Violin and piano - Level 1 SKU: LM.26026 Classical. Score. Editions Henry...(+)
Violin and piano - Level
1
SKU: LM.26026
Classical. Score.
Editions Henry Lemoine
#26026. Published by
Editions Henry Lemoine
(LM.26026).
ISBN
9790230960267.
ANON
YME : By an by - BACH :
Choral (Passion selon St
Jean) - BARTOK : Danse du
gardien de cochons -
BEETHOVEN : Marmotte
(Lied) - BRAHMS :
Serenade inutile (Lied) -
BRITTEN : Air irlandais -
DVORAK : Melodie tzigane
- ELGAR : Marche (Pomp
and Circumstance, n. 1) -
HAYDN : Une histoire tres
courante! (Lied) - JOPLIN
: The Entertainer
(Ragtime, extrait) -
MAHLER : Lied (extrait du
Cor merveilleux de
l'enfant) - MOZART : La
petite fileuse (Lied) -
SCHOENBERG : Salutations
(Lied) - SCHUBERT : Les
fleurs du meunier (Lied)
- SCHUMANN : Le Paradis
et la Peri (choeur des
Houris).
Violin & Piano SKU: SU.28120210 For Violin & Piano. Composed by Al...(+)
Violin & Piano
SKU:
SU.28120210
For
Violin & Piano.
Composed by Alla Pavlova.
Strings, Violin.
Accompanied by piano.
Score & Parts. Subito
Music Corporation
#28120210. Published by
Subito Music Corporation
(SU.28120210).
Violin & Piano
Duration: 7' Composed:
2015 Published by: Alla
Pavlova.
Violin-solo, piano (Violin solo, Piano) SKU: BA.BA09099-92 First Versi...(+)
Violin-solo, piano
(Violin solo, Piano)
SKU: BA.BA09099-92
First Version
1844. Composed by
Felix Bartholdy
Mendelssohn. Edited by R.
Larry Todd. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Early
version 1844. Piano
reduction, Part. Opus 64.
Duration 12 hours.
Baerenreiter Verlag
#BA09099_92. Published by
Baerenreiter Verlag
(BA.BA09099-92).
ISBN
9790006565733. 31 x 24.3
cm inches. Key: E minor.
Preface: Larry R.
Todd.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Edited by George A. Speckert. For violin and piano. This edition: stapled. Antho...(+)
Edited by George A.
Speckert. For violin and
piano. This edition:
stapled. Anthology. Ready
to Play series. Level 3.
Score and part. Text
Language: German,
English. 19/16 pages.
Published by Baerenreiter
Verlag
Violin and Piano - easy SKU: BT.EMBZ6311 By Lenkei Gabriella. EMB Music f...(+)
Violin and Piano - easy
SKU: BT.EMBZ6311
By Lenkei Gabriella. EMB
Music for Beginners.
Educational Tool. Book
Only. Composed 1970. 52
pages. Editio Musica
Budapest #EMBZ6311.
Published by Editio
Musica Budapest
(BT.EMBZ6311).
English-German-Hungari
an.
The volumes of
the series 'Music for
Beginners' cover the
entire music literature
from the earliest
centurties to our days.
The material of the
individual volumes
containing short, easy
pieces to be played in
the first three-four
years of studying the
instrument has been
compiled by accomplished
music teachers. The
majority of the
contemporary works
included in the voluumes
have been published in
this series for the first
time.
Violin and Piano - intermediate SKU: XC.LS1810 Composed by Jules Massenet...(+)
Violin and Piano -
intermediate
SKU:
XC.LS1810
Composed by
Jules Massenet. Arranged
by Josh Dampier. Legacy
Solo Series. Solo with
Piano. Classical,
Acoustic. Score and part.
Excelcia Music Publishing
#LS1810. Published by
Excelcia Music Publishing
(XC.LS1810).
UPC:
812598030150. 12 x 9
inches.
The Legacy
Solo Series contains
masterworks meticulously
edited and set
beautifully by one of the
most popular composers of
music for students today,
Larry Clark. These solos
are routinely found on
many state festival lists
throughout the United
States and are perfect
for use at an adjudicated
solo festival or recital.
Commonly featured on
college audition lists,
these works are a
cornerstone of the solo
repertoire. Piano players
will enjoy piano
reductions that are clean
and feature the solo line
in concert pitch for easy
rehearsal. Each Legacy
Solo, compatible with
Smartmusic, comes with
beautifully set parts and
piano accompaniment.
Piano recordings for
rehearsal or performance
of each piece are
available for download
from the Excelcia Music
Publishing website.
Violin (2 Violins), Piano, Guitar ad lib Guitar; Piano Accompaniment; Violin (VI...(+)
Violin (2 Violins),
Piano, Guitar ad lib
Guitar; Piano
Accompaniment; Violin
(VIOLIN/PIANO)
SKU:
HL.48024317
Violin
and Piano with opt.
Violin accomp, Easy
Violin, and Guitar.
Composed by Edward Huws
Jones. Boosey & Hawkes
Chamber Music. Classical,
Irish. Softcover with CD.
104 pages. Boosey &
Hawkes #M060124242.
Published by Boosey &
Hawkes (HL.48024317).
ISBN 9780851626932.
UPC: 888680748180.
9.0x12.0x0.35 inches. Ed.
Edward Huws Jones Book/CD
Pack.
Edward Huws
Jones' popular series of
traditional fiddle
repertoire, now available
with expertly-recorded
audio CD. Containing
colorful instrumental
backing tracks and full
demonstrations, the new
audio resource will aid
and inspire your private
practice and public
performance alike. These
generous collections of
authentic music, some
familiar, some more
exotic, but all of it
faithfully arranged,
enable you to create your
own ceilidh, bluegrass
club or charanga band.
The violin edition
includes optional easy
violin part and guitar
chords, while the
complete edition also
includes both keyboard
and violin
accompaniments. Either
format is highly
flexible, which means the
music can be played as
solos, duets or trios as
well as with larger
ensembles. Edwards Huws
Jones has travelled
extensively researching
fiddle-playing
traditions. In each book
he explains the
background of the
particular musical style,
giving his own
suggestions for a lively
performance.
(Favorite classics for flexible string ensemble with optional piano accompanimen...(+)
(Favorite classics for
flexible string ensemble
with optional piano
accompaniment) Arranged
by Mary Cohen. Score and
accompaniment CD for
flexible string ensemble
(violin, viola) and
optional piano
accompaniment. 24 pages.
Published by Faber Music
Ltd.
Violin & Piano SKU: ST.R1884 Composed by Ludwig van Beethoven. Edited by ...(+)
Violin & Piano
SKU:
ST.R1884
Composed by
Ludwig van Beethoven.
Edited by Yfrah Neaman.
String music. Edited by
Yfrah Neaman. Score and
part. Stainer & Bell Ltd.
#R1884. Published by
Stainer & Bell Ltd.
(ST.R1884).
By Louis-Gabriel Guillemain. Chamber ensemble. For Violin, piano. Chamber Music....(+)
By Louis-Gabriel
Guillemain. Chamber
ensemble. For Violin,
piano. Chamber Music.
Sonata in the high
baroque style of the
French gallant. Baroque.
Score and part. 18 pages.
Duration 15:00. Published
by Wolfhead Music.
(WM511)
Level: Advanced.
Flight-Elegy Violon et Piano [Conducteur et Parties séparées] Faber Music Limited
By Jonathan Harvey. For Violin and Piano. Masterworks; Part(s); Score; Solo; Str...(+)
By Jonathan Harvey. For
Violin and Piano.
Masterworks; Part(s);
Score; Solo; String -
Violin and Piano. Faber
Edition. 20th Century;
Masterwork. Published by
Faber Music
Composed by Camille Saint- Saens (1835-1921). Edited by Fabien Guilloux and Fra...(+)
Composed by Camille
Saint-
Saens (1835-1921). Edited
by
Fabien Guilloux and
François
de Médicis. This
edition:
Edition of selected
works,
Urtext edition. Linen.
Saint-
Saens, Camille. OEuvres
instrumentales completes
III/4. Edition of
selected
works, Performance score,
anthology. Baerenreiter
Verlag
#BA10304-01. Published by
Baerenreiter Verlag
Violin, Piano SKU: HU.HN410 Composed by Claude Debussy. Edited by Ernst-Gunter ...(+)
Violin, Piano
SKU: HU.HN410
Composed by Claude
Debussy. Edited by
Ernst-Gunter Heinemann.
Strings, Repertoire,
Solos. Sonata for Violin
and Piano. Classical,
Romantic. Softcover Book.
70 pages. G. Henle
#HN410. Published by G.
Henle (HU.HN410).
(Violin and Piano). Composed by Antonio Bazzini (1818-1897). Edited by Endre Gra...(+)
(Violin and Piano).
Composed by Antonio
Bazzini (1818-1897).
Edited by Endre Granat.
Arranged by Jascha
Heifetz. For Piano,
Violin. LKM Music. 20
pages. Lauren Keiser
Music Publishing
#S511025. Published by
Lauren Keiser Music
Publishing
(Violin and Piano). By Camille Saint-Saens. Edited by Peter Jost. For Violin, Pi...(+)
(Violin and Piano). By
Camille Saint-Saens.
Edited by Peter Jost. For
Violin, Piano
Accompaniment. Henle
Music Folios. Softcover.
79 pages. G. Henle
#HN572. Published by G.
Henle
(Entertaining folk tunes for flexible string ensemble with optional piano accomp...(+)
(Entertaining folk tunes
for flexible string
ensemble with optional
piano accompaniment)
Arranged by Mary Cohen.
Score and accompaniment
CD for flexible string
ensemble (violin, viola)
and optional piano
accompaniment. 24 pages.
Published by Faber Music
Ltd.
Violin, piano SKU: BR.EB-9413 Composed by Nicola Campogrande. Solo instru...(+)
Violin, piano
SKU:
BR.EB-9413
Composed
by Nicola Campogrande.
Solo instruments;
stapled. Edition
Breitkopf. New music
(post-2000). Score.
Composed 2020. 28 pages.
Duration 9'. Breitkopf
and Haertel #EB 9413.
Published by Breitkopf
and Haertel (BR.EB-9413).
ISBN 9790004188873. 9
x 12 inches.
For a
long time after
Romanticism had come to
the fore, it was
generally agreed that
Brahms somehow did not
get it: History and
Progress - it was thought
- were proceeding along
one clear path and Brahms
- who was composing
sonatas and symphonies
instead of nocturnes and
symphonic poems - had
taken the wrong way.
Almost one century later,
Schonberg wrote an essay,
Brahms, der
Fortschrittliche (Brahms,
the progressive), in
which he explained that
it wasn't like that at
all.Fully assuming the
risk to appear somehow
irreverent, I have to
confess: Over the years,
I came to the conclusion
that the present - and
the future - can be
created only by loving
the past. As Brahms had
shown us, it is only by
accepting the challenge
of taking our heritage
into our own hands, that
we can create something
new. We cannot avoid
engaging with the past.
Therefore, starting with
my Sinfonia n. 1, I began
to flirt with such a
strong and effective
musical structure like
the sonata form. I
re-read and freely
transformed it, because
it is a sturdy and
resilient structure, but
also a theatrical and
colorful one. For me, it
is a happy structure. And
I think that today more
than ever we need
something like this: We
need to find places -
even imaginary ones -
where we can give
happiness a form of its
own.Nicola Campogrande,
December
2020
World
premiere: Bologna/Italy,
Streaming, April 11,
2021Commissioned by the
Fondazione Musica
Insieme.
Fantasia D 934 Violon et Piano [Conducteur et Parties séparées] - Intermédiaire Barenreiter
Urtext der Neuen Schubert-Ausgabe. By Franz Schubert. Edited by Wirth, Helmut. F...(+)
Urtext der Neuen
Schubert-Ausgabe. By
Franz Schubert. Edited by
Wirth, Helmut. For
Violin, Piano. Playing
Score; Single Part;
Urtext Edition
(paperbound).
Op.post.159. Published by
Baerenreiter-Ausgaben
(German import).
For Violin and Orchestra - Piano Reduction. By Camille Saint-Saens. Edited by P....(+)
For Violin and Orchestra
- Piano Reduction. By
Camille Saint-Saens.
Edited by P. Jost.
Violin. Pages: Score = VI
and 45 * Vl Part = 19.
Urtext edition
(Paper-bound). Published
by G. Henle.
For violin and orchestra Violin and Piano. By Camille Saint-Saens. Arranged by G...(+)
For violin and orchestra
Violin and Piano. By
Camille Saint-Saens.
Arranged by Georges
Bizet. This edition:
DF1586400. Editions
Durand. Book only. 32
pages. Published by
Editions Durand.
Chamber Music violin, piano SKU: CF.B3475 Composed by Martin Bresnick. Pe...(+)
Chamber Music violin,
piano
SKU:
CF.B3475
Composed by
Martin Bresnick.
Performance Score. 32+12
pages. Carl Fischer Music
#B3475. Published by Carl
Fischer Music (CF.B3475).
ISBN 9781491162026.
UPC:
680160920709.
This
work for violin and piano
by Martin Bresnick is a
play on the words suite
and bittersweet. Each of
the four movements is
based on a Yiddish folk
song, which in English
translate to On the Road,
My Resting Place, Black
Cat, and Dona, Dona. Each
of the four pieces is
primarily based on a
Jewish folk song, but
re-envisions them in a
modern context, akin to
Bartok and Kodaly. The
composer noted, I found
it a very challenging,
yet touching way to
remain in contact with
some part of my own past
that I don't usually
reveal. The title
references the difficult
(bitter) and pleasant
(sweet) aspects of
experiencing the
tumultuous history of a
people through their folk
music. This work for
violin and piano by
Martin Bresnick is a play
on the words suite and
bittersweet. Each of the
four movements is based
on a Yiddish folk song,
which in English
translate to On the Road,
My Resting Place, Black
Cat, and Dona, Dona. Each
of the four pieces is
primarily based on a
Jewish folk song, but
re-envisions them in a
modern context, akin to
Bartok and Kodaly. The
composer noted, “I
found it a very
challenging, yet touching
way to remain in contact
with some part of my own
past that I don’t
usually reveal.â€
The title references the
difficult (bitter) and
pleasant (sweet) aspects
of experiencing the
tumultuous history of a
people through their folk
music.
Violin and Piano Reduction. Composed by Oskar Rieding. Edited by Annette Opper...(+)
Violin and Piano
Reduction.
Composed by Oskar
Rieding.
Edited by Annette
Oppermann.
Henle Music Folios.
Classical. Softcover. G.
Henle #HN1056. Published
by
G. Henle