By Juliette Marie Olga (Lili) Boulanger (1893-1918). For Violin and Piano. Strin...(+)
By Juliette Marie Olga
(Lili) Boulanger
(1893-1918). For Violin
and Piano. String -
Violin and Piano. Faber
Edition. Masterwork.
Published by Faber Music
Transcriptions and Arrangements, Original Compositions for Violin and Piano. Com...(+)
Transcriptions and
Arrangements, Original
Compositions for Violin
and Piano. Composed by
Fritz Kreisler
(1875-1962). Edited by
Eric Wen. The Fritz
Kreisler Collection.
Classical and 20th
Century. Collection and
set of performance parts.
With introductory text,
bowings and fingerings.
Published by Carl Fischer
Little Suites for Solo or Unison Violins and Piano - Book 3: Violin part and Pia...(+)
Little Suites for Solo or
Unison Violins and Piano
- Book 3: Violin part and
Piano part by Peter
Martin. For violin and
piano. String music.
Violin part and piano
part. Published by
Stainer and Bell Ltd
17 Klezmer Tunes. Composed by Joachim Johow. This edition: Saddle stitching....(+)
17 Klezmer Tunes.
Composed by
Joachim Johow. This
edition:
Saddle stitching. Sheet
music
with CD. String Solo.
Classical, Klezmer.
Edition
with CD, Partitur (2
Violinen
+ Klavier) plus eine
Spielpartitur (2
Violinen).
104 pages. Schott Music
#ED
22866. Published by
Schott
Music
Romance op. 26 Violon et Piano [Reduction] - Intermédiaire Schott
Violin and Piano Reduction. Composed by Johan Severin Svendsen (1840-1911). ...(+)
Violin and Piano
Reduction.
Composed by Johan Severin
Svendsen (1840-1911).
Edited
by Annette Seyfried. This
edition: Saddle
stitching.
Sheet music. Schott
Student
Edition. Classical. Piano
reduction with solo part.
Op. 26. 24 pages. Schott
Music #SE 1044. Published
by
Schott Music
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edit...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited
by Clive Brown. This
edition:
urtext edition. Stapled.
Barenreiter Urtext.
Performance score,
Part(s)
(2). Opus 24.
Baerenreiter
Verlag #BA10937.
Published by
Baerenreiter Verlag
Violin and Piano SKU: BT.EMBZ12309 Composed by George Frideric Handel. EM...(+)
Violin and Piano
SKU:
BT.EMBZ12309
Composed
by George Frideric
Handel. EMB Urtext. Book
Only. Composed 1983. 108
pages. Editio Musica
Budapest #EMBZ12309.
Published by Editio
Musica Budapest
(BT.EMBZ12309).
English-German-Hungari
an.
The present
edition contains 6 of the
15 solo sonatas with
continuo accompaniment,
Op. 1 by Handel which are
known today as violin
sonatas.
Die
vorliegende Ausgabe
beinhaltet jene 6
Stücke aus den unter
Op. 1 erschienenen 15
Solosonaten mit
Continuobegleitung von
Händel, die in der
modernen Praxis als
Violinsonaten bekannt
sind.
Chamber Music Cello, Piano, Violin SKU: PR.414411630 Composed by Shulamit...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.414411630
Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation.
28+28+20+24+20+24 pages.
Duration 20 minutes.
Theodore Presser Company
#414-41163. Published by
Theodore Presser Company
(PR.414411630).
ISBN
9781491114551. UPC:
680160089956. 9.5 x 13
inches.
EXCURSIONS
is a one-movement work
exploring two
“characters.â€
A rhapsodic, descending
passage is introduced by
the cello, followed by
a static,
chorale-like phrase for
the violin and cello.
Their individual
developments are
separated by a slow,
contrasting middle
section. The composer has
written: “This is
analogous to situations
in life: we stand by a
crossroad, choosing one
option and forfeiting the
other. But in art, the
realm of the imagination,
we can perhaps afford to
pursue more than one
route to its ultimate
destination… or can
we? It is symbolic that
in this work both roads
eventually lead to the
same
place.â€. Excursi
ons for violin, cello and
piano, is a one-movement
work of tripartite
structure in which
materials explored in the
first of three large
sections are brought back
in the last section.Â
The traditional
statement-contrast-restat
ement form, which is
readily suggested by such
a description, is,
however, not at all in
the mold in which the
work is cast. Rather,
my aim was to subject the
essential materials of
the piece (two
“charactersâ€
–the rhapsodic,
descending passage played
by the cello in the very
opening and, later, a
static, slow moving,
chorale-like phrase for
the violin and cello) to
two entirely different
developments separated by
a slow, contrasting
middle section. This
is analogous to an
exploration of the
ramifications that two
divergent choices made by
the same person might
lead to. In life, as
we stand by a crossroad,
choosing one option
usually means having to
forfeit the other.Â
But in art, the realm of
the imagination, we can
perhaps afford to pursue
more than one route to
its ultimate
destination…or can
we? It is, I believe,
symbolic that in this
work both roads
eventually lead to the
same place: in composing
Excursions, it seemed
absolutely inescapable
that at the end the slow,
contrasting middle
sections – both
more resigned and
peaceful than the
battling spirits of the
outer parts –
should return briefly to
end the work. The
piano trio combination
(once highly favored, but
to this composer still as
challenging today) is
approached here as a
collaborative effort of
three equal soloists
– partners. Of
the available pairings,
the two strings find
themselves occasionally
approached as a team
pitted against the
piano. The
cello-piano combination
is also not uncommon
here, and there is an
extended violin cadenza
toward the end of the
piece. The writing
for the three instruments
is closely and at times
interlinked, but the
players are all
instructed to play from
scores. Excursions was
first performed at
Brandeis University in
1982.
Songbook, accompaniment/performance CD and set of performance parts for violin a...(+)
Songbook,
accompaniment/performance
CD and set of performance
parts for violin and
piano accompaniment. With
bowings and chord names.
Series: Pop Hits for the
Instrumental Soloist. 72
pages. Published by
Alfred Publishing.
Edited by Edward Huws Jones. For Violin and Piano. Book; Method/Instruction; Str...(+)
Edited by Edward Huws
Jones. For Violin and
Piano. Book;
Method/Instruction;
String - Violin Studies
or Collection. Faber
Edition. 36 pages.
Published by Faber Music
Violin and Piano With a CD of Performances and Accompaniments. Composed by Vario...(+)
Violin and Piano With a
CD of Performances and
Accompaniments. Composed
by Various. Edited by
Peter Mohrs. This
edition: Saddle
stitching. Sheet music
with CD. String. Easy
Concert Pieces enthalten
leichte und bekannte
Stucke von der
Renaissance bis zur
Moderne, die sorgfaltig
nach technischen und
musikalischen
Anforderungen ausgewahlt
wurden: Band 1 leicht,
Band 2 mittelschwer.
Classical. Edition with
CD. 64 pages. Schott
Music #ED 21634.
Published by Schott Music
Gypsy Jazz Violon et Piano - Facile Faber Music Limited
(Easy Level). By Polly Waterfield and Timothy Kraemer. For Violin and Piano. Boo...(+)
(Easy Level). By Polly
Waterfield and Timothy
Kraemer. For Violin and
Piano. Book; String -
Violin Studies or
Collection. Faber
Edition. Elementary.
Published by Faber Music
Violin and Piano - early intermediate SKU: BT.DHP-1043625-404 Composed by...(+)
Violin and Piano - early
intermediate
SKU:
BT.DHP-1043625-404
Composed by Alexei
Janschinow. De Haske
Study and Play.
Educational Tool. Book
with Part and
Audio-Online. Composed
2021. 16 pages. De Haske
Publications #DHP
1043625-404. Published by
De Haske Publications
(BT.DHP-1043625-404).
ISBN 9789043161763.
9x12 inches.
English-German-French-Dut
ch.
Study and
Play is ideal for
developing your playing
in an enjoyable and
musically sound way. Each
edition within this
concept features audio
recordings to add
something extra to your
study routine.When you
play
thisConcertino you
will be able to practise
at a slower study tempo,
as well as the normal
tempo, so that you can
work on your violin
playing in a more
concentrated way whilst
improving your insight
into the music. You
cancontinue to study in
this goal-orientated way
until you have achieved
the desired result.
The title of this piece
suggests a concert
situation: playing a solo
partwith accompaniment.
There are thousands of
such works for theviolin
but many of these cannot
be tackled until you have
been playing for a
considerable time.
Concertino in Russian
Style Opus 35 enables
you to gain necessary
experience for this type
of playing: namely having
sufficientmusical and
technical control over
your instrument whilst
having the support of an
accompanist during
performance. This
carefully chosen
concertino will enrich
your repertoire.
St
udy and Play ist das
ideale Konzept, um auf
vergnügliche und
sinnvolle Weise ein gutes
Spiel zu entwickeln.
Jedem Buch mit diesem
Konzept sind
Begleitaufnahmen
beigefügt, welche
die tägliche
ÃÅbungsroutine
individuellergänze
n. Mit Hilfe dieser
Aufnahmen kann das
Concertino im
langsameren
ÃÅbetempo sowie
auch im normalen Tempo
gespielt werden, sodass
man sich zunächst
ganz auf das Violinspiel
konzentrieren kann und
dabei die Musik
kennenlernt. So kann
zielgerichtet
geübt werden, bis
das gewünschte
Ergebnis erreicht
wird.
Der Titel dieses
Stückes beschreibt
die Situation in einem
Konzert: Es wird ein Solo
mit Begleitung gespielt.
Solche Werke gibt es
zutausenden für
Violine, viele
können jedoch erst
nach vielen Jahren
Spielerfahrung gemeistert
werden. Mit Concertino
in Russian Style Opus
35 kann man wichtige
Erfahrungen mit genau
dieser Art des Spiels
sammeln,
nämlichausreichend
musikalische und
technische Beherrschung
über das
Instrument zu erlangen
und gleichzeitig mit der
Unterstützung
eines Pianisten spielen
zu können. Dieses
sorgfältig
ausgewählte
Concertino ist auf
jeden Fall
eineBereicherung Ihres
Repertoires.
Study and
Play è il
concetto ideale per
sviluppare il vostro modo
di suonare in un contesto
piacevole e solidamente
strutturato. Le
registrazione di
accompagnamento vi
permettono di suonare sia
a tempo normale che
più lento,al fine
di migliorare la
concentrazione sullo
studio della tecnica e
avere un migliore
approccio con le varie
parti del brano. Le parti
dellââ¬â¢accom
pagnamento al pianoforte
incluse nelle
pubblicazioni (versione
cartacea) vipermettono di
suonare con un pianista
accompagnatore.
Transcribed by Jascha Heifetz, lyrics by Ira Gershwin, music by George Gershwin ...(+)
Transcribed by Jascha
Heifetz, lyrics by Ira
Gershwin, music by George
Gershwin (1898-1937). For
violin and piano. From
the opera "Porgy And
Bess". Format:
instrumental solo/piano
accompaniment set. With
solo part, piano
accompaniment,
introductory text and
instructional text.
Standards and 20th
century. 40 pages. 9x12
inches. Published by
Chappell/Intersong Music
group.
Violin and Piano - early intermediate SKU: BT.DHP-1115233-400 By Nico Dez...(+)
Violin and Piano - early
intermediate
SKU:
BT.DHP-1115233-400
By
Nico Dezaire. By
Ferdinand Kuchler. De
Haske Study and Play.
Book with CD. Composed
2011. 24 pages. De Haske
Publications #DHP
1115233-400. Published by
De Haske Publications
(BT.DHP-1115233-400).
ISBN 9789043136204.
9x12 inches.
English-German-French-Dut
ch.
The
Concertino op. 12
by the German violinist,
composer and violin
educator Ferdinand
Küchler (1867-1937) is
a three-movement work
that is ideal for the
development of playing in
first and third position.
The first movement is
both powerful and playful
in character, and its
themes that follow on
from each other rapidly,
producing a concise
sonata form. The second
movement has been written
in a three-part song form
(A-B-A). The A section
has a cantabile
atmosphere, whereas
section B is more
dramatic. The third
movement is a rondo (with
a refrain and episodes).
The refrain is joyful in
spirit, and the episodes
present
variation.
Het
Concertino op. 12
van Ferdinand Küchler
(1867-1937) is een
driedelig werk. Voor de
leerling is dit het
ideale werk om aan de
eerste en derde positie
te werken. Het eerste
deel is krachtig en
speels tegelijk. Het
tweededeel is in de vorm
van een driedelige lied
geschreven (A-B-A). Het
derde deel is een
rondo.
Das
Concertino op. 12
von Ferdinand Küchler
(1867-1937) ist ein
dreisätziges Werk, mit
dem Schüler
ausgezeichnet an ihrem
Spiel in der ersten und
dritten Lage arbeiten
können. Der erste Satz
ist kraftvoll und
verspielt zugleich; der
zweite Satz wurde in der
Form eines dreistimmigen
Liedes geschrieben
(A-B-A). Der dritte Satz
ist ein Rondo.
Il
Concertino op. 12
di Ferdinand Küchler
(1867-1937) è un brano
in tre movimenti, ideale
per praticare la prima e
terza posizione. Il primo
movimento è al
contempo potente e
gioioso, il secondo in
forma di un canto a voci
(A-B-A), mentre il terzo
movimento è un
rondò.
Violin and Piano Reduction. Composed by Oscar Rieding. Edited by Annette Opper...(+)
Violin and Piano
Reduction.
Composed by Oscar
Rieding.
Edited by Annette
Oppermann.
Henle Music Folios.
Classical. Softcover. 14
pages. G. Henle #HN1048.
Published by G. Henle
33 Popular Pieces from Classical to Entertainment Music. Composed by Various...(+)
33 Popular Pieces from
Classical to
Entertainment
Music. Composed by
Various.
Edited by Wolfgang
Birtel.
Arranged by Barbara
Leichtweis-Birtel. This
edition: Paperback/Soft
Cover. Sheet music.
String
Solo. 33 beliebte Stucke
von
Klassik bis Unterhaltung.
Classical, Contemporary.
Softcover. 196 pages.
Schott
Music #ED 22913.
Published by
Schott Music
Arranged by Paul de Keyser. For Violin and Piano. Book; Method/Instruction; Stri...(+)
Arranged by Paul de
Keyser. For Violin and
Piano. Book;
Method/Instruction;
String - Violin Studies
or Collection. Faber
Edition. Published by
Faber Music
Arranged by Paul de Keyser. For Violin and Piano. Book; Method/Instruction; Stri...(+)
Arranged by Paul de
Keyser. For Violin and
Piano. Book;
Method/Instruction;
String - Violin Studies
or Collection. Faber
Edition. Published by
Faber Music
By Willy Van Dorsselaer. Edited by John Bowden. For Violin and Piano. Educationa...(+)
By Willy Van Dorsselaer.
Edited by John Bowden.
For Violin and Piano.
Educational. Instrumental
Collection. Classical.
Level: Intermediate. Book
and Solo Part. 24+12
pages. Duration 27
minutes. Published by
Digital Music Print
(Belgian import).
Violin, Piano SKU: HU.F0571537316 For Violin and Piano. Composed by Nigel Hess....(+)
Violin, Piano
SKU: HU.F0571537316
For Violin and Piano.
Composed by Nigel Hess.
Strings, Repertoire,
Solos. Ladies in
Lavender: Fantasy.
Softcover Book. 12 pages.
Faber Music #F0571537316.
Published by Faber Music
Violin and piano - Level 1 SKU: LM.26026 Classical. Score. Editions Henry...(+)
Violin and piano - Level
1
SKU: LM.26026
Classical. Score.
Editions Henry Lemoine
#26026. Published by
Editions Henry Lemoine
(LM.26026).
ISBN
9790230960267.
ANON
YME : By an by - BACH :
Choral (Passion selon St
Jean) - BARTOK : Danse du
gardien de cochons -
BEETHOVEN : Marmotte
(Lied) - BRAHMS :
Serenade inutile (Lied) -
BRITTEN : Air irlandais -
DVORAK : Melodie tzigane
- ELGAR : Marche (Pomp
and Circumstance, n. 1) -
HAYDN : Une histoire tres
courante! (Lied) - JOPLIN
: The Entertainer
(Ragtime, extrait) -
MAHLER : Lied (extrait du
Cor merveilleux de
l'enfant) - MOZART : La
petite fileuse (Lied) -
SCHOENBERG : Salutations
(Lied) - SCHUBERT : Les
fleurs du meunier (Lied)
- SCHUMANN : Le Paradis
et la Peri (choeur des
Houris).
Edited by Josh Dampier. Accessible Solo Repetoire. Classical, Acoustic. Book a...(+)
Edited by Josh Dampier.
Accessible Solo
Repetoire.
Classical, Acoustic. Book
and
Digital Audio. Excelcia
Music
Publishing #SB1801.
Published
by Excelcia Music
Publishing
Violin-solo, piano (Violin solo, Piano) SKU: BA.BA09099-92 First Versi...(+)
Violin-solo, piano
(Violin solo, Piano)
SKU: BA.BA09099-92
First Version
1844. Composed by
Felix Bartholdy
Mendelssohn. Edited by R.
Larry Todd. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Early
version 1844. Piano
reduction, Part. Opus 64.
Duration 12 hours.
Baerenreiter Verlag
#BA09099_92. Published by
Baerenreiter Verlag
(BA.BA09099-92).
ISBN
9790006565733. 31 x 24.3
cm inches. Key: E minor.
Preface: Larry R.
Todd.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through