Christmas fiddlers can draw on a rich and varied repertoire. This collection spans seven centuries, from the boisterous medieval Song of the Ass to contemporary tunes like Sleigh ride, taking in such traditional carols as Away in a manger and O little town of Bethlehem along the way. There is music in The Christmas Fiddler from England, Wales, France, Germany and North America.Of course Christmas time is not only a religious festival. Much of the music here - the Welsh carol Deck the hall, the 'fireside' movement from The Four Seaons, the modern classic Chestnuts roasting on an open fire - is as much a celebration of the ancient secular festival of the Winter Solstice.The arrangements in this collection can be performed as solos or duets, or by larger ensembles. The keyboard accompaniments are there for a multitude of purposes, from concert performances to playing at home- and the violin accompaniments will be invaluable for those Christmas busking sessions.The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club, Sarajevo street-café or Gypsy gathering. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. Each title in the series is available in two formats: the violin edition (with an optional easy violin part and guitar chord)- or the complete edition, which also includes both keyboard and violin accompaniments. Either format is hugely flexible, which means the music can be played as solos, duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance. And to help recreate the spirit of the music, every book in the series is beautifully illustrated. / Violon Et Guitare

Par TCHAIKOVSKI PIOTR ILITCH. Souvenir d'un Lieu Cher (Memories of a Dear Place) is a collection of three pieces for violin and piano. The first - Méditation - was written in Clarens in Switzerland in March 1878. Tchaikovsky originally intended it to be the slow movement of his violin concerto, but later replaced it with the more substantial Canzonetta and recast it for violin and piano. The other two movements were composed in May of the same year on the estate of his benefactress, Nadeja von Meck at Brailovo in Ukraine which is the 'dear place' of the title. It was published in in May 1879. The work is very characteristic of Tchaikovsky's style. It is built on beautiful melodies, with a Russian folk inflection, and contains a variety of contrasting sections. The outer movements are written in a gentle lyrical style, whereas the scherzo is fast and furious creating a mood of stormy anger. The trio section is based on a simple melody with a tinge of sadness about it. The solo part exemplifies Tchaikovsky's mastery of violin writing, using as it does a wide range of timbres and effects. / Répertoire / Violon et Piano