Par COHEN MARY. Real Repertoire for Violin, part of the Real Repertoire series has been carefully selected for the intermediate violinist, providing an essential repertoire that players will return to time and again. Pieces have been selected by Mary Cohen and include masterpieces by Bach, Mozart and Brahms as well as lesser known pieces by Bartok and Wieniawski. A lasting inspiration to violinists everywhere.   / Instrumental Music / Recueil / Violon et Piano

With Piano Accompaniment. Par MILLER DONALD. These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or trios, as well as full orchestra. If performed with full orchestra, the piano accompaniment is not necessary. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas, Inc. If performed with full orchestra, no solo parts should be played except the 1st violin part. Note also, if you wish to perform these works with full orchestra and you are short certain instruments, you still have some flexibility with the score. For example, if there are not enough violas for balance, the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas. / Niveau : Débutant / Christmas - Ensemble / Recueil / Violon 1 et 2 et Accompagnement Piano

En Vol. 2 de la sonates pour violon, par Robert Schumann, le Wiener Urtext édition présente la Sonate F.A.E. composée conjointement par Schumann, Brahms et Albert Dietrich, ainsi que la version éditée, avec les mouvements de Brahms et de Dietrich remplacé, comme troisième Sonate de violon de Robert Schumann. La présente édition est basée sur l'édition publiée en 2002 dans la nouvelle édition complète de Schumann et donc sur les plus récentes conclusions musicologiques. Dans le cas de la Sonate F.A.E., c'est surtout une question de légers changements dans les domaines de la dynamique et l'articulation. Dans le cas du troisième Sonate de violon de Schumann, la présente édition diffère plus significativement la première édition, publiée en 1956 et la nouvelle édition légèrement révisée de 1988. L'ordre des mouvements moyens dont l'exactitude ne peut être clairement déterminée jusqu'à maintenant a été modifiée, par rapport aux éditions précédentes, en raison des documents nouvellement trouvées. En outre, la répétition de la première section de la partie moyenne noter... / Violon Et Piano

Selections from the Student Repertoire. Par DIVERS AUTEURS / ARR.BARBARA BARBER. Selection from the student repertoire. Compiled and edited by Violinist Barbara Barber. Includes Violin Part and Piano Part/ Recueil / Violon et Piano

Description Collection of three concertos for the Violin, edited and fingered by Eduard Herrmann. Includes a Piano accompaniment, Violin part and Violin 2 part for the Concerto For Two Violins In D Minor, BWV 1043 Concertos included: A minor Concerto, BWV 1041; E Major Concerto, BWV 1042; Concerto for Two Violins in D minor, BWV 1043. Songlist Concerto In A Minor BWV 1041 Concerto In E BWV 1042 Double Concerto In D Minor BWV 1043

Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont Sonatas for Piano and Violin, Volume I/II pour Violon et plus particulièrement pour Violon Et Piano. Ce sont les éditions Henle qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / Violon Et Piano / Chanson En Séparée

Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano

Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont Sonatas for Piano and Violin, Volume II pour Violon et plus particulièrement pour Violon Et Piano. Ce sont les éditions Henle qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / Violon Et Piano / Chanson En Séparée