Violon et Piano - Intermédiaire MorningStar Music Publishers
Hymns to the Creator: Two Arrangements for Violin and Piano by Duane Funderburk....(+)
Hymns to the Creator: Two
Arrangements for Violin
and Piano by Duane
Funderburk. For piano,
violin. General.
Moderately Difficult.
Piano score and
reproducible parts.
Published by MorningStar
Music Publishers
Chamber Music violin, piano SKU: PR.114417650 For violin And Piano...(+)
Chamber Music violin,
piano
SKU:
PR.114417650
For
violin And Piano.
Composed by Carter Pann.
Sws. Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 1996. 8+2 pages.
Duration 9 minutes.
Theodore Presser Company
#114-41765. Published by
Theodore Presser Company
(PR.114417650).
ISBN
9781491107959. UPC:
680160636204. 9x12
inches.
Composed in
the mold of Satie's
Gymnopedies, Carter
Pann's TWO ROMANCES for
Violin and Piano
transport us exquisitely
into a dream world of
gentle impressionism and
lilting dance. The two
movements may be
performed individually or
as a pair. Pann's
orchestral version of
these romances is
recorded on Naxos under
the title Deux Sejours.
For advanced
performers.
Chamber Music violin, piano SKU: PR.144405830 Poem for Violin & Piano<...(+)
Chamber Music violin,
piano
SKU:
PR.144405830
Poem
for Violin & Piano.
Composed by Jay Reise.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2013. 12+4
pages. Duration 6
minutes. Theodore Presser
Company #144-40583.
Published by Theodore
Presser Company
(PR.144405830).
ISBN
9781491101490. UPC:
680160615032.
For
the 25th Havana Festival
of Contemporary Music,
Reise adapted the larger
Flight to create the
shorter Ghost of the Red
Sea Swallow for flute and
piano, premiered by
Christina Jennings and
James Freeman. As with
Flight, Ghost of the Red
Sea Swallow exists in two
versions, for flute and
for violin. Duration:
6'.
Composed by Ludwig van Beethoven (1770-1827). Masterworks; String - Violin and P...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Masterworks; String -
Violin and Piano. Kalmus
Edition. Classical
Period. Set of
performance parts. With
solo part and piano
accompaniment. 18 pages.
Kalmus Classic Edition
#00-K03150. Published by
Kalmus Classic Edition
Violin and Piano. By Hilary Hahn. By Various. Boosey and Hawkes Chamber M...(+)
Violin and Piano.
By Hilary Hahn. By
Various. Boosey and
Hawkes Chamber Music.
Classical, Contemporary.
Softcover. 340 pages.
Boosey and Hawkes
#M051107933. Published by
Boosey and Hawkes
(HL.48023059).
Violin and Piano - intermediate SKU: BT.DHP-1115209-400 Composed by Leo P...(+)
Violin and Piano -
intermediate
SKU:
BT.DHP-1115209-400
Composed by Leo Portnoff.
Arranged by Nico Dezaire.
De Haske Study and Play.
Book with CD. Composed
2011. 32 pages. De Haske
Publications #DHP
1115209-400. Published by
De Haske Publications
(BT.DHP-1115209-400).
ISBN 9789043142304.
9x12 inches.
English-German-French-Dut
ch.
Study and
Play is ideal for
developing your playing
in an enjoyable and
musically sound way. Each
edition within this
concept features a CD to
add something extra to
your study routine. When
you play this
Concertino Op. 96
the CD allows you to
practise at a slower
study tempo, as well as
the normal tempo, so that
you can improve your
insight into the music.
The carefully edited
volume also contains a
violin part and a piano
part. Of course, the
superb CD is also great
to play along with if
thereâ??s no pianist
available. You will find
this is a fun and
instructive enrichment of
your
repertoire.
Stu
dy and Play is het
ideale concept om je spel
op een plezierige en
verantwoorde manier te
ontwikkelen. Bij elke
uitgave onder deze noemer
wordt een cd meegeleverd
die iets extraâ??s
toevoegt aan je
studiemethode. In het
geval van dit
Concertino op.96
biedt de cd je de
mogelijkheid om te
studeren in zowel het
gewone tempo als een
rustig oefentempo,
waardoor je je inzicht in
de muziek kunt
verbeteren. De verzorgde
set bestaat verder uit
een vioolpartij en
pianopartij. Natuurlijk
is de sublieme cd ook
geschikt om mee samen te
spelen als er geen
pianist beschikbaar is.
Dit is beslist een leuke
en leerzame verrijking
van je
repertoire.
Stu
dy and Play ist das
ideale Konzept, um auf
vergnügliche und
sinnvolle Weise ein gutes
Spiel zu entwickeln.
Jedem Buch mit diesem
Konzept ist eine CD
beigefügt, welche die
tägliche
Ã?bungsroutine
individuell
ergänzt.Mit Hilfe der
CD kann dieses
Concertino Op. 96
im langsameren
Ã?bungstempo sowie auch
im normalen Tempo
gespielt werden, so dass
man sich zunächst ganz
auf das Violinspiel
konzentrieren kann und
dabei die Musik kennen
lernt. Diese
sorgfältig
ausgearbeitete Ausgabe
enthält au�erdem
eine Violin- und eine
Klavierstimme. Die
exzellente CD eignet sich
selbstverständlich
auch bestens zum
Mitspielen, wenn kein
Pianist zur Verfügung
steht.
DiesesConcertino Op.
96 ist eine ebenso
reizvolle wie lehrreiche
Erweiterung des
Repertoires.
Study and
Play è il concetto
ideale per sviluppare il
vostro modo di suonare in
un contesto piacevole e
solidamente strutturato.
Il CD vi permette di
suonare sia a tempo
normale che più lento,
al fine di migliorare la
concentrazione sullo
studio della tecnica e
avere un migliore
approccio con le varie
parti del brano. Le parti
dellâ??accompagnamento
al pianoforte incluse
nelle pubblicazioni
(versione cartacea) vi
permettono di suonare con
un pianista
accompagnatore.
Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan W...(+)
Chamber Music Clarinet,
Piano, Violin
SKU:
PR.164002390
Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
Composed 1995. 26+14+14
pages. Duration 14
minutes. Theodore Presser
Company #164-00239.
Published by Theodore
Presser Company
(PR.164002390).
UPC:
680160038091.
I
became interested in the
work of Plato through my
friend and collaborator,
the writer and
philosopher Paul
Woodruff. Paul's new
translation, with
Alexander Nehamas, of the
Symposium gave me
insights into ancient
Greek ways of thinking
about Love, Beauty, and
Wisdom -- and managed to
keep the earthy, and
often bawdy side of it
all in full view. But
their new translation of
Plato's later dialogue
Phaedrus went even
further: the beauty of
the speeches is
breathtaking, and the
discourse itself is
enough to keep one awake
at night. Basically the
Great Speech of Socrates
in the Phaedrus dialogue
has to do with the place
of Eros in the world, and
with the conflict in the
soul between fleshly
pleasure and philosophic
discovery. I will not
attempt to encapsulate
this brilliant discourse
in a program note:
suffice it to say that
reading it gave rise to
my two-sided work for
clarinet, violin, and
piano, Phaedrus. The
first movement represents
the Philosophic life, and
is thus subtitled
Apollo's Lyre (Invocation
and Hymn). It begins with
an unaccompanied melody
for the clarinet, which
(after a pair of
harp-like flourishes for
the piano, expands into
an accompanied canon. The
voices in the dialogue
(clarinet and violin)
follow each other by a
prescribed number of
beats, but the music is
totally devoid of any
meter at all. The piano,
representing the lyre,
accompanies this lyric
love-feast with repeated
strummed chords. The
canon has three large
sections, and ends with
violin echoing the
unaccompanied clarinet
invocation as the sound
of the lyre fades. The
second movement, called
Dionysus' Dream-Orgy
(Ritual Dance) presents,
after a brief
introduction, another
kind of unmetered music.
Rather than long lyric
flights of philosophic
song, however, this time
we hear a unison dance of
unbridled energy and
sensual transport. The
piece soon forms itself
into a loose arch form,
with contrasting metered
dance sections divided by
the unison unmetered orgy
tune. Midway through the
movement, Apollo's melody
returns from the first
movement, but it is a
temporary reminiscence.
The orgiastic dance
returns, reaches a
climax, and ends with a
stomping of feet. While
Plato asserts that a
proper balance between
lust and reason is
necessary in all men, he
(naturally) gives the nod
to Philosophy as the
better choice in which to
live. Not so in my music:
the two sides are meant
to coexist and to
complement each other. No
sides are taken. Phaedrus
was commissioned of the
Verdehr Trio by Michigan
State University. It is
dedicated to the Vedehr
Trio with great affection
and admiration.
Nostalgia Violon et Piano [Conducteur] Theodore Presser Co.
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440517S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440517S
Composed
by Robert Martin. Full
score. With Standard
notation. 20 pages.
Theodore Presser Company
#144-40517S. Published by
Theodore Presser Company
(PR.14440517S).
UPC:
680160667888. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
There are passages in
Nostalgia that build
using two layers, a
louder foreground and a
quieter background. Both
of these layers are
independent of specific
instruments, in other
words, the various
instruments jump in to
play a role in either
layer, then jump to the
other layer. It is as if
the ensemble has doubled.
The technical musical
term for multiple
instruments interweaving
to produce a single
thread or idea is called
Klangfarbenmelodie
(tone-color-melody).
Because there are two
layers (louder and
softer), both using this
technique, Nostalgia is a
unique example of 'double
Klangfarbenmelodie.' The
piece ends with a series
of intense rhythmic
pulsations and several
apocalyptic fanfares.
(From the performance
notes.).
Chamber Music Cello, Piano, Violin SKU: PR.414411630 Composed by Shulamit...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.414411630
Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation.
28+28+20+24+20+24 pages.
Duration 20 minutes.
Theodore Presser Company
#414-41163. Published by
Theodore Presser Company
(PR.414411630).
ISBN
9781491114551. UPC:
680160089956. 9.5 x 13
inches.
EXCURSIONS
is a one-movement work
exploring two
“characters.â€
A rhapsodic, descending
passage is introduced by
the cello, followed by
a static,
chorale-like phrase for
the violin and cello.
Their individual
developments are
separated by a slow,
contrasting middle
section. The composer has
written: “This is
analogous to situations
in life: we stand by a
crossroad, choosing one
option and forfeiting the
other. But in art, the
realm of the imagination,
we can perhaps afford to
pursue more than one
route to its ultimate
destination… or can
we? It is symbolic that
in this work both roads
eventually lead to the
same
place.â€. Excursi
ons for violin, cello and
piano, is a one-movement
work of tripartite
structure in which
materials explored in the
first of three large
sections are brought back
in the last section.Â
The traditional
statement-contrast-restat
ement form, which is
readily suggested by such
a description, is,
however, not at all in
the mold in which the
work is cast. Rather,
my aim was to subject the
essential materials of
the piece (two
“charactersâ€
–the rhapsodic,
descending passage played
by the cello in the very
opening and, later, a
static, slow moving,
chorale-like phrase for
the violin and cello) to
two entirely different
developments separated by
a slow, contrasting
middle section. This
is analogous to an
exploration of the
ramifications that two
divergent choices made by
the same person might
lead to. In life, as
we stand by a crossroad,
choosing one option
usually means having to
forfeit the other.Â
But in art, the realm of
the imagination, we can
perhaps afford to pursue
more than one route to
its ultimate
destination…or can
we? It is, I believe,
symbolic that in this
work both roads
eventually lead to the
same place: in composing
Excursions, it seemed
absolutely inescapable
that at the end the slow,
contrasting middle
sections – both
more resigned and
peaceful than the
battling spirits of the
outer parts –
should return briefly to
end the work. The
piano trio combination
(once highly favored, but
to this composer still as
challenging today) is
approached here as a
collaborative effort of
three equal soloists
– partners. Of
the available pairings,
the two strings find
themselves occasionally
approached as a team
pitted against the
piano. The
cello-piano combination
is also not uncommon
here, and there is an
extended violin cadenza
toward the end of the
piece. The writing
for the three instruments
is closely and at times
interlinked, but the
players are all
instructed to play from
scores. Excursions was
first performed at
Brandeis University in
1982.
Chamber Music violin, piano SKU: PR.144407050 Composed by James Primosch....(+)
Chamber Music violin,
piano
SKU:
PR.144407050
Composed
by James Primosch. Set of
Score and Parts. With
Standard notation. 28+12
pages. Duration 20
minutes. Theodore Presser
Company #144-40705.
Published by Theodore
Presser Company
(PR.144407050).
UPC:
680160655519. 9 x 12
inches.
Celebrating
30 years, the
Philadelphia Chamber
Music Society
commissioned a work of
20-25 minutes for violin
and piano from James
Primosch, University of
Pennsylvania professor of
music. Primosch had
originally thought to
create a new sonata, but
what developed is more
appropriately a set of
five character pieces,
two of which were
directly inspired by
poems. Five Poems was
premiered in May, 2016,
and Primosch's thoughts
are recorded at his
website:
https://jamesprimosch.com
/2016/05/10/five-poems-pr
emiere/. Upon
receiving a commission
from the Philadelphia
Chamber MusicSociety for
a violin and piano piece
in honor of its 30th
anniversary, myplan was
to write a sonata, a term
suggesting a relatively
abstractdiscourse. But as
the piece developed, the
movements struck me
ascharacter pieces rather
than music employing a
more
“symphonicâ€ap
proach. When specific
poems started to attach
themselves in my mindwith
two of the movements, the
overall title Five Poems
became clear.The title of
the second movement is a
line from Susan
Stewart’s“De
scentâ€, which deals
with Aeneas’s
visit to the underworld.
The musicis alternately
fiercely driving and
quite still, though
tense.
RobertFrost’s
Nothing Gold Can Stay
summons fleet scale
passages framinglyrical
counterpoint. The
remaining movements do
not refer to
specificpoems, but have
titles reflecting their
expressive tone.
Dreamscape ismusing with
an improvisatory violin
line over shifting pairs
of pianochords. Nightsong
is a bluesy lullaby that
turns highly
dramatic.Vision begins
with a closely argued
struggle but breaks
through tosomething
spacious and clear.
Chamber Music Clarinet, Piano, Violin SKU: CF.MXE71 Composed by Martin Br...(+)
Chamber Music Clarinet,
Piano, Violin
SKU:
CF.MXE71
Composed by
Martin Bresnick. SWS.
Contemporary. Set of
Score and Parts. With
Standard notation. 23+6+5
pages. Carl Fischer Music
#MXE71. Published by Carl
Fischer Music (CF.MXE71).
ISBN 9781491144749.
UPC: 680160902248. 9 x 12
inches.
The day
that Australian and New
Zealand forces joined the
Allies for an invasion of
the Gallipoli Peninsula
of Turkey in World War I,
with disastrous
consequences, is
celebrated in Australia
as Anzac Day (Australian
and New Zealand Army
Corps). To honor this
special day, Bresnick
takes inspiration from
two selected poems by
Bertolt Brecht (And I
Always Thought and Legend
of the Unknown Soldier
Beneath the Triumphal
Arch). Commissioned to
commemorate
Australia’s Anzac
Day, similar to Memorial
Day, and inspired by two
Brecht poems…The
somber opening violin and
clarinet lines unfolded
to haunting effect before
eventually reaching a
fervent climax. --Vivien
Schweitzer, The New York
Times.
Chamber Music violin, piano SKU: CF.FE192 Composed by Louise Talma. Set o...(+)
Chamber Music violin,
piano
SKU:
CF.FE192
Composed by
Louise Talma. Set of
Score and Parts. With
Standard notation. 18+8
pages. Carl Fischer Music
#FE192. Published by Carl
Fischer Music (CF.FE192).
ISBN 9780825877568.
UPC: 798408077563. 9.5 x
13 inches.
The
Pytheas Center for
Contemporary Music notes:
Talma was the first woman
to receive two
Guggenheims, the first
woman elected to the
National Institute of
Arts and Letters (1974),
the first American woman
to have a full-scale
opera performed in
Germany, the first
American to teach at
Fontainebleau, and the
first woman to receive
the Sibelius Medal for
composition. This is only
the highlights of a long
life of composing. Talma
spent a good amount of
time at the MacDowell
Colony, where she wrote
many of her finest works,
including the Violin
Sonata. Having studied
composition with Nadia
Boulanger over 17 summers
in her youth, Talma
dedicated the Sonata to
her former teacher and
long-time friend on the
occasion of Boulanger's
75th birthday. The single
movement reflects Talma's
style in 1962, with more
than a passing nod to
12-tone construction. For
advanced performers.
Duration: 16'.
Chamber Music violin, piano SKU: PR.114404660 For violin and Piano - s...(+)
Chamber Music violin,
piano
SKU:
PR.114404660
For
violin and Piano - set of
two performance
scores. Composed by
Ralph Shapey. Set of
Score and Parts. With
Standard notation.
Composed 1983. Duration 8
minutes. Theodore Presser
Company #114-40466.
Published by Theodore
Presser Company
(PR.114404660).
Clarinet, Flute, Percussion, Violin and Piano SKU: HL.14019075 Composed b...(+)
Clarinet, Flute,
Percussion, Violin and
Piano
SKU:
HL.14019075
Composed
by Karl Aage Rasmussen.
Music Sales America.
Classical. Set of Parts.
56 pages. Music Sales
#KP01067. Published by
Music Sales
(HL.14019075).
ISBN
9788759854327.
Danish.
The Piano
score and complete
instrumental parts for
Karl Aage Rasmussen's
Liederkreis. Rasmussen
organised five songs by
Robert Schumann into a
large cycle, within which
each song is rotating
forwards and backwards in
several tempo-layers at
the same time. The circle
consists of two
independent but
complimentary orbits -
one for each singer.
Written in 1986, it was
commissioned by, and
dedicated to, the
Washington New Music
Ensemble. The full
instrumentation consists
of Soprano and Baritone
voices with Flute,
Violin, Clarinet,
Vibraphone and an
amplified Piano.
Composed by Clara Wieck- Schumann. Arranged by Lauren Taylor. Collection - Sc...(+)
Composed by Clara Wieck-
Schumann. Arranged by
Lauren
Taylor. Collection -
Score and
Parts. 24+4 pages. Carl
Fischer Music #BF149.
Published by Carl Fischer
Music
Two Obereks Violon et Piano PWM (Polskie Wydawnictwo Muzyczne)
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.295492 Violin and P...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.295492
Violin and Piano.
Composed by Grazyna
Bacewicz. PWM. Classical.
Softcover. 8 pages.
Polskie Wydawnictwo
Muzyczne #7182. Published
by Polskie Wydawnictwo
Muzyczne (HL.295492).
ISBN 9781540056023.
UPC: 888680947200.
9.25x12.0x0.032
inches.
The simple,
uncomplicated texture, in
which the composer brings
the violin to the fore,
does not, however, mean
that the music is easily
accessible to the
performer, who has to
play at a very fast
tempo, with a frequent
use of double stops
stylized in the folk
manner and with varied
articulation. All these
musical devices form a
test of virtuosity for
the performer that only a
virtuoso-composer can
set.
Jazz'O Gem'O Violon et Piano [Conducteur et Parties séparées] - Facile FLEX Editions
Violin, Piano - Grade 3 SKU: FL.FX071389 Composed by Alain Lopez. Classic...(+)
Violin, Piano - Grade 3
SKU: FL.FX071389
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071389.
Published by FLEX
Editions (FL.FX071389).
During the
short ternary intro, the
two themes are depicted
and then immediatly
developped in binary with
a mix of Jazz and Jazz
Rock styles. The Twinning
is exploited to make the
most of it: in the title,
the metric, the major
tone and its relative
minor, the themes, the
chords, the characters
attribute and the
repeated notes in the
melody. Listen to it
!
Violin and Piano - easy SKU: BT.DHP-1084518-400 By Gunter Van Rompaey. By...(+)
Violin and Piano - easy
SKU:
BT.DHP-1084518-400
By
Gunter Van Rompaey. By
Hans Millies. De Haske
Study and Play. Book with
CD. Composed 2008. 32
pages. De Haske
Publications #DHP
1084518-400. Published by
De Haske Publications
(BT.DHP-1084518-400).
ISBN 9789043130240.
340 X 250 inches.
English-German-French-Dut
ch.
Hans Millies
(1883-1957) war ein
bekannter deutscher
Geiger und Dozent, der
die Ansicht vertrat, dass
Schüler schon von
klein an mit dem
Klangidiom von groÃ?en
Komponisten wie Wolfgang
Amadeus Mozart vertraut
gemacht werden sollten.
Im vorliegenden
schlichten
Concertino
präsentiert Millies
geschickt die genialen
Strukturen des
Meisterkomponisten. Die
Musik ist in der ersten
Lage spielbar; ein
Hauptaugenmerk liegt auf
Phrasierung und
Bogentechniken. Dank der
reizvollen
Klavierbegleitungen ist
dieses Stück wie
geschaffen zur
Aufführung.
In Sunlight Violon et Piano Oxford University Press
Violin & piano (Solo) - Difficult SKU: OU.9780193583245 Composed by Antho...(+)
Violin & piano (Solo) -
Difficult
SKU:
OU.9780193583245
Composed by Anthony
Powers. Violin & Piano.
24 pages. Duration 7'.
Oxford University Press
#9780193583245. Published
by Oxford University
Press (OU.9780193583245).
ISBN 9780193583245. 12
x 8 inches.
For
violin and piano The
composer writes: The
structure is a short set
of double variations, the
two themes following a
short introduction. One
is flamboyant and
rhetorical, the other
gentle and lyrical. The
first develops
rhythmically, through a
toccata to a vigorous
dance, the second becomes
increasingly decorated so
that the line is almost
dissolved, but finally
emerges in its clearest,
simplest form. In a coda
each musical character
disappears into
silence.
(16 Spooky Songs to play and sing) Composed by Caroline Lumsden. Set of performa...(+)
(16 Spooky Songs to play
and sing) Composed by
Caroline Lumsden. Set of
performance parts for
violin solo and piano
accompaniment. With
bowings and fingerings.
Beginner-Preliminary
Grade. Accompaniments by
Ben Attwood. Includes CD
backing track. 46 pages.
Published by C.F. Peters.
Violin and Piano SKU: AP.36-60710001 For Violin and Piano. Compose...(+)
Violin and Piano
SKU:
AP.36-60710001
For
Violin and Piano.
Composed by Percy
Aldridge Grainger.
Arranged by Fritz
Kreisler. Solo; Violin.
Master String Series.
Book. LudwigMasters
Publications
#36-60710001. Published
by LudwigMasters
Publications
(AP.36-60710001).
ISBN
9798888521878. UPC:
676737670276.
English.
Percy
Grainger's (1882-1961)
love for music of the
simple rural folk of the
British Isles led to a
series of forty-three
pieces that he grouped
into a series called
British Folk-Music
Settings, including Molly
on the Shore, Irish Reel
from British Folk Music
Settings, No. 1. Grainger
produced at least six
versions of this folk
tune arrangement of two
contrasting Irish Reels
(Temple Hill and Molly on
the Shore, from The
Complete Petrie
Collection of Ancient
Irish Music), starting
with the original 1907
version for string
quartet or string
orchestra. That same
year, Grainger also
produced a version for
violin solo and piano,
which is also available
from the publisher. This
wholly unique version was
freely arranged for
violin and piano by
famous early 20th century
violinist Fritz Kreisler,
offering players already
familiar with Grainger's
original rendition an
opportunity to approach
the music in a different
way. Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Violin and Piano - early intermediate SKU: BT.DHP-1043625-404 Composed by...(+)
Violin and Piano - early
intermediate
SKU:
BT.DHP-1043625-404
Composed by Alexei
Janschinow. De Haske
Study and Play.
Educational Tool. Book
with Part and
Audio-Online. Composed
2021. 16 pages. De Haske
Publications #DHP
1043625-404. Published by
De Haske Publications
(BT.DHP-1043625-404).
ISBN 9789043161763.
9x12 inches.
English-German-French-Dut
ch.
Study and
Play is ideal for
developing your playing
in an enjoyable and
musically sound way. Each
edition within this
concept features audio
recordings to add
something extra to your
study routine.When you
play
thisConcertino you
will be able to practise
at a slower study tempo,
as well as the normal
tempo, so that you can
work on your violin
playing in a more
concentrated way whilst
improving your insight
into the music. You
cancontinue to study in
this goal-orientated way
until you have achieved
the desired result.
The title of this piece
suggests a concert
situation: playing a solo
partwith accompaniment.
There are thousands of
such works for theviolin
but many of these cannot
be tackled until you have
been playing for a
considerable time.
Concertino in Russian
Style Opus 35 enables
you to gain necessary
experience for this type
of playing: namely having
sufficientmusical and
technical control over
your instrument whilst
having the support of an
accompanist during
performance. This
carefully chosen
concertino will enrich
your repertoire.
St
udy and Play ist das
ideale Konzept, um auf
vergnügliche und
sinnvolle Weise ein gutes
Spiel zu entwickeln.
Jedem Buch mit diesem
Konzept sind
Begleitaufnahmen
beigefügt, welche
die tägliche
ÃÅbungsroutine
individuellergänze
n. Mit Hilfe dieser
Aufnahmen kann das
Concertino im
langsameren
ÃÅbetempo sowie
auch im normalen Tempo
gespielt werden, sodass
man sich zunächst
ganz auf das Violinspiel
konzentrieren kann und
dabei die Musik
kennenlernt. So kann
zielgerichtet
geübt werden, bis
das gewünschte
Ergebnis erreicht
wird.
Der Titel dieses
Stückes beschreibt
die Situation in einem
Konzert: Es wird ein Solo
mit Begleitung gespielt.
Solche Werke gibt es
zutausenden für
Violine, viele
können jedoch erst
nach vielen Jahren
Spielerfahrung gemeistert
werden. Mit Concertino
in Russian Style Opus
35 kann man wichtige
Erfahrungen mit genau
dieser Art des Spiels
sammeln,
nämlichausreichend
musikalische und
technische Beherrschung
über das
Instrument zu erlangen
und gleichzeitig mit der
Unterstützung
eines Pianisten spielen
zu können. Dieses
sorgfältig
ausgewählte
Concertino ist auf
jeden Fall
eineBereicherung Ihres
Repertoires.
Study and
Play è il
concetto ideale per
sviluppare il vostro modo
di suonare in un contesto
piacevole e solidamente
strutturato. Le
registrazione di
accompagnamento vi
permettono di suonare sia
a tempo normale che
più lento,al fine
di migliorare la
concentrazione sullo
studio della tecnica e
avere un migliore
approccio con le varie
parti del brano. Le parti
dellââ¬â¢accom
pagnamento al pianoforte
incluse nelle
pubblicazioni (versione
cartacea) vipermettono di
suonare con un pianista
accompagnatore.
Violin, Piano SKU: HU.HN728 Composed by Wolfgang Amadeus Mozart. Edited by Wolf...(+)
Violin, Piano
SKU: HU.HN728
Composed by Wolfgang
Amadeus Mozart. Edited by
Wolf-Dieter Seiffert.
Strings, Repertoire,
Solos. Violin Sonata e
minor K. 304 (300c).
Classical. Softcover
Book. 27 pages. G. Henle
#HN728. Published by G.
Henle (HU.HN728).
ISBN 9780301646404. 12.2
x 9.3 x 0.1 inches.
Violin & Piano SKU: AP.1-ADV14770 15 Solo Etudes for Jazz Phrasing, In...(+)
Violin & Piano
SKU:
AP.1-ADV14770
15
Solo Etudes for Jazz
Phrasing, Interpretation,
and Improvisation
(English/German Language
Edition). Composed by
Jim Snidero.
Improvisation;
Method/Instruction;
Play-Along; String -
Violin Studies or
Collection; Technique
Musicianship. Advance
Music: Easy Jazz
Conception. Jazz. Book
and CD. Advance Music
#01-ADV14770. Published
by Advance Music
(AP.1-ADV14770).
UPC:
805095147704.
English.
A new and
exciting way for violin
players to learn and
practice basic jazz
style. Easy Jazz
Conception: Violin Book &
CD set features 15 solo
etudes based on blues and
standard chord
progressions,
demonstrated by Mark
Feldman on violin along
with a world-class rhythm
section: Mike LeDonne,
piano; Peter Washington,
bass; and Kenny
Washington, drums. The
recording features two
separate versions of each
etude: one with the
soloist and rhythm
section, and one with the
rhythm section only. See
and hear how the soloist
phrases, play with or
without the soloist on
the CD, and learn basic
jazz style first
hand.