In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.2 was written in 1896 during a stay of several months by the composer in Egypt: he began the main themes of all four movements as well as the canonic trio in Luxor and Aswan. The sonata was then completed on the Nile journey back to Cairo. That same year the sonata was premiered by Saint-Saëns and Pablo Sarasate in a concert celebrating the composer?s fiftieth stage anniversary. Astoundingly, he had first appeared on stage when he was only ten years old. This performing edition edited by Fabien Guilloux and François de Médicis is based on ?Saint-Saëns ? ?uvres instrumentales complètes?, volume III/4. It reflects the most up-to-date state of research on this work which the edition presents in a spacious engraving. - With a detailed Foreword (Fr/Eng/Ger) on the genesis and performance history - Performing edition based on the Urtext of the ?Saint-Saëns ? ?uvres instrumentales complètes? - Optimum layout in the violin part and piano score / Date parution : 2022-11-08/ Répertoire / Violon et Piano

20 Easy Pop Pieces In 1St Position. Par KOEPPEN GABRIEL. Inject some fun into your music lessons with Hot Violin. It contains a wide variety of pieces from blues, jazz, rock and pop music. This book is suitable for beginners and is intended for lessons and first performances. The pupils are carefully introduced to technical and musical themes, starting with several one-finger pieces before playfully working on the first-position fingerings. Additional parts are available for download free of charge. Thus, various instrumentations are possible: with piano accompaniment, with CD, with the accompaniment of the teacher of other pupils, or, thanks to the notated chord symbols, even with band. / Niveau : Facile / Recueil / Violon et Piano

for Violin and Piano. Par SAINT-SAENS CAMILLE / YSAYE EUGENE. Originally, Camille Saint -Saëns created this work for piano in 1877 under the title 'Etude en form de Valse,' Op.52/6. In 1901, Ysaye reworked this piece for violin and piano and published it as 'Caprice d'après l'Etude en forme de Valse de Saint-Saëns.' Ysae created a veritable masterpiece for violin, far more popular now than the original piano version. It has taken its rightful place in the virtuoso violin literature. This work is on the concert and recorded repertory of virtually every major violinist and a compulsory work at most major competitions. / Date parution : 2021-11-03/ Répertoire / Violon et Piano

Par HAHN. Composed by Reynaldo Hahn, Romance In A Major is a chamber piece for Violin and Piano, for upper-intermediate players. This melodious piece is written in one main movement and is perfect for a recital. Starting 'Très modere' with the main theme, the piece later become quieter 'calme' with some variations of this main theme. Really romantic, it is sometimes indicated which string to play and the Piano accompanies the Violin with some flawless arpeggiated semiquavers. Reynaldo Hahn was a naturalised French composer, conductor, theatre director and singer. Best known as a composer of songs, healso wrote many pieces and melodies for different instruments./ Répertoire / Violon et Piano

Par GERSHWIN GEORGE. This album pays tribute to Gershwin's unique melodic genius, which gave us such gems as Embraceable you, Summertime, I Got Rhythm, 'S Wonderful, and Lady Be Good. These and other favourites are arranged here for Violin and Piano accompaniment. / Niveau : Assez Facile / Date parution : 1996-01-18/ Recueil / Violon et Piano

Par BLEZZARD JUDITH. Judith Blezzard This book looks at English church music from a new standpoint. It examines the relationship between English church music and the various types of other music that have influenced its development, revealing a vigorous tradition of interplay with extraneous musical material that is seldom apparent from the ways in which music is presented for church use. The borrowing of music from churches outside England is explored, and a large section is devoted to the often surprisingly ingenious ways in which secular music has, since the beginnings of the English church, been appropriated as music for worship - often with controversial results. From madrigal tomusic-hall, from plainsong to popular styles: these and many other kinds of music have lent both styles and material to sacred music with English texts. By examining these musical transformations, this book demonstrates that English church music is far from being an exclusively insular and retrospective repertory, as is often presumed to be the case. Although the book, with its use of musical examples, is designed primarily for the general musical reader - both amateur and professional, its broadly historical approach will appeal to those interested in English cultural heritage, the church, and its worship. ISBN 0 85249 784 9 Judith Blezzard This book looks at English church music from a new standpoint. It examines the relationship between English church music and the various types of other music that have influenced its development, revealing a vigorous tradition of interplay with extraneous musical material that is seldom apparent from the ways in which music is presented for church use. The borrowing of music from churches outside England is explored, and a large section is devoted to the often surprisingly ingenious ways in which secular music has, since the beginnings of the English church, been appropriated as music for worship - often with controversial results. From madrigal tomusic-hall, from plainsong to popular styles: these and many other kinds of music have lent both styles and material to sacred music with English texts. By examining these musical transformations, this book demonstrates that English church music is far from being an exclusively insular and retrospective repertory, as is often presumed to be the case. Although the book, with its use of musical examples, is designed primarily for the general musical reader - both amateur and professional, its broadly historical approach will appeal to those interested in English cultural heritage, the church, and its worship. ISBN 0 85249 784 9/ Livre / Livre

Violin and Piano. Par IRELAND JOHN. Although one of Ireland's earliest published works, his Berceuse for violin and piano of 1902 displays the exemplary grace of salon music at its most sophisticated. The finely crafted melody wears lightly the elegance of the genre, as perfectly expressed in Elgar's Chanson de Matin and Salut d'Amour. In the accompaniment, details of harmony suggest the influence of Tchaikovsky and a passionate utterance more typically Russian than English. Liberated by the innovations of Debussy and Ravel, Ireland in his later songs and piano solos would recreate this quality on his own terms - but the essence of his uniquely romantic voice feels already embryonically present in this exquisite Edwardian miniature./ Répertoire / Violon et Piano