(16 concert pieces for violin and piano). Composed by Kathy and David Blackwell....(+)
(16 concert pieces for
violin and piano).
Composed by Kathy and
David Blackwell. Edited
by Kathy Blackwell and
David Blackwell. For
violin and piano. All
String Time. Level B-C
(easy - moderately
difficult). Book and CD.
64 pages. Published by
Oxford University Press
16 Easy to Intermediate Pieces from 18th Century France Violin (Flute or Oboe) a...(+)
16 Easy to Intermediate
Pieces from 18th Century
France Violin (Flute or
Oboe) and Keyboard. By
Various. Arranged by
Jeremy Barlow. (Violin).
This edition: ED12862.
Schott. Book with CD. 60
pages. Published by
Schott Music.
By Various. Arranged by Darwin Wolford. For violin. Includes part for violin onl...(+)
By Various. Arranged by
Darwin Wolford. For
violin. Includes part for
violin only. Piano
accompaniment available
separately (item 01681).
Level: Medium. Published
by Jackman Music
Corporation.
Violin-solo, piano (Violin solo, Piano) SKU: BA.BA09099-92 First Versi...(+)
Violin-solo, piano
(Violin solo, Piano)
SKU: BA.BA09099-92
First Version
1844. Composed by
Felix Bartholdy
Mendelssohn. Edited by R.
Larry Todd. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Early
version 1844. Piano
reduction, Part. Opus 64.
Duration 12 hours.
Baerenreiter Verlag
#BA09099_92. Published by
Baerenreiter Verlag
(BA.BA09099-92).
ISBN
9790006565733. 31 x 24.3
cm inches. Key: E minor.
Preface: Larry R.
Todd.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Violin, Piano Accompaniment - Intermediate-Advanced SKU: HL.14026198 Comp...(+)
Violin, Piano
Accompaniment -
Intermediate-Advanced
SKU: HL.14026198
Composed by Andre Previn.
Music Sales America.
Post-1900. Sheet Music,
Instrumental Work. With
Text language: English.
Chester Music #CH61112.
Published by Chester
Music (HL.14026198).
UPC: 884088492144.
8.25x11.75x0.191
inches.
Work for
Violin and Piano
commissioned by Young Uck
Kim.
Violin, piano SKU: VD.ED11337 Multi-stylistic Suite for Violin and Pia...(+)
Violin, piano
SKU:
VD.ED11337
Multi-stylistic Suite
for Violin and Piano
(Dedicated to Gennady
Gurevich). Composed
by Jan Freidlin.
Classical. Score, solo
part. Composed 2010. 21
S. Part. + 11 S. Stimme
pages. Verlag Dohr
#ED11337. Published by
Verlag Dohr (VD.ED11337).
By Georgi Dimitrov Zlatev-Cherkin. Edited by Pancho Vladigerov. For violin (viol...(+)
By Georgi Dimitrov
Zlatev-Cherkin. Edited by
Pancho Vladigerov. For
violin (viola) and piano.
String music. Score and
set of 2 parts. Published
by Noten Roehr
Violin (Violin) SKU: HL.48181201 For Violin and Piano. Composed by...(+)
Violin (Violin)
SKU:
HL.48181201
For
Violin and Piano.
Composed by Raymond
Gallois Montbrun. Leduc.
Classical. Softcover.
Alphonse Leduc #AL20485.
Published by Alphonse
Leduc (HL.48181201).
Reverence Violon et Piano [Conducteur et Parties séparées] - Facile FLEX Editions
Violin, Piano - Grade 3 SKU: FL.FX071369 Composed by Alain Lopez. Classic...(+)
Violin, Piano - Grade 3
SKU: FL.FX071369
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071369.
Published by FLEX
Editions (FL.FX071369).
A Jazz waltz
(dedicated to my uncle
who was so benevolent
during my early stages!)
that may remind Erik
Satie's Gymnopedies or
the famous Bluesette from
Toots Thielemans.
Composed by Bohuslav
Martinu. Arranged by
Karel Å olc. Stapled.
Replaces H 5797. Piano
reduction, Part. H 226,
No. 1. Baerenreiter
Verlag #BA11527_90.
Published by Baerenreiter
Verlag (BA.BA11527-90).
ISBN 9790260107946. 31
x 24.5 cm inches.
Preface: Sandra
Bergmannova.
Bohusl
av Martinu wrote his
First Violin Concerto in
Paris in 1932-33, this
work having been
commissioned by the
violin virtuoso Samuel
Dushkin. However, it was
never performed during
the composer's lifetime
and was even considered
lost after his death. It
was not until 1961 that
musicologist and
collector Hans
Moldenhauer bought it
from Boaz Piller,
contrabassoonist of the
Boston Symphony
Orchestra. Moldenhauer
approached Czech
violinist Josef Suk, who
gave the world premiere
of the work with the
Chicago Symphony
Orchestra under Georg
Solti in October
1973.
This piano
reduction is based on the
musical text of the first
edition. The solo part
has been revised by a
leading Czech violinist
and performer of
Martinu's music.
*
Major violin concerto of
the 20th century * New
Foreword by Martinu
scholar Sandra
Bergmannova
(Cz/Eng/Ger)
Chamber Music Cello, Piano, Violin SKU: PR.414411630 Composed by Shulamit...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.414411630
Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation.
28+28+20+24+20+24 pages.
Duration 20 minutes.
Theodore Presser Company
#414-41163. Published by
Theodore Presser Company
(PR.414411630).
ISBN
9781491114551. UPC:
680160089956. 9.5 x 13
inches.
EXCURSIONS
is a one-movement work
exploring two
“characters.â€
A rhapsodic, descending
passage is introduced by
the cello, followed by
a static,
chorale-like phrase for
the violin and cello.
Their individual
developments are
separated by a slow,
contrasting middle
section. The composer has
written: “This is
analogous to situations
in life: we stand by a
crossroad, choosing one
option and forfeiting the
other. But in art, the
realm of the imagination,
we can perhaps afford to
pursue more than one
route to its ultimate
destination… or can
we? It is symbolic that
in this work both roads
eventually lead to the
same
place.â€. Excursi
ons for violin, cello and
piano, is a one-movement
work of tripartite
structure in which
materials explored in the
first of three large
sections are brought back
in the last section.Â
The traditional
statement-contrast-restat
ement form, which is
readily suggested by such
a description, is,
however, not at all in
the mold in which the
work is cast. Rather,
my aim was to subject the
essential materials of
the piece (two
“charactersâ€
–the rhapsodic,
descending passage played
by the cello in the very
opening and, later, a
static, slow moving,
chorale-like phrase for
the violin and cello) to
two entirely different
developments separated by
a slow, contrasting
middle section. This
is analogous to an
exploration of the
ramifications that two
divergent choices made by
the same person might
lead to. In life, as
we stand by a crossroad,
choosing one option
usually means having to
forfeit the other.Â
But in art, the realm of
the imagination, we can
perhaps afford to pursue
more than one route to
its ultimate
destination…or can
we? It is, I believe,
symbolic that in this
work both roads
eventually lead to the
same place: in composing
Excursions, it seemed
absolutely inescapable
that at the end the slow,
contrasting middle
sections – both
more resigned and
peaceful than the
battling spirits of the
outer parts –
should return briefly to
end the work. The
piano trio combination
(once highly favored, but
to this composer still as
challenging today) is
approached here as a
collaborative effort of
three equal soloists
– partners. Of
the available pairings,
the two strings find
themselves occasionally
approached as a team
pitted against the
piano. The
cello-piano combination
is also not uncommon
here, and there is an
extended violin cadenza
toward the end of the
piece. The writing
for the three instruments
is closely and at times
interlinked, but the
players are all
instructed to play from
scores. Excursions was
first performed at
Brandeis University in
1982.
Piano Accompaniment; Violin (Score and Solo Part) SKU: HL.50600469 For...(+)
Piano Accompaniment;
Violin (Score and Solo
Part)
SKU:
HL.50600469
For
Violin and Piano.
Composed by Krzysztof
Meyer. String. Classical,
Contemporary. Softcover.
48 pages. Sikorski
#SIK1496. Published by
Sikorski (HL.50600469).
8.25x11.75x0.14
inches.
“I
belong to that group of
people who appropriate
Debussy's wonderfully
formulated philosophy
according to which music
begins where words end.
Contrary to a view that
has become widespread
during the past 100
years, I am convinced
that the task of the
composer is to write
music, not to talk about
it. Even if my technical
and aesthetic
commentaries on one of my
compositions were to have
a certain value for
listeners, such a
commentary would have the
effect that I were more
or less forcing my own
vision of the work onto
the listener. The power
of music is, however, a
gift that makes it
capable of calling forth
different reactions in
listeners. I shall
therefore limit myself to
saying that the
'Imaginary Variations'
were inspired by the
wonderful recordings of
Janet Packer that I
listened to with the
greatest pleasure prior
to the beginning of my
work. The title is
derived from the fact
that this composition is
structured similarly to
the classical variation
form and that the
audience can listen to
the constant changes of
the musical ideas. In
truth, however, the
twelve short sections of
the work are not true
variations even though
they reveal some
connections and
similarities.â€
(Krzysztof Meyer).
Skilful Solos Violon et Piano [Partition + CD] - Intermédiaire Anglo Music
Violin and Piano - intermediate SKU: BT.AMP-348-400 20 Progressive Pie...(+)
Violin and Piano -
intermediate
SKU:
BT.AMP-348-400
20
Progressive Pieces with
Piano Accompaniment.
Composed by Philip
Sparke. Tuition. Book
with CD. Composed 2013.
44 pages. Anglo Music
Press #AMP 348-400.
Published by Anglo Music
Press (BT.AMP-348-400).
ISBN 9789043138666.
9x12 inches.
English-German-French-Dut
ch.
Philip
Sparke’s
Skilful Solos is
the second volume of a
progressive series of
solo books that takes the
young wind player from
beginner to accomplished
musician. Following on
from the first book in
the series Starter
Solos this collection
generally contains longer
pieces suitable for the
developing young
musician. Specifically
tailored for each
instrument, Skilful
Solos introduces the
concept of phrasing by
suggesting suitable
breathing points and
takes the player into new
keys with extended
instrumental ranges, new
notes being introduced in
a gradual and logical
manner.Skilful
Solos comes with a
play-along CD. The
advantages of playing
eitherwith piano or CD
accompaniment are that
the beginning player can
now experience the
important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always achieved when
playing alone.
Skilful
Solos past in het
rijtje Starter
Studies, Skilful
Studies, Super
Studies en Starter
Solos, een succesvolle
reeks van Philip Sparke.
Net als de eerdergenoemde
uitgaven bevat Skilful
Solos
waardevol,motiverend
speelmateriaal dat de
keuze voor een methode
aanvult. Nieuwe muzikale
elementen komen in een
logische volgorde aan de
orde - om de ontwikkeling
van de complete muzikant
te bevorderen. Uitgave
met cd: De voordelen van
het spelen metbegeleiding
- hetzij op de piano,
hetzij op de cd - zijn
dat de beginnende speler
de belangrijke aspecten
van het ensemblespel kan
ervaren vanaf de eerste
lessen en essentiële
vaardigheden kan
aanleren: het luisteren
tijdens het spelen en
hethandhaven van een
strak tempo. Bij het
alleen spelen komen deze
factoren minder aan de
orde.
Das frühe
Lernstadium ist, neben
einem guten Lehrer im
Unterricht, für jedes
Instrument zweifellos das
Wichtigste. Von großer
Bedeutung ist aber auch
motivierendes
Lehrmaterial. Für
diese zwei Solobücher
beriet sich Philip Sparke
mit vielen Lehrern, wie
man am besten neue Noten
einführt und zugleich
einen Rahmen schafft, in
den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesenSoli und Etüden
in drei verschiedenen
Schwierigkeitsstufen
können
Instrumentalschüler
schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse und
Anforderungen des
einzelnen Instrumentes
zugeschnitten. STARTER
SOLOS und SKILFUL SOLOS
können dank der im
Buch und auf der CD
enthaltenen Begleitungen
auch gut alleine oder mit
einem Pianisten
einstudiert und
aufgeführt werden. Der
Vorteil dabei ist, dass
Anfänger so nicht nur
die wichtigsten Aspekte
desEnsemblespiels
erfahren sondern auch von
Anfang an die
Fähigkeit entwickeln,
zu hören während
sie spielen und das Tempo
zu halten.
Inhalt:
Nice to See You Again
•Pony and Trap
•Summer Siesta
•Spring (Vivaldi)
•A Victorian Ballad
•Trumpet Tune
•Promenade
•Greensleeves
•Could You Repeat
That? •Alladale
Aria •Scales of
Justice •Largo from
Winter (Vivaldi)
•Waltz with
Variations •Atthe
Circus - Adagio (Mozart)
- Marche Militaire
(Schubert) - Thinking of
You - Fives and Threes -
Daydream - Rhode Island
Rag
Skilfu
l Solos può essere
considerato il seguito di
Starter Solos.
Suonare con
l’accompagnamento
è un lavoro di squadra
che sviluppa la capacit
di ascolto e di reazione.
Skilful Solos è
indispensabile per
progredire nel mondodella
musica.
Piano Accompaniment; Violin (Score and Solo Part) - difficult SKU: HL.4904445...(+)
Piano Accompaniment;
Violin (Score and Solo
Part) - difficult
SKU:
HL.49044450
Violin
and Piano. Composed
by Thierry Pé and
cou. This edition: Saddle
stitching. Sheet music.
String. Soleil-Feu refers
to the first attempt to
create a world out of a
rain of fire (nahui
quiahuitl) as described
in the cosmogony of
Ancient Mexican
civilisation. The element
of fire is reflected in
the musical soundscape of
this work; rampant,
rhythmic moti. Classical,
Contemporary. Softcover.
Composed 2013. 32 pages.
Duration 6'. Schott Music
#ED21888. Published by
Schott Music
(HL.49044450).
ISBN
9790001198639.
9.0x12.0x0.124
inches.
This work
is part of a cycle of
five short pieces for a
single instrument and
piano, focused on the
five ages in the
cosmogony of Ancient
Mexican civilisation. The
peoples of the Mexican
highlands believe that
time follows specific
cycles and that the world
was created following the
pattern of 'trial and
error'. The creation of
the world is divided into
several periods which are
termed 'suns' (we are
currently living in the
fifth phase named
'Ollin'). Each period
will be brought to an end
through a natural
catastrophe.Solei-Feu
refers to the first
attempt to create a world
out of a rain of fire
(nahui quiahuitl).The
element of fire is
reflected in the musical
soundscape of this work,
constructed from rampant,
rhythmic motifs,
fragmented splinters,
spinning upswings and
impacts reverberating
through space. An
intimate dialogue
develops between violin
and piano on the basis of
extremely simple figures.
Interconnecting lines and
dense musical material
are thrown against each
other in a play of
contrasting registers and
blended tonal colouring,
creating a mysterious and
disturbing mythological
universe coloured by its
ontological pessimism.
Thierry
Pecou
Soleil-Feu
refers to the first
attempt to create a world
out of a rain of fire
(nahui quiahuitl) as
described in the
cosmogony of Ancient
Mexican civilisation. The
element of fire is
reflected in the musical
soundscape of this work;
rampant, rhythmic motifs,
fragmented splinters,
spinning upswings and
impacts reverberating
through space create a
mysterious and disturbing
mythological universe
coloured by its
ontological pessimism.
Thierry Pecou.
Musical Challenges Violon et Piano [Partition + CD] De Haske Publications
Violin and Piano SKU: BT.DHP-1115211-400 Composed by Jaap van Elst and Wi...(+)
Violin and Piano
SKU:
BT.DHP-1115211-400
Composed by Jaap van Elst
and Wim Meuris. Speel
viool! Book with CD.
Composed 2011. 56 pages.
De Haske Publications
#DHP 1115211-400.
Published by De Haske
Publications
(BT.DHP-1115211-400).
9x12 inches.
French-Spanish-Italian.
p>
Musical
Challenges works
alongside the third
volume of the violin
method Play the
Violin!, but it can
also be used by
intermediate students
along with any other
method. The pieces are in
jazz, pop, world music
and classical styles and
contain musical as well
as technical challenges
with some being
accompanied by a relevant
technical exercise. Many
of the pieces have chord
symbols or piano
accompaniment whilst
others are duets. The CD
contains all
accompaniments and many
demo
tracks.
Musical
Challenges sluit aan
op het derde deel van
Speel Viool!, maar
kan ook los van deze
methode worden gebruikt.
De stukken in de stijlen
jazz, pop en klassiek
bevatten zowel technische
als muzikale uitdagingen,
enkeletitels worden
voorafgegaan door een
technische oefening. Een
aantal werken kan als
duet worden uitgevoerd en
andere stukken zijn
voorzien van
akkoordsymbolen of
pianobegeleiding.
Daarnaast kan met de cd,
die ook talrijke
demo'sbevat, worden
meegespeeld.
Mu
sical Challenges
schlieÃ?t an den dritten
Band der Schule Spiel
Violine! an, kann
aber von allen
fortgeschrittenen
Geigenschülern
verwendet werden. Die
Stücke in den Stilen
Jazz, Pop, Weltmusik und
Klassik enthalten sowohl
musikalische als auch
technische
Herausforderungen;
teilweise sind sind sie
mit Akkordsymbolen oder
Klavierstimmen versehen
oder als Duett
ausnotiert. AuÃ?erdem
kann zu den beiden CDs
gespielt werden, die
sämtliche Begleitungen
und zahlreiche
Demoversionen
enthalten.
Musical Challenges
rappresenta valido
materiale complementare
da usare assieme (ma
anche individualmente) al
secondo volume del metodo
Suona il Violino!
I brani proposti sono in
stile jazz, pop, folk e
classico (musica
originale e non) e
contengono sfide musicali
e tecniche. Alcuni brani
propongono un breve
esercizio tecnico, mentre
altri contengono i
simboli degli accordi o
le parti del piano. Sono
previsti anche alcuni
duetti. E per chi non ha
un altro musicista con
cui suonare, il CD
propone gli
accompagnamenti e un
grande numero di tracce
demo.
Trans
figured Life - Still
Life, Op. 165 (violin and
piano) - David
Braid
I am keen on
concise musical forms
such as Prelude and
Fugue, where there is one
clear straightforward
idea, followed by another
that is more involved and
developed.
In
keeping with that idea,
this work consists of two
distinct pieces, the
first - Transfigured Life
- aims to draw in the
listener with its quick,
dancing rhythm and
simple, melodic violin
part. It 'transfigures'
via a few short solo
piano interludes into
just two alternating
notes to end - which are
the core of the original
idea, now made clear by
clearing everything else
out of the
way.
The second
piece - Still Life -
retains its sense of
stillness through an
uncomplicated piano line
that gives lots of space
for the violin's
contrasting (but again
simple) part. As an
absolute, not
programmatic, piece the
title refers to the
atmospheric colour and
pacing only; it's up to
the listener to see
'Still life' of their
choosing in their own
mind.
A note on
performance: Despite
my reference to 'simple'
lines, and the work's
determined avoidance of
mainstream modernist
squeak - the work has
certain performance
challenges of phrasing
and ensemble that
requires considerable
skill and musicianship.
The work has had the
privilege of being
recently recorded by
violinist Ezgi
Sarıkcıoğlu and
pianist Rossitza
Stoycheva, and is
available on all major
platforms:
Violin and piano SKU: CU.EC11711 Revisione e diteggiatura di Salvatore...(+)
Violin and piano
SKU:
CU.EC11711
Revisione e
diteggiatura di Salvatore
Accardo. Riduzione per
violino e pianoforte di
Francesco Fiore.
Composed by Wolfgang
Amadeus Mozart, Francesco
Fiore, Salvatore Accardo.
I concerti classici e
romantici per violino e
orchestra nella revisione
di Salvatore Accardo.
Published by Edizioni
Curci (CU.EC11711).
Violin and piano SKU: CU.EC11829 Revisione e diteggiatura di Salvatore...(+)
Violin and piano
SKU:
CU.EC11829
Revisione e
diteggiatura di Salvatore
Accardo. Composed by
Ludwig van Beethoven,
Francesco Fiore,
Salvatore Accardo. I
concerti classici e
romantici per violino e
orchestra nella revisione
di Salvatore Accardo.
Published by Edizioni
Curci (CU.EC11829).
Violin and piano SKU: CU.EC11803 Revisione e diteggiatura di Salvatore...(+)
Violin and piano
SKU:
CU.EC11803
Revisione e
diteggiatura di Salvatore
Accardo. Riduzione per
violino e pianoforte di
Francesco Fiore.
Composed by Ludwig van
Beethoven, Francesco
Fiore, Salvatore Accardo.
I concerti classici e
romantici per violino e
orchestra nella revisione
di Salvatore Accardo.
Published by Edizioni
Curci (CU.EC11803).