Urtext
based on the new Complete
Edition (G. Henle
Verlag). Composed by
Ludwig van Beethoven.
Edited by Shin Augustinus
Kojima. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Solo
concerto; Classical. Full
score. 28 pages.
Breitkopf and Haertel #PB
14590. Published by
Breitkopf and Haertel
(BR.PB-14590).
ISBN
9790004211120. 10 x 12.5
inches.
When Ludwig
van Beethoven wrote the
present two works around
1800, the Romance as a
genre designation for a
soulful, melodious
instrumental piece was
anything but established,
despite the occasional
piece bearing this title.
Beethoven himself named
the pieces Romance in the
autographs, but offered
them to Breitkopf &
Hartel for publication as
Solo. His brother Karl
even spoke of 2 Adagios
to the publisher.
Nevertheless, Beethoven's
two Romances for violin
achieved lasting
popularity ever since the
publication of the first
editions in 1803 and
1805.The present Urtext
edition takes the
autographs and first
editions as its main
sources.
The piano
reduction and the study
score (,,Studien-Edition)
are available at G. Henle
Verlag.
(Concerti Grossi for String Orchestra or String Quartet). Edited by Paul Paradis...(+)
(Concerti Grossi for
String Orchestra or
String Quartet). Edited
by Paul Paradise. For
Cello. String Orchestra
Collection. The Best of..
Level: Medium-Advanced.
Book. 32 pages. Published
by Alfred Publishing.
Cello and orchestra SKU: FG.55011-608-5 Variaatioita sellolle ja orkes...(+)
Cello and orchestra
SKU:
FG.55011-608-5
Variaatioita sellolle
ja orkesterille op 5.
Composed by Aulis
Sallinen. Score. Fennica
Gehrman #55011-608-5.
Published by Fennica
Gehrman (FG.55011-608-5).
ISBN
9790550116085.
Auli
s Sallinen (b. 1935) is
one of the most famous
Finnish contemporary
composers. In his early
instrumental works,
Sallinen was still
seeking to establish a
style of his own. He had
studied at the Sibelius
Academy in the late
1950s, first with Aarre
Merikanto - a composer
representing a national
brand of Neoclassicism -
and then with Joonas
Kokkonen, at that time
just transitioning from
Neoclassicism to
dodecaphony. Twelve-tone
music had won fairly
widespread acceptance in
contemporary Finn-ish
music, and Sallinen was
influenced, too. The
Variations are Sallinen's
first real work for the
cello - an instrument
that would later be one
of his favourites, its
warm, deep voice
corres-ponding to his
music's often dark
undercurrent.
The Variations for Cello
and Orchestra, Op. 5 were
composed in 1961-1962 and
premiered in October
1962. The basic motif
consists of a set of
three descending
intervals stated by the
cello at the beginning:
D-D flat-F, C-B-G and B
flat-A-F sharp. Their use
as basic material is a
ref-lection of the
composer's
dodecaphony-oriented
period, and variation of
this material provides
the framework for the
piece.
Variations for Cello and
Orchestra are now
published for the first
time. Available are a
reduction for cello and
piano, study score and
complete performance
material with
orchestra.