Composed
by Wolfgang Amadeus
Mozart. Orchestra;
Softcover.
Partitur-Bibliothek
(Score Library).
From
a letter sent by Leopold
Mozart to his son, it
would appear that
Wolfgang Amadeus
delivered this Adagio
as a single movement
to the Salzburg violinist
Antonio Brunetti in 1776
after Brunetti found the
original middle movement
too scholarl. Solo
concerto; Classical. Full
score. 8 pages. Duration
8'. Breitkopf and Haertel
#PB 4854. Published by
Breitkopf and Haertel
(BR.PB-4854).
ISBN
9790004206522. 9 x 12
inches.
There is
considerable evidence to
support the claim that
the present Adagio in E
major is an alternative
middle movement intended
for the well-known
A-major Violin Concerto
K. 219. Ultimately,
Mozart decided to leave
the work (written in
1775) as it was, without
change.The violin part of
the present edition
contains - also in the
tutti sections - the
upper part of the
orchestra, thus leaving
it up to the soloist to
decide whether he should
pause here or join
in.
From a letter
sent by Leopold Mozart to
his son, it would appear
that Wolfgang Amadeus
delivered this Adagio as
a single movement to the
Salzburg violinist
Antonio Brunetti in 1776
after Brunetti found the
original middle movement
too scholarly..
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) SK...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
2.2(or 2corn).0.0 - timp
- str)
SKU:
BR.PB-15155
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Full score. 40 pages.
Duration 9'. Breitkopf
and Haertel #PB 15155.
Published by Breitkopf
and Haertel
(BR.PB-15155).
ISBN
9790004215609. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Concerto No. 1 in E
major La Primavera
(Spring). Composed by
Antonio Vivaldi. Edited
by Simon Launchbury.
Orchestra; Softcover.
Eulenburg Orchestral
Series. Here you will
find the study score for
Vivaldi, Le quattro
stagioni (The four
seasons) Concertos Nos. 1
to 4. Symphonic poem;
Baroque. Score with
continuo realization. 40
pages. Duration 10'.
Breitkopf and Haertel
#EOS 1220. Published by
Breitkopf and Haertel
(BR.EOS-1220).
Concerto No. 3 in F
major L'Autunno
(Autumn). Composed by
Antonio Vivaldi. Edited
by Simon Launchbury.
Orchestra; Softcover.
Eulenburg Orchestral
Series. Here you will
find the study score for
Vivaldi, Le quattro
stagioni (The four
seasons) Concertos Nos. 1
to 4. Symphonic poem;
Baroque. Score with
continuo realization.
Duration 12'. Breitkopf
and Haertel #EOS 1222.
Published by Breitkopf
and Haertel
(BR.EOS-1222).
Concerto No. 2 in G
minor L'Estate
(Summer). Composed by
Antonio Vivaldi. Edited
by Simon Launchbury.
Orchestra; Softcover.
Eulenburg Orchestral
Series. Here you will
find the study score for
Vivaldi, Le quattro
stagioni (The four
seasons) Concertos Nos. 1
to 4. Symphonic poem;
Baroque. Score with
continuo realization. 48
pages. Duration 11'.
Breitkopf and Haertel
#EOS 1221. Published by
Breitkopf and Haertel
(BR.EOS-1221).
Cello and Orchestra SKU: HL.14020990 Composed by Sir Peter Maxwell Davies...(+)
Cello and Orchestra
SKU: HL.14020990
Composed by Sir Peter
Maxwell Davies. Music
Sales America. 20th
Century. Score. Composed
1999. 80 pages. Chester
Music #CH58933. Published
by Chester Music
(HL.14020990).
ISBN
9780711923904.
5.5x7.5x0.283
inches.
If Davies's
Cello Concerto has
already evoked
comparisons with Elgar's,
that is perhaps an
indication not only of
its wealth of solo melody
(there is hardly a page
where the cello is not
singing, or if not that,
then dancing), and of its
predominantly slow
tempos, but also of its
musical stature. This
second Strathclyde
concerto is a virtuoso
piece for the entire
ensemble, which is used
almost throughout as a
clutch of soloists rather
than as a tutti block.
The general tone is one
of passionate but
interior dialogue,
especially in the opening
Moderato and the slow
movement; and though the
finale is more extrovert,
the work ends back in
quietness and
rumination.
Violin and Orchestra (Score) SKU: HL.14008396 Composed by Sir Peter Maxwe...(+)
Violin and Orchestra
(Score)
SKU:
HL.14008396
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical. Book
[Softcover]. Composed
1999. 112 pages. Chester
Music #CH55780. Published
by Chester Music
(HL.14008396).
ISBN
9780711921337.
8.5x12.0x0.533
inches.
This work
was commissioned by the
Royal Philharmonic
Orchestra to celebrate
its 40th birthday. The
first performance took
place in June 1986 at St.
Magnus' Cathedral,
Kirkwall, as part of the
tenth St. Magnus
Festival. Written for and
first performed by Isaac
Stern, Davies's Violin
Concerto brings together
two streams in his music:
symphonism and
folk-fiddling. In its
strongly developed
substance, it asks to be
measured in the company
of Beethoven, Brahms and
Sibelius, while there is
also, particularly in the
middle movement, a strong
element of the Scots
lament. The orchestra is
generally muted in
colour, though there is a
dramatic role for the
timpanist. There are
three movements, played
without a break - this is
only one of many
connections with the
Mendelssohn Violin
Concerto. Duration c.
30mins.
By Edward Elgar. Edited by Jonathan Del Mar. For Violin 2. Single Part; Urtext E...(+)
By Edward Elgar. Edited
by Jonathan Del Mar. For
Violin 2. Single Part;
Urtext Edition. Op. 85.
Published by
Baerenreiter-Ausgaben
(German import). (BA9040
75)
By Edward Elgar. Edited by Jonathan Del Mar. For Violin 1. Single Part; Urtext E...(+)
By Edward Elgar. Edited
by Jonathan Del Mar. For
Violin 1. Single Part;
Urtext Edition. Op. 85.
Published by
Baerenreiter-Ausgaben
(German import). (BA9040
74)
First flute, second flute, first oboe, second oboe, first clarinet, second clari...(+)
First flute, second
flute, first oboe, second
oboe, first clarinet,
second clarinet, first
bassoon, second bassoon,
first horn-4, first
trumpet, second trumpet,
first trombone, second
trombone, third trombone,
timpani (Flutes (2),
Oboes (2), Clarinets (2),
Bassoons (2), Horns (4),
Trumpets (2), Trombones
(3), Timpani)
SKU:
BA.BA06999-65
Composed by Edouard Lalo.
Edited by Hugh MacDonald.
This edition: Urtext
edition. Stapled.
Barenreiter Urtext. Wind
Parts. Baerenreiter
Verlag #BA06999_65.
Published by Baerenreiter
Verlag (BA.BA06999-65).
ISBN 9790006531844.
32.5 x 25.5 cm inches.
Key: D minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Cello and orchestra SKU: BR.PB-5509 Urtext. Composed by Carl Phili...(+)
Cello and orchestra
SKU: BR.PB-5509
Urtext. Composed
by Carl Philipp Emanuel
Bach. Edited by Ulrich
Leisinger. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
The
concertos in A
minor and B flat major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in
Germany.
Solo
concerto; Early
classical. Full score. 52
pages. Duration 27'.
Breitkopf and Haertel #PB
5509. Published by
Breitkopf and Haertel
(BR.PB-5509).
ISBN
9790004211694. 9 x 12
inches.
The
concertos in A minor, B
flat major and A major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in Germany.
The A minor Concerto,
composed in 1750, is
performed quite
frequently today. C. P.
E. Bach most likely wrote
the Concerto in B flat
major Wq. 171 as the last
of the little work group
in 1753 in Potsdam, at
the court of King
Frederick the Great. He
reworked the composition
for flute and harpsichord
shortly thereafter.
Various sources prove
that copies of the work
had made it known quite
extensively in the second
half of the 18th century.
In his new Urtext
edition, Ulrich Leisinger
bases himself on two
reliable manuscripts.
Violin and orchestra (solo: vl - str - bc) SKU: BR.PB-5297 Composed by Fr...(+)
Violin and orchestra
(solo: vl - str - bc)
SKU: BR.PB-5297
Composed by Franz Joseph
Haydn. Edited by Walter
Heinz Bernstein.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Haydn's C major
Concerto now in a new,
up-to-date
edition
EB 8634
(edition for violin and
piano) with cadenzas by
Thomas Zehetmair
Solo
concerto; Classical. Full
score. 24 pages. Duration
24'. Breitkopf and
Haertel #PB 5297.
Published by Breitkopf
and Haertel (BR.PB-5297).
ISBN 9790004211755. 10
x 12.5
inches.
Haydn's
Violin Concerto in C
major has always been
closely linked to
Breitkopf & Hartel,
which began selling
copies of the work back
in 1769. The first
edition came out in 1909
and helped secure the
work a broad
dissemination and lasting
popularity. Strangely
enough, this first
edition is one of the
most important sources
today, since its own
source a copy of Haydn's
autograph, perhaps the
autograph itself was lost
at the end of World War
II. Although other copies
from Haydn's time were
made, they are textually
less reliable. Walter
Heinz Bernstein has
created an easily
playable and
pleasant-sounding piano
score on the basis of the
first edition, whereby he
has respected the early
classical continuo
practice. As he did
earlier in the G major
Concerto (EB 8606),
Thomas Zehetmair has once
again accepted the
challenging task of
embellishing the solo
part with stylistically
accurate cadenzas and
flourishes. This
delightful concerto is
thus now available in a
modern edition.The
piano-harpsichord part by
Walter Heinz Bernstein
features a continuo part
in keeping with the late
Baroque performing
tradition and offers a
much cleaner, unfettered
realization.(Stringendo)<
br> Haydn's C major
Concerto now in a new,
up-to-date edition.
Cello and Orchestra SKU: HL.14023249 Composed by Arne Nordheim. Music Sal...(+)
Cello and Orchestra
SKU: HL.14023249
Composed by Arne
Nordheim. Music Sales
America. Classical.
Score. 46 pages. Edition
Wilhelm Hansen #WH29746.
Published by Edition
Wilhelm Hansen
(HL.14023249).
ISBN
9788759861981.
11.75x16.5x0.45 inches.
English.
Tenebrae
(1982), a single-movement
cello concerto,
commissioned and
premiered by Rostropovich
who praised the composer
for his fine
understanding and command
of the rich timbre of the
instrument. It is a
convincing and almost
nightmarish work
containing music which
leaves a tremendous
impact on the listener.
Not least in the central
section where ghastly and
terrifying apparitions
are invoked out of the
darkness. The final
poetical section of the
work is directly inspired
by the description of the
closing movement of
Leverkuhn's Cantata in
Thomas Mann's Doktor
Faustus.
Violin and orchestra
(solo: vl - picc.2.2(cor
ang).2.2.dbn. - 4.3.3.1.
- perc(3) - hp - pno -
str: 14.12.10.8.6.)
SKU: BR.PB-5434
Composed by Ye Shen.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). World
premiere: Tokyo, August
21, 2018. Solo concerto;
Music post-1945; New
music (post-2000). Full
score. Composed 2018. 96
pages. Duration 27'.
Breitkopf and Haertel #PB
5434. Published by
Breitkopf and Haertel
(BR.PB-5434).
ISBN
9790004212813. 10.5 x 14
inches.
My first
violin concerto, The
Psalms of Taciturnity,
describes the inner
feelings that cannot be
expressed verbally, but
that also cannot remain
unexpressed. There is the
human spirit's pain,
sorrow and fortitude in
the face of this big
quandry. The Psalms stand
for the praise of
humanity and of life. And
so in this concerto, the
Psalms are lacking in
words, but are full of
music. (Ye
Shen)