Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde...(+)
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in Vienna.
Composed by Johannes
Brahms (1833-1897).
Partitur-Bibliothek
(Score Library). The
Double Concerto in A
minor op. 102 is Brahms'
last work for orchestra.
He wrote it in Thun in
summer 1887 at the
suggestion of the cellist
Robert Hausmann, to whom
Brahms had also dedicated
his Cello Sonata No. 2
op. 99; it was completed
just before o. Romantic.
Study score. Breitkopf
and Haertel #PB 3697-07.
Published by Breitkopf
and Haertel
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) SK...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
2.2(or 2corn).0.0 - timp
- str)
SKU:
BR.PB-15155
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Full score. 40 pages.
Duration 9'. Breitkopf
and Haertel #PB 15155.
Published by Breitkopf
and Haertel
(BR.PB-15155).
ISBN
9790004215609. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Violin and orchestra (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-...(+)
Violin and orchestra
(solos: vl - 2.2.2.2 -
2.2.0.0 - timp - str)
SKU: BR.PB-15136
Urtext. Composed
by Camille Saint-Saens.
Edited by Christiane
Strucken-Paland.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Full score. 32 pages.
Breitkopf and Haertel #PB
15136. Published by
Breitkopf and Haertel
(BR.PB-15136).
ISBN
9790004214725. 10 x 12.5
inches.
The
Havanaise possibly has
its roots in the
friendship of the
composer with the
Cuban-born violinist
Rafael Diaz Albertini. It
is thus perfectly
plausible that
Saint-Saens borrowed the
Cuban syncopated slow
dance Habanera out of
kindness towards his
performance partner when
he was getting ready to
write a work for Diaz
Albertini in 1887.
Saint-Saens originally
wrote a version for
violin and piano, which
was later followed by the
orchestral version that
the publisher Durand had
urged him to write. Diaz
Albertini, to whom the
work was dedicated, gave
its world premiere before
other virtuosos adopted
it for themselves and
spread its fame
throughout the world. The
basis of this first
Urtext edition of the
piece is the first
edition, which was
presumably personally
overseen by
Saint-Saens.
Violin and orchestra (Solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(Solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU: BR.PB-16110
Urtext from the new
Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Linda
Correll Roesner and
Michael Struck.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic;
Late-romantic. Full
score. 216 pages.
Duration 35'. Breitkopf
and Haertel #PB 16110.
Published by Breitkopf
and Haertel
(BR.PB-16110).
ISBN
9790004214374. 10 x 12.5
inches.
Johannes
Brahms's only violin
concerto, one of the most
important violin
concertos of the 19th
century, is now a central
repertoire piece. This
fact is all the more
notable, as, by his own
account, Brahms
understood all too little
about the instrument. The
concerto was composed at
Worthersee during the
summer of 1878 in
collaboration with Joseph
Joachim, a leading
contemporary violinist.
The solo part is
extremely demanding, with
really unusual
difficulties. This
circumstance did not go
unnoticed by the critics
of the first performance:
Even to Joachim, the
battled-seasoned
wrestler, the technically
difficult and tricky solo
part was to be mastered
only with obvious effort.
Evidencing this close
collaboration between
composer and performer is
not only the work's
genesis and publication
history, together with
its dedication to
Joachim, but also its
solo cadenza. Based on
the New Brahms Complete
Edition, this Urtext
edition includes both the
printed version of
Joachim's cadenza as well
as its shorter version
arranged in 1885 by the
violinist Marie
Soldat.
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU: BR.PB-15132
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Full score. 84 pages.
Duration 25'. Breitkopf
and Haertel #PB 15132.
Published by Breitkopf
and Haertel
(BR.PB-15132).
ISBN
9790004214688. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU:
BR.PB-15133-07
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with
G. Henle Verlag
Solo concerto; Romantic;
Late-romantic. Study
Score. 84 pages. Duration
25'. Breitkopf and
Haertel #PB 15133-07.
Published by Breitkopf
and Haertel
(BR.PB-15133-07).
ISBN
9790004214695. 6.5 x 9
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Cello and Orchestra SKU: BT.EMBZ14893 Composed by László Dubrovay. ...(+)
Cello and Orchestra
SKU: BT.EMBZ14893
Composed by László
Dubrovay. EMB
Contemporary Music.
Contemporary Music. Book
Only. Composed 2016. 68
pages. Editio Musica
Budapest #EMBZ14893.
Published by Editio
Musica Budapest
(BT.EMBZ14893).
The concerto
was inspired by István
Várdai's play and is
dedicated to him. The
triple movement structure
and the character of the
movements follow the
patterns of classical
concertos, while the
thematic connections
spanning the movements
rather reflect the
structural principles of
Romantic symphonies. In
the first movement, which
resembles the form of a
sonata, the characters of
the themes are
spectacularly separated.
The motif of the main
theme, constructed with
glissandos, is
supplemented by a theme
the composer refers to as
a motif of fate, and the
two together form a
significant contrast with
the minor theme with its
lyrical tone and the
playful, ending
themeresembling a
children's song. The
contrasts between depth
and height, as well as
darkness and light, have
a significant role in all
three movements. The
music of the first
movement gradually rises
to increasingly bright
and higher regions, the
gloomy atmosphere of the
marginal parts in the
second movement is offset
by the tune's
transcendental light in
its central part, while
the rondo theme of the
third movement with its
6/8 metre dance-like
character is supplemented
with motifs of a
contrasting nature from
the earlier
movements.