Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.PB-15155

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Full score. 40 pages. Duration 9'. Breitkopf and Haertel #PB 15155. Published by Breitkopf and Haertel (BR.PB-15155).

ISBN 9790004215609. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Composed by Lowell Liebermann. Perfect. 120 pages. Duration 26:00:00. Theodore Presser Company #116-41140S. Published by Theodore Presser Company

Cello and orchestra

SKU: M7.JO-45-01

For violoncello and orchestra. Composed by Hans Pfitzner. This edition: Saddle-wire stitching. Sheet music. Piano reduction with solo part. Composed 1944. Op. 52. 44 pages. Duration 25'. MDS (Music Distribution Services) #JO 45-01. Published by MDS (Music Distribution Services) (M7.JO-45-01).

ISBN 9790001216678. UPC: 842819117810.

In diesem als Alterswerk geschriebenen Cellokonzert greift der Komponist auf ein Hautthema zurück, das er während seines Studiums geschrieben, aber nie veröffentlicht hatte. Er selbst nannte es einen Gruß an die eigene Jugend.

Full Score. Composed by Robert Schumann. Edited by Josephine Knight. Orchestra. Edition Peters. Full Score. 64 pages. Duration 00:22:00. Edition Peters #98-EP73488A. Published by Edition Peters

Violin and orchestra (solo: vl - str - bc)

SKU: BR.PB-4384

Composed by Franz Joseph Haydn. Orchestra; stapled. Partitur-Bibliothek (Score Library). EB 8606 (edition for violin and piano) with cadenzas by Thomas Zehetmair. Solo concerto; Classical. Full score. 48 pages. Duration 20'. Breitkopf and Haertel #PB 4384. Published by Breitkopf and Haertel (BR.PB-4384).

ISBN 9790004203033. 10 x 12.5 inches.

EB 8606 (edition for violin and piano) with cadenzas by Thomas Zehetmair.

Cello and Orchestra

SKU: HL.14006311

Composed by Sir Arthur Drummond Bliss. Music Sales America. Post-1900. Studyscore. 122 pages. Music Sales #NOV090211. Published by Music Sales (HL.14006311).

8.5x11.75x0.5 inches.

Study Score edition of the Concerto For Cello and Orchestra. Duration 26 minutes.

Violin and orchestra (solo: vl - 0.2.0.0 - 0.2.0.0 - timp - str)

SKU: BR.PB-5333

(Concert Piece). Composed by Franz Schubert. Orchestra; Softcover. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Full score. 28 pages. Duration 10'. Breitkopf and Haertel #PB 5333. Published by Breitkopf and Haertel (BR.PB-5333).

ISBN 9790004210215. 9 x 12 inches.

(Concerto for Cello and Orchestra). Composed by Michael Torke (1961-). For cello and orchestra. This edition: saddle stitch. Score. 76 pages. Duration ca. 23 minutes. Published by Bill Holab Music

Violin and orchestra (3( 2:pic,3:pic,afl) * 2.ca. * 2.bcl * 2.cbn - 4 * 2 * 3 * 1 - timp. * perc(vibra., tub.bells, marimba., crots., maraca., high bng., large cym., low tom-tom, frusta, hi-hat, xylo., b.d., large tam-tam, hand bells, t.bl., cong., tri., cabaca) - hp - str.)

SKU: HL.49014914

Composed by John Casken. Sheet music. Edition Schott. Commissioned by the BBC. Classical. Study Score. 124 pages. Duration 30'. Schott Music #ED 12497. Published by Schott Music (HL.49014914).

ISBN 9790220117602. 8.25x11.75x0.534 inches.

Violin and orchestra (solo: vl - 2.2.0.2 - 2.2.0.0 - str)

SKU: BR.PB-4390

Haffner-Serenade. Composed by Wolfgang Amadeus Mozart. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Serenade/divertimento; Solo concerto; Classical. Full score. 100 pages. Duration 40'. Breitkopf and Haertel #PB 4390. Published by Breitkopf and Haertel (BR.PB-4390).

ISBN 9790004203095. 9 x 12 inches.

By Franz Joseph Haydn. Edited by Sonja Gerlach. For Cello Solo, orchestra. B0renreiter Studienpartituren - Study scores. Study Score; Urtext Edition. Hob.VIIb:2. Duration 22'. Published by Baerenreiter-Taschenparti turen (German import).

Violin and orchestra (Violin Solo, Fl, Ob, clarinet, bassoon, Hn, Trp, trombone, Tb, 3percussion, Cel, harp, Str)

SKU: BA.BA04181

Composed by Theodore Antoniou. Stapled. Study score. Composed 1965. Opus 28. Duration 24 minutes. Baerenreiter Verlag #BA04181_00. Published by Baerenreiter Verlag (BA.BA04181).

ISBN 9790006444601. 27 x 21 cm inches.

Violin and orchestra (Solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.PB-16110

Urtext from the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Linda Correll Roesner and Michael Struck. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Romantic; Late-romantic. Full score. 216 pages. Duration 35'. Breitkopf and Haertel #PB 16110. Published by Breitkopf and Haertel (BR.PB-16110).

ISBN 9790004214374. 10 x 12.5 inches.

Johannes Brahms's only violin concerto, one of the most important violin concertos of the 19th century, is now a central repertoire piece. This fact is all the more notable, as, by his own account, Brahms understood all too little about the instrument. The concerto was composed at Worthersee during the summer of 1878 in collaboration with Joseph Joachim, a leading contemporary violinist. The solo part is extremely demanding, with really unusual difficulties. This circumstance did not go unnoticed by the critics of the first performance: Even to Joachim, the battled-seasoned wrestler, the technically difficult and tricky solo part was to be mastered only with obvious effort. Evidencing this close collaboration between composer and performer is not only the work's genesis and publication history, together with its dedication to Joachim, but also its solo cadenza. Based on the New Brahms Complete Edition, this Urtext edition includes both the printed version of Joachim's cadenza as well as its shorter version arranged in 1885 by the violinist Marie Soldat.

Composed by William Walton (1902-1983). Edited by David Lloyd-Jones. For cello and orchestra (solo cello, 2 flutes, oboe, english horn, 2 clarinets in A, 2 bassoons, 4 horns, 2 trumpets in C, 3 trombones, tuba, timpani, percussion, celeste, harp, strings). William Walton Edition. Pieces and Studies. Level D (difficult). Study score. 136 pages. Duration 27'. Published by Oxford University Press

Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.PB-15132

Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Full score. 84 pages. Duration 25'. Breitkopf and Haertel #PB 15132. Published by Breitkopf and Haertel (BR.PB-15132).

ISBN 9790004214688. 10 x 12.5 inches.

Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.

Violin and orchestra (solo: vl - 1.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.PB-14580

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Shin Augustinus Kojima. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.

Solo concerto; Classical. Full score. 92 pages. Duration 45'. Breitkopf and Haertel #PB 14580. Published by Breitkopf and Haertel (BR.PB-14580).

ISBN 9790004211069. 10 x 13 inches.

Cello and orchestra

SKU: BR.PB-5509

Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. Orchestra; stapled. Partitur-Bibliothek (Score Library).

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

Solo concerto; Early classical. Full score. 52 pages. Duration 27'. Breitkopf and Haertel #PB 5509. Published by Breitkopf and Haertel (BR.PB-5509).

ISBN 9790004211694. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.