By Edward Elgar. Edited by Jonathan Del Mar. For Violin 2. Single Part; Urtext E...(+)
By Edward Elgar. Edited
by Jonathan Del Mar. For
Violin 2. Single Part;
Urtext Edition. Op. 85.
Published by
Baerenreiter-Ausgaben
(German import). (BA9040
75)
By Edward Elgar. Edited by Jonathan Del Mar. For Violin 1. Single Part; Urtext E...(+)
By Edward Elgar. Edited
by Jonathan Del Mar. For
Violin 1. Single Part;
Urtext Edition. Op. 85.
Published by
Baerenreiter-Ausgaben
(German import). (BA9040
74)
First flute, second flute, first oboe, second oboe, first clarinet, second clari...(+)
First flute, second
flute, first oboe, second
oboe, first clarinet,
second clarinet, first
bassoon, second bassoon,
first horn-4, first
trumpet, second trumpet,
first trombone, second
trombone, third trombone,
timpani (Flutes (2),
Oboes (2), Clarinets (2),
Bassoons (2), Horns (4),
Trumpets (2), Trombones
(3), Timpani)
SKU:
BA.BA06999-65
Composed by Edouard Lalo.
Edited by Hugh MacDonald.
This edition: Urtext
edition. Stapled.
Barenreiter Urtext. Wind
Parts. Baerenreiter
Verlag #BA06999_65.
Published by Baerenreiter
Verlag (BA.BA06999-65).
ISBN 9790006531844.
32.5 x 25.5 cm inches.
Key: D minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) SK...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
2.2(or 2corn).0.0 - timp
- str)
SKU:
BR.PB-15155
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Full score. 40 pages.
Duration 9'. Breitkopf
and Haertel #PB 15155.
Published by Breitkopf
and Haertel
(BR.PB-15155).
ISBN
9790004215609. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Violin and orchestra (Solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(Solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU: BR.PB-16110
Urtext from the new
Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Linda
Correll Roesner and
Michael Struck.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic;
Late-romantic. Full
score. 216 pages.
Duration 35'. Breitkopf
and Haertel #PB 16110.
Published by Breitkopf
and Haertel
(BR.PB-16110).
ISBN
9790004214374. 10 x 12.5
inches.
Johannes
Brahms's only violin
concerto, one of the most
important violin
concertos of the 19th
century, is now a central
repertoire piece. This
fact is all the more
notable, as, by his own
account, Brahms
understood all too little
about the instrument. The
concerto was composed at
Worthersee during the
summer of 1878 in
collaboration with Joseph
Joachim, a leading
contemporary violinist.
The solo part is
extremely demanding, with
really unusual
difficulties. This
circumstance did not go
unnoticed by the critics
of the first performance:
Even to Joachim, the
battled-seasoned
wrestler, the technically
difficult and tricky solo
part was to be mastered
only with obvious effort.
Evidencing this close
collaboration between
composer and performer is
not only the work's
genesis and publication
history, together with
its dedication to
Joachim, but also its
solo cadenza. Based on
the New Brahms Complete
Edition, this Urtext
edition includes both the
printed version of
Joachim's cadenza as well
as its shorter version
arranged in 1885 by the
violinist Marie
Soldat.