Eulenburg Audio Score Series. By Edward Elgar. This edition: EAS121. Eulenburg A...(+)
Eulenburg Audio Score
Series. By Edward Elgar.
This edition: EAS121.
Eulenburg Audio Score
(Pocket Scores CD).
Study score and CD. 112
pages. Published by
Eulenburg.
Cello and Orchestra SKU: BT.EMBZ13255 By Istvan Homolya. By Giovanni Batt...(+)
Cello and Orchestra
SKU: BT.EMBZ13255
By Istvan Homolya. By
Giovanni Battista
Martini. Solo & Concerto.
Book Only. Composed 1987.
28 pages. Editio Musica
Budapest #EMBZ13255.
Published by Editio
Musica Budapest
(BT.EMBZ13255).
By Gerald E. Anderson. Edited by Robert Frost. Orchestra Method/Study. All for S...(+)
By Gerald E. Anderson.
Edited by Robert Frost.
Orchestra Method/Study.
All for Strings Method.
Level: Elementary. Music
Book. Published by Neil
A. Kjos Music Company.
By Edward Elgar. Edited by Jonathan Del Mar. For Violin 2. Single Part; Urtext E...(+)
By Edward Elgar. Edited
by Jonathan Del Mar. For
Violin 2. Single Part;
Urtext Edition. Op. 85.
Published by
Baerenreiter-Ausgaben
(German import). (BA9040
75)
By Edward Elgar. Edited by Jonathan Del Mar. For Violin 1. Single Part; Urtext E...(+)
By Edward Elgar. Edited
by Jonathan Del Mar. For
Violin 1. Single Part;
Urtext Edition. Op. 85.
Published by
Baerenreiter-Ausgaben
(German import). (BA9040
74)
Cello and Orchestra SKU: BT.EMBZ13181 Per violoncello, archi e cembalo...(+)
Cello and Orchestra
SKU: BT.EMBZ13181
Per violoncello, archi
e cembalo. By Istvan
Koloss_Arpád Pejtsik.
By Giovanni Battista
Martini. Solo & Concerto.
Score Only. Composed
1986. 24 pages. Editio
Musica Budapest
#EMBZ13181. Published by
Editio Musica Budapest
(BT.EMBZ13181).
Urtext. Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Bach's manuscript
leaves several questions
unanswered.
Solo
concerto; Baroque. Full
score. 24 pages. Duration
16'. Breitkopf and
Haertel #PB 5354.
Published by Breitkopf
and Haertel (BR.PB-5354).
ISBN 9790004211533. 9
x 12 inches.
When
an editorial formula
proves to be as
compelling as in the case
of the E-major Concerto
BWV 1042, then its
obvious that it is going
to be applied again: this
time to Klaus Hofmanns
new Urtext edition of the
A-minor Concerto. Bachs
manuscript leaves several
questions unanswered. The
slurring, particularly in
the solo part, is once
again equivocal and
inconsistent. Bach
himself expected his
performers to be
creative, which is why
the interpretative
suggestions of Baroque
expert Sigiswald Kuijken
are particularly welcome.
The edition for violin
and keyboard instrument
(with continuo ad lib.)
once again contains three
violin parts (the first
unmarked, the second with
markings and comments by
Sigiswald Kuijken, the
third as a facsimile).
This provides
well-grounded stimuli for
ones own personal
interpretation based on
historically informed
performance practice. The
keyboard arrangement by
Siegfried Petrenz is
transparent and easy to
play. A violoncello part
has been added for
chamber-music.
Bac
h's manuscript leaves
several questions
unanswered.