Score and Parts. Composed by Johan De Meij. The Music of Johan de Meij. Solo and Concerto. Set (Score and Parts). Composed 2000. Amstel Music #AM 57-010. Published by Amstel Music

Arranged by and ed. Joanne Martin. For Cello Part. String Ensemble - Mixed. 20 pages. Published by Alfred Publishing.

Arranged by and ed. Joanne Martin. For Cello Part. String Ensemble - Mixed. 16 pages. Published by Alfred Publishing.

Arranged by and ed. Joanne Martin. For Cello Part. String Ensemble - Mixed. Published by Alfred Publishing.

Arranged by and ed. Joanne Martin. For Cello Part. String Ensemble - Mixed. 16 pages. Published by Alfred Publishing.

Violin and orchestra (VA RIP)

SKU: HL.49027101

Composed by Wolfgang Amadeus Mozart. Edited by Helmut W. May. Sheet music. Edition Schott. Separate part, Viola rip. 12 pages. Schott Music #CON106-14. Published by Schott Music (HL.49027101).

Violin and orchestra (V3 RIP)

SKU: HL.49027100

Composed by Wolfgang Amadeus Mozart. Edited by Helmut W. May. Sheet music. Edition Schott. Separate part, Violin III rip. 11 pages. Schott Music #CON106-13. Published by Schott Music (HL.49027100).

Violin and orchestra (VC/KB RIP)

SKU: HL.49027102

Composed by Wolfgang Amadeus Mozart. Edited by Helmut W. May. Sheet music. Edition Schott. Separate part, Violoncello/Double bass rip. 11 pages. Schott Music #CON106-15. Published by Schott Music (HL.49027102).

Violin and orchestra (V1 RIP)

SKU: HL.49027098

Composed by Wolfgang Amadeus Mozart. Edited by Helmut W. May. Sheet music. Edition Schott. Separate part, Violin I rip. 16 pages. Schott Music #CON106-11. Published by Schott Music (HL.49027098).

Violin and orchestra (V2 RIP)

SKU: HL.49027099

Composed by Wolfgang Amadeus Mozart. Edited by Helmut W. May. Sheet music. Edition Schott. Separate part, Violin II rip. 16 pages. Schott Music #CON106-12. Published by Schott Music (HL.49027099).

Violin and orchestra (HARM ST)

SKU: HL.49027097

Composed by Wolfgang Amadeus Mozart. Edited by Helmut W. May. Sheet music. Edition Schott. Wind parts, Flute I, Flute II, Oboe I, Oboe II, Horn-g/-d I, Horn-g/-d II. 32 pages. Schott Music #CON106-10. Published by Schott Music (HL.49027097).

By Edward Elgar. Edited by Jonathan Del Mar. For Violin 2. Single Part; Urtext Edition. Op. 85. Published by Baerenreiter-Ausgaben (German import). (BA9040 75)

By Edward Elgar. Edited by Jonathan Del Mar. For Violin 1. Single Part; Urtext Edition. Op. 85. Published by Baerenreiter-Ausgaben (German import). (BA9040 74)

By Dvorak Antonin. Czech title: Koncert pro violoncello a orchestr h moll op. 104. Published by Praha (Czech import).

Violin and orchestra (solo: vl - str - bc)

SKU: BR.PB-5354

Urtext. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Orchestra; stapled. Partitur-Bibliothek (Score Library).

Bach's manuscript leaves several questions unanswered.

Solo concerto; Baroque. Full score. 24 pages. Duration 16'. Breitkopf and Haertel #PB 5354. Published by Breitkopf and Haertel (BR.PB-5354).

ISBN 9790004211533. 9 x 12 inches.

When an editorial formula proves to be as compelling as in the case of the E-major Concerto BWV 1042, then its obvious that it is going to be applied again: this time to Klaus Hofmanns new Urtext edition of the A-minor Concerto. Bachs manuscript leaves several questions unanswered. The slurring, particularly in the solo part, is once again equivocal and inconsistent. Bach himself expected his performers to be creative, which is why the interpretative suggestions of Baroque expert Sigiswald Kuijken are particularly welcome. The edition for violin and keyboard instrument (with continuo ad lib.) once again contains three violin parts (the first unmarked, the second with markings and comments by Sigiswald Kuijken, the third as a facsimile). This provides well-grounded stimuli for ones own personal interpretation based on historically informed performance practice. The keyboard arrangement by Siegfried Petrenz is transparent and easy to play. A violoncello part has been added for chamber-music.

Bac h's manuscript leaves several questions unanswered.

Violin and orchestra (solo: vl - str - bc)

SKU: BR.PB-5297

Composed by Franz Joseph Haydn. Edited by Walter Heinz Bernstein. Orchestra; stapled. Partitur-Bibliothek (Score Library).

Haydn's C major Concerto now in a new, up-to-date edition

EB 8634 (edition for violin and piano) with cadenzas by Thomas Zehetmair

Solo concerto; Classical. Full score. 24 pages. Duration 24'. Breitkopf and Haertel #PB 5297. Published by Breitkopf and Haertel (BR.PB-5297).

ISBN 9790004211755. 10 x 12.5 inches.

Haydn's Violin Concerto in C major has always been closely linked to Breitkopf & Hartel, which began selling copies of the work back in 1769. The first edition came out in 1909 and helped secure the work a broad dissemination and lasting popularity. Strangely enough, this first edition is one of the most important sources today, since its own source a copy of Haydn's autograph, perhaps the autograph itself was lost at the end of World War II. Although other copies from Haydn's time were made, they are textually less reliable. Walter Heinz Bernstein has created an easily playable and pleasant-sounding piano score on the basis of the first edition, whereby he has respected the early classical continuo practice. As he did earlier in the G major Concerto (EB 8606), Thomas Zehetmair has once again accepted the challenging task of embellishing the solo part with stylistically accurate cadenzas and flourishes. This delightful concerto is thus now available in a modern edition.The piano-harpsichord part by Walter Heinz Bernstein features a continuo part in keeping with the late Baroque performing tradition and offers a much cleaner, unfettered realization.(Stringendo)< br>
Haydn's C major Concerto now in a new, up-to-date edition.

Violin and orchestra (solo: vl - 2.0.0.0 - 2.0.0.0 - str)

SKU: BR.PB-4854

Composed by Wolfgang Amadeus Mozart. Orchestra; Softcover. Partitur-Bibliothek (Score Library).

From a letter sent by Leopold Mozart to his son, it would appear that Wolfgang Amadeus delivered this Adagio as a single movement to the Salzburg violinist Antonio Brunetti in 1776 after Brunetti found the original middle movement too scholarl. Solo concerto; Classical. Full score. 8 pages. Duration 8'. Breitkopf and Haertel #PB 4854. Published by Breitkopf and Haertel (BR.PB-4854).

ISBN 9790004206522. 9 x 12 inches.

There is considerable evidence to support the claim that the present Adagio in E major is an alternative middle movement intended for the well-known A-major Violin Concerto K. 219. Ultimately, Mozart decided to leave the work (written in 1775) as it was, without change.The violin part of the present edition contains - also in the tutti sections - the upper part of the orchestra, thus leaving it up to the soloist to decide whether he should pause here or join in.

From a letter sent by Leopold Mozart to his son, it would appear that Wolfgang Amadeus delivered this Adagio as a single movement to the Salzburg violinist Antonio Brunetti in 1776 after Brunetti found the original middle movement too scholarly..

Violin and orchestra (solo: vl - 1.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.PB-5531-07

Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Orchestra; Softcover. Partitur-Bibliothek (Score Library).

Beethoven would probably have loved to be able to commission a new edition of his violin concerto from Clive Brown, since he is one of the top specialists, with a profound knowledge and experience of performance practice in Beethoven's day.

Solo concerto; Classical. Study Score. 88 pages. Duration 45'. Breitkopf and Haertel #PB 5531-07. Published by Breitkopf and Haertel (BR.PB-5531-07).

ISBN 9790004212608. 6.5 x 9 inches.

What with all the traditional editions available on the market, can we still expect new readings? This is what editor Clive Brown asked himself as he meticulously examined the often conflicting sources. The result is a wealth of new readings in the score, which deserve as much attention as the extensively commented arrangement for violin and piano. The treatment of the solo instrument is particularly interesting: next to the Urtext solo part, the edition also contains a historically informed and marked-up part with fingerings and bowings that go back to Franz Clement, the soloist of the premiere performance, and to the Viennese performance tradition of Beethovens time. For violinists of today, this is a treasure trove of new, innovative ideas and suggestions for the individual shaping of the part.