In February 2005, the Music Sales Group presented a concert of music for the Violin at the Wigmore Hall, London to launch the Wigmore Hall New Music Fund, set up to promote the commissioning and performance of new works for the important international recital venue. This title contains works from that performance by fourteen of the very best contemporary composers, including Philip Glass, Kaija Saariaho and Peter Maxwell Davies, as well as world premieres from Joby Talbot, Craig Armstrong, John Tavener and Judith Weir. The pieces in this programme have been specially selected for their accessibility, making this folio suitable for players of a wide range of abilities from elementary level (1st to 3rd position only) to shorter but more challenging, adventurous and unusual works. The set as a whole represents the large amount of variety and character alive in today's top-level composition. An excellent repertoire source that is fresh, exciting and highly accessible. / Violon Et Piano

The Concerto No. 1 in A minor by Jean Baptiste Accolay (1833-1900) is one of the most popular concertos for pupils and a rewarding performance piece with its combination of great musical expressiveness and brilliant virtuosity which is suitable for concerts and competitions.This piece requires good position playing up to the fifth position, mastery of passage work and simple double stops, as well as good bowing which allows cantabile playing, smooth changes of string, yet also clear articulation in different types of bowing.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons. / Violon Et Piano

A hit every time it's heard, this piece, with a manageable level of difficulty, displays fireworks, beautiful melodies and brilliant idiomatic figurations which will find an enthusiastic audience at every pupil's audition. / Violon Et Piano

Par KNUSSEN OLIVER. This enchanting 8-minute piece for violin and piano - Oliver Knussen's penultimate work - is made up of various kinds of musical reflection: melody reflected in its inversion: a six-note mode reflected in its complement: and the relationships between the three main parts of the piece, which are in a way varied reflections of each other. There are some reflections in water, too, the work's opus number (31a) demonstrating a relationship to Knussen's unfinished Cleveland Pictures: 'The main melody began as a response to Gauguin's painting of a Breton woman swimming', Knussen wrote, 'and there is also, perhaps, an echo of the lonely underwater world of an ondine, eventually breaking the surface at the end of the piece.' / Niveau : Avancé / Musique contemporaine / Répertoire / Violon et Piano

Per Violino E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-19/ Répertoire / Violon et Piano