Violin and Piano. Composed by James Macmillan. Boosey & Hawkes Chamber Music. Classical. Softcover. 46 pages. Boosey & Hawkes #M060136221. Published by Boosey & Hawkes

By Johannes Brahms. This edition: HN75. Henle Music Folios. Book only. 40 pages. Published by Henle Urtext Edition.

Chamber Music violin, piano

SKU: CF.B3475

Composed by Martin Bresnick. Performance Score. 32+12 pages. Carl Fischer Music #B3475. Published by Carl Fischer Music (CF.B3475).

ISBN 9781491162026. UPC: 680160920709.

This work for violin and piano by Martin Bresnick is a play on the words suite and bittersweet. Each of the four movements is based on a Yiddish folk song, which in English translate to On the Road, My Resting Place, Black Cat, and Dona, Dona. Each of the four pieces is primarily based on a Jewish folk song, but re-envisions them in a modern context, akin to Bartok and Kodaly. The composer noted, I found it a very challenging, yet touching way to remain in contact with some part of my own past that I don't usually reveal. The title references the difficult (bitter) and pleasant (sweet) aspects of experiencing the tumultuous history of a people through their folk music.
This work for violin and piano by Martin Bresnick is a play on the words suite and bittersweet. Each of the four movements is based on a Yiddish folk song, which in English translate to On the Road, My Resting Place, Black Cat, and Dona, Dona. Each of the four pieces is primarily based on a Jewish folk song, but re-envisions them in a modern context, akin to Bartok and Kodaly. The composer noted, “I found it a very challenging, yet touching way to remain in contact with some part of my own past that I don’t usually reveal.” The title references the difficult (bitter) and pleasant (sweet) aspects of experiencing the tumultuous history of a people through their folk music.

Composed by Camille Saint- Saens (1835-1921). Edited by Celine Dreze. This edition: urtext edition. Stapled. Barenreiter Urtext. Transcription for Violin and Piano by the Composer. Performance score, Part (1). Opus 40. Baerenreiter Verlag #BA10941. Published by Baerenreiter Verlag

Violin & piano

SKU: HH.HH473-FSP

Composed by Anton Eberl. Edited by Martin Harlow. Violin & Piano. Full score and part. Edition HH Music Publishers #HH473-FSP. Published by Edition HH Music Publishers (HH.HH473-FSP).

ISBN 9790708146841.

The model for this sonata is Mozart, specifically his Sonata in B flat major, K.454, written in 1784. Eberl borrows many structural and stylistic features from K.454: the grand, slow introduction of the first movement; the song-like second movement opening over rocking accompaniment; and the gavotte-like closing rondo. Eberl even quotes directly from K.454. But the work also looks forward to Beethoven’s contributions to the genre, and in its duration, formal and harmonic novelty, and in the lively relationship between the violin and keyboard, Op.50 shares much of the musical ambition and quality of Beethoven’s early works in this genre.

Edited by Gail Acosta. Arranged by Daniel Kelley. For Violin and Piano. Solos. Recital. Level: Intermediate. Piano Score and Solo Part. Published by Last Resort Music Publishing.

Composed by Andrii Didorenko. Set of Score and Parts. Duration 11 minutes. Theodore Presser Company #114-42371. Published by Theodore Presser Company

Chamber Music Clarinet, Piano, Violin

SKU: PR.164002390

Composed by Dan Welcher. Set of Score and Parts. With Standard notation. Composed 1995. 26+14+14 pages. Duration 14 minutes. Theodore Presser Company #164-00239. Published by Theodore Presser Company (PR.164002390).

UPC: 680160038091.

I became interested in the work of Plato through my friend and collaborator, the writer and philosopher Paul Woodruff. Paul's new translation, with Alexander Nehamas, of the Symposium gave me insights into ancient Greek ways of thinking about Love, Beauty, and Wisdom -- and managed to keep the earthy, and often bawdy side of it all in full view. But their new translation of Plato's later dialogue Phaedrus went even further: the beauty of the speeches is breathtaking, and the discourse itself is enough to keep one awake at night. Basically the Great Speech of Socrates in the Phaedrus dialogue has to do with the place of Eros in the world, and with the conflict in the soul between fleshly pleasure and philosophic discovery. I will not attempt to encapsulate this brilliant discourse in a program note: suffice it to say that reading it gave rise to my two-sided work for clarinet, violin, and piano, Phaedrus. The first movement represents the Philosophic life, and is thus subtitled Apollo's Lyre (Invocation and Hymn). It begins with an unaccompanied melody for the clarinet, which (after a pair of harp-like flourishes for the piano, expands into an accompanied canon. The voices in the dialogue (clarinet and violin) follow each other by a prescribed number of beats, but the music is totally devoid of any meter at all. The piano, representing the lyre, accompanies this lyric love-feast with repeated strummed chords. The canon has three large sections, and ends with violin echoing the unaccompanied clarinet invocation as the sound of the lyre fades. The second movement, called Dionysus' Dream-Orgy (Ritual Dance) presents, after a brief introduction, another kind of unmetered music. Rather than long lyric flights of philosophic song, however, this time we hear a unison dance of unbridled energy and sensual transport. The piece soon forms itself into a loose arch form, with contrasting metered dance sections divided by the unison unmetered orgy tune. Midway through the movement, Apollo's melody returns from the first movement, but it is a temporary reminiscence. The orgiastic dance returns, reaches a climax, and ends with a stomping of feet. While Plato asserts that a proper balance between lust and reason is necessary in all men, he (naturally) gives the nod to Philosophy as the better choice in which to live. Not so in my music: the two sides are meant to coexist and to complement each other. No sides are taken. Phaedrus was commissioned of the Verdehr Trio by Michigan State University. It is dedicated to the Vedehr Trio with great affection and admiration.

Chamber Music violin, piano

SKU: PR.144407050

Composed by James Primosch. Set of Score and Parts. With Standard notation. 28+12 pages. Duration 20 minutes. Theodore Presser Company #144-40705. Published by Theodore Presser Company (PR.144407050).

UPC: 680160655519. 9 x 12 inches.

Celebrating 30 years, the Philadelphia Chamber Music Society commissioned a work of 20-25 minutes for violin and piano from James Primosch, University of Pennsylvania professor of music. Primosch had originally thought to create a new sonata, but what developed is more appropriately a set of five character pieces, two of which were directly inspired by poems. Five Poems was premiered in May, 2016, and Primosch's thoughts are recorded at his website: https://jamesprimosch.com /2016/05/10/five-poems-pr emiere/.
Upon receiving a commission from the Philadelphia Chamber MusicSociety for a violin and piano piece in honor of its 30th anniversary, myplan was to write a sonata, a term suggesting a relatively abstractdiscourse. But as the piece developed, the movements struck me ascharacter pieces rather than music employing a more “symphonic”ap proach. When specific poems started to attach themselves in my mindwith two of the movements, the overall title Five Poems became clear.The title of the second movement is a line from Susan Stewart’s“De scent”, which deals with Aeneas’s visit to the underworld. The musicis alternately fiercely driving and quite still, though tense. RobertFrost’s Nothing Gold Can Stay summons fleet scale passages framinglyrical counterpoint. The remaining movements do not refer to specificpoems, but have titles reflecting their expressive tone. Dreamscape ismusing with an improvisatory violin line over shifting pairs of pianochords. Nightsong is a bluesy lullaby that turns highly dramatic.Vision begins with a closely argued struggle but breaks through tosomething spacious and clear.

Violin and Piano - early intermediate

SKU: BT.DHP-1115233-400

By Nico Dezaire. By Ferdinand Kuchler. De Haske Study and Play. Book with CD. Composed 2011. 24 pages. De Haske Publications #DHP 1115233-400. Published by De Haske Publications (BT.DHP-1115233-400).

ISBN 9789043136204. 9x12 inches. English-German-French-Dut ch.

The Concertino op. 12 by the German violinist, composer and violin educator Ferdinand Küchler (1867-1937) is a three-movement work that is ideal for the development of playing in first and third position. The first movement is both powerful and playful in character, and its themes that follow on from each other rapidly, producing a concise sonata form. The second movement has been written in a three-part song form (A-B-A). The A section has a cantabile atmosphere, whereas section B is more dramatic. The third movement is a rondo (with a refrain and episodes). The refrain is joyful in spirit, and the episodes present variation.

Het Concertino op. 12 van Ferdinand Küchler (1867-1937) is een driedelig werk. Voor de leerling is dit het ideale werk om aan de eerste en derde positie te werken. Het eerste deel is krachtig en speels tegelijk. Het tweededeel is in de vorm van een driedelige lied geschreven (A-B-A). Het derde deel is een rondo.

Das Concertino op. 12 von Ferdinand Küchler (1867-1937) ist ein dreisätziges Werk, mit dem Schüler ausgezeichnet an ihrem Spiel in der ersten und dritten Lage arbeiten können. Der erste Satz ist kraftvoll und verspielt zugleich; der zweite Satz wurde in der Form eines dreistimmigen Liedes geschrieben (A-B-A). Der dritte Satz ist ein Rondo.

Le Concertino opus 12 de Ferdinand Küchler (1867-1937) est un Å?uvre en trois mouvements, destinées aux élèves maîtrisant le jeu en première et troisième position. Le premier mouvement est puissant et ludique, le deuxième a été écrit sous la forme d'une mélodie en trois parties (ABA). Le troisième mouvement est un rondo.

Il Concertino op. 12 di Ferdinand Küchler (1867-1937) è un brano in tre movimenti, ideale per praticare la prima e terza posizione. Il primo movimento è al contempo potente e gioioso, il secondo in forma di un canto a voci (A-B-A), mentre il terzo movimento è un rondò.

Violin and Piano. By Edward Elgar. Arranged by Donald Fraser. Fentone Play Along Books. Play Along. Size 9x12 inches. 20 pages. Published by Fentone Music.

1st Position. (Violin). This edition: 1074229. De Haske Play-Along Book. Softcover with CD. Published by De Haske Publications.

Strings Piano Accompaniment; Violin (Violin and Piano) - l5

SKU: HL.51481346

Violin and Piano. Edited by Peter Jost. Arranged by Ingolf Turban. Sheet Music. Paperbound. Henle Music Folios. With marked and unmarked string parts. Classical. Softcover. 16 pages. G. Henle #HN1346. Published by G. Henle (HL.51481346).

ISBN 9790201813462. UPC: 888680925031. 9.25x12.0x0.066 inches.

When composing his Spanish Dances (HN 1370), the composer and violin virtuoso Sarasate united existing material - folk songs and songs by well-known composers - with his own uniquely charming musical language. The two Dances op. 22, “Romanza andaluza” and “JotaNavarra,� � were completed in 1878 during Sarasate's first concert tour through Scandinavia. After their initial performances, the lyrical “Romanza” soon outstripped its brilliant sister piece in popularity, and thereafter it was one of Sarasate's compositions that he played most often himself. Since then, this piece has lost nothing of its charm, and it is now available as a stand-alone edition in the Henle catalogue.

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Violin and Piano

SKU: HL.49004926

3 Songs. Composed by Paul Hindemith. Edition Schott. Classical. Piano reduction. Composed 1922. 12 pages. Schott Music #HL50490616. Published by Schott Music (HL.49004926).

ISBN 9781458413918. UPC: 884088601546. 9.0x12.0x0.065 inches. English(UK).

Inspir ed by the concept of the serenading lover. In two colorful sections. Advanced Level. Inspired by the concept of the serenading lover. In two colourful sections. Advanced Level.


Inspire d by the concept of the serenading lover. In two colorful sections. Advanced Level.

Inspired by the concept of the serenading lover. In two colorful sections. Advanced Level.

Inspired by the concept of the serenading lover. In two colorful sections. Advanced Level.

This demanding work for violin and piano by contemporary American composer Augusta Read Thomas (*1964 in New York State) was inspired by the concept of the serenading lover. Also available for viola and piano (HL50490617).

By Dr. Shinichi Suzuki. For Violin. String - Violin (Suzuki). The Suzuki Method Core Materials. Book. 28 pages. Published by Alfred Publishing.

Composed by Michael Finnissy (1946-). For violin and piano. Score and part. 40 pages. Duration 10 minutes. Published by Oxford University Press

Violin and Piano. Composed by Pablo de Sarasate (1844- 1908). Edited by Ingolf Turban and Peter Jost. Henle Music Folios. Classical. Softcover. G. Henle #HN1371. Published by G. Henle

G Major, Op. 78 for Violin and Piano. Composed by Johannes Brahms (1833-1897). Edited by Bernd Wiechert. Henle Music Folios. Classical. Softcover. 66 pages. G. Henle #HN1568. Published by G. Henle

By Various. Arranged by Darwin Wolford. For violin. Includes part for violin only. Piano accompaniment available separately (item 01681). Level: Medium. Published by Jackman Music Corporation.

Violin, piano

SKU: FG.55011-476-0

The Sky is blue and white. Composed by Jyrki Linjama. Book. Fennica Gehrman #55011-476-0. Published by Fennica Gehrman (FG.55011-476-0).

ISBN 9790550114760.

This pedagogical work has three levels : the Finnish folk song, the impression of the composer-godfathers and the personal world of harmonies of the composer. The piece is not intended solely as children's music. The technical and esthetical solutions in the music open paths and prepare a reach towards more difficult pieces of the dedicated composers (Schumann, Prokofiev, Bartok, Mendelssohn).

By Various. Arranged by Brent Jorgensen. For Violin and Piano. Published by Jackman Music Corporation.
Level: Medium Easy.

By Louis Spohr. Edited by Marty Winkler. Educational instrumental collection (Violin and piano). Published by Edwin F. Kalmus.

By Louis Spohr. Edited by Martin Winkler. Educational instrumental collection (Violin and piano). Published by Edwin F. Kalmus.

By Louis Spohr. Edited by Marty Winkler. Educational instrumental collection (Violin and piano). 32 pages. Published by Edwin F. Kalmus.

By Rose. For violin, piano. (18 party pieces for violin piano -- includes alternative pieces for the Violin Prep Test). Published by ABRSM (Associated Board of the Royal Schools of Music).

Violin and Piano

SKU: IS.VLP4069EM

Composed by Lodewijk Mortelmans. Strings - Violin. Metropolis Music Publishers #VLP4069EM. Published by Metropolis Music Publishers (IS.VLP4069EM).

ISBN 9790365040698.

Lode wijk Mortelmans was born in Antwerp on February 5, 1868, as second son of printer Karel Mortelmans. He died on June 24, 1952. He was an outstanding, universal Belgian musician and composer. His unique and poetic classical songs, his intimate and delicate piano music and his imaginative orchestral pieces rank among the European masterworks of the end of the 19th and the early 20th century.