Violin & Piano

SKU: SU.17150420

For Violin & Piano. Composed by Daniel Bernard Roumain. Strings, Violin. Score & Parts. Composed 2007. Duration 4'. Subito Music Corporation #17150420. Published by Subito Music Corporation (SU.17150420).

Violin, Piano Duration: 4' Composed: 2007 Published by: DredLin Music Publishing.

Violin & Piano

SKU: SU.91740200

For Violin & Piano. Composed by Paul Moravec. Strings, Violin. Score & Parts. Composed 1984. Duration 9'. Subito Music Corporation #91740200. Published by Subito Music Corporation (SU.91740200).

Violin, Piano Duration: 9' Composed: 1984 Published by: Subito Music Publishing.

Violin & Piano

SKU: SU.91740130

For Violin & Piano. Composed by Paul Moravec. Strings, Violin. Score & Parts. Composed 1992. Duration 20'. Subito Music Corporation #91740130. Published by Subito Music Corporation (SU.91740130).

Violin, Piano Duration: 20' Composed: 1992 Published by: Subito Music Publishing.

Violin & Piano

SKU: SU.95010165

For Violin & Piano. Composed by Judith Lang Zaimont. Strings, Violin. Score & Parts. Composed 1970. Duration 6'. Subito Music Corporation #95010165. Published by Subito Music Corporation (SU.95010165).

Violin, Piano Duration: 6' Composed: 1970 Published by: Subito Music Publishing.

Violin & Piano

SKU: SU.91940010

For Violin & Piano. Composed by Thomas Pasatieri. Strings, Violin. Score & Parts. Composed 1994. Duration 9'. Subito Music Corporation #91940010. Published by Subito Music Corporation (SU.91940010).

Violin, Piano Duration: 9' Study Score for orchestral version: available for sale (#91910030) Composed: 1994 Published by: Subito Music Publishing.

Violin & Piano

SKU: SU.91740150

For Violin & Piano. Composed by Paul Moravec. Strings, Violin. Score & Parts. Composed 1983. Duration 8'. Subito Music Corporation #91740150. Published by Subito Music Corporation (SU.91740150).

Violin, Piano Duration: 8' Composed: 1983 Published by: Subito Music Publishing.

Violin & Piano

SKU: SU.91740010

For Violin & Piano. Composed by Steven Mercurio. Strings, Violin. Study Score. Composed 1981. Duration 17'. Subito Music Corporation #91740010. Published by Subito Music Corporation (SU.91740010).

Duration: 17' Composed: 1981 Published by: Subito Music Publishing.

Violin and Piano

SKU: BT.MUSM570366552

Composed by Sadie Harrison. Classical. Score Only. University of York Music Press #MUSM570366552. Published by University of York Music Press (BT.MUSM570366552).

English.

Aurea Luce was written at the request of Madeleine Mitchell and Geoff Poole by way ofcelebrating my 50th birthday at a concert in my home town of Shaftesbury, Dorset. The work is based on a plainsong melody sung as a hymn for the Feast of St. Peter s Chair in Rome, reflecting the dedication of the church in which the premiere took place. I started writing the work on International Women s Day 2015 and it was serendipitous that thehymn s text is ascribed very unusually to a 5th century female author, Elpis (reputedly the first wife of the philosopher Boethius). The title translates as ..with golden light.. and in context within the verse it reads as: Aurea luce et decore roseo,lux lucis, omne perfudisti seculum, decoran caelos inclito martyrio hac sacra die, quae dat reis veniam (The Poissy Antiphonal, fol. 412v) (The beauteous light of Eternity hath ooded with blissful res this golden day which crowns the Prince of the Apostles, and gives unto the guilty a free way to heaven). Duration: c. 9 minutes.

Composed by Richard Lane. Contemporary. Composed 1989. Duration 3'. Published by Editions BIM (ET.VN22).

Violin and Piano

SKU: AY.VLP3174PM

Composed by Carles M. Eroles. Strings - Violin. Score & Parts. Duration 9'. Periferia Publishing #VLP3174PM. Published by Periferia Publishing (AY.VLP3174PM).

ISBN 9790543572980.

The material introduced by the piano of the beginning a solo is the one that serves of vertebral axis of the work, that has nearly the form of a rondo. This introduction is based on isolated, naked notes, with a constant rythm of the eighths that create a big intervalic space between them. Later on, that will be used as a support to an espressive melody of the violin, that will take this material and will expose it in pizzicato. In this way will be used as accompaniment to a very suggestive and lyric fragment of the piano that covers nearly all the registers of the instrument. This will lead to a second section of the work, of a very rythmic and intense character of both instruments. The third section, the most expressive of the work, it's iniciated with some chords of the piano that little by litlle dissapear and remembers the introduction. Here, the violin develops a melody of big lirism, supported by the piano witht he material of the introduction, but this time there are non isolated notes but full chords that disintegrate again at the end, taking up again the idea of a fragment of the first section of the piece by means of the piano. Far from free instrumental effects, the work looks mainly for a direct communication with the listener.

Piano Accompaniment; Violin

SKU: HL.49045418

For Violin and Piano. Composed by Joji Yuasa. This edition: Saddle stitching. Sheet music. String Solo. Classical. Softcover. Composed 2007-2011. 40 pages. Duration 16'. Schott Music #SJ1181. Published by Schott Music (HL.49045418).

ISBN 9784890664856. 9.0x12.0x0.135 inches.

Four Imaginary Landscapes from Basho for violin and piano was commissioned by Concert Hall Shizouka. This work consists of four pices which can be performed independently. Three pieces: 2. Spring (Petal by petal fluttering down yellow mountain roses-, Sound of the rapids.) 3. Summer (The summer grass-, holding still the dreams of the stalwart warriors.), and 4. Autumn (Chrysanthemum scent..., in Nara Ancient statues of Momo Kodama (piano) in Shizouka on March 9th, 2007. 1 Winter (Sound of oar hitting waves in the dead of night, Freezing bowels..., tears.) was premiered by Keiko Urushibara (violin) and Shigeo Neriki (piano) in Shizouka on January 14th, 2011. Hisako Takahashi (violin) and Kyoko Sasaki (piano) performed all of the pieces on March 13th, 2011.

Violin & piano (Solo)

SKU: OU.9780193451551

Composed by Michael Berkeley. Violin & Piano. 16 pages. Duration 6'. Oxford University Press #9780193451551. Published by Oxford University Press (OU.9780193451551).

ISBN 9780193451551. 12 x 8 inches.

For violin and piano The composer writes: 'Persistent Memory is a little six minute drama . . . although the piano begins as the more aggressive partner and triggers the violin into animation, it is in fact the piano that finally provides a note of resolution, or at least, partial resolution.'.

Violin & Piano

SKU: SU.28060110

For Violin & Piano. Composed by Jesse Jones. Strings, Violin. Accompanied by piano. Score & Parts. Subito Music Corporation #28060110. Published by Subito Music Corporation (SU.28060110).

A fun and playful spinoff of an incipet of Beethoven, for violin & piano violin & piano Duration: 7' Composed: 2016 Published by: Distributed Composer.

Chamber Music Cello, Piano, Violin

SKU: PR.414411630

Composed by Shulamit Ran. Set of Score and Parts. With Standard notation. 28+28+20+24+20+24 pages. Duration 20 minutes. Theodore Presser Company #414-41163. Published by Theodore Presser Company (PR.414411630).

ISBN 9781491114551. UPC: 680160089956. 9.5 x 13 inches.

EXCURSIONS is a one-movement work exploring two “characters.” A rhapsodic, descending passage is introduced by the cello, followed by a  static, chorale-like phrase for the violin and cello. Their individual developments are separated by a slow, contrasting middle section. The composer has written: “This is analogous to situations in life: we stand by a crossroad, choosing one option and forfeiting the other. But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination… or can we? It is symbolic that in this work both roads eventually lead to the same place.”.
Excursi ons for violin, cello and piano, is a one-movement work of tripartite structure in which materials explored in the first of three large sections are brought back in the last section.  The traditional statement-contrast-restat ement form, which is readily suggested by such a description, is, however, not at all in the mold in which the work is cast.  Rather, my aim was to subject the essential materials of the piece (two “characters” –the rhapsodic, descending passage played by the cello in the very opening and, later, a static, slow moving, chorale-like phrase for the violin and cello) to two entirely different developments separated by a slow, contrasting middle section.  This is analogous to an exploration of the ramifications that two divergent choices made by the same person might lead to.  In life, as we stand by a crossroad, choosing one option usually means having to forfeit the other.  But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination…or can we?  It is, I believe, symbolic that in this work both roads eventually lead to the same place: in composing Excursions, it seemed absolutely inescapable that at the end the slow, contrasting middle sections – both more resigned and peaceful than the battling spirits of the outer parts – should return briefly to end the work. The piano trio combination (once highly favored, but to this composer still as challenging today) is approached here as a collaborative effort of three equal soloists – partners.  Of the available pairings, the two strings find themselves occasionally approached as a team pitted against the piano.  The cello-piano combination is also not uncommon here, and there is an extended violin cadenza toward the end of the piece.  The writing for the three instruments is closely and at times interlinked, but the players are all instructed to play from scores. Excursions was first performed at Brandeis University in 1982.

Chamber Music Cello, Piano, Violin

SKU: CF.MXE112

Composed by Paul Lansky. Sws. Set of Score and Parts. 32+8+8 pages. Duration 18 minutes. Carl Fischer Music #MXE112. Published by Carl Fischer Music (CF.MXE112).

ISBN 9781491156766. UPC: 680160915309. 9 x 12 inches.

Angles for Piano Trio plays with a variety of textures and timbres that can be produced on the piano. Each of the four movements takes a different textural or procedural angle. The first movement, With Pluck, uses a lot of pizzicato in the strings, with virtually no use of the pedal in the piano. The second movement, Take a Bow, uses extensive double stops in the strings. The third movement, About a Minute Waltz, is percussive and rhythmic, and the last movement, A Sad Song, contrasts repetitions of a straightforward lyrical stanza with rhapsodic interludes.

Violin & Piano

SKU: SU.32000020

For Violin & Piano. Composed by Randall Shinn. Strings, Violin. Accompanied by piano. Score & Parts. Subito Music Corporation #32000020. Published by Subito Music Corporation (SU.32000020).

A short, intense work for violin and piano that alternates between atonal and dissonant tonal sections. Violin & Piano Duration: 5' Composed: 2013 Published by: Distributed Composer.

Arranged by Mary-Lloyd Butler. For Violin (or Flute) and Piano. An easy bluesy arrangement. Piano score and part. 4 pages. Duration 02:30. Published by C.F. Peters.

Chamber Music Clarinet, Piano, Violin

SKU: PR.164002390

Composed by Dan Welcher. Set of Score and Parts. With Standard notation. Composed 1995. 26+14+14 pages. Duration 14 minutes. Theodore Presser Company #164-00239. Published by Theodore Presser Company (PR.164002390).

UPC: 680160038091.

I became interested in the work of Plato through my friend and collaborator, the writer and philosopher Paul Woodruff. Paul's new translation, with Alexander Nehamas, of the Symposium gave me insights into ancient Greek ways of thinking about Love, Beauty, and Wisdom -- and managed to keep the earthy, and often bawdy side of it all in full view. But their new translation of Plato's later dialogue Phaedrus went even further: the beauty of the speeches is breathtaking, and the discourse itself is enough to keep one awake at night. Basically the Great Speech of Socrates in the Phaedrus dialogue has to do with the place of Eros in the world, and with the conflict in the soul between fleshly pleasure and philosophic discovery. I will not attempt to encapsulate this brilliant discourse in a program note: suffice it to say that reading it gave rise to my two-sided work for clarinet, violin, and piano, Phaedrus. The first movement represents the Philosophic life, and is thus subtitled Apollo's Lyre (Invocation and Hymn). It begins with an unaccompanied melody for the clarinet, which (after a pair of harp-like flourishes for the piano, expands into an accompanied canon. The voices in the dialogue (clarinet and violin) follow each other by a prescribed number of beats, but the music is totally devoid of any meter at all. The piano, representing the lyre, accompanies this lyric love-feast with repeated strummed chords. The canon has three large sections, and ends with violin echoing the unaccompanied clarinet invocation as the sound of the lyre fades. The second movement, called Dionysus' Dream-Orgy (Ritual Dance) presents, after a brief introduction, another kind of unmetered music. Rather than long lyric flights of philosophic song, however, this time we hear a unison dance of unbridled energy and sensual transport. The piece soon forms itself into a loose arch form, with contrasting metered dance sections divided by the unison unmetered orgy tune. Midway through the movement, Apollo's melody returns from the first movement, but it is a temporary reminiscence. The orgiastic dance returns, reaches a climax, and ends with a stomping of feet. While Plato asserts that a proper balance between lust and reason is necessary in all men, he (naturally) gives the nod to Philosophy as the better choice in which to live. Not so in my music: the two sides are meant to coexist and to complement each other. No sides are taken. Phaedrus was commissioned of the Verdehr Trio by Michigan State University. It is dedicated to the Vedehr Trio with great affection and admiration.

Violin & Piano

SKU: SU.50600910

For Violin & Piano. Composed by Andrew Frank. Strings, Violin. Accompanied by piano. Score & Parts. Seesaw Music Corp #50600910. Published by Seesaw Music Corp (SU.50600910).

Violin & Piano Duration: ' Composed: 2012 Published by: Seesaw Music.

Violin & Piano

SKU: SU.92040270

For Violin & Piano. Composed by Roberto Sierra. Strings, Violin. Score & Parts. Subito Music Corporation #92040270. Published by Subito Music Corporation (SU.92040270).

Violin, Piano Duration: 14' Composed: 2010 Published by: Subito Music Corporation YouTube:.

Violin & Piano

SKU: SU.91770880

For Violin & Piano. Composed by Paul Moravec. Strings, Violin. Accompanied by piano. Score & Parts. Subito Music Corporation #91770880. Published by Subito Music Corporation (SU.91770880).

Instrumentation : Violin & Piano
Duration: 6'30
Composed: 2015
Published by: Subito Music Publishing.