Cello and orchestra (3
(3. auch Picc.) * 0 * 2 *
Bassklar. * 2 - 3 * 0 * 0
* 0 - P. S. (Crot. *
Marimba * kl. Trgl. * m.
u. gr. Hangebeck. * Tamt.
* Tomt. * gr. Tr. *
Chimes * Clav. * Woodbl.)
(2 Spieler) - Str. (gross
besetzt)) - advanced
SKU: HL.49019901
For Violoncello and
Orchestra. Composed
by Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
String. Softcover.
Composed 2011. 68 pages.
Duration 25'. Schott
Music #ED21667. Published
by Schott Music
(HL.49019901).
ISBN
9790001196611.
9.25x12.0x0.186
inches.
Enjott
Schneider's Concerto for
violoncello takes up the
Sumerian legend of the
bird deity 'Dugud' in
archaic scenes. Legend
has it that Princess
Emeshe was impregnated by
the hermaphrodite - half
eagle, half falcon - in a
dream and founded with
her son Almos, who had
thus been conceived, the
royal Hungarian
dynasty.In expressive
musical pictures,
Schneider describes the
dark-erotic struggle of
impregnation as well as
the chant of the unborn.
Hovering above everything
is the vision of life in
complete freedom like a
bird.The work was
premiered by the
Hungarian cellist Laszlo
Fenyo in 2011. Thanks to
the piano score written
by the composer, the work
can now also be studied
and performed by a
duo.
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) SK...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
2.2(or 2corn).0.0 - timp
- str)
SKU:
BR.PB-15155
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Full score. 40 pages.
Duration 9'. Breitkopf
and Haertel #PB 15155.
Published by Breitkopf
and Haertel
(BR.PB-15155).
ISBN
9790004215609. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.