Composed
by Wolfgang Amadeus
Mozart. Orchestra;
Softcover.
Partitur-Bibliothek
(Score Library).
From
a letter sent by Leopold
Mozart to his son, it
would appear that
Wolfgang Amadeus
delivered this Adagio
as a single movement
to the Salzburg violinist
Antonio Brunetti in 1776
after Brunetti found the
original middle movement
too scholarl. Solo
concerto; Classical. Full
score. 8 pages. Duration
8'. Breitkopf and Haertel
#PB 4854. Published by
Breitkopf and Haertel
(BR.PB-4854).
ISBN
9790004206522. 9 x 12
inches.
There is
considerable evidence to
support the claim that
the present Adagio in E
major is an alternative
middle movement intended
for the well-known
A-major Violin Concerto
K. 219. Ultimately,
Mozart decided to leave
the work (written in
1775) as it was, without
change.The violin part of
the present edition
contains - also in the
tutti sections - the
upper part of the
orchestra, thus leaving
it up to the soloist to
decide whether he should
pause here or join
in.
From a letter
sent by Leopold Mozart to
his son, it would appear
that Wolfgang Amadeus
delivered this Adagio as
a single movement to the
Salzburg violinist
Antonio Brunetti in 1776
after Brunetti found the
original middle movement
too scholarly..
Composed
by Theodore Antoniou.
Stapled. Study score.
Composed 1965. Opus 28.
Duration 24 minutes.
Baerenreiter Verlag
#BA04181_00. Published by
Baerenreiter Verlag
(BA.BA04181).
Composed by Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. This edition...(+)
Composed by Antonin
Dvorak (1841-1904).
Edited by Jonathan Del
Mar. This edition: urtext
edition. Paperback.
Barenreiter Urtext. Study
score. Opus 104.
Published by Baerenreiter
Verlag (BA.TP620).
By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For cello and orchest...(+)
By Antonin Dvorak
(1841-1904). Edited by
Jonathan Del Mar. For
cello and orchestra. This
edition: Urtext. Score.
Opus 104. Published by
Baerenreiter Verlag
By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For cello and orchest...(+)
By Antonin Dvorak
(1841-1904). Edited by
Jonathan Del Mar. For
cello and orchestra. This
edition: Urtext. Critical
commentary. Language:
English. Opus 104. 58
pages. Published by
Baerenreiter Verlag
Concerto No. 4 in F
minor L'Inverno
(Winter). Composed by
Antonio Vivaldi. Edited
by Simon Launchbury.
Orchestra; Softcover.
Eulenburg Orchestral
Series. Symphonic poem;
Baroque. Score with
continuo realization. 40
pages. Duration 9'.
Breitkopf and Haertel
#EOS 1223. Published by
Breitkopf and Haertel
(BR.EOS-1223).
Concerto No. 1 in E
major La Primavera
(Spring). Composed by
Antonio Vivaldi. Edited
by Simon Launchbury.
Orchestra; Softcover.
Eulenburg Orchestral
Series. Here you will
find the study score for
Vivaldi, Le quattro
stagioni (The four
seasons) Concertos Nos. 1
to 4. Symphonic poem;
Baroque. Score with
continuo realization. 40
pages. Duration 10'.
Breitkopf and Haertel
#EOS 1220. Published by
Breitkopf and Haertel
(BR.EOS-1220).
Concerto No. 3 in F
major L'Autunno
(Autumn). Composed by
Antonio Vivaldi. Edited
by Simon Launchbury.
Orchestra; Softcover.
Eulenburg Orchestral
Series. Here you will
find the study score for
Vivaldi, Le quattro
stagioni (The four
seasons) Concertos Nos. 1
to 4. Symphonic poem;
Baroque. Score with
continuo realization.
Duration 12'. Breitkopf
and Haertel #EOS 1222.
Published by Breitkopf
and Haertel
(BR.EOS-1222).
Concerto No. 2 in G
minor L'Estate
(Summer). Composed by
Antonio Vivaldi. Edited
by Simon Launchbury.
Orchestra; Softcover.
Eulenburg Orchestral
Series. Here you will
find the study score for
Vivaldi, Le quattro
stagioni (The four
seasons) Concertos Nos. 1
to 4. Symphonic poem;
Baroque. Score with
continuo realization. 48
pages. Duration 11'.
Breitkopf and Haertel
#EOS 1221. Published by
Breitkopf and Haertel
(BR.EOS-1221).
(For String Orchestra or String Quartet). Edited by Paul Paradise. For Cello. St...(+)
(For String Orchestra or
String Quartet). Edited
by Paul Paradise. For
Cello. String Orchestra
Collection. The Best of..
Level: Medium-Advanced.
Book. 28 pages. Published
by Alfred Publishing.
