For violin. Format: instrumental solo/piano accompianment set. With solo part and piano accompaniment. Christmas and holiday. 16 pages. 9x12 inches. Published by Rubank.

(16 concert pieces for violin and piano). Composed by Kathy and David Blackwell. Edited by Kathy Blackwell and David Blackwell. For violin and piano. All String Time. Level B (easy). Book and CD. 48 pages. Published by Oxford University Press

(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt Sassmannshaus. For violin solo and piano. Stapled. Barenreiter's Concert Pieces. Level 2. Piano reduction, part(s). Published by Baerenreiter Verlag

(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt Sassmannshaus. For violin solo and piano. Stapled. Barenreiter's Concert Pieces. Level 2. Piano reduction, part(s). Published by Baerenreiter Verlag

Strings. Studio Ghibli. Score and part. Yamaha Music Media #GPW01096345. Published by Yamaha Music Media

Book/Audio Online Guitar; Piano Accompaniment; Violin (Violin/Piano)

SKU: HL.48025055

Violin and Piano Book/Audio Online. Composed by Various. Edited by Edward Huws Jones. Boosey and Hawkes Chamber Music. Blues, Jazz, Ragtime. Softcover Audio Online. 68 pages. Boosey and Hawkes #M060138935. Published by Boosey and Hawkes (HL.48025055).

ISBN 9781784547042. UPC: 196288024316. 9.0x12.0x0.235 inches.

The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club or Sarajevo street-café. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. Each title in the series is available in two formats: the violin edition (with an optional easy violin part and guitar chords); or the complete edition, which also includes both keyboard and violin accompaniments. Either format is hugely flexible, which means themusic can be played as solos, duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance.

(Violin and Piano). By Various. Edited by Edward Huws Jones. For Fiddle, Piano, Violin. Boosey & Hawkes Chamber Music. Softcover with CD. Boosey & Hawkes #M060124112. Published by Boosey & Hawkes

Composed by David Nowakowsky. Arranged by Gregory Cherninsky. For violin solo with piano accompaniment. David Nowakowsky Foundation Series. Medium. Published by MorningStar Music Publishers

Violin

SKU: HL.48180833

For Violin and Piano. Composed by Johann Sebastian Bach. Leduc. Baroque. Softcover. 4 pages. Alphonse Leduc #AL19371. Published by Alphonse Leduc (HL.48180833).

UPC: 888680857158. 9.0x12.0x0.02 inches.

Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. J. S. Bach's Menuet and Gigue is clearly printed with all edited and necessary performance directions. J.S. Bach (1685-1750) is one of the greatest composers of all time. His compositions for the violin were significant, most of which remain popular today in the advanced violinist's repertoire. The violin solo line of Menuet and Gigue makes use of harmonics, bow techniques, aritculations, fast semiquavers, and ornamentation. Catherine's series, Violin Classics provides essential access to significant repertoire of the violin, preparing advanced violinists for the major works of the repertoire.

Violin, piano

SKU: BR.EB-9413

Composed by Nicola Campogrande. Solo instruments; stapled. Edition Breitkopf. New music (post-2000). Score. Composed 2020. 28 pages. Duration 9'. Breitkopf and Haertel #EB 9413. Published by Breitkopf and Haertel (BR.EB-9413).

ISBN 9790004188873. 9 x 12 inches.

For a long time after Romanticism had come to the fore, it was generally agreed that Brahms somehow did not get it: History and Progress - it was thought - were proceeding along one clear path and Brahms - who was composing sonatas and symphonies instead of nocturnes and symphonic poems - had taken the wrong way. Almost one century later, Schonberg wrote an essay, Brahms, der Fortschrittliche (Brahms, the progressive), in which he explained that it wasn't like that at all.Fully assuming the risk to appear somehow irreverent, I have to confess: Over the years, I came to the conclusion that the present - and the future - can be created only by loving the past. As Brahms had shown us, it is only by accepting the challenge of taking our heritage into our own hands, that we can create something new. We cannot avoid engaging with the past. Therefore, starting with my Sinfonia n. 1, I began to flirt with such a strong and effective musical structure like the sonata form. I re-read and freely transformed it, because it is a sturdy and resilient structure, but also a theatrical and colorful one. For me, it is a happy structure. And I think that today more than ever we need something like this: We need to find places - even imaginary ones - where we can give happiness a form of its own.Nicola Campogrande, December 2020

World premiere: Bologna/Italy, Streaming, April 11, 2021Commissioned by the Fondazione Musica Insieme.

selected and arranged by Peter Spitzer. For violin. Non-Series. Classic, with keyboard accomp. Level: Beginning. Book. Solos. Size 8.75x11.75. 72 pages. Published by Mel Bay Pub., Inc.

Chamber Music Cello, Piano, Violin

SKU: PR.114423360

Composed by Stacy Garrop. Set of Score and Parts. 24+12+12 pages. Duration 8:30. Theodore Presser Company #114-42336. Published by Theodore Presser Company (PR.114423360).

UPC: 680160686285.

When the Newport Music Festival commissioned me for a piano trio in honor of their 2021 season, I looked for a topic that would celebrate an aspect of the Newport community. While researching the area, I was struck by the nine lighthouses situated around the island. The dual nature of lighthouses was particularly appealing to me: not only do they serve a vital role in the navigation of ships around rocks and land, but they are also a beautiful sight, particularly at night when their blinking beacons are clearly visible to the eye. It occurred to me that lighthouses link the past with the present, and will endure long into the future, with their beacons serving the same purpose for every generation.I became fascinated with the lighthouse on the property of Castle Hill Inn, located at the opening of the East Passage of the Narragansett Bay. This squat thirty-four foot granite structure was erected in 1890 on a very picturesque spot, right at the water’s edge. Its “characteristic,â� �� the nautical term for each lighthouse’s unique light sequence that allows ships to identify the lighthouse, is to alternate on for three seconds, then off for three seconds. The lighthouse has also served as the starting and finish line for numerous high profile yacht races, as well as survived a massive hurricane in 1938, though the lighthouse keeper’s nearby residence wasn’t so lucky. American novelist Thornton Wilder wrote much of his 1973 novel Theophilus North while staying at the Castle Hill Inn; a passage from the book perfectly captures the dual nature of lighthouses:“At a later visit I was able to engage the pentagonal room in a turret above the house; from that magical room I could see at night the beacons of six lighthouses and hear the booming and chiming of as many sea buoys.”In Beacon of the Bay, we first hear the lighthouse’s characteristic as its ruby light blinks on and off. This is followed by a simple theme that represents the lighthouse performing its solitary duty. As the piece progresses, we hear waves playfully lapping around its base, then yachts gracefully floating by; this is followed by a violent storm that churns the waves with so much force that they crash against the lighthouse’s granite body. But the steadfast lighthouse holds firm to the rocks, grandly blinking its ruby light. The music quiets back down to its simple theme, with yachts sailing by once more as the piece concludes.

By Jean-Marc Allerme / Vincent Charrier. For violin and piano. Pop / Jazz. Score and CD

Composed by James Niblock. Chamber music. Set of parts. Duration 3:40. Published by Brotons and Mercadal (BK.100-308).

Violin, piano

SKU: BR.SON-454

Complete Works. Composed by Felix Bartholdy Mendelssohn. Edited by Birgit Muller. Solo instruments; Linen. Complete Works. Romantic period. Complete Works. Breitkopf and Haertel #SON 454. Published by Breitkopf and Haertel (BR.SON-454).

ISBN 9790004803646. 9 x 12 inches.

The Violin Concerto in E minor, op. 64, and the Sonata in F minor, op. 4, are the only works for solo violin that Mendelssohn had had printed during his lifetime. However, his complete oeuvre includes other completed or fragmentary compositions, including two further concertos and several unfinished sonatas and other individual pieces. He himself had an extraordinary command of the violin and entrusted the instrument in several other works, such as the Octet op. 20 or the concert aria Infelice! - Ah, ritorno, eta dell'oro, with special tasks. Nevertheless, with regard to details of playing technique, he usually sought advice from solo violinist friends, first from Eduard Ritz, then, after Ritz's early death, from Ferdinand David. The present volume contains all of the completed and fragmentary compositions for violin and piano that have survived - from the early Prelude and Fugue in D and G minor from Zelter's practice book (1820), which can be assigned without doubt, through to the Sonata in F major (1838) in their various versions.

Score and Part Piano Accompaniment; Violin (Score and Solo Part)

SKU: HL.49046912

16 Pieces for Violin and Piano Book/Material Online. Composed by Joachim Johow. String Solo. Klezmer. Softcover. 64 pages. Schott Music #ED23372. Published by Schott Music (HL.49046912).

ISBN 9783795726409. UPC: 196288082118. 9.0x12.0x0.223 inches.

Rousing Klezmer pieces newly composed! Inspired by old klezmer melodies, Joachim Johow has written 16 new tunes for violin, reenacting scenes from life in a Jewish town, such as 'Am Morgen in der Gasse' [On the Street in the Morning], 'Auf dem Jahrmarkt' [At the Fair], 'Schlittenfahrt' [Sleigh Ride], 'Tanz der Grosseltern' [Dance of the Grandparents], 'Am Abend' [In the Evening]. With notated piano accompaniment and additional harmonic symbols as well as an additional bass part (for download) which allow for a variety of instrumentations. The audio MP3 pack contains both full and playback versions.

For Violin and Piano. Composed by Various. Edited by Wolfgang Birtel. String Solo. Softcover. 111 pages. Schott Music #ED22404. Published by Schott Music

Arranged by John F. Wilson. For C instrument solo (or duet) and piano accompaniment. Format: instrumental solo/duet book. With standard notation, solo part, harmony part and piano accompaniment. Christian. 9x12 inches. Published by Hope Publishing Company.

Transcriptions and Arrangements, Original Compositions for Violin and Piano. Composed by Fritz Kreisler (1875-1962). Edited by Eric Wen. The Fritz Kreisler Collection. Classical and 20th Century. Collection and set of performance parts. With introductory text, bowings and fingerings. Published by Carl Fischer

Instrumental Hymns, Violin Solo. How Firm a Foundation, Come Thou Fount of Every Blessing, Spiritual, Simple Gifts, There is a Fountain, Be Thou My Vision, Holy Manna and Shall We Gather at the River. To 3rd position, some double stops. Published by Latham Music Enterprises.