Cello and Orchestra

SKU: BT.SCHEE3529

Set (Score & Parts). 6 pages. Simrock #SCHEE3529. Published by Simrock (BT.SCHEE3529).

Cello, Piano. Loehr, H.

By Franz Joseph Haydn (1732-1809), edited by S. Gerlach. Set of parts for cello and piano. Piano Reduction-paper bound. 46 pages. Published by G. Henle.

Cello and Orchestra

SKU: BT.SCHEE1250

Composed by Bertold Hummel and Gerhard Riethmueller. Set (Score & Parts). 64 pages. Simrock #SCHEE1250. Published by Simrock (BT.SCHEE1250).

Cello, Piano. Reicha, J.

Cello and Orchestra

SKU: BT.SCHEE1170

Set (Score & Parts). 18 pages. Simrock #SCHEE1170. Published by Simrock (BT.SCHEE1170).

Cello, Piano. Tschaikowsky, Pi.

Cello and Orchestra

SKU: BT.SCHEE3117

Set (Score & Parts). 16 pages. Simrock #SCHEE3117. Published by Simrock (BT.SCHEE3117).

Cello, Piano. Dvorak, A.

Violin and orchestra (solo: vl - str - bc)

SKU: BR.PB-5354

Urtext. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Orchestra; stapled. Partitur-Bibliothek (Score Library).

Bach's manuscript leaves several questions unanswered.

Solo concerto; Baroque. Full score. 24 pages. Duration 16'. Breitkopf and Haertel #PB 5354. Published by Breitkopf and Haertel (BR.PB-5354).

ISBN 9790004211533. 9 x 12 inches.

When an editorial formula proves to be as compelling as in the case of the E-major Concerto BWV 1042, then its obvious that it is going to be applied again: this time to Klaus Hofmanns new Urtext edition of the A-minor Concerto. Bachs manuscript leaves several questions unanswered. The slurring, particularly in the solo part, is once again equivocal and inconsistent. Bach himself expected his performers to be creative, which is why the interpretative suggestions of Baroque expert Sigiswald Kuijken are particularly welcome. The edition for violin and keyboard instrument (with continuo ad lib.) once again contains three violin parts (the first unmarked, the second with markings and comments by Sigiswald Kuijken, the third as a facsimile). This provides well-grounded stimuli for ones own personal interpretation based on historically informed performance practice. The keyboard arrangement by Siegfried Petrenz is transparent and easy to play. A violoncello part has been added for chamber-music.

Bac h's manuscript leaves several questions unanswered.