Composed by William Walton (1902-1983). Edited by David Lloyd-Jones. For cello and orchestra (solo cello, 2 flutes, oboe, english horn, 2 clarinets in A, 2 bassoons, 4 horns, 2 trumpets in C, 3 trombones, tuba, timpani, percussion, celeste, harp, strings). William Walton Edition. Pieces and Studies. Level D (difficult). Study score. 136 pages. Duration 27'. Published by Oxford University Press

Violin and Orchestra (Score)

SKU: HL.133335

Composed by K. Szymanowski. PWM. Classical. Part. 108 pages. Polskie Wydawnictwo Muzyczne #8537050. Published by Polskie Wydawnictwo Muzyczne (HL.133335).

8.25x11.5x0.29 inches.

Violin and orchestra (0 * 0 * 1 * 1 - 0 * 1 * 3 * 0 - S. (Trgl. * 3 hg. Beck. * Hi-hat * Crot. * Gong * Kuhgl. * Tamt. * 3 Tomt. * Bong. * Mil. Tr. * 3 Ruhrtr. * Holztr. * 2 gr. Tr. * Woodbl. * Mar. * Guiro) (3 Spieler) - elektr. Git. - Str. (26 * 0 * 8 * 6 * 4))

SKU: HL.49005903

Composed by Augustyn Bloch. Sheet music. Edition Schott. Classical. Score. Composed 1964. 60 pages. Duration 21'. Schott Music #ED 5924. Published by Schott Music (HL.49005903).

ISBN 9790001149136. 9.25x12.0x0.193 inches.

Cello and Orchestra

SKU: BT.ALHE32207

Composed by Henri Dutilleux. Classical. Score Only. 137 pages. Heugel & Cie #ALHE32207. Published by Heugel & Cie (BT.ALHE32207).

French.

Henri Dutilleux (1916-2013) was greatly influenced by his contemporaries, Ravel, Debussy and Roussel, yet implemented his own, unique style. His Cello Concerto, Tout un monde lointain, is considered to be one of the most important20th century additions to the instrument's repertoire. This Dutilleux Concerto comprises five movements which run seamlessly in to one-another, each inspired by the poetry of Charles Baudelaire. The movements are: 1) Énigme(Enigma), 2) Regard (Gaze), 3) Houles (Surges), 4) Miroirs (Mirrors), and 5) Hymne (Hymn). Tout un monde lointain was first performed in July 1970 by Russian cellist, Mstislav Rostropovich with the Orchestre de Paris. The pieceremains popular to this day, and including the entire orchestral score, this edition is essential to the advanced cellist's repertoire.

Edited by Paul Paradise. For Cello. String Orchestra Collection. The Best of.. Level: Medium-Advanced. Book. 36 pages. Published by Alfred Publishing.

Edited by Samuel Applebaum & Paul Paradise. For Cello. String Orchestra Collection. The Best of.. Level: Medium-Advanced. Book. 32 pages. Published by Alfred Publishing.

Violin and orchestra (solo: vl - 1.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.PB-14580

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Shin Augustinus Kojima. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.

Solo concerto; Classical. Full score. 92 pages. Duration 45'. Breitkopf and Haertel #PB 14580. Published by Breitkopf and Haertel (BR.PB-14580).

ISBN 9790004211069. 10 x 13 inches.

Violin and orchestra (V3 RIP)

SKU: HL.49027100

Composed by Wolfgang Amadeus Mozart. Edited by Helmut W. May. Sheet music. Edition Schott. Separate part, Violin III rip. 11 pages. Schott Music #CON106-13. Published by Schott Music (HL.49027100).

Composed by Luigi Boccherini (1743-1805). Edited by Alessandro Bares. Paperback. Minghen dal Viuluzel. Baroque, Galant. Score and set of parts (strings: 3/3/2/4). Published by Musedita Edizioni Musicali (M8.BO-4-475).

Violin and orchestra (KLA) - difficult

SKU: HL.49032481

Composed by Nikolai Andreyevich Roslavets. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Piano Reduction with Solo Part. Composed 1925. 105 pages. Duration 45'. Schott Music #ED 7824. Published by Schott Music (HL.49032481).

ISBN 9790001081177. 9.25x12.0x0.313 inches.

Cello and orchestra

SKU: LM.JJ08132

Composed by Roger Albin. Classical: 20th Century (Contemporary). Score. Editions Jobert #JJ08132. Published by Editions Jobert (LM.JJ08132).

ISBN 9790230808132.

Study Score. By Johannes Brahms. (Study Score). Schott. Size 5.25x7.5 inches. 134 pages. Published by Eulenburg.

Violin and orchestra (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-15136

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Full score. 32 pages. Breitkopf and Haertel #PB 15136. Published by Breitkopf and Haertel (BR.PB-15136).

ISBN 9790004214725. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

Cello and Orchestra

SKU: BT.EMBZ13042

By Arpad Pejtsik. By Ignaz Josef Pleyel. Solo & Concerto. Book Only. Composed 1985. 76 pages. Editio Musica Budapest #EMBZ13042. Published by Editio Musica Budapest (BT.EMBZ13042).

Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.PB-15132

Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Full score. 84 pages. Duration 25'. Breitkopf and Haertel #PB 15132. Published by Breitkopf and Haertel (BR.PB-15132).

ISBN 9790004214688. 10 x 12.5 inches.

Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.