to the Vedehr Trio with great affection and admiration.

Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Jean Sibelius (1865-1957). Edited by Anna Pulkkis. The violin was Sibelius's instrument, and the virtuoso aspect is eminent in Drei Stucke Op. 116 as well as in his entire oeuvre for violin and piano. Apart from that, Op. 116 provides a glimpse into the last active phase of Sibelius's care. Breitkopf and Haertel #EB-9341. Published by Breitkopf and Haertel

Violin, piano

SKU: FG.55011-500-2

Composed by Paavo Heininen. Fennica Gehrman #55011-500-2. Published by Fennica Gehrman (FG.55011-500-2).

ISBN 9790550115002.

Even though I was and remain a proponent of absolute music, the things that we see and experience inevitably colour and energise our thought processes. The grand old man of Finnish Modernism Paavo Heininen (b. 1938) turned his impressions of Boston into violin sonatas op. 134 (2016). All the three sonatas - Boston Sonata, Boston Variations and Boston Ballade - were premiered in one concert in Helsinki celebrating the composer's 80th birthday in May 2018 by Kaija Saarikettu (violin) and Juhani Lagerspetz (piano).

Violin, piano

SKU: FG.55011-501-9

Composed by Paavo Heininen. Fennica Gehrman #55011-501-9. Published by Fennica Gehrman (FG.55011-501-9).

ISBN 9790550115019.

Even though I was and remain a proponent of absolute music, the things that we see and experience inevitably colour and energise our thought processes. The grand old man of Finnish Modernism Paavo Heininen (b. 1938) turned his impressions of Boston into violin sonatas op. 134 (2016). All the three sonatas - Boston Sonata, Boston Variations and Boston Ballade - were premiered in one concert in Helsinki celebrating the composer's 80th birthday in May 2018 by Kaija Saarikettu (violin) and Juhani Lagerspetz (piano).

Violin, piano

SKU: FG.55011-502-6

Composed by Paavo Heininen. Fennica Gehrman #55011-502-6. Published by Fennica Gehrman (FG.55011-502-6).

ISBN 9790550115026.

Even though I was and remain a proponent of absolute music, the things that we see and experience inevitably colour and energise our thought processes. The grand old man of Finnish Modernism Paavo Heininen (b. 1938) turned his impressions of Boston into violin sonatas op. 134 (2016). All the three sonatas - Boston Sonata, Boston Variations and Boston Ballade - were premiered in one concert in Helsinki celebrating the composer's 80th birthday in May 2018 by Kaija Saarikettu (violin) and Juhani Lagerspetz (piano).

Violin and Piano Reduction. Composed by Oskar Rieding. Edited by Annette Oppermann. Henle Music Folios. Classical. Softcover. G. Henle #HN1056. Published by G. Henle

Violin and Piano. Composed by Antonín Dvorák. Henle Music Folios. Softcover. 24 pages. G. Henle #HN1350. Published by G. Henle

Piano Accompaniment; Violin

SKU: HL.50601168

Violin and Piano. Composed by Franghiz Ali-Zadeh. String. Classical. Softcover. 22 pages. Sikorski #SIK8846. Published by Sikorski (HL.50601168).

8.25x11.75x0.08 inches.

During the course of her South American concert tour, the American star violinist Hillary Hahn presented the world premiere of Franghiz Ali-Zadeh's new work “Impulse” on 11 September 2012 in Rio de Janeiro. The encore piece “Impulse” is part of Hilary Hahn's cycle In 27 Pieces: The Hilary Hahn Encores. The violinist had turned to various contemporary composers from whom she requested contributions. The individual encore pieces were premiered by the violinist successively until the end of the 2012/13 season and then recorded on CD.

Violin and Piano. By Alfred Schnittke. Arranged by Daniel Hope, Ivan Sokolov. (Violin). String. Book only. Published by Sikorski.

Violin and Piano

SKU: IS.VLP4190EM

Composed by Flor Alpaerts. Strings - Violin. Metropolis Music Publishers #VLP4190EM. Published by Metropolis Music Publishers (IS.VLP4190EM).

ISBN 9790365041909.

In 1901, Flor Alpaerts finished his music studies at the Flemish School of Music of Antwerp, which later became the Royal Flemish Conservatory. He studied harmony and composition with Jan Blockx. In 1903 he became professor at this institute and from 1934 until 1941 its director. For one season (1922-1923) he was also director of the Royal Flemish Opera House of Antwerp together with the bass Arthur Steurbaut. His fame, as a composer and a conductor, came shortly after World War I, when he succeeded Eduard Keurvels in 1919 as conductor of the concerts organized by the Royal Zoological Society of Antwerp and as artistic director of the Peter Benoit Fonds. He also conducted the choral group Arti Vocali. As a composer, Flor Alpaerts was the leading figure in the Flemish impressionistic movement, utilizing an impressionism that came closer to Richard Strauss and Ottorino Respighi than to Claude Debussy. A highlight in this direction was the symphonic poem Pallieter (1921-1924). With his suite James Ensor, inspired by four works of the Ostend painter, he created an expressionistic work. In his later compositions he turned to neo-classicism.