Violin, Piano

SKU: CA.4057920

Composed by Antonin Dvorak. This edition: Paperbound. German title: Nokturno. Full score. Composed circa 1875-83. Op. 40. 12 pages. Duration 5 minutes. Carus Verlag #CV 40.579/20. Published by Carus Verlag (CA.4057920).

ISBN 9790007072629. Key: B major. Language: all languages.

Edited by Elizabeth Turnbull. Set of performance parts (includes separate pull-out violin part) for violin and piano. With solo part and piano accompaniment. 55 pages. Published by Music Sales.

Violin and piano - difficult

SKU: HL.49044532

For Violin and Piano. Composed by Jorg Widmann. This edition: Saddle stitching. Sheet music. String. Softcover. Composed 2010-2013. 98 pages. Duration 30'. Schott Music #VLB152. Published by Schott Music (HL.49044532).

ISBN 9790001176071. UPC: 888680080570. 9.0x12.0x0.24 inches.

I wrote the first movement of my Sommersonate in the summer of 2010, and though a self-contained work, it called out for continuation or a companion piece. I imagine the first movement, marked moderato, to be bright, free, weightless, transparent, flooded in sunlight. In contrast, the newly composed second movement is nocturnal and cryptic, with a restrained glow. A Romance, a (summer) night piece. Jorg Widmann.

Violin and Piano. By Hilary Hahn. By Various. Boosey and Hawkes Chamber Music. Classical, Contemporary. Softcover. 340 pages. Boosey and Hawkes #M051107933. Published by Boosey and Hawkes (HL.48023059).

Violin and Piano. Composed by Pablo de Sarasate (1844- 1908). Edited by Peter Jost. Sheet music. Henle Music Folios. Classical. Softcover. 56 pages. G. Henle #HN1244. Published by G. Henle

Edited by George A. Speckert. For violin and piano. This edition: stapled. Anthology. Ready to Play series. Level 3. Score and part. Text Language: German, English. 19/16 pages. Published by Baerenreiter Verlag

Violin and piano

SKU: BO.B.1379

Composed by John Field. Bowed Instruments. Published by Editorial de Musica Boileau (BO.B.1379).

(Violin and Piano). By Aram Ilyich Khachaturian (1903-1978). For Violin. String. Softcover. 40 pages. Hal Leonard #ZN312043. Published by Hal Leonard

By Frederic Chopin. For Violin y Piano. Published by Editorial de Musica Boileau (Spanish import).

Transcriptions and Arrangements, Original Compositions for Violin and Piano. Composed by Fritz Kreisler (1875-1962). Edited by Eric Wen. The Fritz Kreisler Collection. Classical and 20th Century. Collection and set of performance parts. With introductory text, bowings and fingerings. Published by Carl Fischer

By Frederic Chopin. Arranged by P. Sarasate. For Violin and Piano. Published by Carl Fischer.

(Violin/Piano)

SKU: HL.48186456

Composed by Eugene Bozza. Leduc. Post-1900. Softcover. Alphonse Leduc #AL30698. Published by Alphonse Leduc (HL.48186456).

UPC: 888680828677. 0.022 inches.

Composer and conductor Eugene Bozza (1905-1991) was a pupil of Henri Busser and Henri Rabaud at the Conservatoire de Paris, and received the first Prix de Rome in 1934. It was during his stay the Villa Medici that he wrote his Aria Pour Saxophone Alto Et Piano ? an adaptation of the third movement of Johan Sebastian Bach?s Organ Pastorale in F Major BWV 590, which was to tour the world. This nostalgia-imbued melody, which expands over a regular meter, has, in turn, been the subject of numerous transcriptions, first for clarinet, then for Violin (or Flute) and Piano. Editions Leduc have chosen to republish this last version, with the added bonus of an audio version that should be of valuable assistance to all musicians!.

Piano Accompaniment; Violin

SKU: HL.14041762

Violin and Piano. Composed by Helen Grime. Music Sales America. Classical. Softcover. Composed 2011. 12 pages. Chester Music #CH79508. Published by Chester Music (HL.14041762).

9.0x12.0x0.071 inches.

'Romanc e for violin and piano is a short, reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist, Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing, numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece, the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.'
< em>   &nbs p;     ;     - Helen Grime



Born in 1981, Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07, Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto, and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison, Michael Gandolfi, Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO, London Symphony Orchestra, BCMG, Britten Sinfonia, BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding, Oliver Knussen, Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Halle from the.

Concerto in F Major L'autunno (Autumn) from The Four Seasons RV293, Op.8 No.3 (Critical Edition Violin and Piano Reduction). By Antonio Vivaldi (1678-1741). Edited by Maurizio Carnelli. Violin. String Solo. 20 pages. Ricordi #R138526. Published by Ricordi

Violin and Piano. By Antonio Vivaldi. Arranged by Maurizio Carnelli. (Violin). String Solo. 20 pages. Published by Ricordi.

Violin and Piano. By Antonio Vivaldi. Arranged by Maurizio Carnelli. (Violin). String Solo. 20 pages. Published by Ricordi.

Violin and Piano. By Antonio Vivaldi. Arranged by Maurizio Carnelli. (Violin). String Solo. 20 pages. Published by Ricordi.

Violin and Piano. Composed by Pier Adolfo Tirindelli. String Solo. Classical. Softcover. 28 pages. Ricordi #NR14201600. Published by Ricordi

Composed by Andrii Didorenko. Set of Score and Parts. Duration 11 minutes. Theodore Presser Company #114-42371. Published by Theodore Presser Company

Violin, Piano

SKU: FG.042-08244-7

Composed by Paavo Heininen. Published by Fennica Gehrman (FG.042-08244-7).

ISBN 979-0-042-08244-7.

One of the most joyful of all my compositions is how Heininen sums up his Violin Sonata. The work was written at the turn of the 1970's when Heininen was much engaged in writing chamber music for strings. Heininen cunningly combines opposites - intensity and playfulness, passion and lyricism - in a work not tinged by dry argument.

Piano Accompaniment; Violin (Score and Solo Part) - advanced to difficult

SKU: HL.49019599

Three Poems for Violin and Piano. Composed by Karol Szymanowski. Edited by Ida Bieler and Wolfgang Birtel. Arranged by Ida Bieler. This edition: Saddle stitching. Sheet music. String. 20Th Century, Classical. Softcover. Op. 30. 72 pages. Schott Music #VLB174. Published by Schott Music (HL.49019599).

ISBN 9790001191043. UPC: 841886019546. 9.0x12.0x0.187 inches. Eds. Wolfgang Birtel and Ida Bieler.

Karol Szymanowski (1882-1932) is regarded as one of the most important Polish composers since Chopin. He received his formative musical training in Warsaw where he lived for many years and was also director of the Conservatoire and Music Academy. His compositional oeuvre comprises a large variety of styles: Szymanowski first leaned towards Chopin and Scriabin, then studied Richard Strauss and Igor Stravinsky, finally finding a style in which he combined impressionism and expressionism. His 'Mythes' for violin and piano from 1915 fell in a transitional period, turning away from late German Romanticism. They are expressive miniatures full of tonal refinement and impressionist charm and, thanks to their accessible virtuosity, perfect performance pieces. Contents: I. La Fontaine d'Arethuse • II. Narcisse • III. Dryades et Pan.

50 Popular Classics in Easy Arrangements. Composed by Barrie Carson Turner. Arranged by Barrie Carson Turner. This edition: Saddle stitching. Sheet music. String. 50 beliebteste klassische Stucke in leichten Bearbeitungen fur Violine und Klavier. Basierend auf dem Konzept der Playlist aus der Welt des digitalen Musikstreamings prasentiert dieses Buch eine sorgfaltig ausgewahlte Sammlung der weltweit beliebtesten Kl. Classical. Edition with Online audio file, Softcover Audio Online. 13861. 56 pages. Schott Music #ED13861. Published by Schott Music (HL.49045385).

Chamber Music Clarinet, Piano, Violin

SKU: PR.164002390

Composed by Dan Welcher. Set of Score and Parts. With Standard notation. Composed 1995. 26+14+14 pages. Duration 14 minutes. Theodore Presser Company #164-00239. Published by Theodore Presser Company (PR.164002390).

UPC: 680160038091.

I became interested in the work of Plato through my friend and collaborator, the writer and philosopher Paul Woodruff. Paul's new translation, with Alexander Nehamas, of the Symposium gave me insights into ancient Greek ways of thinking about Love, Beauty, and Wisdom -- and managed to keep the earthy, and often bawdy side of it all in full view. But their new translation of Plato's later dialogue Phaedrus went even further: the beauty of the speeches is breathtaking, and the discourse itself is enough to keep one awake at night. Basically the Great Speech of Socrates in the Phaedrus dialogue has to do with the place of Eros in the world, and with the conflict in the soul between fleshly pleasure and philosophic discovery. I will not attempt to encapsulate this brilliant discourse in a program note: suffice it to say that reading it gave rise to my two-sided work for clarinet, violin, and piano, Phaedrus. The first movement represents the Philosophic life, and is thus subtitled Apollo's Lyre (Invocation and Hymn). It begins with an unaccompanied melody for the clarinet, which (after a pair of harp-like flourishes for the piano, expands into an accompanied canon. The voices in the dialogue (clarinet and violin) follow each other by a prescribed number of beats, but the music is totally devoid of any meter at all. The piano, representing the lyre, accompanies this lyric love-feast with repeated strummed chords. The canon has three large sections, and ends with violin echoing the unaccompanied clarinet invocation as the sound of the lyre fades. The second movement, called Dionysus' Dream-Orgy (Ritual Dance) presents, after a brief introduction, another kind of unmetered music. Rather than long lyric flights of philosophic song, however, this time we hear a unison dance of unbridled energy and sensual transport. The piece soon forms itself into a loose arch form, with contrasting metered dance sections divided by the unison unmetered orgy tune. Midway through the movement, Apollo's melody returns from the first movement, but it is a temporary reminiscence. The orgiastic dance returns, reaches a climax, and ends with a stomping of feet. While Plato asserts that a proper balance between lust and reason is necessary in all men, he (naturally) gives the nod to Philosophy as the better choice in which to live. Not so in my music: the two sides are meant to coexist and to complement each other. No sides are taken. Phaedrus was commissioned of the Verdehr Trio by Michigan State University. It is dedicated to the Vedehr Trio with great affection and admiration.

By John Craton. Chamber ensemble. For Violin, piano. Chamber Music. Sonatina for violin and piano. Contemporary. Score and part. 21 pages. Duration 11:00. Published by Wolfhead Music. (WM508) Level: Moderately advanced to advanced.