(Creative Solos for the Church Musician). By Ed Hogan. String ensemble. For violin, piano. Meditative Solos. Moderate. Published by Lillenas Publishing Company

By ABRSM. For violin, piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Composed by Camille Saint- Saens (1835-1921). Edited by Fabien Guilloux and François de Médicis. This edition: Edition of selected works, Urtext edition. Linen. Saint- Saens, Camille. OEuvres instrumentales completes III/4. Edition of selected works, Performance score, anthology. Baerenreiter Verlag #BA10304-01. Published by Baerenreiter Verlag

Book/Audio Online Guitar; Piano Accompaniment; Violin (Violin/Piano)

SKU: HL.48025055

Violin and Piano Book/Audio Online. Composed by Various. Edited by Edward Huws Jones. Boosey and Hawkes Chamber Music. Blues, Jazz, Ragtime. Softcover Audio Online. 68 pages. Boosey and Hawkes #M060138935. Published by Boosey and Hawkes (HL.48025055).

ISBN 9781784547042. UPC: 196288024316. 9.0x12.0x0.235 inches.

The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club or Sarajevo street-café. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. Each title in the series is available in two formats: the violin edition (with an optional easy violin part and guitar chords); or the complete edition, which also includes both keyboard and violin accompaniments. Either format is hugely flexible, which means themusic can be played as solos, duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance.

Book/Audio Online Fiddle; Piano Accompaniment; Violin (VIOLIN/PIANO)

SKU: HL.48025138

Violin and Piano Book/Audio Online. Composed by Various. Edited by Edward Huws Jones. Boosey & Hawkes Chamber Music. American, Bluegrass, Cajun, Ragtime. Softcover Audio Online. 92 pages. Boosey & Hawkes #M060138874. Published by Boosey & Hawkes (HL.48025138).

ISBN 9781784546984. UPC: 196288093152. 9.0x12.0x0.321 inches.

The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club or Sarajevo street-café. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. Each title in the series is available in two formats: the Violin Edition (with an optional easy violin part and guitar chords); or the Complete Edition, which also includes both keyboard and violin accompaniments. Either format is hugely flexible, which means themusic can be played as solos, duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance.

Flute, Oboe, Violin and Piano

SKU: HL.14028266

Composed by Cyril Scott. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV263018. Published by Music Sales (HL.14028266).

Cyril Scott was an English composer, writer, and poet. He was essentially a late romantic composer, whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works,which include two mature symphonies, three operas, three Piano concertos,concertos for Violin, Cello, Oboe and Harpsichord, several overtures, four oratorios, as well as a mass of chamber music.

While less appreciated during his lifetime, it is Scott's late works(written between 1950 and his death) that are the most individual, with their ever-shifting harmoniccolours and wayward inflections of phrase and mood,capturing perfectly the way the mind shifts, backwards and forwards, between reminiscence, regrets, and self-assertion.

Composed in 1961 for Flute and Piano and premiered by William Bennett and Margaret Norman on November 9 of that year, Sonata For Flute is perfect  example of the genius of Scott's late works.

Violin and Piano - Grade 3

SKU: HL.14042681

Composed by Vagn Holmboe. Music Sales America. Classical. Softcover. Composed 2013. Edition Wilhelm Hansen #WH31335. Published by Edition Wilhelm Hansen (HL.14042681).

ISBN 9788759822685.

Sona te For Violin Og Klaver , in English, translates to Sonata For Violin and Piano . This piece was expertly composed by Vagn Holmboe in 1938. Vagn Holmboe was a Danish composer and teacher, well known for his Neo-Classical style. Holmboe wrote around 370 works varying from symphonies, concertos, operas, preludes and many other styles.

Violin and piano - advanced

SKU: HL.49017953

Composed by Johanna Senfter. Edited by Wolfgang Birtel. This edition: Saddle stitching. Sheet music. String. Op. 32. 80 pages. Schott Music #VLB134. Published by Schott Music (HL.49017953).

ISBN 9790001157506. UPC: 841886013186. 9.25x12.0x0.276 inches.

Johanna Senfter (1879-1961) was a pupil of Max Reger.Beginning with an expressive violin theme in a densely packed, 'Brahms-like' piano setting, the classical four-movement work centres around two capricious and playful movements: Lustig, nicht zu schnell is how the second movement begins, a fugal gem working with all kinds of contrapuntal tricks. This is followed by a scherzo-like, wittily flirting Rasch. The finale begins with a melodically simple tune in an almost folksong-like tone which, by a sequence of character variations, builds to a grand gesture which eventually leads back to the initial cantabile - with the sonata coming to a quiet end. A valuable addition to the chamber music repertoire.

Violin, piano

SKU: FG.55011-615-3

Composed by Kalevi Aho. Solo part & piano reduction. Fennica Gehrman #55011-615-3. Published by Fennica Gehrman (FG.55011-615-3).

ISBN 9790550116153.

Kale vi Aho (b. 1949) composed Violin concerto No. 2 in late summer and early autumn 2015 for the Finnish violinist Elina Vahala. Lasting about 32 minutes, the second concerto is a large-scale virtuoso work dominated by the soloist. The strong-featured first movement (Allegro) begins with a fairly short orchestral introduction that is followed by the soloist's first vigorous statement. Around the middle of the movement is a cadenza, and the movement ends with a quick stretta. The soloist dominates the events in the slow second movement (Adagio) even more than it did in the first. The Adagio begins with the same opening motif for the soloist as the first movement, but this time the motif is more lyrical and singing. Having built up to a dramatic climax, it subsides on flageolet notes and finally sounds that are somewhere between musical notes and noise. The third movement (Vivace, leggiero) is by nature dance-like again and lighter than the previous ones. At the end, the tempo accelerates to a wild, virtuosic prestissimo. Piano reduction (2020) by Kari Vehmanen.

By William Alwyn (1905-1985). For violin and piano. String music. Published by Stainer and Bell Ltd.

Violin and Piano with Online Accompaniments. Composed by Stephen Sondheim (1930-). Broadway, Movies. Softcover Audio Online. 64 pages. Published by Hal Leonard

Violin and Piano. Composed by Pier Adolfo Tirindelli. String Solo. Classical. Softcover. 28 pages. Ricordi #NR14201600. Published by Ricordi

By Dvorak Antonin. Czech title: Capriccio (koncertni rondo pro housle a klavir). Published by Praha (Czech import).

Piano Accompaniment; Violin (Score & Parts) - difficult

SKU: HL.49018055

Memorial for the Columbia Astronauts Violin and Piano Reduction. Composed by Peter Eö, s, and tvö. This edition: Saddle stitching. Sheet music. String. Classical. Softcover. Composed 2006/2007. 80 pages. Duration 21'. Schott Music #ED20258. Published by Schott Music (HL.49018055).

ISBN 9790001149044. UPC: 884088556327. 9.0x12.0x0.313 inches.

Eotvos wrote this piece in memory of the seven astronauts who lost their lives in the Space Shuttle Columbia tragedy in 2003. The number 7 determines the musical, rhythmic and formal structure of the work: 49 musicians are divided into seven groups, and as well as the solo violin there are six further violins arranged correspondingly around the hall; and the solo violin itself portrays each of the astronauts and their different origin, from America via Israel to India, in folkloristically tinged cadenzas.'The violin concerto Seven is a very personal monologue and the musical expression of my sympathy towards the seven astronauts who lost their lives while exploring space in fulfilment of a fundamental dream of mankind.' (Peter Eotvos)

3 (1. auch Altfl., 2./3. auch Picc.) * 3 * 3 * Bassklar. * Altsax. (auch Baritonsax.) * 3 - 2 * 2 * 2 * 1 - S. (I: Crot. * Gongs * Rohren [Amboss] * Rohrengl. * Nietenbeck. * chin. Beck. * Dome-Beck. * Tamt. * Trgl. * Sprungfeder; II: Vibr. * Gongs * Glsp. * Rohrengl. * Beck. * Dome-Beck. * Tamt. * Crot. * Sistrum * Sprungfeder; III: Vibr. * Gongs * Glsp. * Rohrengl. * Beck. * Dome-Beck. * Crot. * Rohren [Amboss] * Glsp. * Sprungfeder; IV: Crot. * Gongs * Rohrengl. * Nietenbeck. * chin. Beck. * Dome-Beck. * Tamt. * Sistrum * Rohren [Amboss] * Trgl. * Sprungfeder) (4 Spieler) - E-Git. * Hfe. * Keyboard-Sampler* - Str. (6 * 0 * 5 * 5 * 4)
* Fur alle technischen Anweisungen wenden Sie sich bitte an www.eotvospeter.com / For technical instructions please contact www.eotvospeter.com.

Chamber Music violin, piano

SKU: PR.114419280

Composed by Chen Yi. Arranged by Wong Tak Chiu. Performance Score. 32+12 pages. Duration 20 minutes. Theodore Presser Company #114-41928. Published by Theodore Presser Company (PR.114419280).

ISBN 9781491132357. UPC: 680160676125.

Inspi red by Chinese tradition, this concerto-like dance suite includes: 1. Lion Dance, 2. YangKo, and 3. Muqam. Each movement draws from melodies and rhythms characteristic of various regions of China many centuries ago. CHINESE FOLK DANCE SUITE is available for violin with full orchestra, or as a recital work with piano.
Supported by a major commissioning award from the Serge Koussevitzky Music Foundation in the Library of Congress, Chinese Folk Dance Suite is written for solo violin and orchestra; it was premiered by The Women’s Philharmonic with violin soloist Terrie Baune, conducted by Apo Hsu, on March 10, 2001, at Yerba Buena Center For the Arts Theater in San Francisco.Inspired by various Chinese traditional folk dances, the suite has three movements:I. Lion Dance. Traditionally, people dance with richly decorated hand-made lions, accompanied by percussion ensemble, to celebrate happy occasions and major festivals throughout the country. In this composition, I use Chinese drum and other percussion instruments in the background, to form a dynamic and rhythmic texture responding to the solo part, which imitates the tunes played on the suona (traditional Chinese trumpet). The pitch materials came from the traditional Guangdong tune “Dragon Boat Racing,” and the Chaozhou tune “Lion Playing Ball.”II. YangKo. Originating in northern China, this is a major folk dance form in mass performance popularized in the country. In YangKo performance, people play rhythmic patterns on the drums hung around their waists while singing and dancing. In the second movement, I imagined a warm scene of YangKo dancing in distance. The solo violin plays a sweet and gracious melodic line while all members of the orchestra sing non-pitched syllables in different layers as the soft background, to imitate the percussion sound which produces the ever-going pulse.III. Muqam. This large-scale music and dance form, from the Uygur nationality in Xinjiang province, originated in the 15th century. My third movement use a 7/8 meter and the melodic style of Muqam music. The fiery dancing gesture culminates in the sustained climax section at the end of the work, after a colorful violin cadenza in both improvisational singing style and polyphonic writing with woven lines.

Chamber Music Cello, Clarinet, Flute, Piano, Violin

SKU: PR.14440515S

Composed by Robert Martin. Full score. With Standard notation. 48 pages. Theodore Presser Company #144-40515S. Published by Theodore Presser Company (PR.14440515S).

UPC: 680160667819. 9 x 12 inches.

In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. One role of music is to evoke. Therefore, Nighttime is a nocturne, a night piece suggestive of flickering shadows, perhaps created by firelight. It is a recurrent setting in human existence. The music opens with the scene of twilight calm, gently disturbed with the slight uncertainty about what is around us, what we cannot see. Later, the clarinet takes on a solo role, and the notes bleed like careless paint into the other instruments that quietly sustain them. Next, the flute takes over the role of solo. The piece ends with a repeated cadence of morning light. (From the performance notes.).

(Violin and Piano). By Franz Ries. Edited by Ida Bieler. Score and Parts. String. Softcover. 16 pages. Schott Music #VLB139. Published by Schott Music

Violin & piano

SKU: HH.HH424-FSP

Composed by Anton Eberl. Edited by Martin Harlow. Violin & Piano. Full score and part. Edition HH Music Publishers #HH424-FSP. Published by Edition HH Music Publishers (HH.HH424-FSP).

ISBN 9790708146254.

Amon g Vienna’s many composers and pianists of the time, Anton Eberl (1765–1807) was the one considered most worthy of comparison with Beethoven. His Sonata in B flat major, Op.35, his last of seven sonatas with violin, was composed around 1805 and dedicated to Maria Walburga, the Princess Bretzenheim. This was one Eberl’s last works, as he died prematurely, at the age of forty-one, in 1807. Unlike many of Eberl’s lesser contemporaries, in its duration, formal and harmonic novelty, and in the lively relationship between the violin and keyboard, his Op.35 shares much of the musical ambition and quality of Beethoven’s works in this genre.

Traditional Fiddle Music from Around the World. Composed by Various. Edited by Edward Huws Jones. Boosey & Hawkes Chamber Music. Collection, European, Folk. Softcover Audio Online. 88 pages. Boosey & Hawkes #M060139185. Published by Boosey & Hawkes

Violin, piano

SKU: BR.EB-32058

Urtext. Composed by Eduard Franck. Edited by Nick Pfefferkorn. Solo instruments; stapled. Edition Breitkopf. Sonata; Romantic. Score. 56 pages. Breitkopf and Haertel #EB 32058. Published by Breitkopf and Haertel (BR.EB-32058).

ISBN 9790004186503. 9 x 12 inches.

Sonata No. 2 op. 23 was composed around 1859 in Cologne. At that time, Franck was working as a teacher of music theory at the Cologne Conservatory. The 2nd violin sonata was published in print together with the 1st sonata op. 19. This is an early proof of the composer's later tendency to combine several works in one cycle.

Violin and piano (reduction)

SKU: BO.B.3414

Composed by Jordi Cervello. Instrumental Sets. Duration 12:00. Published by Editorial de Musica Boileau (BO.B.3414).

English comments:
Concertino for violin and string orchestra was composed in 1993. It is a pleasant score with a slightly virtuosic touch written with the idea of creating a relaxed atmosphere in which the soloist and the orchestra can display their technique and expressive capabilities. It is a work, similar in lenght to baroque concertos, and is divided into three movements, folowing the conventional form.: two fast movements around a slow one. Te first two movements -Allegro burlesco and Adagio cantabile- follow the ABA pattern. The third starts with a -cadenza- by the soloist which includes thematic material from the previous slow movement linking straight up to the -Presto- which uses as its main idea a more forceful version of the opening melodic sketch of the -Allegro burlesco- converted into three time. The work was specially creatied for the violinist Gerard Claret and the Orquestra de Cambra Nacional d'Andorra. Recordings: Hermitage Orchestra-Camerata St. Petersburg, violin: Sergey Malov, conductor: Alexis Soriano. Ensayo (ENY-2003). Jordi Cervello

Comenta rios del Espanol:
Concertino para violin y orquesta de cuerda es una obra compuesta en 1993. Se trata de una partitura amable y de cierto toque virtuosistico cuya principal preocupacion ha sido crear una atmosfera distendida en la que el solista y la orquesta puedan desplegar con espontaneidad sus capacidades tecnicas y expresivas. Es una obra de duracion similar a la de los conciertos del barroco y dividida en sus tres tipicos movimientos. Dos rapidos enmarcando uno lento. Los dos primeros -Allegro burlesco y Adagio cantabile- se desarrollan bajo el esquema ABA. El tercero inicia con una -cadenza- del solista que recoge material tematico del movimiento lento precedente para enlazar sin interrupcion con el -Presto- que utiliza como idea principal el dibujo melodico que abre el -Allegro burlesco-, pero mas decidido y a compas ternario. La obra fue compuesta expresamente para el violinista Gerard Claret y la Orquestra Nacional de Cambra d'Andorra. Grabaciones: Hermitage Orchestra-Camerata St. Petersburg, violin solista: Sergey Malov, direccion: Alexis Soriano. Ensayo (ENY-2003) Jordi Cervello.

Violin, piano

SKU: BR.EB-32059

Urtext. Composed by Eduard Franck. Solo instruments. Edition Breitkopf. Sonata; Romantic. Score. Breitkopf and Haertel #EB 32059. Published by Breitkopf and Haertel (BR.EB-32059).

ISBN 9790004186510. 0 x 0 inches.

Sonata No. 3 op. 60 was probably written around 1876; however, it was not published until 1910, long after the composer's death. The printing was arranged by Eduard's son Richard.

Violin, piano

SKU: BR.EB-32046

Urtext. Composed by Eduard Franck. Solo instruments; stapled. Edition Breitkopf. Sonata; Romantic. Score. 52 pages. Breitkopf and Haertel #EB 32046. Published by Breitkopf and Haertel (BR.EB-32046).

ISBN 9790004186466. 9 x 12 inches.

Sonata No. 1 op. 19 was composed around 1853 in Cologne. At that time, Franck was working as a teacher of music theory at the Cologne Conservatory, and it is assumed that he composed the sonata mainly for his own concert performances. The work came into being through his acquaintance with the young, highly talented violinist Theodor Pixis (1831-1856), who also premiered the sonata.