Composed by Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance Score(s), Part(s), anthology. Baerenreiter Verlag #BA09444. Published by Baerenreiter Verlag

Composed by Cesar Auguste Franck (1822-1890). Edited by Ernst Herttrich. Arranged by Ernst Herttrich. Romantic. Full score and part. With Standard notation. 76 pages. Wiener Urtext/Vienna Urtext #UT50174. Published by Wiener Urtext/Vienna Urtext

Chamber Music Cello, Clarinet, Flute, Piano, Violin

SKU: PR.14440515S

Composed by Robert Martin. Full score. With Standard notation. 48 pages. Theodore Presser Company #144-40515S. Published by Theodore Presser Company (PR.14440515S).

UPC: 680160667819. 9 x 12 inches.

In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. One role of music is to evoke. Therefore, Nighttime is a nocturne, a night piece suggestive of flickering shadows, perhaps created by firelight. It is a recurrent setting in human existence. The music opens with the scene of twilight calm, gently disturbed with the slight uncertainty about what is around us, what we cannot see. Later, the clarinet takes on a solo role, and the notes bleed like careless paint into the other instruments that quietly sustain them. Next, the flute takes over the role of solo. The piece ends with a repeated cadence of morning light. (From the performance notes.).

Chamber Music Cello, Clarinet, Flute, Piano, Violin

SKU: PR.14440517S

Composed by Robert Martin. Full score. With Standard notation. 20 pages. Theodore Presser Company #144-40517S. Published by Theodore Presser Company (PR.14440517S).

UPC: 680160667888. 9 x 12 inches.

In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. There are passages in Nostalgia that build using two layers, a louder foreground and a quieter background. Both of these layers are independent of specific instruments, in other words, the various instruments jump in to play a role in either layer, then jump to the other layer. It is as if the ensemble has doubled. The technical musical term for multiple instruments interweaving to produce a single thread or idea is called Klangfarbenmelodie (tone-color-melody). Because there are two layers (louder and softer), both using this technique, Nostalgia is a unique example of 'double Klangfarbenmelodie.' The piece ends with a series of intense rhythmic pulsations and several apocalyptic fanfares. (From the performance notes.).

Chamber Music Cello, Clarinet, Flute, Piano, Violin

SKU: PR.14440516S

Composed by Robert Martin. Full score. With Standard notation. 44 pages. Duration 9 minutes, 15 seconds. Theodore Presser Company #144-40516S. Published by Theodore Presser Company (PR.14440516S).

UPC: 680160667864. 9 x 12 inches.

In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. As the title suggests, the music is in a state of perpetual questioning using a variety of approaches. For example, Enigma opens using ostinati (plural of ostinato) that do not match in length, like a staircase with each step a different height. Additionally, the music has sudden starts and stops, again unexplained. There are dramatic and powerful explosive passages that are interrupted. The technique, used to create this feeling of a perplexed music world where things seem often not to make sense and to be left unresolved, is called in poetry and literature, anticlimax. In Enigma, the music suggests one direction; then refuses to continue, striking out in another direction. Artists use approaches such as this to force themselves into creative circumstances that they otherwise might not have discovered. (From the performance notes.).

Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris. This edition: urtext edition. Paperback. With an introduction by Gudula Schutz. Score and part. Published by Baerenreiter Verlag (BA.BA9425).

Chamber Music Clarinet, Horn, Narrator, Percussion, Piano, Violin

SKU: PR.11140253S

For Narrator, Bb Clarinet, Horn, Violin, Percussion, And Piano. Composed by Daniel Dorff. Sws. Contemporary. Full score. With Standard notation. Composed 2015. 20 pages. Duration 7:30. Theodore Presser Company #111-40253S. Published by Theodore Presser Company (PR.11140253S).

UPC: 680160631377. 9.5x13 inches. Based on a traditional African folk tale.

As a standalone performance piece, Dorff's A Treeful of Monkeys is a delightful telling of an African folk tale, complete with narration. The instrumental ensemble describes a hat seller, a good number of hats, and a good number of monkeys up in the trees with those hats. Commissioned by the Philadelphia Orchestra Association, however, A Treeful of Monkeys is also an opportunity to introduce musical elements to young students, with Dorff's suggested educational objectives and performance tips suitable for classroom use.

(with analytical studies and exercises by Otakar Sevcik, Op. 21 Violin and Piano critical violin part). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Endre Granat. LKM Music. Softcover. 116 pages

Chamber Music Clarinet, Piano, Violin

SKU: PR.11440531S

Composed by Nathan Currier. Full score. With Standard notation. 72 pages. Duration 33 minutes. Theodore Presser Company #114-40531S. Published by Theodore Presser Company (PR.11440531S).

UPC: 680160008667. 11 x 14 inches.

Chamber Music Clarinet, Piano, Violin

SKU: PR.11441097S

Composed by Robert Maggio. Full score. With Standard notation. 28 pages. Duration 13 minutes. Theodore Presser Company #114-41097S. Published by Theodore Presser Company (PR.11441097S).

UPC: 680160015849.

Chamber Music Bass Clarinet, Clarinet, Prepared Piano, Violin

SKU: PR.11140168S

Composed by Joyce Mekeel. Full score. With Standard notation. 24 pages. Duration 12 minutes. Theodore Presser Company #111-40168S. Published by Theodore Presser Company (PR.11140168S).

UPC: 680160003280.

Chamber Music violin, piano

SKU: PR.UE033728

Composed by Leos Janacek. Arranged by Leos Faltus. Full score. With Standard notation. Universal Edition #UE033728. Published by Universal Edition (PR.UE033728).

ISBN 9783702466213. UPC: 803452063407.

Cello, Piano, Violin

SKU: PR.144401780

Composed by Sydney F. Hodkinson. Full score. With Standard notation. 71 pages. Theodore Presser Company #144-40178. Published by Theodore Presser Company (PR.144401780).

UPC: 680160026463.

Violin and Piano

SKU: AY.VLP3174PM

Composed by Carles M. Eroles. Strings - Violin. Score & Parts. Duration 9'. Periferia Publishing #VLP3174PM. Published by Periferia Publishing (AY.VLP3174PM).

ISBN 9790543572980.

The material introduced by the piano of the beginning a solo is the one that serves of vertebral axis of the work, that has nearly the form of a rondo. This introduction is based on isolated, naked notes, with a constant rythm of the eighths that create a big intervalic space between them. Later on, that will be used as a support to an espressive melody of the violin, that will take this material and will expose it in pizzicato. In this way will be used as accompaniment to a very suggestive and lyric fragment of the piano that covers nearly all the registers of the instrument. This will lead to a second section of the work, of a very rythmic and intense character of both instruments. The third section, the most expressive of the work, it's iniciated with some chords of the piano that little by litlle dissapear and remembers the introduction. Here, the violin develops a melody of big lirism, supported by the piano witht he material of the introduction, but this time there are non isolated notes but full chords that disintegrate again at the end, taking up again the idea of a fragment of the first section of the piece by means of the piano. Far from free instrumental effects, the work looks mainly for a direct communication with the listener.

(13 Recital Pieces in First Position for Violin and Piano or Two Violins). Edited by Kurt Sassmannshaus / Christoph Sassmannshaus / Melissa Lusk. For violin, piano. Stapled. Barenreiter's Sassmannshaus. Level 2. Solo part and performance score. Published by Baerenreiter Verlag

(20 Recital Pieces in First Position for Violin and Piano or Two Violins). Edited by Kurt Sassmannshaus / Christoph Sassmannshaus / Melissa Lusk. For violin, piano. Stapled. Barenreiter's Sassmannshaus. Level 2. Solo part and performance score. Published by Baerenreiter Verlag

For Violin and Piano. Composed by Nico Muhly. Music Sales America. Classical. Softcover. Music Sales #SRO100133. Published by Music Sales (HL.14048062).

Violin, Piano - Level 3

SKU: BA.BA09428

Composed by Maurice Ravel. Edited by Douglas Woodfull-Harris. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, Part. Baerenreiter Verlag #BA09428. Published by Baerenreiter Verlag (BA.BA09428).

ISBN 9790006541362. 31 x 24.3 cm inches.

Ravel worked on his Sonata for Violin and Piano for four years (1923–1927) which was longer than he took for any other composition. According to the composer, the reason for his difficulties was the “fundamental incompatibility” of these two instruments. However, the interplay between two quite different partners is precisely what makes this sonata so charming. The violin and piano are independent, sometimes playing alongside each other and at other times with each other: here in a lyrical Allegretto, there in a jazz-inspired second movement, finally in a “perpetuum mobile” finale.

This new edition edited by Douglas Woodfull-Harris corrects numerous inconsistencies of earlier editions. It also includes the “Berceuse sur le nom de Faur” which is available for the first time in a scholarly-critical Urtext edition. This lullaby for violin and piano consists of variations on a theme derived from the letters of Faur’s name.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
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Violin & piano

SKU: HH.HH423-FSP

Composed by Anton Eberl. Edited by Martin Harlow. Violin & Piano. Full score and parts. Duration 20 Minutes. Edition HH Music Publishers #HH423-FSP. Published by Edition HH Music Publishers (HH.HH423-FSP).

ISBN 9790708146247.

Eber l's Sonata in D major, Op. 20, the sixth of seven sonatas with violin, was composed around 1803 and dedicated to Dorothea Ertmann, the highly regarded pianist who many have suggested as Beethoven's 'Immortal Beloved', and to whom that composer dedicated his Piano Sonata in A major, Op. 101. Unlike many of Eberl's lesser contemporaries, in its duration, formal and harmonic novelty, and in the lively relationship between the violin and keyboard, his Op. 20 shares much of the musical ambition and quality of Beethoven's works in this genre. 1803 saw the publication of Eberl's Op. 20, and Beethoven's set of three sonatas with violin, Op. 30, all produced by the Bureau des Arts et d'Industrie firm in Vienna. Beethoven's set were advertised for sale in the Wiener Zeitung in May 1803, days after the premiere of his Op. 47 sonata with violin (given by George Bridgetower and Beethoven, but later dedicated to Rudolphe Kreutzer). Eberl's Op. 20 was advertised in the Wiener Zeitung six weeks later, in July 1803.

Chamber Music violin, piano

SKU: PR.114419280

Composed by Chen Yi. Arranged by Wong Tak Chiu. Performance Score. 32+12 pages. Duration 20 minutes. Theodore Presser Company #114-41928. Published by Theodore Presser Company (PR.114419280).

ISBN 9781491132357. UPC: 680160676125.

Inspi red by Chinese tradition, this concerto-like dance suite includes: 1. Lion Dance, 2. YangKo, and 3. Muqam. Each movement draws from melodies and rhythms characteristic of various regions of China many centuries ago. CHINESE FOLK DANCE SUITE is available for violin with full orchestra, or as a recital work with piano.
Supported by a major commissioning award from the Serge Koussevitzky Music Foundation in the Library of Congress, Chinese Folk Dance Suite is written for solo violin and orchestra; it was premiered by The Women’s Philharmonic with violin soloist Terrie Baune, conducted by Apo Hsu, on March 10, 2001, at Yerba Buena Center For the Arts Theater in San Francisco.Inspired by various Chinese traditional folk dances, the suite has three movements:I. Lion Dance. Traditionally, people dance with richly decorated hand-made lions, accompanied by percussion ensemble, to celebrate happy occasions and major festivals throughout the country. In this composition, I use Chinese drum and other percussion instruments in the background, to form a dynamic and rhythmic texture responding to the solo part, which imitates the tunes played on the suona (traditional Chinese trumpet). The pitch materials came from the traditional Guangdong tune “Dragon Boat Racing,” and the Chaozhou tune “Lion Playing Ball.”II. YangKo. Originating in northern China, this is a major folk dance form in mass performance popularized in the country. In YangKo performance, people play rhythmic patterns on the drums hung around their waists while singing and dancing. In the second movement, I imagined a warm scene of YangKo dancing in distance. The solo violin plays a sweet and gracious melodic line while all members of the orchestra sing non-pitched syllables in different layers as the soft background, to imitate the percussion sound which produces the ever-going pulse.III. Muqam. This large-scale music and dance form, from the Uygur nationality in Xinjiang province, originated in the 15th century. My third movement use a 7/8 meter and the melodic style of Muqam music. The fiery dancing gesture culminates in the sustained climax section at the end of the work, after a colorful violin cadenza in both improvisational singing style and polyphonic writing with woven lines.

Violin & piano

SKU: HH.HH424-FSP

Composed by Anton Eberl. Edited by Martin Harlow. Violin & Piano. Full score and part. Edition HH Music Publishers #HH424-FSP. Published by Edition HH Music Publishers (HH.HH424-FSP).

ISBN 9790708146254.

Amon g Vienna’s many composers and pianists of the time, Anton Eberl (1765–1807) was the one considered most worthy of comparison with Beethoven. His Sonata in B flat major, Op.35, his last of seven sonatas with violin, was composed around 1805 and dedicated to Maria Walburga, the Princess Bretzenheim. This was one Eberl’s last works, as he died prematurely, at the age of forty-one, in 1807. Unlike many of Eberl’s lesser contemporaries, in its duration, formal and harmonic novelty, and in the lively relationship between the violin and keyboard, his Op.35 shares much of the musical ambition and quality of Beethoven’s works in this genre.

By Juliette Marie Olga (Lili) Boulanger (1893-1918). For Violin and Piano. String - Violin and Piano. Faber Edition. Masterwork. Published by Faber Music

By Nigel Hess (1953-). For Violin. Part(s); Score; Solo; String - Violin and Piano. Faber Edition. 20th Century; Masterwork; Movie. Advanced; Intermediate. Published by Faber Music

Chamber Music Clarinet, Piano, Violin

SKU: PR.16400239S

Composed by Dan Welcher. Full score (study). With Standard notation. 26 pages. Duration 14 minutes. Theodore Presser Company #164-00239S. Published by Theodore Presser Company (PR.16400239S).

UPC: 680160038114.

By Christoph Stibor. For Violin and Piano (with CD). Educational Jazz. Full score and parts

Chamber Music violin, piano

SKU: PR.114418650

A Klezmer Concerto. Composed by Noah Bendix-Balgley. Arranged by Samuel Adler. Set of Score and Parts. With Standard notation. 48+28 pages. Theodore Presser Company #114-41865. Published by Theodore Presser Company (PR.114418650).

UPC: 680160642977. 9.5 x 13 inches.

Bendix-Balg ley is a major young talent, currently serving as first concertmaster in the Berlin Philharmonic. Klezmer music was a background for his childhood and has been an influence in his life ever since. Upon writing his very own Klezmer Concerto, Bendix-Balgley was delighted to have the master of orchestration, Samuel Adler, produce performance versions for both full orchestra and a fully-realized piano reduction. Formerly concertmaster with the Pittsburgh Symphony Orchestra, Bendix-Balgley performed the premiere of this PSO-commissioned work in June, 2016 with the PSO, Maestro Manfred Honeck conducting. Adler's piano reduction of the work is now available.

Clarinet, Flute, Percussion, Violin and Piano

SKU: HL.14019075

Composed by Karl Aage Rasmussen. Music Sales America. Classical. Set of Parts. 56 pages. Music Sales #KP01067. Published by Music Sales (HL.14019075).

ISBN 9788759854327. Danish.

The Piano score and complete instrumental parts for Karl Aage Rasmussen's Liederkreis. Rasmussen organised five songs by Robert Schumann into a large cycle, within which each song is rotating forwards and backwards in several tempo-layers at the same time. The circle consists of two independent but complimentary orbits - one for each singer. Written in 1986, it was commissioned by, and dedicated to, the Washington New Music Ensemble. The full instrumentation consists of Soprano and Baritone voices with Flute, Violin, Clarinet, Vibraphone and an amplified Piano.