Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Je...(+)
Urtext based on the
Complete
Edition Jean Sibelius
Works
(JSW). Composed by Jean
Sibelius (1865-1957).
Edited
by Anna Pulkkis.
The violin was Sibelius's
instrument, and the
virtuoso
aspect is eminent in Drei
Stucke Op. 116 as well as
in
his entire oeuvre for
violin
and piano. Apart from
that,
Op. 116 provides a
glimpse
into the last active
phase of
Sibelius's care.
Breitkopf
and Haertel #EB-9341.
Published by Breitkopf
and
Haertel
Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan W...(+)
Chamber Music Clarinet,
Piano, Violin
SKU:
PR.164002390
Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
Composed 1995. 26+14+14
pages. Duration 14
minutes. Theodore Presser
Company #164-00239.
Published by Theodore
Presser Company
(PR.164002390).
UPC:
680160038091.
I
became interested in the
work of Plato through my
friend and collaborator,
the writer and
philosopher Paul
Woodruff. Paul's new
translation, with
Alexander Nehamas, of the
Symposium gave me
insights into ancient
Greek ways of thinking
about Love, Beauty, and
Wisdom -- and managed to
keep the earthy, and
often bawdy side of it
all in full view. But
their new translation of
Plato's later dialogue
Phaedrus went even
further: the beauty of
the speeches is
breathtaking, and the
discourse itself is
enough to keep one awake
at night. Basically the
Great Speech of Socrates
in the Phaedrus dialogue
has to do with the place
of Eros in the world, and
with the conflict in the
soul between fleshly
pleasure and philosophic
discovery. I will not
attempt to encapsulate
this brilliant discourse
in a program note:
suffice it to say that
reading it gave rise to
my two-sided work for
clarinet, violin, and
piano, Phaedrus. The
first movement represents
the Philosophic life, and
is thus subtitled
Apollo's Lyre (Invocation
and Hymn). It begins with
an unaccompanied melody
for the clarinet, which
(after a pair of
harp-like flourishes for
the piano, expands into
an accompanied canon. The
voices in the dialogue
(clarinet and violin)
follow each other by a
prescribed number of
beats, but the music is
totally devoid of any
meter at all. The piano,
representing the lyre,
accompanies this lyric
love-feast with repeated
strummed chords. The
canon has three large
sections, and ends with
violin echoing the
unaccompanied clarinet
invocation as the sound
of the lyre fades. The
second movement, called
Dionysus' Dream-Orgy
(Ritual Dance) presents,
after a brief
introduction, another
kind of unmetered music.
Rather than long lyric
flights of philosophic
song, however, this time
we hear a unison dance of
unbridled energy and
sensual transport. The
piece soon forms itself
into a loose arch form,
with contrasting metered
dance sections divided by
the unison unmetered orgy
tune. Midway through the
movement, Apollo's melody
returns from the first
movement, but it is a
temporary reminiscence.
The orgiastic dance
returns, reaches a
climax, and ends with a
stomping of feet. While
Plato asserts that a
proper balance between
lust and reason is
necessary in all men, he
(naturally) gives the nod
to Philosophy as the
better choice in which to
live. Not so in my music:
the two sides are meant
to coexist and to
complement each other. No
sides are taken. Phaedrus
was commissioned of the
Verdehr Trio by Michigan
State University. It is
dedicated to the Vedehr
Trio with great affection
and admiration.
Piano Accompaniment; Violin SKU: HL.14041762 Violin and Piano. Com...(+)
Piano Accompaniment;
Violin
SKU:
HL.14041762
Violin
and Piano. Composed
by Helen Grime. Music
Sales America. Classical.
Softcover. Composed 2011.
12 pages. Chester Music
#CH79508. Published by
Chester Music
(HL.14041762).
9.0x12.0x0.071
inches.
'Romanc
e for violin and piano is
a short, reflective piece
that exploits the lyrical
qualities inherent in the
combination. Originally
written for a very young
but talented violinist,
Romance travels through
numerous moods andcolours
within a continuous
musical development of
the opening material. At
first gentle and
reflective with
increasing dramatic
outbursts outlined by the
violin sforzandi and
parallel sixths in the
piano writing, numerous
shortsolo passages in
both instruments
culminate in a fiery
climax. Quickly subsiding
into the calmer yet now
more melancholy strains
of the earlier stages of
the piece, the ending is
somewhat incomplete. This
seems to suggest
acontinuous turn of
events alluded to in the
music.' <
em> &nbs
p;  
;
- Helen
Grime
Born in 1981,
Helen studied oboe with
JohnAnderson and
composition with Julian
Anderson and Edwin
Roxburgh at the Royal
College of Music. She
graduated from the BMus
course with First Class
Honours and completed her
Masters with Distinction
in 2004. From 2005-07,
Helenwas a Legal &
General Junior Fellow at
the Royal College of
Music. In 2003 she won a
British Composer Award
for her Oboe Concerto,
and was awarded the
intercollegiate Theodore
Holland Composition Prize
in 2003 as well as allthe
major composition prizes
in the RCM. In 2008 she
was awarded a Leonard
Bernstein Fellowship to
study at the Tanglewood
Music Center where she
studied with John
Harbison, Michael
Gandolfi, Shulamit Ran
and Augusta Read
Thomas.Helen has had
works commissioned by
some of the most
established performers
and organisations
including ENO, London
Symphony Orchestra, BCMG,
Britten Sinfonia, BBC
Scottish Symphony
Orchestra and the
Tanglewood Music
Center.Conductors who
have performed her work
include Daniel Harding,
Oliver Knussen, Pierre
Boulez and Yan Pascal
Tortelier. Helen is the
2010 recipient of the
Lili Boulanger Memorial
Fund and Associate
Composer of The Halle
from the.
Violin and Piano. By Hilary Hahn. By Various. Boosey and Hawkes Chamber M...(+)
Violin and Piano.
By Hilary Hahn. By
Various. Boosey and
Hawkes Chamber Music.
Classical, Contemporary.
Softcover. 340 pages.
Boosey and Hawkes
#M051107933. Published by
Boosey and Hawkes
(HL.48023059).
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48024712 Boston Var...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48024712
Boston Variations
Violin and Piano.
Composed by Paavo
Heininen. Boosey & Hawkes
Chamber Music. Classical.
Softcover. Fennica
Gehrman #M550115019.
Published by Fennica
Gehrman (HL.48024712).
UPC:
888680955557.
Even
though I was and remain a
proponent of absolute
music, the things that we
see and experience
inevitably colour and
energise our thought
processes. The grand old
man of Finnish Modernism
Paavo Heininen (b. 1938)
turned his impressions of
Boston into
violinsonatas.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48024711 Boston Son...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48024711
Boston Sonata Violin
and Piano. Composed
by Paavo Heininen. Boosey
& Hawkes Chamber Music.
Classical. Softcover.
Fennica Gehrman
#M550115002. Published by
Fennica Gehrman
(HL.48024711).
UPC:
888680955540.
Even
though I was and remain a
proponent of absolute
music, the things that we
see and experience
inevitably colour and
energise our thought
processes. The grand old
man of Finnish Modernism
Paavo Heininen (b. 1938)
turned his impressions of
Boston into
violinsonatas.
Violin, piano SKU: FG.55011-500-2 Composed by Paavo Heininen. Fennica Geh...(+)
Violin, piano
SKU:
FG.55011-500-2
Composed by Paavo
Heininen. Fennica Gehrman
#55011-500-2. Published
by Fennica Gehrman
(FG.55011-500-2).
ISBN
9790550115002.
Even
though I was and remain a
proponent of absolute
music, the things that we
see and experience
inevitably colour and
energise our thought
processes. The grand old
man of Finnish Modernism
Paavo Heininen (b. 1938)
turned his impressions of
Boston into violin
sonatas op. 134 (2016).
All the three sonatas -
Boston Sonata, Boston
Variations and Boston
Ballade - were premiered
in one concert in
Helsinki celebrating the
composer's 80th birthday
in May 2018 by Kaija
Saarikettu (violin) and
Juhani Lagerspetz
(piano).
Violin, piano SKU: FG.55011-501-9 Composed by Paavo Heininen. Fennica Geh...(+)
Violin, piano
SKU:
FG.55011-501-9
Composed by Paavo
Heininen. Fennica Gehrman
#55011-501-9. Published
by Fennica Gehrman
(FG.55011-501-9).
ISBN
9790550115019.
Even
though I was and remain a
proponent of absolute
music, the things that we
see and experience
inevitably colour and
energise our thought
processes. The grand old
man of Finnish Modernism
Paavo Heininen (b. 1938)
turned his impressions of
Boston into violin
sonatas op. 134 (2016).
All the three sonatas -
Boston Sonata, Boston
Variations and Boston
Ballade - were premiered
in one concert in
Helsinki celebrating the
composer's 80th birthday
in May 2018 by Kaija
Saarikettu (violin) and
Juhani Lagerspetz
(piano).
Violin, piano SKU: FG.55011-502-6 Composed by Paavo Heininen. Fennica Geh...(+)
Violin, piano
SKU:
FG.55011-502-6
Composed by Paavo
Heininen. Fennica Gehrman
#55011-502-6. Published
by Fennica Gehrman
(FG.55011-502-6).
ISBN
9790550115026.
Even
though I was and remain a
proponent of absolute
music, the things that we
see and experience
inevitably colour and
energise our thought
processes. The grand old
man of Finnish Modernism
Paavo Heininen (b. 1938)
turned his impressions of
Boston into violin
sonatas op. 134 (2016).
All the three sonatas -
Boston Sonata, Boston
Variations and Boston
Ballade - were premiered
in one concert in
Helsinki celebrating the
composer's 80th birthday
in May 2018 by Kaija
Saarikettu (violin) and
Juhani Lagerspetz
(piano).
Violin and Piano. Composed by Pablo de Sarasate (1844- 1908). Edited by Peter J...(+)
Violin and Piano.
Composed by
Pablo de Sarasate (1844-
1908). Edited by Peter
Jost.
Sheet music. Henle Music
Folios. Classical.
Softcover.
56 pages. G. Henle
#HN1244.
Published by G. Henle
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.51481164 For Violin...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.51481164
For Violin and
Piano. Composed by
Edvard Grieg. Edited by
Egon Voss, Einar
Steen-Nö, and kleberg.
Henle Music Folios.
Classical. Softcover. 222
pages. G. Henle #HN1164.
Published by G. Henle
(HL.51481164).
UPC:
196288215875.
9.25x12.0x0.7
inches.
Grieg's
violin sonatas are a firm
staple of violin
repertoire and are
popular with amateurs and
professionals alike. G.
Henle Publishers takes
this into account with a
practical single-volume
edition of the three
sonatas. Thus, you are
simply spoilt for choice
as to whether you prefer
the youthful zest of the
first, the
Nordic-folkloristic charm
of the second or the
mature drama of the third
sonata. The opulent
volume is rounded off by
a small piece that is
ideal as an encore: a
march from Grieg's
incidental music to
Sigurd Jorsalfar, which
the composer himself
arranged for violin and
piano. Therefore, this
Henle Urtext edition
actually offers
GriegÂs complete
oeuvre for this
instrumentation â a
âmust-haveâ for
all fans of the great
Nordic melodist.
About Henle
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