Violin, piano SKU: FG.55011-785-3 Stringendo - Aikamme musiikkia viulu...(+)
Violin, piano
SKU:
FG.55011-785-3
Stringendo - Aikamme
musiikkia viululle ja
pianolle. Composed by
Various. Classical,
contemporary. Score &
part. Fennica Gehrman
#55011-785-3. Published
by Fennica Gehrman
(FG.55011-785-3).
ISBN
9790550117853.
Fenn
ica Gehrman the music
publisher pays tribute to
its composers with this
20th-anniversary
collection of commissions
for violin and piano.
Stringendo - Contemporary
works for violin and
piano (2022) is a
collection of ten pieces,
which vary greatly as
regards their genesis.
That by Harri Wessman is
playful and exhilarating;
Mikko Heiniö wrote his
on Women's Day, while the
duets by Kalevi Aho and
Matthew Whittall are
tributes to the late
Jaakko Kuusisto.
Einojuhani Rautavaara is
also represented, in an
arrangement for violin
and piano of his
plaintive, melodic
Sydämeni laulu (The
Song of my Heart). The
title of Lotta
Wennäkoski's work,
Vestige, is a fitting
symbol for the whole
collection.
Short
introductions to the
pieces by their composers
are included in the
collection in English,
Finnish, and
Swedish.
Contents<
br>Kalevi Aho (b. 1949):
Le Tombeau de J.
K. Einojuhani
Rautavaara (1928-2016):
Sydämeni laulu - Song
of my heart Mikko
Heiniö (b.1948):
Naisten päivä -
Women's Day Jyrki
Linjama (b. 1962): De
Profundis I Lotta
Wennäkoski (b. 1970):
Vestige Matthew
Whittall (b.1975):
Waiting to hear Olli
Kortekangas (b. 1955):
Capriccietto Harri
Wessman (b.1949):
Giocoso Veli-Matti
Puumala (b. 1965):
Édera IV Kimmo
Hakola (b.1958): A Double
Jubilee.
Violin and Piano SKU: HL.14030977 Composed by Bent Sorensen. Music Sales ...(+)
Violin and Piano
SKU:
HL.14030977
Composed
by Bent Sorensen. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #KP00906. Published
by Music Sales
(HL.14030977).
ISBN
9788759862148.
Work
for Violin and Piano
dating from 1999. The
composer writes: 'Sieben
Sehnsuchte was written in
1999 for David Alberman
and Rolf Hind. As the
title suggests, it is in
seven movements - each
more insanely difficult
and bothersome than the
other. All sorts of
possible and impossible
playing techniques have
been used, and the
performers have to both
whistle and sing.
However, it is not the
intention that the
slightly more unusual
sound should be heard as
effects. Everything is
supposed to fuse together
into something that is in
itself a little opera - a
'chamber piece'. It was
written in a period when
I was waiting impatiently
for the libretto for
Under the Sky, and I see
it as a meeting (or seven
meetings) between two
people - two instruments
- longing for each other;
longing to merge
together. The piece is a
kind of sister work to
Roses are Falling.'.