Violin and Orchestra (Score) SKU: HL.14008406 Composed by Sir Peter Maxwe...(+)
Violin and Orchestra
(Score)
SKU:
HL.14008406
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. 20th Century.
Book [Softcover].
Composed 1999. 94 pages.
Chester Music #CH60978.
Published by Chester
Music (HL.14008406).
ISBN
9780711948716.
A
work for solo violin and
orchestra, commissioned
by Donald McDonald for
the 21st birthday of the
Scottish Chamber
Orchestra and the 60th
birthday of the composer.
It was first performed in
November 1993 in Glasgow,
by James Clark and the
Scottish Chamber
Orchestra conducted by
Maxwell Davies. The spell
is one quoted by George
Mackay Brown in his book
An Orkney Tapestry: 'Let
not plough be put to acre
except a fiddle cross
first the furrow.'
Davies's dancing concerto
imagines the fiddler
following a route from
field to field, from
dance to dance,
accompanied by a bunch of
companions in the form of
an orchestra. As the
music goes on, so it gets
brighter and livelier,
moving from the dark
colouring of clarinets,
bassoons and strings to
full ensemble with
prominent brass and
(solo) tuned percussion,
as if the dancers as much
as the fields were
beginning to glow with
new life. Score
(miniature). Duration c.
20mins.
Violin and orchestra (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-...(+)
Violin and orchestra
(solos: vl - 2.2.2.2 -
2.2.0.0 - timp - str)
SKU: BR.PB-15136
Urtext. Composed
by Camille Saint-Saens.
Edited by Christiane
Strucken-Paland.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Full score. 32 pages.
Breitkopf and Haertel #PB
15136. Published by
Breitkopf and Haertel
(BR.PB-15136).
ISBN
9790004214725. 10 x 12.5
inches.
The
Havanaise possibly has
its roots in the
friendship of the
composer with the
Cuban-born violinist
Rafael Diaz Albertini. It
is thus perfectly
plausible that
Saint-Saens borrowed the
Cuban syncopated slow
dance Habanera out of
kindness towards his
performance partner when
he was getting ready to
write a work for Diaz
Albertini in 1887.
Saint-Saens originally
wrote a version for
violin and piano, which
was later followed by the
orchestral version that
the publisher Durand had
urged him to write. Diaz
Albertini, to whom the
work was dedicated, gave
its world premiere before
other virtuosos adopted
it for themselves and
spread its fame
throughout the world. The
basis of this first
Urtext edition of the
piece is the first
edition, which was
presumably personally
overseen by
Saint-Saens.
Violin and orchestra (3(
2:pic,3:pic,afl) * 2.ca.
* 2.bcl * 2.cbn - 4 * 2 *
3 * 1 - timp. *
perc(vibra., tub.bells,
marimba., crots.,
maraca., high bng., large
cym., low tom-tom,
frusta, hi-hat, xylo.,
b.d., large tam-tam, hand
bells, t.bl., cong.,
tri., cabaca) - hp -
str.)
SKU:
HL.49014914
Composed
by John Casken. Sheet
music. Edition Schott.
Commissioned by the BBC.
Classical. Study Score.
124 pages. Duration 30'.
Schott Music #ED 12497.
Published by Schott Music
(HL.49014914).
Cello and Orchestra SKU: HL.14020990 Composed by Sir Peter Maxwell Davies...(+)
Cello and Orchestra
SKU: HL.14020990
Composed by Sir Peter
Maxwell Davies. Music
Sales America. 20th
Century. Score. Composed
1999. 80 pages. Chester
Music #CH58933. Published
by Chester Music
(HL.14020990).
ISBN
9780711923904.
5.5x7.5x0.283
inches.
If Davies's
Cello Concerto has
already evoked
comparisons with Elgar's,
that is perhaps an
indication not only of
its wealth of solo melody
(there is hardly a page
where the cello is not
singing, or if not that,
then dancing), and of its
predominantly slow
tempos, but also of its
musical stature. This
second Strathclyde
concerto is a virtuoso
piece for the entire
ensemble, which is used
almost throughout as a
clutch of soloists rather
than as a tutti block.
The general tone is one
of passionate but
interior dialogue,
especially in the opening
Moderato and the slow
movement; and though the
finale is more extrovert,
the work ends back in
quietness and
rumination.
By Edward Elgar. Edited by Jonathan Del Mar. For Violin 2. Single Part; Urtext E...(+)
By Edward Elgar. Edited
by Jonathan Del Mar. For
Violin 2. Single Part;
Urtext Edition. Op. 85.
Published by
Baerenreiter-Ausgaben
(German import). (BA9040
75)
By Edward Elgar. Edited by Jonathan Del Mar. For Violin 1. Single Part; Urtext E...(+)
By Edward Elgar. Edited
by Jonathan Del Mar. For
Violin 1. Single Part;
Urtext Edition. Op. 85.
Published by
Baerenreiter-Ausgaben
(German import). (BA9040
74)
First flute, second flute, first oboe, second oboe, first clarinet, second clari...(+)
First flute, second
flute, first oboe, second
oboe, first clarinet,
second clarinet, first
bassoon, second bassoon,
first horn-4, first
trumpet, second trumpet,
first trombone, second
trombone, third trombone,
timpani (Flutes (2),
Oboes (2), Clarinets (2),
Bassoons (2), Horns (4),
Trumpets (2), Trombones
(3), Timpani)
SKU:
BA.BA06999-65
Composed by Edouard Lalo.
Edited by Hugh MacDonald.
This edition: Urtext
edition. Stapled.
Barenreiter Urtext. Wind
Parts. Baerenreiter
Verlag #BA06999_65.
Published by Baerenreiter
Verlag (BA.BA06999-65).
ISBN 9790006531844.
32.5 x 25.5 cm inches.
Key: D minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Cello and Orchestra SKU: BT.EMBZ14893 Composed by László Dubrovay. ...(+)
Cello and Orchestra
SKU: BT.EMBZ14893
Composed by László
Dubrovay. EMB
Contemporary Music.
Contemporary Music. Book
Only. Composed 2016. 68
pages. Editio Musica
Budapest #EMBZ14893.
Published by Editio
Musica Budapest
(BT.EMBZ14893).
The concerto
was inspired by István
Várdai's play and is
dedicated to him. The
triple movement structure
and the character of the
movements follow the
patterns of classical
concertos, while the
thematic connections
spanning the movements
rather reflect the
structural principles of
Romantic symphonies. In
the first movement, which
resembles the form of a
sonata, the characters of
the themes are
spectacularly separated.
The motif of the main
theme, constructed with
glissandos, is
supplemented by a theme
the composer refers to as
a motif of fate, and the
two together form a
significant contrast with
the minor theme with its
lyrical tone and the
playful, ending
themeresembling a
children's song. The
contrasts between depth
and height, as well as
darkness and light, have
a significant role in all
three movements. The
music of the first
movement gradually rises
to increasingly bright
and higher regions, the
gloomy atmosphere of the
marginal parts in the
second movement is offset
by the tune's
transcendental light in
its central part, while
the rondo theme of the
third movement with its
6/8 metre dance-like
character is supplemented
with motifs of a
contrasting nature from
the earlier
movements.
Composed by William Walton (1902-1983). Edited by David Lloyd-Jones. For cello a...(+)
Composed by William
Walton (1902-1983).
Edited by David
Lloyd-Jones. For cello
and orchestra (solo
cello, 2 flutes, oboe,
english horn, 2 clarinets
in A, 2 bassoons, 4
horns, 2 trumpets in C, 3
trombones, tuba, timpani,
percussion, celeste,
harp, strings). William
Walton Edition. Pieces
and Studies. Level D
(difficult). Study score.
136 pages. Duration 27'.
Published by Oxford
University Press