Cello and Orchestra SKU: HL.14020990 Composed by Sir Peter Maxwell Davies...(+)
Cello and Orchestra
SKU: HL.14020990
Composed by Sir Peter
Maxwell Davies. Music
Sales America. 20th
Century. Score. Composed
1999. 80 pages. Chester
Music #CH58933. Published
by Chester Music
(HL.14020990).
ISBN
9780711923904.
5.5x7.5x0.283
inches.
If Davies's
Cello Concerto has
already evoked
comparisons with Elgar's,
that is perhaps an
indication not only of
its wealth of solo melody
(there is hardly a page
where the cello is not
singing, or if not that,
then dancing), and of its
predominantly slow
tempos, but also of its
musical stature. This
second Strathclyde
concerto is a virtuoso
piece for the entire
ensemble, which is used
almost throughout as a
clutch of soloists rather
than as a tutti block.
The general tone is one
of passionate but
interior dialogue,
especially in the opening
Moderato and the slow
movement; and though the
finale is more extrovert,
the work ends back in
quietness and
rumination.
Violin and orchestra (solo: ob(vl) ad lib. - str) SKU: BR.PB-4888 Of S...(+)
Violin and orchestra
(solo: ob(vl) ad lib. -
str)
SKU:
BR.PB-4888
Of
Sonate No. 2 in A minor
BWV 1003 for Violin
Solo. Composed by
Johann Sebastian Bach.
Edited by Karl Heinz
Pillney. Orchestra;
Softcover.
Partitur-Bibliothek
(Score Library). Solo
concerto; Baroque. Full
score. 24 pages. Duration
16'. Breitkopf and
Haertel #PB 4888.
Published by Breitkopf
and Haertel (BR.PB-4888).
Concerto No. 1 in E
major La Primavera
(Spring). Composed by
Antonio Vivaldi. Edited
by Simon Launchbury.
Orchestra; Softcover.
Eulenburg Orchestral
Series. Here you will
find the study score for
Vivaldi, Le quattro
stagioni (The four
seasons) Concertos Nos. 1
to 4. Symphonic poem;
Baroque. Score with
continuo realization. 40
pages. Duration 10'.
Breitkopf and Haertel
#EOS 1220. Published by
Breitkopf and Haertel
(BR.EOS-1220).
Concerto No. 3 in F
major L'Autunno
(Autumn). Composed by
Antonio Vivaldi. Edited
by Simon Launchbury.
Orchestra; Softcover.
Eulenburg Orchestral
Series. Here you will
find the study score for
Vivaldi, Le quattro
stagioni (The four
seasons) Concertos Nos. 1
to 4. Symphonic poem;
Baroque. Score with
continuo realization.
Duration 12'. Breitkopf
and Haertel #EOS 1222.
Published by Breitkopf
and Haertel
(BR.EOS-1222).
Concerto No. 2 in G
minor L'Estate
(Summer). Composed by
Antonio Vivaldi. Edited
by Simon Launchbury.
Orchestra; Softcover.
Eulenburg Orchestral
Series. Here you will
find the study score for
Vivaldi, Le quattro
stagioni (The four
seasons) Concertos Nos. 1
to 4. Symphonic poem;
Baroque. Score with
continuo realization. 48
pages. Duration 11'.
Breitkopf and Haertel
#EOS 1221. Published by
Breitkopf and Haertel
(BR.EOS-1221).
Score and Parts. Composed by Johan De Meij. The Music of Johan de Meij. Solo and...(+)
Score and Parts. Composed
by Johan De Meij. The
Music of Johan de Meij.
Solo and Concerto. Set
(Score and Parts).
Composed 2000. Amstel
Music #AM 57-010.
Published by Amstel Music
Composed
by Wolfgang Amadeus
Mozart. Orchestra;
Softcover.
Partitur-Bibliothek
(Score Library).
From
a letter sent by Leopold
Mozart to his son, it
would appear that
Wolfgang Amadeus
delivered this Adagio
as a single movement
to the Salzburg violinist
Antonio Brunetti in 1776
after Brunetti found the
original middle movement
too scholarl. Solo
concerto; Classical. Full
score. 8 pages. Duration
8'. Breitkopf and Haertel
#PB 4854. Published by
Breitkopf and Haertel
(BR.PB-4854).
ISBN
9790004206522. 9 x 12
inches.
There is
considerable evidence to
support the claim that
the present Adagio in E
major is an alternative
middle movement intended
for the well-known
A-major Violin Concerto
K. 219. Ultimately,
Mozart decided to leave
the work (written in
1775) as it was, without
change.The violin part of
the present edition
contains - also in the
tutti sections - the
upper part of the
orchestra, thus leaving
it up to the soloist to
decide whether he should
pause here or join
in.
From a letter
sent by Leopold Mozart to
his son, it would appear
that Wolfgang Amadeus
delivered this Adagio as
a single movement to the
Salzburg violinist
Antonio Brunetti in 1776
after Brunetti found the
original middle movement
too scholarly..
Cello and orchestra (3
(3. auch Picc.) * 0 * 2 *
Bassklar. * 2 - 3 * 0 * 0
* 0 - P. S. (Crot. *
Marimba * kl. Trgl. * m.
u. gr. Hangebeck. * Tamt.
* Tomt. * gr. Tr. *
Chimes * Clav. * Woodbl.)
(2 Spieler) - Str. (gross
besetzt)) - advanced
SKU: HL.49019901
For Violoncello and
Orchestra. Composed
by Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
String. Softcover.
Composed 2011. 68 pages.
Duration 25'. Schott
Music #ED21667. Published
by Schott Music
(HL.49019901).
ISBN
9790001196611.
9.25x12.0x0.186
inches.
Enjott
Schneider's Concerto for
violoncello takes up the
Sumerian legend of the
bird deity 'Dugud' in
archaic scenes. Legend
has it that Princess
Emeshe was impregnated by
the hermaphrodite - half
eagle, half falcon - in a
dream and founded with
her son Almos, who had
thus been conceived, the
royal Hungarian
dynasty.In expressive
musical pictures,
Schneider describes the
dark-erotic struggle of
impregnation as well as
the chant of the unborn.
Hovering above everything
is the vision of life in
complete freedom like a
bird.The work was
premiered by the
Hungarian cellist Laszlo
Fenyo in 2011. Thanks to
the piano score written
by the composer, the work
can now also be studied
and performed by a
duo.
Violin and orchestra (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-...(+)
Violin and orchestra
(solos: vl - 2.2.2.2 -
2.2.0.0 - timp - str)
SKU: BR.PB-15136
Urtext. Composed
by Camille Saint-Saens.
Edited by Christiane
Strucken-Paland.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Full score. 32 pages.
Breitkopf and Haertel #PB
15136. Published by
Breitkopf and Haertel
(BR.PB-15136).
ISBN
9790004214725. 10 x 12.5
inches.
The
Havanaise possibly has
its roots in the
friendship of the
composer with the
Cuban-born violinist
Rafael Diaz Albertini. It
is thus perfectly
plausible that
Saint-Saens borrowed the
Cuban syncopated slow
dance Habanera out of
kindness towards his
performance partner when
he was getting ready to
write a work for Diaz
Albertini in 1887.
Saint-Saens originally
wrote a version for
violin and piano, which
was later followed by the
orchestral version that
the publisher Durand had
urged him to write. Diaz
Albertini, to whom the
work was dedicated, gave
its world premiere before
other virtuosos adopted
it for themselves and
spread its fame
throughout the world. The
basis of this first
Urtext edition of the
piece is the first
edition, which was
presumably personally
overseen by
Saint-Saens.
Violin and orchestra (Solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(Solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU: BR.PB-16110
Urtext from the new
Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Linda
Correll Roesner and
Michael Struck.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic;
Late-romantic. Full
score. 216 pages.
Duration 35'. Breitkopf
and Haertel #PB 16110.
Published by Breitkopf
and Haertel
(BR.PB-16110).
ISBN
9790004214374. 10 x 12.5
inches.
Johannes
Brahms's only violin
concerto, one of the most
important violin
concertos of the 19th
century, is now a central
repertoire piece. This
fact is all the more
notable, as, by his own
account, Brahms
understood all too little
about the instrument. The
concerto was composed at
Worthersee during the
summer of 1878 in
collaboration with Joseph
Joachim, a leading
contemporary violinist.
The solo part is
extremely demanding, with
really unusual
difficulties. This
circumstance did not go
unnoticed by the critics
of the first performance:
Even to Joachim, the
battled-seasoned
wrestler, the technically
difficult and tricky solo
part was to be mastered
only with obvious effort.
Evidencing this close
collaboration between
composer and performer is
not only the work's
genesis and publication
history, together with
its dedication to
Joachim, but also its
solo cadenza. Based on
the New Brahms Complete
Edition, this Urtext
edition includes both the
printed version of
Joachim's cadenza as well
as its shorter version
arranged in 1885 by the
violinist Marie
Soldat.
By Franz Joseph Haydn. Edited by Sonja Gerlach. For Cello Solo, orchestra. B0ren...(+)
By Franz Joseph Haydn.
Edited by Sonja Gerlach.
For Cello Solo,
orchestra. B0renreiter
Studienpartituren - Study
scores. Study Score;
Urtext Edition.
Hob.VIIb:2. Duration 22'.
Published by
Baerenreiter-Taschenparti
turen (German import).
By Camille Saint-Saëns and Camille Saint-Sa. Eulenberg Audio plus Score. Book...(+)
By Camille Saint-Saëns
and Camille Saint-Sa.
Eulenberg Audio plus
Score. Book with CD. 80
pages. Eulenburg (Schott
Music) #EAS168. Published
by Eulenburg (Schott
Music)
Concerto No. 4 in F
minor L'Inverno
(Winter). Composed by
Antonio Vivaldi. Edited
by Simon Launchbury.
Orchestra; Softcover.
Eulenburg Orchestral
Series. Symphonic poem;
Baroque. Score with
continuo realization. 40
pages. Duration 9'.
Breitkopf and Haertel
#EOS 1223. Published by
Breitkopf and Haertel
(BR.EOS-1223).
Cello and Orchestra SKU: BT.EMBZ14893 Composed by László Dubrovay. ...(+)
Cello and Orchestra
SKU: BT.EMBZ14893
Composed by László
Dubrovay. EMB
Contemporary Music.
Contemporary Music. Book
Only. Composed 2016. 68
pages. Editio Musica
Budapest #EMBZ14893.
Published by Editio
Musica Budapest
(BT.EMBZ14893).
The concerto
was inspired by István
Várdai's play and is
dedicated to him. The
triple movement structure
and the character of the
movements follow the
patterns of classical
concertos, while the
thematic connections
spanning the movements
rather reflect the
structural principles of
Romantic symphonies. In
the first movement, which
resembles the form of a
sonata, the characters of
the themes are
spectacularly separated.
The motif of the main
theme, constructed with
glissandos, is
supplemented by a theme
the composer refers to as
a motif of fate, and the
two together form a
significant contrast with
the minor theme with its
lyrical tone and the
playful, ending
themeresembling a
children's song. The
contrasts between depth
and height, as well as
darkness and light, have
a significant role in all
three movements. The
music of the first
movement gradually rises
to increasingly bright
and higher regions, the
gloomy atmosphere of the
marginal parts in the
second movement is offset
by the tune's
transcendental light in
its central part, while
the rondo theme of the
third movement with its
6/8 metre dance-like
character is supplemented
with motifs of a
contrasting nature from
the earlier
movements.
Urtext. Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Bach's manuscript
leaves several questions
unanswered.
Solo
concerto; Baroque. Full
score. 24 pages. Duration
16'. Breitkopf and
Haertel #PB 5354.
Published by Breitkopf
and Haertel (BR.PB-5354).
ISBN 9790004211533. 9
x 12 inches.
When
an editorial formula
proves to be as
compelling as in the case
of the E-major Concerto
BWV 1042, then its
obvious that it is going
to be applied again: this
time to Klaus Hofmanns
new Urtext edition of the
A-minor Concerto. Bachs
manuscript leaves several
questions unanswered. The
slurring, particularly in
the solo part, is once
again equivocal and
inconsistent. Bach
himself expected his
performers to be
creative, which is why
the interpretative
suggestions of Baroque
expert Sigiswald Kuijken
are particularly welcome.
The edition for violin
and keyboard instrument
(with continuo ad lib.)
once again contains three
violin parts (the first
unmarked, the second with
markings and comments by
Sigiswald Kuijken, the
third as a facsimile).
This provides
well-grounded stimuli for
ones own personal
interpretation based on
historically informed
performance practice. The
keyboard arrangement by
Siegfried Petrenz is
transparent and easy to
play. A violoncello part
has been added for
chamber-music.
Bac
h's manuscript leaves
several questions
unanswered.
Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde...(+)
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in Vienna.
Composed by Johannes
Brahms (1833-1897).
Partitur-Bibliothek
(Score Library). The
Double Concerto in A
minor op. 102 is Brahms'
last work for orchestra.
He wrote it in Thun in
summer 1887 at the
suggestion of the cellist
Robert Hausmann, to whom
Brahms had also dedicated
his Cello Sonata No. 2
op. 99; it was completed
just before o. Romantic.
Study score. Breitkopf
and Haertel #PB 3697-07.
Published by Breitkopf
and Haertel