For Violin and Piano. Composed by Antonin Dvorak (1841-1904). Edited by Wolfgang Birtel. Arranged by Friedemann Eichhorn. This edition: Saddle stitching. Sheet music. String Solo. Dvoraks Romantic Pieces are a welcome addition to the violin repertoire and a very effective alternative to Dvorak's large-scale violin works, the Concerto in A minor and Romance in F minor.For this edition reference has been made to a copy of the origina. Classical. Score and part. Op. 75. 28 pages. Schott Music #ED 22395. Published by Schott Music

Chamber Music violin, piano

SKU: PR.114419280

Composed by Chen Yi. Arranged by Wong Tak Chiu. Performance Score. 32+12 pages. Duration 20 minutes. Theodore Presser Company #114-41928. Published by Theodore Presser Company (PR.114419280).

ISBN 9781491132357. UPC: 680160676125.

Inspi red by Chinese tradition, this concerto-like dance suite includes: 1. Lion Dance, 2. YangKo, and 3. Muqam. Each movement draws from melodies and rhythms characteristic of various regions of China many centuries ago. CHINESE FOLK DANCE SUITE is available for violin with full orchestra, or as a recital work with piano.
Supported by a major commissioning award from the Serge Koussevitzky Music Foundation in the Library of Congress, Chinese Folk Dance Suite is written for solo violin and orchestra; it was premiered by The Women’s Philharmonic with violin soloist Terrie Baune, conducted by Apo Hsu, on March 10, 2001, at Yerba Buena Center For the Arts Theater in San Francisco.Inspired by various Chinese traditional folk dances, the suite has three movements:I. Lion Dance. Traditionally, people dance with richly decorated hand-made lions, accompanied by percussion ensemble, to celebrate happy occasions and major festivals throughout the country. In this composition, I use Chinese drum and other percussion instruments in the background, to form a dynamic and rhythmic texture responding to the solo part, which imitates the tunes played on the suona (traditional Chinese trumpet). The pitch materials came from the traditional Guangdong tune “Dragon Boat Racing,” and the Chaozhou tune “Lion Playing Ball.”II. YangKo. Originating in northern China, this is a major folk dance form in mass performance popularized in the country. In YangKo performance, people play rhythmic patterns on the drums hung around their waists while singing and dancing. In the second movement, I imagined a warm scene of YangKo dancing in distance. The solo violin plays a sweet and gracious melodic line while all members of the orchestra sing non-pitched syllables in different layers as the soft background, to imitate the percussion sound which produces the ever-going pulse.III. Muqam. This large-scale music and dance form, from the Uygur nationality in Xinjiang province, originated in the 15th century. My third movement use a 7/8 meter and the melodic style of Muqam music. The fiery dancing gesture culminates in the sustained climax section at the end of the work, after a colorful violin cadenza in both improvisational singing style and polyphonic writing with woven lines.

Flute, Oboe, Violin and Piano

SKU: HL.14028266

Composed by Cyril Scott. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV263018. Published by Music Sales (HL.14028266).

Cyril Scott was an English composer, writer, and poet. He was essentially a late romantic composer, whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works,which include two mature symphonies, three operas, three Piano concertos,concertos for Violin, Cello, Oboe and Harpsichord, several overtures, four oratorios, as well as a mass of chamber music.

While less appreciated during his lifetime, it is Scott's late works(written between 1950 and his death) that are the most individual, with their ever-shifting harmoniccolours and wayward inflections of phrase and mood,capturing perfectly the way the mind shifts, backwards and forwards, between reminiscence, regrets, and self-assertion.

Composed in 1961 for Flute and Piano and premiered by William Bennett and Margaret Norman on November 9 of that year, Sonata For Flute is perfect  example of the genius of Scott's late works.

(from L'Estro armonico Violin and Piano Reduction). By Antonio Vivaldi (1678-1741). Edited by Christopher Hogwood. Arranged by Annette Seyfried. For Violin, Piano Accompaniment. String. Softcover. 16 pages. Schott Music #VLB172. Published by Schott Music

Sonatas for Piano and Violin, Vol. 1 composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Karl Marguerre. Arranged by Karl Marguerre. For Sonatas for Piano and Violin, Vol 1. Standard notation. Published by Wiener Urtext/Vienna Urtext

Violin, Piano SKU: HU.HN410 Composed by Claude Debussy. Edited by Ernst-Gunter Heinemann. Strings, Repertoire, Solos. Sonata for Violin and Piano. Classical, Romantic. Softcover Book. 70 pages. G. Henle #HN410. Published by G. Henle (HU.HN410).

Violin and Piano Reduction. Composed by Oskar Rieding. Edited by Annette Oppermann. Henle Music Folios. Classical. Softcover. G. Henle #HN1056. Published by G. Henle

Violin and Piano (Violin)

SKU: HL.14021013

Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Book [Softcover]. Composed 1999. 68 pages. Chester Music #CH55915. Published by Chester Music (HL.14021013).

ISBN 9780711921320.

This work was commissioned by the Royal Philharmonic Orchestra to celebrate its 40th birthday, and was written for Isaac Stern. The first performance took place in June 1986 at St. Magnus' Cathedral, Kirkwall, as part of the tenth St. Magnus Festival. It was given by Isaac Stern and the Royal Philharmonic Orchestra conducted by Andre Previn. This book contains the solo violin part and a piano reduction of the orchestral score.

By John Craton. Edited by John Craton. Chamber ensemble. For Violin, piano. Chamber Music. A collection of 16 medieval and renaissance melodies arranged for violin (in 1st position) and piano. Medieval and Renaissance. Score and part. 46 pages. Duration 27:00. Published by Wolfhead Music. (WM505) Level: Easy to intermediate.

(20 Recital Pieces in First Position for Violin and Piano or Two Violins). Edited by Kurt Sassmannshaus / Christoph Sassmannshaus / Melissa Lusk. For violin, piano. Stapled. Barenreiter's Sassmannshaus. Level 2. Solo part and performance score. Published by Baerenreiter Verlag

Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris. This edition: urtext edition. Paperback. With an introduction by Gudula Schutz. Score and part. Published by Baerenreiter Verlag (BA.BA9425).

Violin, piano

SKU: BR.EB-32058

Urtext. Composed by Eduard Franck. Edited by Nick Pfefferkorn. Solo instruments; stapled. Edition Breitkopf. Sonata; Romantic. Score. 56 pages. Breitkopf and Haertel #EB 32058. Published by Breitkopf and Haertel (BR.EB-32058).

ISBN 9790004186503. 9 x 12 inches.

Sonata No. 2 op. 23 was composed around 1859 in Cologne. At that time, Franck was working as a teacher of music theory at the Cologne Conservatory. The 2nd violin sonata was published in print together with the 1st sonata op. 19. This is an early proof of the composer's later tendency to combine several works in one cycle.

Composed by Camille Saint- Saens (1835-1921). Edited by Fabien Guilloux and François de Médicis. This edition: Edition of selected works, Urtext edition. Linen. Saint- Saens, Camille. OEuvres instrumentales completes III/4. Edition of selected works, Performance score, anthology. Baerenreiter Verlag #BA10304-01. Published by Baerenreiter Verlag

Violin and Piano Schott Student Edition - Level 2. Composed by Ferdinand Kuechler. Edited by Ulrich Schliephake. This edition: Saddle stitching. Sheet music. Schott Student Edition. Classical. Softcover. Op. 12. 36 pages. Schott Music #SE 1043. Published by Schott Music

Violin and Piano - intermediate

SKU: BT.DHP-1115209-400

Composed by Leo Portnoff. Arranged by Nico Dezaire. De Haske Study and Play. Book with CD. Composed 2011. 32 pages. De Haske Publications #DHP 1115209-400. Published by De Haske Publications (BT.DHP-1115209-400).

ISBN 9789043142304. 9x12 inches. English-German-French-Dut ch.

Study and Play is ideal for developing your playing in an enjoyable and musically sound way. Each edition within this concept features a CD to add something extra to your study routine. When you play this Concertino Op. 96 the CD allows you to practise at a slower study tempo, as well as the normal tempo, so that you can improve your insight into the music. The carefully edited volume also contains a violin part and a piano part. Of course, the superb CD is also great to play along with if thereâ??s no pianist available. You will find this is a fun and instructive enrichment of your repertoire.

Stu dy and Play is het ideale concept om je spel op een plezierige en verantwoorde manier te ontwikkelen. Bij elke uitgave onder deze noemer wordt een cd meegeleverd die iets extraâ??s toevoegt aan je studiemethode. In het geval van dit Concertino op.96 biedt de cd je de mogelijkheid om te studeren in zowel het gewone tempo als een rustig oefentempo, waardoor je je inzicht in de muziek kunt verbeteren. De verzorgde set bestaat verder uit een vioolpartij en pianopartij. Natuurlijk is de sublieme cd ook geschikt om mee samen te spelen als er geen pianist beschikbaar is. Dit is beslist een leuke en leerzame verrijking van je repertoire.

Stu dy and Play ist das ideale Konzept, um auf vergnügliche und sinnvolle Weise ein gutes Spiel zu entwickeln. Jedem Buch mit diesem Konzept ist eine CD beigefügt, welche die tägliche �bungsroutine individuell ergänzt.Mit Hilfe der CD kann dieses Concertino Op. 96 im langsameren �bungstempo sowie auch im normalen Tempo gespielt werden, so dass man sich zunächst ganz auf das Violinspiel konzentrieren kann und dabei die Musik kennen lernt. Diese sorgfältig ausgearbeitete Ausgabe enthält au�erdem eine Violin- und eine Klavierstimme. Die exzellente CD eignet sich selbstverständlich auch bestens zum Mitspielen, wenn kein Pianist zur Verfügung steht. DiesesConcertino Op. 96 ist eine ebenso reizvolle wie lehrreiche Erweiterung des Repertoires.

Study and Play est le concept idéal pour développer votre jeu dans un environnement plaisant et solidement structuré. Chaque recueil basé sur ce concept est accompagné dâ??un compact disc qui apporte un plus votre routine de travail. Le compact disc vous permet de jouer ce Concertino Op. 96 tant dans le tempo normal que dans un tempo dâ??étude plus lent afin que vous puissiez vous concentrer sur votre technique de jeu tout en ayant un meilleur aperçu de la structure de la pièce. Ce recueil réalisé avec soin propose, hormis la partie de violon, la partie dâ??accompagnement de piano pour tous ceux qui disposent dâ??un pianiste accompagnateur. Si tel nâ??est pas le cas, utilisezsimplement le superbe accompagnement enregistré sur le compact disc. Concertino Op.96 constitue un enrichissement ludique et pédagogique de votre répertoire.

Study and Play è il concetto ideale per sviluppare il vostro modo di suonare in un contesto piacevole e solidamente strutturato. Il CD vi permette di suonare sia a tempo normale che più lento, al fine di migliorare la concentrazione sullo studio della tecnica e avere un migliore approccio con le varie parti del brano. Le parti dellâ??accompagnamento al pianoforte incluse nelle pubblicazioni (versione cartacea) vi permettono di suonare con un pianista accompagnatore.

Violin and Piano (Violin)

SKU: HL.14004213

Composed by Lennox Berkeley. Music Sales America. Classical. Book [Softcover]. Composed 2002. 56 pages. Chester Music #CH55778. Published by Chester Music (HL.14004213).

9.0x12.0x0.175 inches.

Five Pieces for Violin and Orchestra was commissioned by Frederick Grinke and completed on 20 December 1961. The BBC Symphony Orchestra with Frederick Grinke (violin) and conducted by the composer, gave the first performance on 31 July 1962 at the Royal Albert Hall, London during the BBC Proms season. This work is so constructed that each piece is complete in itself and can be played separately, while at the same time the whole set of five constitutes a structural unit. A basic motif consisting of a rising semitone followed by a falling tone, and its inversion plays an important part in every piece. Thus the first piece, which is of a slow and meditative character, begins with this theme in the bass. It is also heard in the first entry of the solo part, and thereafter every episode is in some way derived from it. The next piece, a vigorous and strongly marked 'allegro', uses the semitone of the original figure as its starting point. A second theme appears, first on the horns and is later taken up by the solo violin, while a third section has the initial idea as its accompaniment. Next comes an extended scherzo in free form very closely based on initial motif. The fourth is a purely melodic piece containing allusions in its middle section to the basic figure. Here the strings only are used for accompaniment. In the first section, violas and cellos are divided in the middle section, and all the strings are used in the last, which is otherwise an almost exact repetition of the opening. The Finale is a lighter movement than the others, concerned mainly with giving the soloist material for display, but not unconnected with what has gone before.

By SALTER. For violin, piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, Part(s) (2). Opus 47. Baerenreiter Verlag #BA10938. Published by Baerenreiter Verlag

Violin and Piano. Composed by César Franck. Edited by Monica Steegmann. Henle Music Folios. Softcover. 66 pages. G. Henle #HN1351. Published by G. Henle (HL.51481351).

(13 Recital Pieces in First Position for Violin and Piano or Two Violins). Edited by Kurt Sassmannshaus / Christoph Sassmannshaus / Melissa Lusk. For violin, piano. Stapled. Barenreiter's Sassmannshaus. Level 2. Solo part and performance score. Published by Baerenreiter Verlag

By Walter Damrosch. Chamber ensemble. For Violin, piano. Chamber Music. Sonata for violin and piano that bridges the gap between late Romantic and early contemporary styles. Late Romantic. Score and part. 43 pages. Duration 27:00. Published by Wolfhead Music. (WM510) Level: Advanced.

Violin, piano

SKU: BR.EB-9413

Composed by Nicola Campogrande. Solo instruments; stapled. Edition Breitkopf. New music (post-2000). Score. Composed 2020. 28 pages. Duration 9'. Breitkopf and Haertel #EB 9413. Published by Breitkopf and Haertel (BR.EB-9413).

ISBN 9790004188873. 9 x 12 inches.

For a long time after Romanticism had come to the fore, it was generally agreed that Brahms somehow did not get it: History and Progress - it was thought - were proceeding along one clear path and Brahms - who was composing sonatas and symphonies instead of nocturnes and symphonic poems - had taken the wrong way. Almost one century later, Schonberg wrote an essay, Brahms, der Fortschrittliche (Brahms, the progressive), in which he explained that it wasn't like that at all.Fully assuming the risk to appear somehow irreverent, I have to confess: Over the years, I came to the conclusion that the present - and the future - can be created only by loving the past. As Brahms had shown us, it is only by accepting the challenge of taking our heritage into our own hands, that we can create something new. We cannot avoid engaging with the past. Therefore, starting with my Sinfonia n. 1, I began to flirt with such a strong and effective musical structure like the sonata form. I re-read and freely transformed it, because it is a sturdy and resilient structure, but also a theatrical and colorful one. For me, it is a happy structure. And I think that today more than ever we need something like this: We need to find places - even imaginary ones - where we can give happiness a form of its own.Nicola Campogrande, December 2020

World premiere: Bologna/Italy, Streaming, April 11, 2021Commissioned by the Fondazione Musica Insieme.