Violin and orchestra (solo: vl - 1.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.PB...(+)
Violin and orchestra
(solo: vl - 1.2.2.2. -
2.2.0.0. - timp - str)
SKU: BR.PB-5531-07
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; Softcover.
Partitur-Bibliothek
(Score Library).
Beethoven would
probably have loved to be
able to commission a new
edition of his violin
concerto from Clive
Brown, since he is one of
the top specialists, with
a profound knowledge and
experience of performance
practice in Beethoven's
day.
Solo concerto;
Classical. Study Score.
88 pages. Duration 45'.
Breitkopf and Haertel #PB
5531-07. Published by
Breitkopf and Haertel
(BR.PB-5531-07).
ISBN
9790004212608. 6.5 x 9
inches.
What with
all the traditional
editions available on the
market, can we still
expect new readings? This
is what editor Clive
Brown asked himself as he
meticulously examined the
often conflicting
sources. The result is a
wealth of new readings in
the score, which deserve
as much attention as the
extensively commented
arrangement for violin
and piano. The treatment
of the solo instrument is
particularly interesting:
next to the Urtext solo
part, the edition also
contains a historically
informed and marked-up
part with fingerings and
bowings that go back to
Franz Clement, the
soloist of the premiere
performance, and to the
Viennese performance
tradition of Beethovens
time. For violinists of
today, this is a treasure
trove of new, innovative
ideas and suggestions for
the individual shaping of
the part.
Eulenburg Audio Score Series. By Edward Elgar. This edition: EAS121. Eulenburg A...(+)
Eulenburg Audio Score
Series. By Edward Elgar.
This edition: EAS121.
Eulenburg Audio Score
(Pocket Scores CD).
Study score and CD. 112
pages. Published by
Eulenburg.
Violin and orchestra (Solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(Solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU: BR.PB-16110
Urtext from the new
Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Linda
Correll Roesner and
Michael Struck.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic;
Late-romantic. Full
score. 216 pages.
Duration 35'. Breitkopf
and Haertel #PB 16110.
Published by Breitkopf
and Haertel
(BR.PB-16110).
ISBN
9790004214374. 10 x 12.5
inches.
Johannes
Brahms's only violin
concerto, one of the most
important violin
concertos of the 19th
century, is now a central
repertoire piece. This
fact is all the more
notable, as, by his own
account, Brahms
understood all too little
about the instrument. The
concerto was composed at
Worthersee during the
summer of 1878 in
collaboration with Joseph
Joachim, a leading
contemporary violinist.
The solo part is
extremely demanding, with
really unusual
difficulties. This
circumstance did not go
unnoticed by the critics
of the first performance:
Even to Joachim, the
battled-seasoned
wrestler, the technically
difficult and tricky solo
part was to be mastered
only with obvious effort.
Evidencing this close
collaboration between
composer and performer is
not only the work's
genesis and publication
history, together with
its dedication to
Joachim, but also its
solo cadenza. Based on
the New Brahms Complete
Edition, this Urtext
edition includes both the
printed version of
Joachim's cadenza as well
as its shorter version
arranged in 1885 by the
violinist Marie
Soldat.
Violin and orchestra (solo: vl - str - bc) SKU: BR.PB-5297 Composed by Fr...(+)
Violin and orchestra
(solo: vl - str - bc)
SKU: BR.PB-5297
Composed by Franz Joseph
Haydn. Edited by Walter
Heinz Bernstein.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Haydn's C major
Concerto now in a new,
up-to-date
edition
EB 8634
(edition for violin and
piano) with cadenzas by
Thomas Zehetmair
Solo
concerto; Classical. Full
score. 24 pages. Duration
24'. Breitkopf and
Haertel #PB 5297.
Published by Breitkopf
and Haertel (BR.PB-5297).
ISBN 9790004211755. 10
x 12.5
inches.
Haydn's
Violin Concerto in C
major has always been
closely linked to
Breitkopf & Hartel,
which began selling
copies of the work back
in 1769. The first
edition came out in 1909
and helped secure the
work a broad
dissemination and lasting
popularity. Strangely
enough, this first
edition is one of the
most important sources
today, since its own
source a copy of Haydn's
autograph, perhaps the
autograph itself was lost
at the end of World War
II. Although other copies
from Haydn's time were
made, they are textually
less reliable. Walter
Heinz Bernstein has
created an easily
playable and
pleasant-sounding piano
score on the basis of the
first edition, whereby he
has respected the early
classical continuo
practice. As he did
earlier in the G major
Concerto (EB 8606),
Thomas Zehetmair has once
again accepted the
challenging task of
embellishing the solo
part with stylistically
accurate cadenzas and
flourishes. This
delightful concerto is
thus now available in a
modern edition.The
piano-harpsichord part by
Walter Heinz Bernstein
features a continuo part
in keeping with the late
Baroque performing
tradition and offers a
much cleaner, unfettered
realization.(Stringendo)<
br> Haydn's C major
Concerto now in a new,
up-to-date edition.
Urtext. Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Bach's manuscript
leaves several questions
unanswered.
Solo
concerto; Baroque. Full
score. 24 pages. Duration
16'. Breitkopf and
Haertel #PB 5354.
Published by Breitkopf
and Haertel (BR.PB-5354).
ISBN 9790004211533. 9
x 12 inches.
When
an editorial formula
proves to be as
compelling as in the case
of the E-major Concerto
BWV 1042, then its
obvious that it is going
to be applied again: this
time to Klaus Hofmanns
new Urtext edition of the
A-minor Concerto. Bachs
manuscript leaves several
questions unanswered. The
slurring, particularly in
the solo part, is once
again equivocal and
inconsistent. Bach
himself expected his
performers to be
creative, which is why
the interpretative
suggestions of Baroque
expert Sigiswald Kuijken
are particularly welcome.
The edition for violin
and keyboard instrument
(with continuo ad lib.)
once again contains three
violin parts (the first
unmarked, the second with
markings and comments by
Sigiswald Kuijken, the
third as a facsimile).
This provides
well-grounded stimuli for
ones own personal
interpretation based on
historically informed
performance practice. The
keyboard arrangement by
Siegfried Petrenz is
transparent and easy to
play. A violoncello part
has been added for
chamber-music.
Bac
h's manuscript leaves
several questions
unanswered.
Urtext
based on the new Complete
Edition (G. Henle
Verlag). Composed by
Ludwig van Beethoven.
Edited by Shin Augustinus
Kojima. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Solo
concerto; Classical. Full
score. 28 pages.
Breitkopf and Haertel #PB
14590. Published by
Breitkopf and Haertel
(BR.PB-14590).
ISBN
9790004211120. 10 x 12.5
inches.
When Ludwig
van Beethoven wrote the
present two works around
1800, the Romance as a
genre designation for a
soulful, melodious
instrumental piece was
anything but established,
despite the occasional
piece bearing this title.
Beethoven himself named
the pieces Romance in the
autographs, but offered
them to Breitkopf &
Hartel for publication as
Solo. His brother Karl
even spoke of 2 Adagios
to the publisher.
Nevertheless, Beethoven's
two Romances for violin
achieved lasting
popularity ever since the
publication of the first
editions in 1803 and
1805.The present Urtext
edition takes the
autographs and first
editions as its main
sources.
The piano
reduction and the study
score (,,Studien-Edition)
are available at G. Henle
Verlag.
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU: BR.PB-15132
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Full score. 84 pages.
Duration 25'. Breitkopf
and Haertel #PB 15132.
Published by Breitkopf
and Haertel
(BR.PB-15132).
ISBN
9790004214688. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU:
BR.PB-15133-07
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with
G. Henle Verlag
Solo concerto; Romantic;
Late-romantic. Study
Score. 84 pages. Duration
25'. Breitkopf and
Haertel #PB 15133-07.
Published by Breitkopf
and Haertel
(BR.PB-15133-07).
ISBN
9790004214695. 6.5 x 9
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Violin and orchestra
(solo: vl - picc.2.2(cor
ang).2.2.dbn. - 4.3.3.1.
- perc(3) - hp - pno -
str: 14.12.10.8.6.)
SKU: BR.PB-5434
Composed by Ye Shen.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). World
premiere: Tokyo, August
21, 2018. Solo concerto;
Music post-1945; New
music (post-2000). Full
score. Composed 2018. 96
pages. Duration 27'.
Breitkopf and Haertel #PB
5434. Published by
Breitkopf and Haertel
(BR.PB-5434).
ISBN
9790004212813. 10.5 x 14
inches.
My first
violin concerto, The
Psalms of Taciturnity,
describes the inner
feelings that cannot be
expressed verbally, but
that also cannot remain
unexpressed. There is the
human spirit's pain,
sorrow and fortitude in
the face of this big
quandry. The Psalms stand
for the praise of
humanity and of life. And
so in this concerto, the
Psalms are lacking in
words, but are full of
music. (Ye
Shen)