Score and Parts. Composed by Johan De Meij. The Music of Johan de Meij. Solo and...(+)
Score and Parts. Composed
by Johan De Meij. The
Music of Johan de Meij.
Solo and Concerto. Set
(Score and Parts).
Composed 2000. Amstel
Music #AM 57-010.
Published by Amstel Music
Violin and orchestra (VA RIP) SKU: HL.49027101 Composed by Wolfgang Amade...(+)
Violin and orchestra (VA
RIP)
SKU:
HL.49027101
Composed
by Wolfgang Amadeus
Mozart. Edited by Helmut
W. May. Sheet music.
Edition Schott. Separate
part, Viola rip. 12
pages. Schott Music
#CON106-14. Published by
Schott Music
(HL.49027101).
Violin and orchestra (V3 RIP) SKU: HL.49027100 Composed by Wolfgang Amade...(+)
Violin and orchestra (V3
RIP)
SKU:
HL.49027100
Composed
by Wolfgang Amadeus
Mozart. Edited by Helmut
W. May. Sheet music.
Edition Schott. Separate
part, Violin III rip. 11
pages. Schott Music
#CON106-13. Published by
Schott Music
(HL.49027100).
Violin and orchestra (VC/KB RIP) SKU: HL.49027102 Composed by Wolfgang Am...(+)
Violin and orchestra
(VC/KB RIP)
SKU:
HL.49027102
Composed
by Wolfgang Amadeus
Mozart. Edited by Helmut
W. May. Sheet music.
Edition Schott. Separate
part, Violoncello/Double
bass rip. 11 pages.
Schott Music #CON106-15.
Published by Schott Music
(HL.49027102).
Violin and orchestra (V1 RIP) SKU: HL.49027098 Composed by Wolfgang Amade...(+)
Violin and orchestra (V1
RIP)
SKU:
HL.49027098
Composed
by Wolfgang Amadeus
Mozart. Edited by Helmut
W. May. Sheet music.
Edition Schott. Separate
part, Violin I rip. 16
pages. Schott Music
#CON106-11. Published by
Schott Music
(HL.49027098).
Violin and orchestra (V2 RIP) SKU: HL.49027099 Composed by Wolfgang Amade...(+)
Violin and orchestra (V2
RIP)
SKU:
HL.49027099
Composed
by Wolfgang Amadeus
Mozart. Edited by Helmut
W. May. Sheet music.
Edition Schott. Separate
part, Violin II rip. 16
pages. Schott Music
#CON106-12. Published by
Schott Music
(HL.49027099).
Violin and orchestra (HARM ST) SKU: HL.49027097 Composed by Wolfgang Amad...(+)
Violin and orchestra
(HARM ST)
SKU:
HL.49027097
Composed
by Wolfgang Amadeus
Mozart. Edited by Helmut
W. May. Sheet music.
Edition Schott. Wind
parts, Flute I, Flute II,
Oboe I, Oboe II,
Horn-g/-d I, Horn-g/-d
II. 32 pages. Schott
Music #CON106-10.
Published by Schott Music
(HL.49027097).
By Edward Elgar. Edited by Jonathan Del Mar. For Violin 2. Single Part; Urtext E...(+)
By Edward Elgar. Edited
by Jonathan Del Mar. For
Violin 2. Single Part;
Urtext Edition. Op. 85.
Published by
Baerenreiter-Ausgaben
(German import). (BA9040
75)
By Edward Elgar. Edited by Jonathan Del Mar. For Violin 1. Single Part; Urtext E...(+)
By Edward Elgar. Edited
by Jonathan Del Mar. For
Violin 1. Single Part;
Urtext Edition. Op. 85.
Published by
Baerenreiter-Ausgaben
(German import). (BA9040
74)
Urtext. Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Bach's manuscript
leaves several questions
unanswered.
Solo
concerto; Baroque. Full
score. 24 pages. Duration
16'. Breitkopf and
Haertel #PB 5354.
Published by Breitkopf
and Haertel (BR.PB-5354).
ISBN 9790004211533. 9
x 12 inches.
When
an editorial formula
proves to be as
compelling as in the case
of the E-major Concerto
BWV 1042, then its
obvious that it is going
to be applied again: this
time to Klaus Hofmanns
new Urtext edition of the
A-minor Concerto. Bachs
manuscript leaves several
questions unanswered. The
slurring, particularly in
the solo part, is once
again equivocal and
inconsistent. Bach
himself expected his
performers to be
creative, which is why
the interpretative
suggestions of Baroque
expert Sigiswald Kuijken
are particularly welcome.
The edition for violin
and keyboard instrument
(with continuo ad lib.)
once again contains three
violin parts (the first
unmarked, the second with
markings and comments by
Sigiswald Kuijken, the
third as a facsimile).
This provides
well-grounded stimuli for
ones own personal
interpretation based on
historically informed
performance practice. The
keyboard arrangement by
Siegfried Petrenz is
transparent and easy to
play. A violoncello part
has been added for
chamber-music.
Bac
h's manuscript leaves
several questions
unanswered.
Violin and orchestra (solo: vl - str - bc) SKU: BR.PB-5297 Composed by Fr...(+)
Violin and orchestra
(solo: vl - str - bc)
SKU: BR.PB-5297
Composed by Franz Joseph
Haydn. Edited by Walter
Heinz Bernstein.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Haydn's C major
Concerto now in a new,
up-to-date
edition
EB 8634
(edition for violin and
piano) with cadenzas by
Thomas Zehetmair
Solo
concerto; Classical. Full
score. 24 pages. Duration
24'. Breitkopf and
Haertel #PB 5297.
Published by Breitkopf
and Haertel (BR.PB-5297).
ISBN 9790004211755. 10
x 12.5
inches.
Haydn's
Violin Concerto in C
major has always been
closely linked to
Breitkopf & Hartel,
which began selling
copies of the work back
in 1769. The first
edition came out in 1909
and helped secure the
work a broad
dissemination and lasting
popularity. Strangely
enough, this first
edition is one of the
most important sources
today, since its own
source a copy of Haydn's
autograph, perhaps the
autograph itself was lost
at the end of World War
II. Although other copies
from Haydn's time were
made, they are textually
less reliable. Walter
Heinz Bernstein has
created an easily
playable and
pleasant-sounding piano
score on the basis of the
first edition, whereby he
has respected the early
classical continuo
practice. As he did
earlier in the G major
Concerto (EB 8606),
Thomas Zehetmair has once
again accepted the
challenging task of
embellishing the solo
part with stylistically
accurate cadenzas and
flourishes. This
delightful concerto is
thus now available in a
modern edition.The
piano-harpsichord part by
Walter Heinz Bernstein
features a continuo part
in keeping with the late
Baroque performing
tradition and offers a
much cleaner, unfettered
realization.(Stringendo)<
br> Haydn's C major
Concerto now in a new,
up-to-date edition.
Composed
by Wolfgang Amadeus
Mozart. Orchestra;
Softcover.
Partitur-Bibliothek
(Score Library).
From
a letter sent by Leopold
Mozart to his son, it
would appear that
Wolfgang Amadeus
delivered this Adagio
as a single movement
to the Salzburg violinist
Antonio Brunetti in 1776
after Brunetti found the
original middle movement
too scholarl. Solo
concerto; Classical. Full
score. 8 pages. Duration
8'. Breitkopf and Haertel
#PB 4854. Published by
Breitkopf and Haertel
(BR.PB-4854).
ISBN
9790004206522. 9 x 12
inches.
There is
considerable evidence to
support the claim that
the present Adagio in E
major is an alternative
middle movement intended
for the well-known
A-major Violin Concerto
K. 219. Ultimately,
Mozart decided to leave
the work (written in
1775) as it was, without
change.The violin part of
the present edition
contains - also in the
tutti sections - the
upper part of the
orchestra, thus leaving
it up to the soloist to
decide whether he should
pause here or join
in.
From a letter
sent by Leopold Mozart to
his son, it would appear
that Wolfgang Amadeus
delivered this Adagio as
a single movement to the
Salzburg violinist
Antonio Brunetti in 1776
after Brunetti found the
original middle movement
too scholarly..
Violin and orchestra (solo: vl - 1.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.PB...(+)
Violin and orchestra
(solo: vl - 1.2.2.2. -
2.2.0.0. - timp - str)
SKU: BR.PB-5531-07
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; Softcover.
Partitur-Bibliothek
(Score Library).
Beethoven would
probably have loved to be
able to commission a new
edition of his violin
concerto from Clive
Brown, since he is one of
the top specialists, with
a profound knowledge and
experience of performance
practice in Beethoven's
day.
Solo concerto;
Classical. Study Score.
88 pages. Duration 45'.
Breitkopf and Haertel #PB
5531-07. Published by
Breitkopf and Haertel
(BR.PB-5531-07).
ISBN
9790004212608. 6.5 x 9
inches.
What with
all the traditional
editions available on the
market, can we still
expect new readings? This
is what editor Clive
Brown asked himself as he
meticulously examined the
often conflicting
sources. The result is a
wealth of new readings in
the score, which deserve
as much attention as the
extensively commented
arrangement for violin
and piano. The treatment
of the solo instrument is
particularly interesting:
next to the Urtext solo
part, the edition also
contains a historically
informed and marked-up
part with fingerings and
bowings that go back to
Franz Clement, the
soloist of the premiere
performance, and to the
Viennese performance
tradition of Beethovens
time. For violinists of
today, this is a treasure
trove of new, innovative
ideas and suggestions for
the individual shaping of
the part.