(New Collected Works of Dmitri Shostakovich - Volume 48). Composed by Dmitri Sho...(+)
(New Collected Works of
Dmitri Shostakovich -
Volume 48). Composed by
Dmitri Shostakovich
(1906-1975). For Cello,
Orchestra (Score). DSCH.
Hardcover. 164 pages. Hal
Leonard #NCW48. Published
by Hal Leonard
By Edward Elgar. Edited by Jonathan Del Mar. For Violin 2. Single Part; Urtext E...(+)
By Edward Elgar. Edited
by Jonathan Del Mar. For
Violin 2. Single Part;
Urtext Edition. Op. 85.
Published by
Baerenreiter-Ausgaben
(German import). (BA9040
75)
By Edward Elgar. Edited by Jonathan Del Mar. For Violin 1. Single Part; Urtext E...(+)
By Edward Elgar. Edited
by Jonathan Del Mar. For
Violin 1. Single Part;
Urtext Edition. Op. 85.
Published by
Baerenreiter-Ausgaben
(German import). (BA9040
74)
First flute, second flute, first oboe, second oboe, first clarinet, second clari...(+)
First flute, second
flute, first oboe, second
oboe, first clarinet,
second clarinet, first
bassoon, second bassoon,
first horn-4, first
trumpet, second trumpet,
first trombone, second
trombone, third trombone,
timpani (Flutes (2),
Oboes (2), Clarinets (2),
Bassoons (2), Horns (4),
Trumpets (2), Trombones
(3), Timpani)
SKU:
BA.BA06999-65
Composed by Edouard Lalo.
Edited by Hugh MacDonald.
This edition: Urtext
edition. Stapled.
Barenreiter Urtext. Wind
Parts. Baerenreiter
Verlag #BA06999_65.
Published by Baerenreiter
Verlag (BA.BA06999-65).
ISBN 9790006531844.
32.5 x 25.5 cm inches.
Key: D minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Cello and Orchestra SKU: HL.14020990 Composed by Sir Peter Maxwell Davies...(+)
Cello and Orchestra
SKU: HL.14020990
Composed by Sir Peter
Maxwell Davies. Music
Sales America. 20th
Century. Score. Composed
1999. 80 pages. Chester
Music #CH58933. Published
by Chester Music
(HL.14020990).
ISBN
9780711923904.
5.5x7.5x0.283
inches.
If Davies's
Cello Concerto has
already evoked
comparisons with Elgar's,
that is perhaps an
indication not only of
its wealth of solo melody
(there is hardly a page
where the cello is not
singing, or if not that,
then dancing), and of its
predominantly slow
tempos, but also of its
musical stature. This
second Strathclyde
concerto is a virtuoso
piece for the entire
ensemble, which is used
almost throughout as a
clutch of soloists rather
than as a tutti block.
The general tone is one
of passionate but
interior dialogue,
especially in the opening
Moderato and the slow
movement; and though the
finale is more extrovert,
the work ends back in
quietness and
rumination.
Cello and Orchestra SKU: BT.ALHE32207 Composed by Henri Dutilleux. Classi...(+)
Cello and Orchestra
SKU: BT.ALHE32207
Composed by Henri
Dutilleux. Classical.
Score Only. 137 pages.
Heugel & Cie #ALHE32207.
Published by Heugel & Cie
(BT.ALHE32207).
French.
Henri
Dutilleux (1916-2013) was
greatly influenced by his
contemporaries, Ravel,
Debussy and Roussel, yet
implemented his own,
unique style. His Cello
Concerto, Tout un monde
lointain, is considered
to be one of the most
important20th century
additions to the
instrument's repertoire.
This Dutilleux Concerto
comprises five movements
which run seamlessly in
to one-another, each
inspired by the poetry of
Charles Baudelaire. The
movements are: 1)
Énigme(Enigma), 2)
Regard (Gaze), 3) Houles
(Surges), 4) Miroirs
(Mirrors), and 5) Hymne
(Hymn). Tout un monde
lointain was first
performed in July 1970 by
Russian cellist, Mstislav
Rostropovich with the
Orchestre de Paris. The
pieceremains popular to
this day, and including
the entire orchestral
score, this edition is
essential to the advanced
cellist's repertoire.
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) SK...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
2.2(or 2corn).0.0 - timp
- str)
SKU:
BR.PB-15155
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Full score. 40 pages.
Duration 9'. Breitkopf
and Haertel #PB 15155.
Published by Breitkopf
and Haertel
(BR.PB-15155).
ISBN
9790004215609. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Concerto No. 4 in F
minor L'Inverno
(Winter). Composed by
Antonio Vivaldi. Edited
by Simon Launchbury.
Orchestra; Softcover.
Eulenburg Orchestral
Series. Symphonic poem;
Baroque. Score with
continuo realization. 40
pages. Duration 9'.
Breitkopf and Haertel
#EOS 1223. Published by
Breitkopf and Haertel
(BR.EOS-1223).
Concerto No. 1 in E
major La Primavera
(Spring). Composed by
Antonio Vivaldi. Edited
by Simon Launchbury.
Orchestra; Softcover.
Eulenburg Orchestral
Series. Here you will
find the study score for
Vivaldi, Le quattro
stagioni (The four
seasons) Concertos Nos. 1
to 4. Symphonic poem;
Baroque. Score with
continuo realization. 40
pages. Duration 10'.
Breitkopf and Haertel
#EOS 1220. Published by
Breitkopf and Haertel
(BR.EOS-1220).
Violin and orchestra (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-...(+)
Violin and orchestra
(solos: vl - 2.2.2.2 -
2.2.0.0 - timp - str)
SKU: BR.PB-15136
Urtext. Composed
by Camille Saint-Saens.
Edited by Christiane
Strucken-Paland.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Full score. 32 pages.
Breitkopf and Haertel #PB
15136. Published by
Breitkopf and Haertel
(BR.PB-15136).
ISBN
9790004214725. 10 x 12.5
inches.
The
Havanaise possibly has
its roots in the
friendship of the
composer with the
Cuban-born violinist
Rafael Diaz Albertini. It
is thus perfectly
plausible that
Saint-Saens borrowed the
Cuban syncopated slow
dance Habanera out of
kindness towards his
performance partner when
he was getting ready to
write a work for Diaz
Albertini in 1887.
Saint-Saens originally
wrote a version for
violin and piano, which
was later followed by the
orchestral version that
the publisher Durand had
urged him to write. Diaz
Albertini, to whom the
work was dedicated, gave
its world premiere before
other virtuosos adopted
it for themselves and
spread its fame
throughout the world. The
basis of this first
Urtext edition of the
piece is the first
edition, which was
presumably personally
overseen by
Saint-Saens.