By Edward Elgar. Edited by Jonathan Del Mar. For Violin 2. Single Part; Urtext E...(+)
By Edward Elgar. Edited
by Jonathan Del Mar. For
Violin 2. Single Part;
Urtext Edition. Op. 85.
Published by
Baerenreiter-Ausgaben
(German import). (BA9040
75)
By Edward Elgar. Edited by Jonathan Del Mar. For Violin 1. Single Part; Urtext E...(+)
By Edward Elgar. Edited
by Jonathan Del Mar. For
Violin 1. Single Part;
Urtext Edition. Op. 85.
Published by
Baerenreiter-Ausgaben
(German import). (BA9040
74)
First flute, second flute, first oboe, second oboe, first clarinet, second clari...(+)
First flute, second
flute, first oboe, second
oboe, first clarinet,
second clarinet, first
bassoon, second bassoon,
first horn-4, first
trumpet, second trumpet,
first trombone, second
trombone, third trombone,
timpani (Flutes (2),
Oboes (2), Clarinets (2),
Bassoons (2), Horns (4),
Trumpets (2), Trombones
(3), Timpani)
SKU:
BA.BA06999-65
Composed by Edouard Lalo.
Edited by Hugh MacDonald.
This edition: Urtext
edition. Stapled.
Barenreiter Urtext. Wind
Parts. Baerenreiter
Verlag #BA06999_65.
Published by Baerenreiter
Verlag (BA.BA06999-65).
ISBN 9790006531844.
32.5 x 25.5 cm inches.
Key: D minor.
About
Barenreiter Urtext
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B�¤renreiter Urtext
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cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
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enough that reverse pages
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Cello and orchestra SKU: FG.55011-608-5 Variaatioita sellolle ja orkes...(+)
Cello and orchestra
SKU:
FG.55011-608-5
Variaatioita sellolle
ja orkesterille op 5.
Composed by Aulis
Sallinen. Score. Fennica
Gehrman #55011-608-5.
Published by Fennica
Gehrman (FG.55011-608-5).
ISBN
9790550116085.
Auli
s Sallinen (b. 1935) is
one of the most famous
Finnish contemporary
composers. In his early
instrumental works,
Sallinen was still
seeking to establish a
style of his own. He had
studied at the Sibelius
Academy in the late
1950s, first with Aarre
Merikanto - a composer
representing a national
brand of Neoclassicism -
and then with Joonas
Kokkonen, at that time
just transitioning from
Neoclassicism to
dodecaphony. Twelve-tone
music had won fairly
widespread acceptance in
contemporary Finn-ish
music, and Sallinen was
influenced, too. The
Variations are Sallinen's
first real work for the
cello - an instrument
that would later be one
of his favourites, its
warm, deep voice
corres-ponding to his
music's often dark
undercurrent.
The Variations for Cello
and Orchestra, Op. 5 were
composed in 1961-1962 and
premiered in October
1962. The basic motif
consists of a set of
three descending
intervals stated by the
cello at the beginning:
D-D flat-F, C-B-G and B
flat-A-F sharp. Their use
as basic material is a
ref-lection of the
composer's
dodecaphony-oriented
period, and variation of
this material provides
the framework for the
piece.
Variations for Cello and
Orchestra are now
published for the first
time. Available are a
reduction for cello and
piano, study score and
complete performance
material with
orchestra.