By Pam Wedgwood. For Violin. Book; CD; String - Violin Studies or Collection. Faber Edition: After Hours. 24 pages. Published by Faber Music

Composed by Ed Wennink and Nettie Vening. Two is a team. Book with CD. Composed 2013. 44 pages. De Haske Publications #DHP 1125296- 400. Published by De Haske Publications

(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt Sassmannshaus. For violin solo and piano. Stapled. Barenreiter's Concert Pieces. Level 2. Piano reduction, part(s). Published by Baerenreiter Verlag

(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt Sassmannshaus. For violin solo and piano. Stapled. Barenreiter's Concert Pieces. Level 2. Piano reduction, part(s). Published by Baerenreiter Verlag

Violin, Piano, Play-Along CD SKU: HU.F0571523560 For Violin and Piano/CD. Composed by Pam Wedgwood. Strings, Repertoire, Collections. After Hours. Softcover Book and CD. 32 pages. Faber Music #F0571523560. Published by Faber Music

Violin Duet Parts and Piano Accompaniments (Teacher's Book). Composed by Jessica O'Leary and Paul Harris. This edition: Teacher's Book. Method/Instruction; Strings - Violin Method or Collection. Faber Edition: Basics. Book. Faber Music #12-057154181X. Published by Faber Music

Chamber Music violin, piano

SKU: CF.FE192

Composed by Louise Talma. Set of Score and Parts. With Standard notation. 18+8 pages. Carl Fischer Music #FE192. Published by Carl Fischer Music (CF.FE192).

ISBN 9780825877568. UPC: 798408077563. 9.5 x 13 inches.

The Pytheas Center for Contemporary Music notes: Talma was the first woman to receive two Guggenheims, the first woman elected to the National Institute of Arts and Letters (1974), the first American woman to have a full-scale opera performed in Germany, the first American to teach at Fontainebleau, and the first woman to receive the Sibelius Medal for composition. This is only the highlights of a long life of composing. Talma spent a good amount of time at the MacDowell Colony, where she wrote many of her finest works, including the Violin Sonata. Having studied composition with Nadia Boulanger over 17 summers in her youth, Talma dedicated the Sonata to her former teacher and long-time friend on the occasion of Boulanger's 75th birthday. The single movement reflects Talma's style in 1962, with more than a passing nod to 12-tone construction. For advanced performers. Duration: 16'.

26 Pieces for Violin Players Violin and Piano with Online Audio. Composed by Hugh Colledge and Katherine Colledge. Boosey & Hawkes Chamber Music. Children, Classical. Softcover Audio Online. 48 pages. Boosey & Hawkes #M060135538. Published by Boosey & Hawkes

By Giovanni F. Giuliani. Edited by Adriano Cirillo. For Violin and keyboard. Full score and parts. 72 pages

Violin, piano

SKU: BR.EB-8647

14 Duos. Composed by Antoinette van Zabner and Elisabeth Aigner-Monarth. Edited by Aigner-Monarth / Van Zabner. Solo instruments; Softbound. Edition Breitkopf. Music pedagogy. Score. 90 pages. Breitkopf and Haertel #EB 8647. Published by Breitkopf and Haertel (BR.EB-8647).

ISBN 9790004183403. 9 x 12 inches.

Gone are the days when chamber music was relegated to the sidelines of piano instruction. TWOgether contains two pieces each, mostly original, for piano and the most popular classical melody instruments. It is clear that the pieces make equal musical demands on both the piano and the melody instrument. Thanks to this stylistically varied book, young pianists or their teachers can go out recruiting all kinds of different musical partners. Facilitating their access to the pieces are the informative comments of the editors, which include thoughts on chamber music, and the intonations provided by Oskar Aichinger.

Chamber Music Cello, Piano, Violin

SKU: PR.414411630

Composed by Shulamit Ran. Set of Score and Parts. With Standard notation. 28+28+20+24+20+24 pages. Duration 20 minutes. Theodore Presser Company #414-41163. Published by Theodore Presser Company (PR.414411630).

ISBN 9781491114551. UPC: 680160089956. 9.5 x 13 inches.

EXCURSIONS is a one-movement work exploring two “characters.” A rhapsodic, descending passage is introduced by the cello, followed by a  static, chorale-like phrase for the violin and cello. Their individual developments are separated by a slow, contrasting middle section. The composer has written: “This is analogous to situations in life: we stand by a crossroad, choosing one option and forfeiting the other. But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination… or can we? It is symbolic that in this work both roads eventually lead to the same place.”.
Excursi ons for violin, cello and piano, is a one-movement work of tripartite structure in which materials explored in the first of three large sections are brought back in the last section.  The traditional statement-contrast-restat ement form, which is readily suggested by such a description, is, however, not at all in the mold in which the work is cast.  Rather, my aim was to subject the essential materials of the piece (two “characters” –the rhapsodic, descending passage played by the cello in the very opening and, later, a static, slow moving, chorale-like phrase for the violin and cello) to two entirely different developments separated by a slow, contrasting middle section.  This is analogous to an exploration of the ramifications that two divergent choices made by the same person might lead to.  In life, as we stand by a crossroad, choosing one option usually means having to forfeit the other.  But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination…or can we?  It is, I believe, symbolic that in this work both roads eventually lead to the same place: in composing Excursions, it seemed absolutely inescapable that at the end the slow, contrasting middle sections – both more resigned and peaceful than the battling spirits of the outer parts – should return briefly to end the work. The piano trio combination (once highly favored, but to this composer still as challenging today) is approached here as a collaborative effort of three equal soloists – partners.  Of the available pairings, the two strings find themselves occasionally approached as a team pitted against the piano.  The cello-piano combination is also not uncommon here, and there is an extended violin cadenza toward the end of the piece.  The writing for the three instruments is closely and at times interlinked, but the players are all instructed to play from scores. Excursions was first performed at Brandeis University in 1982.

Violin and piano

SKU: HL.49045822

For violin and piano. Composed by Vijay Iyer. This edition: Saddle stitching. Sheet music. String Solo. Softcover. Composed 2015. 72 pages. Duration 15'. Schott Music #ED30264. Published by Schott Music (HL.49045822).

ISBN 9781540024749. UPC: 888680737764. 9.25x12.0x0.29 inches.

The Kreutzer Sonata was originally dedicated not to Rudolphe Kreutzer (who never performed it) but to George Bridgetower, a famed 18th-century Afro-European concert violinist. In an early draft, Beethoven jokingly labeled the piece in starkly racialized terms: Sonata Mulattica composed for the mulatto Brischdauer, big wild mulatto composer.Beethoven and Bridgetower performed the premiere, which was by all accounts a success, and even featuring some improvised embellishment by the violinist. While celebrating afterwards, the two quarreled about what Beethoven construed as Bridgetower's insult of a female acquaintance; the composer then revoked the original dedication, adding Kreutzer's name instead. The work gained acclaim, while Bridgetower's career languished; he eventually died in poverty.Bridgetower has been the subject of considerable research and speculation, most notably in poet Rita Dove's book, Sonata Mulattica. From our 21st-century vantage, considering Bridgetower's unique circumstance, we can only see him as an ambiguous figure who, in embodying difference, provoked inspiration, fantasy, desire, anger and, finally, erasure.My piece is a collection of imaginings about George Bridgetower. It is not programmatic, but it takes on an episodic character, assembled from contrasting fragments. The dance rhythms, recurring figures and gestural contours are intended to feature the embodied expertise and expressivity of the performers, who at times must access liminal sounds and execute complex synchronies. I am grateful to Jenny Koh and Shai Wosner for involving me in their beautiful, virtuosic music-making.

26 Pieces for Violin Players Violin and Piano. Composed by Katherine & Hugh Colledge. Boosey & Hawkes Chamber Music. Classical. Softcover Audio Online. 24 pages. Boosey & Hawkes #M060135507. Published by Boosey & Hawkes

21 Pieces for Violin Players Violin and Piano with Online Audio. Composed by Hugh Colledge and Katherine Colledge. Edited by Sheila M. Nelson. Boosey and Hawkes Chamber Music. Children, Classical, Educational, Recital. Softcover Audio Online. 60 pages. Boosey and Hawkes #M060135477. Published by Boosey and Hawkes

By Wolfgang Russ-Bovelino (Editor). For Violin, Piano Accompaniment. Folk, World. Sheet Music. 44 pages. Published by Bosworth.

SKU: HL.48185463

Composed by George Frideric Handel. Leduc. Baroque. Softcover. 32 pages. Alphonse Leduc #AL29037. Published by Alphonse Leduc (HL.48185463).

UPC: 888680834968. 9.0x12.0x0.147 inches.

Famous pieces by G. F. Handel for Eb Alto Saxophone and Piano ? Vol. 2 is an anthology of four pieces arranged for Alto Saxophone and Piano by Marcel Mule. This second book features four sonatas, all composed initially by G. F. Handel and part of the collection ?Saxophone Classics? by Mule. - First sonata: Flute and Piano - Second sonata: Violin and Piano - Fourth sonata: Flute and Piano - Sixth sonata: Violin and Piano Each sonata should be played separately and their level of difficulty is quite challenging, which would match the abilities of upper intermediate / advanced players who have mastered their breathing. Marcel Mule (1901-2001) is one of the greatest French saxophonists, renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure, the emission, the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique, articulation and tone productions such as 'Dix-huit Exercices ou Etudes', 'Exercices Journaliers d?apres Terschack' or '30 Grands Exercices ou Etudes d?apres Soussmann' (in two books), among others..

Violin and Piano - elementary

SKU: ST.H354

Composed by Adam Carse. Edited by Mary Cohen. String music. Selected and edited by Mary Cohen. Score and part. Stainer & Bell Ltd. #H354. Published by Stainer & Bell Ltd. (ST.H354).

ISBN 9790220203473.

CONT ENTS
Air Sentimental
Day-Dreams
Little Dance
Melodie Plaintive
Petite Reverie
Premiere Valse

Teacher and editor Mary Cohen has compiled a two-volume selection of violin music by Adam Carse, covering the elementary and intermediate grades. Carse wrote exquisite miniatures in the tradition of Kreisler and Elgar. Mary Cohen has updated technical details, while leaving intact the imperishable musical value of Carse's work.