Der Werke von Felix Mendelssohn Bartholdy. Par MENDELSSOHN-BARTHOLDY FELIX. The Leipziger Ausgabe der Werke von Felix Mendelssohn Bartholdy pursues the goal of making accessible to the public in an adequately scholarly form all of Mendelssohn?s accessible compositions, letters and writings, along with all other documents of his artistic oeuvre. A considerable number of Mendelssohn?s works are still waiting to be published; many others have been published in an unsatisfactory manner. Though the new Mendelssohn Complete Edition follows the ten volumes of the Leipziger Mendelssohn Ausgabe (LMA) published by the Deutscher Verlag für Musik (DVfM) in Leipzig since 1961, it sees itself as a fundamentally new conception which reflects the present-day standard of scholarly editions. The first volumes of the new Complete Edition were presented in Leipzig on 3 November 1997 at ?Mendelssohn Festtage? in Leipzig. SON 411 - 413 have been awarded the German Music Edition Prize 2006. / Date parution : 2022-10-12/ Recueil / Violon et Piano

'Songs Without Words' - c'est ce que Felix Mendelssohn Bartholdy (1809-1847) a appelé ses pièces pour piano, des miniatures lyriques romantiques dans lesquelles le compositeur voulait 'chanter' sur l'instrument à clavier. Avec eux, il a inventé une forme entièrement nouvelle de la musique de chambre au 19ème siècle. Ces 'Songs' sont également parfaitement adapté pour le jeu en duo: pour un instrument mélodique avec accompagnement de piano. La 'Chanson sans paroles' Op. 30/3 est un solo lyrique enrichissante. / Violon Et Piano

Arrgt: Labrousse-Baert Sarah. Par MENDELSSOHN-BARTHOLDY FELIX. Formation : Violon et Piano. Instrumentation : Violon, Piano. Niveau de Difficulté : 3/6 - Intermédiaire. Durée : 3'00. Style Musical : Classique, Pédagogique. Catégorie : Arrangement. Compositeur : MENDELSSOHN-BARTHOLDY Felix. Arrangeur : LABROUSSE-BAERT Sarah / Niveau : Intermédiaire / Classique, Pédagogique / Répertoire / Violon et Piano

Piano Reduction Of The Well-Known Late 1845 Version. Par MENDELSSOHN-BARTHOLDY FELIX. (replaces BA 9050-90) Mendelssohn' s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première- the 'child prodigy' Joseph Joachim- and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David- now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn' s approval. That the young violinist made a positive impression on the composer is confirmed in the latter' s correspondence following their joint performance. Mendelssohn is full of praise for Léonard' s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)/ Répertoire / Violon et Piano

Par MENDELSSOHN BARTHOLDY FELIX. The latest transcription from Simon Fischer of the Andante movement from Symphony No. 5 in D minor, Op. 107, composed in 1830 in honor of the 300th anniversary of the Presentation of the Augsburg Confession. Following in the tradition of 19th and 20th century transcriptions, Simon Fischer has carefully arranged these beautiful pieces for violin and piano. Each has suggested bowings and fingerings to help players get the most out of these works as quickly as possible. / Instrumental Music / Répertoire / Violon et Piano

Violin and Piano. Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / Violon et Piano

Violin and Piano. Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / Violon et Piano

Par MENDELSSOHN-BARTHOLDY FELIX. En anglais / Romantic / Date parution : 2002-01-07/ Répertoire / Violon et Piano